Well, taildragger, I love Ted Greene *and* Elton John for different reasons. TG is one of the greatest masters of what I try to do. EJ writes beautiful songs. I like EJ's songs because they always go somewhere and take their time getting there. He's always got something to say, and so does TG. They just speak different languages.
at the end of this beautiful impro i would stand up and cry. Then i would start asking "how can u do that?!?!? how can it be so smooth? how can you make the bass, the chord, the melody flowing that way? Thank you for existing."
He needs to hurled into the harsh world of West Texas red-stool cigarette bars of the late 70s. Then, he would play more aggressively & more surely. This delicate approach would be run over like a kitten on a freeway. Life is like that.
ted is the only guitar player ive ever heard that could admit that he had a problem with his fingers just taking over from time to time, the way other players make it sound they hear everything in their head before they play, that gave me such a bad complex about my playing until i heard him say it.
I actually admire you for asking him. At the young age when I met him, I was frankly too terrified and awe-struck to mutter much more than "hello Mr. Pass." And that's no way to be. Like someone said, he's just another person, and why not ask him questions.
I was very sad when he died. Part of it, and no disrespect is intended here, was the hard and dark periods of his life, the addictions and mental demons that seem to be present with such genius. Do they go hand in hand?
I am definitely way out on a limb here but can't that sadness, that suffering be heard in his playing? It's what makes the difference between a great line of thought, and a great line of thought imbued with some pathos that resonates both intellectually, theoretically, and also in a deeply emotional way. Waxing poetic here, I know, but it seems true that their suffering (Train, Pass, Bird, and others) can be heard in there exquisite phrasing.
entity3sf: You're definitely not babbling but do send me a private message since i don't wish to overburden 'deparko's superb Ted Green spot. Ted plays wonderfully on here. I've sent you a ytube video of Joe Pass with an old friend of mine from London, Cedric West. Wes Montgomery, Pass, Burrell, Kessell all stayed at Cedrics "motel" during the 60s. Ike Isaacs interviewed Wes there in 1965. I still have that interview on tape. Best wishes.
entity3sf: Yes, i agree, i think the human condition consists mostly of sadness.
Creative musicians tune into sadness.
They tap into their psyche to give their music the edge but in doing so open a 'Pandoras Box' of emotions. To suppress those emotional "demons" some find they need substances. The music of Coltrane, Monk, Albert Ayler, Art Pepper etc was a constant battle of angels & demons. Coltrane bravely quit drugs and became spiritual. J.C. was astounding.
entity3sf; Most jazz artists are not embarrassed to speak about their influences.
This is what seperates Pass or Ted Green or Wes from self absorbed guys like Sir Elton John. Life shouldn't be taken too seriously..in 20-30 yrs time we'll all be in the same place as Joe & Ted so where's the need for idol worship.(or smugness for that matter)....REAL music, as on this clip, has a spiritual quality that surpasses human ego.
Its funny That you guys say Pass is from the Charlie Christian school but I understand why you guys say that but I have seen interviews with Joe and he said he was influenced by Django and never really listend to Charlie at all.
Any of Ted Greenes instructional books are so wonderfully written that they are worth having just for the banter. He's very humourous and sincere. His explanations are so easy to grasp. His passing leaves a huge vacuum that can't be filled.
If you say so. Joe Pass used the right hand pick technique of the gypsy movement with great success before he went fingerstyle, you can see this in his first Hot Licks video.
In regards to linear, it does make you sound intelligent and Wikipedia says it, too. But from my own analysis, Pass was just as positional as he was linear - his view of the fretboard was solid and he had the technique and theory down enough not to repeat himself.
I met Joe Pass very casually in the UK back in 1978..actually at Cedric West's house (there's a video here on youtube of that) He was extremely modest. Said that he was never pleased with anything he'd done and cringed when he heard his own records. He credited Charlie Parker rather than any guitarist in terms of inspiration. Saying this, this man Ted Greene was the finest instructor that ever lived. His books are priceless gems.
I also met - and played - with Joe at a master seminar at SUNY in Buffalo. He was a gentleman indeed. I expected him to tear my head off but he could not have been a kinder, more sincere gentleman.
What a terrible loss. The world of guitar is much the less without both these fine players.
entity3sf: Wow, you must have great memories! The loss that Pass, Farlowe,Roberts , Greene etc have left can never be filled. True, we have very skilful young players around today BUT these original guys came from a unique era. They built their technique through sheer patience and persistance. We're pretty spoilt today with the access we have to hi-tech teaching aids. Unfortunately these aids can't teach us true FEEL. (IMHO)
Although I think software technology, for instance "Band in a Box" type software, is a great leap forward from the days of the Aebersold grind, there is no substitute for having actually been alive and creating with the masters during the period when jazz was the popular music.
I just left a message for your other Ted Video (Autumn Leaves). Thanks for posting this gem. Please if you were able to get the Joey B. wedding dvd (I did not) could you please upload the tunes from that DVD. Thanks in advance... RC
Greetings..Ted Greene is one of the finest musicians to have ever graced the Jazz scene..It's beyond guitar, he wears his heart on his sleeve..Magical..Check out his books. But once you do you may never be the same again..
I just gotta say this bloke's playing is great !! His feel is warm and inclusive and just quietly , pretty cool . I've come across a book of his today and now that I've heard him..well , like my jazz uncle said , ' learn ya chords first ' .
wonderful. beautiful voicings, such a great vibe as a player. i'll never have his chops or tone, but i take comfort that we're at least working on similar hairstyles. `~) great player, inspiring clip.
Actually, he used to open for Joe in the 70s and ted took lessons from Joe...i think at some point, Joe starting turning around and listening to Ted :)
Nice! Ted, and Lenny Breau and a few other great ones really show a beautiful humility and lack of pretension when they do these master classes. That is as awesome as the way they play solo guitar, and impresses me tremendously.
He is up there with Jimmy Rowles. That kind of sophistication and soul. We love you Ted !
Bratschenator 3 months ago
beach shirt FTW!
Krumboltz 5 months ago
Well, taildragger, I love Ted Greene *and* Elton John for different reasons. TG is one of the greatest masters of what I try to do. EJ writes beautiful songs. I like EJ's songs because they always go somewhere and take their time getting there. He's always got something to say, and so does TG. They just speak different languages.
gjfanatique 6 months ago
Comment removed
Bebop646 8 months ago
at the end of this beautiful impro i would stand up and cry. Then i would start asking "how can u do that?!?!? how can it be so smooth? how can you make the bass, the chord, the melody flowing that way? Thank you for existing."
Bebop646 8 months ago
He needs to hurled into the harsh world of West Texas red-stool cigarette bars of the late 70s. Then, he would play more aggressively & more surely. This delicate approach would be run over like a kitten on a freeway. Life is like that.
foomsbah 10 months ago
I wish he played "louder". He plays so delicately, which I suppose is to be admired. Who am I to judge though? I guess I'm just used to Pass =P
WhiteNightRiots 11 months ago
Every time I watch Ted Greene or Lenny Breau, I just want to pick up a music theory book and teach myself some chords on the guitar.
shadowknight132 11 months ago
BORING
RaymondFRevalee 11 months ago
@RaymondFRevalee IGNORANT.
xSODxDeMoNiaC 11 months ago 8
@RaymondFRevalee Please post some of your playing. That way, we can all hear what a genius you are on the guitar!
musicmandrew 10 months ago
@RaymondFRevalee Watch a lotta tv do ya. Thats hilarious Ted Greene boring, what a moron.
lsmith869 7 months ago
Is there any actual release of this kind of stuff? Any good Chord melody blues CD out there?
MrNadeeo 1 year ago
@MrNadeeo Joe Pass's "Virtuoso" recordings are all chord melody renditions of jazz standards.
middlestaller 11 months ago
With respect to Teds comment, about Gibson Guitars not being suitable for blues.
Check out Gregor Hilden on his 1959 Les Paul for the most subtle blues sound you
will ever hear.
Ted is actually playing jazz rather than blues(which of course the Gibson delivers as well as it does the blues.
Frank5133 1 year ago
angelic...
jplent 1 year ago
amazing
zachariahkinzett 1 year ago
GENUIS
closetome 1 year ago
..and then sometimes he lets Little Herbie run it.
waldo2384 1 year ago
I love that clap right when he gets going at 1:40
NESavoth415 1 year ago
This is fun to watch. Was he influenced by George Van Eps at all -- I hear similarities in the approach to voicing.
mfbown 1 year ago
ted is the only guitar player ive ever heard that could admit that he had a problem with his fingers just taking over from time to time, the way other players make it sound they hear everything in their head before they play, that gave me such a bad complex about my playing until i heard him say it.
kickcableguyinnuts 2 years ago
When it comes to improvisation of any sort, my fingers know more than my head does. Thats for sure.
jazzfusionforall 1 year ago
whats this guitar name
guild?
abedesuka 2 years ago
@abedesuka most likely most boxes he played were guilds im pretty sure
nick5269 2 years ago
thanx your the gentleman
abedesuka 2 years ago
I actually admire you for asking him. At the young age when I met him, I was frankly too terrified and awe-struck to mutter much more than "hello Mr. Pass." And that's no way to be. Like someone said, he's just another person, and why not ask him questions.
I was very sad when he died. Part of it, and no disrespect is intended here, was the hard and dark periods of his life, the addictions and mental demons that seem to be present with such genius. Do they go hand in hand?
entity3sf 2 years ago
I am definitely way out on a limb here but can't that sadness, that suffering be heard in his playing? It's what makes the difference between a great line of thought, and a great line of thought imbued with some pathos that resonates both intellectually, theoretically, and also in a deeply emotional way. Waxing poetic here, I know, but it seems true that their suffering (Train, Pass, Bird, and others) can be heard in there exquisite phrasing.
...then again maybe I should just stop babbling.
entity3sf 2 years ago 3
entity3sf: You're definitely not babbling but do send me a private message since i don't wish to overburden 'deparko's superb Ted Green spot. Ted plays wonderfully on here. I've sent you a ytube video of Joe Pass with an old friend of mine from London, Cedric West. Wes Montgomery, Pass, Burrell, Kessell all stayed at Cedrics "motel" during the 60s. Ike Isaacs interviewed Wes there in 1965. I still have that interview on tape. Best wishes.
taildragger51 2 years ago
entity3sf: Yes, i agree, i think the human condition consists mostly of sadness.
Creative musicians tune into sadness.
They tap into their psyche to give their music the edge but in doing so open a 'Pandoras Box' of emotions. To suppress those emotional "demons" some find they need substances. The music of Coltrane, Monk, Albert Ayler, Art Pepper etc was a constant battle of angels & demons. Coltrane bravely quit drugs and became spiritual. J.C. was astounding.
taildragger51 2 years ago 3
entity3sf; Most jazz artists are not embarrassed to speak about their influences.
This is what seperates Pass or Ted Green or Wes from self absorbed guys like Sir Elton John. Life shouldn't be taken too seriously..in 20-30 yrs time we'll all be in the same place as Joe & Ted so where's the need for idol worship.(or smugness for that matter)....REAL music, as on this clip, has a spiritual quality that surpasses human ego.
taildragger51 2 years ago 26
@taildragger51 Wonderfully stated, I couldn't agree with you more.
jnkhd 1 year ago
@taildragger51 Well spoken. It's a lesson that will forever lose to the tyranny of popular taste.
schniggitty1 9 months ago
@taildragger51 Even though your ego doesnt exist, because you can be who ever you want..
mattgresh1 4 months ago
deparko: I forgot to thank you so much for this video of Ted (whoops, that's if i may call him "TED"? Is this OK' Velvet4U?)
taildragger51 2 years ago
ted play a tradicional blues progression or a modern blues ?
thanks!!
tonjazzmaz 2 years ago
damn what a shame, i seriously wanna learn to play the blues like this
eastonmackay 2 years ago
does anyone know how Ted died?
eastonmackay 2 years ago
Heart attack at his home in 2005.
Whicol2 2 years ago
Heart attack 2005
Westy196740 2 years ago
Its funny That you guys say Pass is from the Charlie Christian school but I understand why you guys say that but I have seen interviews with Joe and he said he was influenced by Django and never really listend to Charlie at all.
Mosin54r 2 years ago
Comment removed
entity3sf 2 years ago
Any of Ted Greenes instructional books are so wonderfully written that they are worth having just for the banter. He's very humourous and sincere. His explanations are so easy to grasp. His passing leaves a huge vacuum that can't be filled.
taildragger51 2 years ago 2
Genius!
lidesnowi 2 years ago
Cool and good,
Record208 2 years ago
Really the best stuff, this jazz kind of playing. Nothing else can match it.
cooks95 2 years ago
strangely enough i havent listened to van eps
andrewkeen24 2 years ago
when hes"fixing his amp", he totally just wants to change key. ahhahaahahahha. so great.
hello00world 2 years ago
eeets Creeeesmas tyme :) he was so great
Jessseforprez 3 years ago
Ted was great, he obviously studied the late George Van Eps thoroughly as did Joe Pass. their playing has so many elements of George's
punch the name George Van Eps into Youtube and check him out.
all of this harmonically advanced fingerstyle jazz playing goes back to Van Eps
wintermoon1939 3 years ago
I would think that anybody that is watching Ted here on youtube has heard of Van Eps. Just my wild guess but I would think so.
IncorruptibleTruth 3 years ago
Maybe I'm wrong but I think Pass was more a product of the Charlie Christian school.
tbcass 2 years ago
Pass has credited Django, but Van Eps and Christian would have been in the same time from that Joe Pass would have heard gigging around. Beats me.
jevoshawke13 2 years ago
Pass's playing was nothing like Django's but instead more like Christian's linear horn like lines.
tbcass 2 years ago
:3
If you say so. Joe Pass used the right hand pick technique of the gypsy movement with great success before he went fingerstyle, you can see this in his first Hot Licks video.
In regards to linear, it does make you sound intelligent and Wikipedia says it, too. But from my own analysis, Pass was just as positional as he was linear - his view of the fretboard was solid and he had the technique and theory down enough not to repeat himself.
I think the Van Eps influence is clear.
jevoshawke13 2 years ago
Check out Barney Kessel, another of my favorites who was equally masterful in linear and chordal playing.
To me it seems that Van Eps centered his playing around chords more than Pass.
Django played a lot of linear passages but in a unique Gypsy style different from Pass.
When I say linear I mean concentrating on single note scalar lines more than chords.
Regardless they are all great guitarists and that's all that really matters.
tbcass 2 years ago
I remember reading a quote from Django where he explained that his playing style was based entirely on chords.
I imagine he meant that that's how he 'saw' the fingerboard, and he arpeggiated
those chords into the crazy solos we all love.
pekoe67 2 years ago 4
great comment and very true! i need to start learning more chords for this reason
TheBrownTies 1 year ago
You can also noodle and back- engineer your chords from there.
(turn your single note leads into chords).
If you know basic chord construction
(1, 3, 5, etc.) you can give them their proper names.
pekoe67 1 year ago
I met Joe Pass very casually in the UK back in 1978..actually at Cedric West's house (there's a video here on youtube of that) He was extremely modest. Said that he was never pleased with anything he'd done and cringed when he heard his own records. He credited Charlie Parker rather than any guitarist in terms of inspiration. Saying this, this man Ted Greene was the finest instructor that ever lived. His books are priceless gems.
taildragger51 2 years ago
I also met - and played - with Joe at a master seminar at SUNY in Buffalo. He was a gentleman indeed. I expected him to tear my head off but he could not have been a kinder, more sincere gentleman.
What a terrible loss. The world of guitar is much the less without both these fine players.
entity3sf 2 years ago
entity3sf: Wow, you must have great memories! The loss that Pass, Farlowe,Roberts , Greene etc have left can never be filled. True, we have very skilful young players around today BUT these original guys came from a unique era. They built their technique through sheer patience and persistance. We're pretty spoilt today with the access we have to hi-tech teaching aids. Unfortunately these aids can't teach us true FEEL. (IMHO)
taildragger51 2 years ago 2
I agree completely.
Although I think software technology, for instance "Band in a Box" type software, is a great leap forward from the days of the Aebersold grind, there is no substitute for having actually been alive and creating with the masters during the period when jazz was the popular music.
That's just my opinion anyway.
entity3sf 2 years ago 2
entity3sf: Your opinion is accurate. You are absolutely right. (apologies if i sound smug)
taildragger51 2 years ago
This is mastery is the best sense of the word. the only thing lacking in musicians like this guy and Lenny Breau was attitude
Sundryandall 3 years ago 2
Amazing Ted!!
anitadavideduo 3 years ago
Lenny Breau, Ted, and Larry Coryell were the best from the 70's...and none of them ever really got the credit they deserved.
Modes9 3 years ago 2
I might be giving up singel note playing!
pensar 3 years ago
what a bunch of beautiful subs!!
PezEspada 3 years ago
The way the tunes just roll off his finger tips is amazing.
JohnMagg 3 years ago
What are those people there for, yacking away like monkeys in a tree-they are rude and should listen, or go away and chat someplace else...
GalaxyHorse 3 years ago
Sah-weet...
gtristdan 3 years ago
Beautiful !
lsoprimus 3 years ago
Deparko
I just left a message for your other Ted Video (Autumn Leaves). Thanks for posting this gem. Please if you were able to get the Joey B. wedding dvd (I did not) could you please upload the tunes from that DVD. Thanks in advance... RC
eightstring 3 years ago
Ted was just absolutely brilliant, the harmonic understanding he displays is almost scary :)
edudzzaj 3 years ago
il miglior chitarrista che la storia ci ha regalato!
lucatrejazz 3 years ago
Greetings..Ted Greene is one of the finest musicians to have ever graced the Jazz scene..It's beyond guitar, he wears his heart on his sleeve..Magical..Check out his books. But once you do you may never be the same again..
AllthatIamisLove 3 years ago 2
I just gotta say this bloke's playing is great !! His feel is warm and inclusive and just quietly , pretty cool . I've come across a book of his today and now that I've heard him..well , like my jazz uncle said , ' learn ya chords first ' .
muzzajg 4 years ago
Most underrated and unknown.Simply Perfection!
cast390 4 years ago
wonderful. beautiful voicings, such a great vibe as a player. i'll never have his chops or tone, but i take comfort that we're at least working on similar hairstyles. `~) great player, inspiring clip.
robertsonthebruce 4 years ago 23
@robertsonthebruce What a witty remark, well, always look on the bright side, don't we? Kind regards
BerlinerStadtschloss 1 year ago
this is sick, did joe learn from him?
oOoACFREEMANoOo 4 years ago
Actually, he used to open for Joe in the 70s and ted took lessons from Joe...i think at some point, Joe starting turning around and listening to Ted :)
asanisimasa2 3 years ago
why would you say that?Joe and him are quite different.Dan
veeshead 3 years ago
Which Joe, Joe Diorio or Joe Pass?
cosmojh 3 years ago 2
yaaaaaaaa! swing it baby! swing it!
brlovesdee 4 years ago
This has been flagged as spam show
great feel..great tone !
:-)
hey jazz-guitarists - ..have something 4 u ..
wonna see/hear how to improvise bach music ?
:-)
..look for vid :
"bach sarabande jazz guitar"
maybe u ll like it ..regards
doublearejazz 4 years ago
He was so great,
I will always remember him,
He inspired me...
zhen101 4 years ago
Great posting, thanks. Head, hands and ears eh!
drpickup 4 years ago
pra mim o maior sentiment da guitar jaaz!! vivia a musica !!
viniguitarjazz 4 years ago
Absolutely wonderfull!
fradipa 4 years ago
In D , In F ,In Db, plays all the good changes, may the good blues unite us all.
valvetrom 4 years ago
God bless you Ted,thanks for your energy!
cstronggtr 4 years ago
Always sounds pretty
Very cool
TheDeLi 4 years ago
Super playing and a character too!
aceutheuthis 5 years ago
Nice! Ted, and Lenny Breau and a few other great ones really show a beautiful humility and lack of pretension when they do these master classes. That is as awesome as the way they play solo guitar, and impresses me tremendously.
Drewster58 5 years ago 3
Thank you for posting this :-)
daleturner 5 years ago