Added: 4 years ago
From: chipatelsas
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  • I am waiting for the song "Love the one you're with that was advertised on this video. Any clue, its a great song, not sure what this is, the musicians are not horrible but this is not Love the one you're with

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  • hey kermit the frogman shut the fuck up asshole............

  • The difference between LOVE and REAL LOVE is YOU... (see - individualimpact1 - channel)

  • Wouldn't have had a clue what song it was if I had walked in for a toddy ...but the toddy would have been worth it...main thing is you are having fun.

  • Where in the hell was this at?? . Looks like inside some state pen.... somewhere.....

  • ... well, ... it is/was somewhere ... Elsa's Café is a non-profit locale. We're all free folks. No bars, except on some of the chords. -Dave@Woodpile

  • Well....I"m confused.

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  • We have a lot of notches on our instruments by now. Like I always say, though, we just enter a musical construction on any given set and then find out what we're all saying. Unfortunately we are spread out over hundreds of kilometers and have never had a rehearsal opportunity. Of course, here the vocalist, C'est Moi, is really in a gravelly growl mode. But personally I thing the collective effort finds some wings at 5:08 into the tune. Later, Dave@Woodpile

  • WOW..:-) i´d like to play at that cafe...is it possible for me to arrange a gig there? look at my videos, maybe i fit the bill...

  • I can settle this. No one there was in the band. The frontman looks a little like Nash. Stills wrote it, CSN performed it. They are performing it and not performing it at the same time. They are philosophers. They are not musicians. (The philosopher-musicians have died out). don't take this seriously

  • That kinda hits the nail on it's nine inch head. About the being of not being description. I confess, I have never ever in all the years of chopping chords played anything correctly. On the otherhand, a bunch of people have danced to the stuff along the way. Negotiation through expression.

    -Dave@Woodpile

  • God Aweful, get a fucking job

  • It sounds as if they're building a shed!!

  • Get yourself some help asap. They call it going back to the woodshed and staying there until you see that the only way to do a Stephen Stills composition is by doing it note for note and realizing that you are paying tribute to him. Learn it, Know it, Live it. Oh by the way, you guys SUCK !!!!!

  • What the hell is this?

    Man, you're not even trying to sing CSN&Y.

  • No Crosby, no Nash, and no Young. Just Stills. Make sense now ? Duhhhhhhh.

  • Are you 5 years old or something?

  • Then tell me great know-it-all, who wrote and sang "Love The One You're With" ? Let's see brainless twit, I think good 'ol Stephen did. I could be wrong....NOT, but you go ahead and take a poll just to be sure of yourself. DUHHHHHHHHHH !!!!!!!

  • Yes, you are right. However, if you look and listen to the music you'll see that Crosby and Nash also sang in this song too. It is a CSN song.

    So what made you attack me? All haters hide behind a moniker.

  • First up, let me apologize for my brain glitch, for I am one who reads the credits on all musical purchases, but when one starts to get older he tends to forget the little bits of facts that sometimes matter. Then after that rediculous video by chipatelsas2 and then you saying CSN&Y did Love The One You're With, I guess I just stepped off the edge and snapped. Again my deepest, sincere apology for my rage.  Rhino7

  • Appreciate you stepping up.

  • Gee, I thought Stills covered it with Manassas. But it's a long, long time since I had any of that on discs. Vinyl. This trip on Love The One You're With has nothing to do with tribute. I heard CSNY live at the Philly Spectrum in 1970. Believe me, I love what those guys do. But this CHiP workout is about trying to hit some grooves in the CM7FM7 relationship and resolving it through AmGF bridging. Listening to each other to exchange immediate interpretations against a relative lyric. -Dave

  • You're right, Man. We are not trying to copy CSNY. Or really anybody. Usually we have to explore a piece for five minutes before we start to find connectivity with each other. It get's sweeter around 6 minutes into the trip. The deal is that we all have hundreds of kilometers of physical separation. We only get together a few times a year onstage to see what we can do. Sometimes it crashes, sometimes it lifts. But it is direct unrehearsed communication.

    -Dave@Woodpile

  • Correction! They are musicians, and not philosophers... Once again don't take this seriously. Make fun of me, have a laugh, have a drink.

  • it's simply terrible!!!!! Perhaps drink somethin on the bar and let somebody else play the music!

  • I'd play with that bass player anytime...what's his name?

  • JPW is the bass player. That's all I can say. He's asked for a bit of anonymity, but visits with CHiP once in awhile when he's in town.

    The tenor sax player is Derrick Walker. Look him up. He did a year of work with Michael Bloomfield out in San Franciso.

    Ahmadu Jah (stage name: Jarr) is on congas. He's well known in Sweden for his work in Highlife and cross-over rock.

    -Dave@Woodpile

  • Its alright we all have bad days. What is the chord progression on this song.

  • The progression I'm using for this kind of half-samba approach is:

    CM FM (C Major 7th - F Major 7th)

    Am G F

    Of course, that's the simple structure. I move into natural hammars and pulls that shift the chords by single note nuances in the course of developing any song. Sound and physical possibility are the guiding parameters of that process. Stephen Stills. who wrote it, plays a funkier soul train style in most of his variations I've seen and heard. Not with major 7ths. Happy Trails!

  • This guy should have taken some pain killers before he sung

  • You're right, Steve. Not my best vocal moment. But sometimes the acoustical field onstage is not so good and you have to strain to gain some mike footing. Nice bass entry, though, don't you think. My vocals are clearer on acoustic tracks at maak88 on u-2ube. -Dave

  • Isn't this "Ventura Highway" ?

  • VENTURA HIGHWAY shares the major seventh oscillation structure in the leading strains with this arrangement on LOVE THE ONE YOU'RE WITH. There's no doubt that we've moved far from Stephen Stills' original, but that's the freedom and excitement of interpretation. By the way, I love to play VENTURA, and a bunch of other tunes by those guys.

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