to compose a piece of music for a musician is like writing a book for a writer... they both have stories... books have stories for the mind while music has stories for the soul
wow I really liked your fugue! Such a serene and haunting feel to it! Contrary to some of the other users, i really appreciated all of the subject's entrances, and didn't feel any akward changes, but that's just me. Thanks for writting this!
Very nice. I like the subject, especially the rise to the G near the end. However, i thought your first episode was a bit awkward in terms of voices entering. It reminds me of Brahms because of how you re-utilize material, but perhaps more thought to phrasing would be helpful. Hard to do in Sibelius of course! Also, I enjoyed the episode at 4:38 with the subjects juxtaposing the sustain. Very nice effect! Lastly, I agree with what has been said about the ending. It's very disappointing...
@alicommagali I'm not sure where you're referring to by "first episode" ... could you give a time, and say why you think a voice entry is awkward? Thanks. And yes, it can be played much more expressively! I play it on the piano, and I do a lot more with it than I do here. Maybe someday (like, when I run out of Bach and Beethoven, ha-ha) I'll do a video of me playing it.
@smalin First episode at 1:47, kinda awkward voices at 2:06. it feels awkward because the introduction of the 3rd and 4th voices offsets the phrase length. would love to see a real interpretation! It seems like it'd be a challenging piano piece.
After listening to your most recent piece (Quartet) (which I did not realise was your own) I've come back to all the videos which I watched before of this mysterious "Malinowski". I love this piece. I liked Quartet too.
Before I knew these were your pieces I had an anonymous respect for the classical composer. Knowing that it is you that wrote this makes the listening all the more enjoyable.
The whole thing was great! And then... the ending was kind of plain - I think because there was no point at which the voices came together, like in Bach where he'll lay down a Neopolitan or something like that, and just stop the fugue altogether. For such a long fugue, it definitely deserves it!
@jeffamarie Yeah, I agree. If I were a better composer, I would have written a better ending. I think of it as ending with a whimper, after spending the piece crying.
@smalin I would be that harsh! The entire piece up to that point is a hugely impressive demonstration - I would go so far as to say it's where Bach would have wanted fugue to go!
@smalin Is that the only reason you stopped composing? I'm just curious.
I'm really getting into composition, but my field is Computer Science. I feel like one day I'll have to choose between the two, and it's a little distressing.
i really enjoy your work, especially your fugues. i very much like canons and fugues, and the like, and am learning what i can about the craft of writing this sort of music. and your videos are a big help. they make the counterpoint seem very intuitive and natural.
Since I haven't heard of the Proteus 2 sound box, I'm guessing the answer is no. As I said in the FAQ, it's the playback from the Sibelius notation program ... so it's whatever sounds come with that.
No, check out Bach's fugues from 'A Well-Tempered Clavinet'.
It's only convenient to write in minor keys, because then you don't have to worry about the major 7th and the tonic running into each other (in a minor key, the 7th and 1 are a major 2nd apart, wheras in a major key, the 7th and 1 are a minor 2nd apart, displeasing to the human ear.
If done properly, fugues can sound wonderful in any key... even Blues... well... almost
the purpose of the minor key is to follow the properties of the major wich is the only that is create naturally trough the harmonics of a strings or vibrations.
I have loved music since before I was born. I like to listen to a piece over and over listening to a different section each time. Your idea of the bars is SO GREAT!! I can really zone in on the one section I want to listen to at that time. Also haveing the music score and hands is enjoyable. Thank you for doing this and expecially for SHARING it with the world!! Sincerely, SanDee in Olympia, WA
Hey, I really like this piece... very plaintive and rather lachrymose. Bad-ass stretti! It sounds stylistically a little bit like Reicha's piano fugues. Did you write many more pieces like this, or just the 3 or 4 fugues listed in your online "catalogue"?
My first couple of fugues were lousy (I think only one of them is listed). The next one, in C (originally in B-flat) is okay, as is the Fugue for Friday. The one dedicated to Stanley Krebs and this one are the best. That's the order I wrote them in, and each time I learned something. On the last one, I learned that you can't make a living writing fugues, and got a job writing software instead; that was about 27 years ago, and I haven't written much music since then ...
If it's under copyright, I would have to get permission to post it. I could do it without permission, but then the copyright holder could ask me to remove it. I don't want to do the work and not be able to share it. I've tried to get permission in the past, and it's not worth the trouble.
This was quite good, and that's a huge compliment because that means I enjoyed it even though I was just listening to all the Bach pieces that you have done.
Usually, after I listen to a bunch of famous pieces, I find it very hard to enjoy my own compositions, but I still enjoyed your's.
I really like this. The ornament is one of my favorite characteristics of the main theme because when it appears throughout the piece it helps unify the work with a distinct event (especially appearance in in inner voices!).
Also it "sounds cool".
I also really like the tense moment right before 3:30 and the three repeated note development around 4:40. Very cool. Thanks so much for posting this.
Compelling. With your permission I would like to program this for my electric guitar orchestra concert in April (2009). They can read the recorder parts.
Good work! At first I thought sounded a little discorded but then it released and it was good =) I like the theme recurring throughout the song too. Keep up the good work.
I'm afraid I don't understand the harmonic coloring for this piece. I went to your site and think I have an idea of how it goes. blue=root/tonic, red=III, ect yadda yadda. But for example in the beginning melody introduction is all that grey'sh blue.. and the melodies that fallow remain static in their color despite what pitch they are signifying or what pitch the aforementioned color is signifying..
Also, while I'm commenting I'd like to send a big THANK YOU for these videos. They are by far the best demonstrations of visually showing how.. or should I say why music works and how the melodies relate to each other in detail. :)
Wonderful :)
SANTARII 3 months ago in playlist Malinowski
to compose a piece of music for a musician is like writing a book for a writer... they both have stories... books have stories for the mind while music has stories for the soul
GovernerOfBurningHam 3 months ago in playlist Malinowski
a beautiful fugue!
Amarelaoo1 3 months ago
This fugue is very nice as well as your others, but sometimes the subjects seem a little too long and they kind of drift off towards the end
F1R1NMAHLAZAH 5 months ago
A funeral fugue, sir? Nice!
gsarci2011 6 months ago
This is my favorite piece of yours.
mahler151 7 months ago
@mahler151 It's one of my favorites, too.
smalin 7 months ago
Brilliant. Absolutely brilliant. I only wish that I could write something as beautiful...
muulka 7 months ago
Beautiful
Dolphidood 8 months ago
This has been flagged as spam show
wow this is beautiful, i like the way you wrote it. maybe i can say that you write fugues like Bach would write it or the other way around :P
PsyberJocker 10 months ago
wow this is beautiful, i like the way you wrote it. maybe i can say that you write fugues like Bach would write it or the other wau around :P
PsyberJocker 10 months ago
This is absolutely brilliant. Thank you for putting it up for the world to hear.
Hyperionalis 11 months ago
wow I really liked your fugue! Such a serene and haunting feel to it! Contrary to some of the other users, i really appreciated all of the subject's entrances, and didn't feel any akward changes, but that's just me. Thanks for writting this!
musi16 1 year ago
Peacefully it flows, steadily it goes, going where? Who knows?
wenaolong 1 year ago
Very nice. I like the subject, especially the rise to the G near the end. However, i thought your first episode was a bit awkward in terms of voices entering. It reminds me of Brahms because of how you re-utilize material, but perhaps more thought to phrasing would be helpful. Hard to do in Sibelius of course! Also, I enjoyed the episode at 4:38 with the subjects juxtaposing the sustain. Very nice effect! Lastly, I agree with what has been said about the ending. It's very disappointing...
alicommagali 1 year ago
@alicommagali I'm not sure where you're referring to by "first episode" ... could you give a time, and say why you think a voice entry is awkward? Thanks. And yes, it can be played much more expressively! I play it on the piano, and I do a lot more with it than I do here. Maybe someday (like, when I run out of Bach and Beethoven, ha-ha) I'll do a video of me playing it.
smalin 1 year ago
@smalin First episode at 1:47, kinda awkward voices at 2:06. it feels awkward because the introduction of the 3rd and 4th voices offsets the phrase length. would love to see a real interpretation! It seems like it'd be a challenging piano piece.
alicommagali 1 year ago
After listening to your most recent piece (Quartet) (which I did not realise was your own) I've come back to all the videos which I watched before of this mysterious "Malinowski". I love this piece. I liked Quartet too.
Before I knew these were your pieces I had an anonymous respect for the classical composer. Knowing that it is you that wrote this makes the listening all the more enjoyable.
AlanKey86 1 year ago
A half cadence at the end?
joelhhh 1 year ago
The whole thing was great! And then... the ending was kind of plain - I think because there was no point at which the voices came together, like in Bach where he'll lay down a Neopolitan or something like that, and just stop the fugue altogether. For such a long fugue, it definitely deserves it!
jeffamarie 1 year ago
@jeffamarie Yeah, I agree. If I were a better composer, I would have written a better ending. I think of it as ending with a whimper, after spending the piece crying.
smalin 1 year ago
@smalin I would be that harsh! The entire piece up to that point is a hugely impressive demonstration - I would go so far as to say it's where Bach would have wanted fugue to go!
jeffamarie 1 year ago
@jeffamarie *wouldn't be that harsh!
jeffamarie 1 year ago
Fugueing brilliant!
fburton8 1 year ago
Do you still make fugues? I want MOAR
pedantologist 1 year ago 2
This is pretty much the last piece I wrote. Once I got a regular job (in 1984), I didn't have time to write music.
smalin 1 year ago
@smalin Is that the only reason you stopped composing? I'm just curious.
I'm really getting into composition, but my field is Computer Science. I feel like one day I'll have to choose between the two, and it's a little distressing.
FMota91 1 year ago
@smalin Just wanted to add that this fugue is brilliant. Thank you.
FMota91 1 year ago
i really enjoy your work, especially your fugues. i very much like canons and fugues, and the like, and am learning what i can about the craft of writing this sort of music. and your videos are a big help. they make the counterpoint seem very intuitive and natural.
b0ttomzone 2 years ago 2
thank you very much, is truly lovely
zeitrigor 2 years ago
awesome
TheBeethooven 2 years ago
Sounds like a Proteus 2 sound box?
is it?
thelord2000 2 years ago
Since I haven't heard of the Proteus 2 sound box, I'm guessing the answer is no. As I said in the FAQ, it's the playback from the Sibelius notation program ... so it's whatever sounds come with that.
smalin 2 years ago
How are you able to capture the the video's from mamplayer so perfectly?
If you don't feel like giving away your trade secrets that's perfectly fine : )
pedantologist 2 years ago
I guess what I should be asking is how to make the player output video files...
pedantologist 2 years ago
I don't use the MAMPlayer at all; I use my own custom software.
smalin 2 years ago
Sometimes it looks like arkanoid :)
MrCter 2 years ago
beautiful! i love the voices in here and how it all fits in so well together
orlando1723 2 years ago
Masterful strettos. Terrific.
pedantologist 2 years ago
glajuinjoidthm
smalin 2 years ago
I love this piece. I catch myself whistling the theme from time to time.
JasonMelancon 2 years ago 2
:-)
smalin 2 years ago
W.O.W
nice job :)
energycore345 2 years ago
Bravissimo!
It's Awesome!
musiclectures 2 years ago
I have been trying to write a fugue for years. so far I have had 36 failures... this is impressive. nice job
bf812 2 years ago
How many of the fugues in the WTC have you memorized?
smalin 2 years ago
Is that what it takes to be able to write like this?
pedantologist 2 years ago
Original (fugue)! It obtains a very particular climate, and there is notable the continuous employment of the head of the subject.
Congratulations
Pere Salicrú
SAMARCANDAS 2 years ago
Thank you.
smalin 2 years ago
Very nice. I love pieces in minor mode.....so haunting, mysterious. Thanks
EarthGoddess52 2 years ago 2
Nice. Slow and impressive.
HaydnHaendel 2 years ago
what a great fugue! im half ignorant im still on elementary music studies, so i got a question: does a fugue have to be on a minor scale?
energycore345 2 years ago
No, check out Bach's fugues from 'A Well-Tempered Clavinet'.
It's only convenient to write in minor keys, because then you don't have to worry about the major 7th and the tonic running into each other (in a minor key, the 7th and 1 are a major 2nd apart, wheras in a major key, the 7th and 1 are a minor 2nd apart, displeasing to the human ear.
If done properly, fugues can sound wonderful in any key... even Blues... well... almost
dirtcake001 2 years ago 7
the purpose of the minor key is to follow the properties of the major wich is the only that is create naturally trough the harmonics of a strings or vibrations.
have you take a look at the second tetracord
of a mélodic scale =half minor half major.
the pupropse of the 7th is to end on the root.
PhilippeThomas84 2 years ago
locrian scale? ;D
mattz1010 2 years ago
This compositon has enchanted me!
It has been wonderful to listen it... thanks! :)
MM
mastrom90 2 years ago 2
Very nice composition!
MagicPete 2 years ago
your great !!
this is my 2nd year studying composing
and i really love CONTRAPOINT
i am really eager to learn how to write a fuga,you really inspired me,thank you
5619762 2 years ago
I have loved music since before I was born. I like to listen to a piece over and over listening to a different section each time. Your idea of the bars is SO GREAT!! I can really zone in on the one section I want to listen to at that time. Also haveing the music score and hands is enjoyable. Thank you for doing this and expecially for SHARING it with the world!! Sincerely, SanDee in Olympia, WA
firstwinddancer 2 years ago
Very good fugue. Subject is very characteristic.
I write also some preludes and fugues - I invite to see my channel.
GKesik 2 years ago
mind-blowing to watch.
kingdavey90 2 years ago
very nice
hossynossy4 2 years ago
i enjoyed this immensely
ThisIsMe113 2 years ago
Hey, I really like this piece... very plaintive and rather lachrymose. Bad-ass stretti! It sounds stylistically a little bit like Reicha's piano fugues. Did you write many more pieces like this, or just the 3 or 4 fugues listed in your online "catalogue"?
NedNefarious 2 years ago 2
My first couple of fugues were lousy (I think only one of them is listed). The next one, in C (originally in B-flat) is okay, as is the Fugue for Friday. The one dedicated to Stanley Krebs and this one are the best. That's the order I wrote them in, and each time I learned something. On the last one, I learned that you can't make a living writing fugues, and got a job writing software instead; that was about 27 years ago, and I haven't written much music since then ...
smalin 2 years ago
You should be paid to write fugues! your brilliant at it!
thorkill 2 years ago
This is a wonderful piece, smalin, but my goodness, it's gloomy.
amadeus5889 2 years ago 5
I prefer to thing of it as mournful ... ;-)
smalin 2 years ago
Sounds similar to the Accolay violin concerto (also in A minor) but is even better!
Kurtyoungblood 2 years ago
Such a great and memorable subject.
mikepenny01 2 years ago
Beautiful.
DesertFox101 2 years ago
Wspaniała analiza fugi, słucha się uszami i oczami.Bomba.
(poland)
koemata 2 years ago 5
Astounding...
FearGodAlone 2 years ago
Huh, I guess people still desire to write and hear good music.
Osamabinjackson 3 years ago 10
I absolutely love this piece.
Zehive 3 years ago
Wonderful writing Stephen!
Can you also do the fantastic Polka and Fugue Schwanda the Bag Piper by Weinberger?
It is such a joyful complex celebration.
Your portrayal would make it so clear and understandable.
Thank you.
robertgift 3 years ago
>Can you also do the fantastic Polka and Fugue Schwanda the Bag Piper by Weinberger?
Sorry, no; it's under copyright.
smalin 3 years ago
I don't understand.
Why not?
I am attempting a piano version of it.
Yours would be so much better.
robertgift 3 years ago
>I don't understand. Why not?
If it's under copyright, I would have to get permission to post it. I could do it without permission, but then the copyright holder could ask me to remove it. I don't want to do the work and not be able to share it. I've tried to get permission in the past, and it's not worth the trouble.
smalin 3 years ago
Wonderful original composition!
Merry Christmas and Happy New Year!
Vivian's family
pianogirl98 3 years ago
Very beautiful. I wish I had your inspiration.
Anders039 3 years ago
I would love to see Chopin's op. 25 no. 12 "ocean" etude done in this manner
MetalCoreDevistation 3 years ago
It's on my to-do list.
smalin 3 years ago
This was quite good, and that's a huge compliment because that means I enjoyed it even though I was just listening to all the Bach pieces that you have done.
Usually, after I listen to a bunch of famous pieces, I find it very hard to enjoy my own compositions, but I still enjoyed your's.
hoopsmaster13 3 years ago
one of my favorites.
mstrgrl 3 years ago
I'm impressed. That was delightful :D
andrefilipp3 3 years ago
i heard a harpsichord playing this before
dansayeyo 3 years ago
>i heard a harpsichord playing this before
You did? Where?
smalin 3 years ago
he might be confusing this with another piece, did you ever publish it?
T3RM1N83R 3 years ago
>he might be confusing this with another piece, did you ever publish it?
The score is available online, but I don't think it could be played on the harpsichord (at least, not by one person).
smalin 3 years ago
I think he's confusing this with one of Purcell's pieces. It has the same lamenting qualities of many of Purcell's "Slow" movements.
AsSomedayItMayHappen 3 years ago
i was confused with the fantasia and fugue in A minor by J.S. Bach
dansayeyo 3 years ago
Beautiful!!
torisand 3 years ago
I really like this. The ornament is one of my favorite characteristics of the main theme because when it appears throughout the piece it helps unify the work with a distinct event (especially appearance in in inner voices!).
Also it "sounds cool".
I also really like the tense moment right before 3:30 and the three repeated note development around 4:40. Very cool. Thanks so much for posting this.
5imian 3 years ago
beautiful composition.
I do sense a drag, however.
THX1138hxc 3 years ago
great!
freeble123 3 years ago
esto está arrechísimo
tresmetal 3 years ago
It sounds so authentically medieval! Thanks =D
AsSomedayItMayHappen 3 years ago
The subject works great for a fugue. This is beautiful. Thank you for composing new music like this! Please write more! :)
clearater67 3 years ago
Compelling. With your permission I would like to program this for my electric guitar orchestra concert in April (2009). They can read the recorder parts.
houstonbiker 3 years ago
Wow! W=o=n=d=e=r=f=u=l !
serginho1961 3 years ago
Good work! At first I thought sounded a little discorded but then it released and it was good =) I like the theme recurring throughout the song too. Keep up the good work.
VanGaore 3 years ago
I do like it. But it does seem a little too slow... it seems to drag. If it were a bit faster, it would be awesome.
werothegreat 3 years ago
I'm afraid I don't understand the harmonic coloring for this piece. I went to your site and think I have an idea of how it goes. blue=root/tonic, red=III, ect yadda yadda. But for example in the beginning melody introduction is all that grey'sh blue.. and the melodies that fallow remain static in their color despite what pitch they are signifying or what pitch the aforementioned color is signifying..
nbw86 3 years ago
Also, while I'm commenting I'd like to send a big THANK YOU for these videos. They are by far the best demonstrations of visually showing how.. or should I say why music works and how the melodies relate to each other in detail. :)
nbw86 3 years ago
i think he did it by voices not intervals
UserID20 3 years ago
I just love it
Forandar 3 years ago
Excellent as usual Smallin. Keep up the great work
euchresucks 3 years ago
i liked the episode at 3:12
at least i think its called an episode..
UserID20 3 years ago
I like it a lot too, and also how it leads into the next bit. xD
VanGaore 3 years ago
Very nice,favorited.
Blargaldalien 3 years ago
im glad you brought this back, its a beautiful piece.
quackmac3000 3 years ago
Great, smalin! Keep up the good work. :)
highskilledsibby 3 years ago
Genious.. Master..
UberWaiss 3 years ago
Did you write tris yourself? Its wonderfull!
RWoosten 3 years ago
>Did you write this yourself?
The answer is at the end!
smalin 3 years ago
I'm sorry. You are really great!
RWoosten 3 years ago
Marvelous ! Give us more of your cool tracker music :)
BespokeGroupUK 3 years ago
Awesome :)
moomoocajoo 3 years ago