this backing track would be so much better if it had a clear ending.. I'm over here getting ready to jizz up a storm and all of a sudden it stops.. I never finish!
@drumbassguitar yes, if you're deaf XDXDXDXDX kidding.. but the flat 9th doesn't sound very good because the 9th ( A natural ) is part of most of the chords... but anyway, jjazz is fun also because you can experiment whatever you want,,,, A flat can sound good on C7, G7 and maybe Bbmaj but not everywhere,, the tune is clearly in G minor
Some interesting comments. Essentially this is in (where it resolves) G min - or G Aeolian (for the Greeks) with the notes deriving from it's relative major Bb. The way to make this sound 'jazzy' would be to focus on altering the dominant chords - ie the F7 (2nd chord) and the D7 (6th chord) - so play sharp 5s and flat + sharp 9s - careful with flat 5s. Also to give strength try to emphasise the individual arpeggios for each change. This will be a good place for people to start.
question. Lets say I wanna improvise with the dimished scale. Since this ones in Gmin, would I use the Bb half whole or Bb whole half ( I know they're all based off of C Db and D) . Or would I have to play a diminished scale based on the V7 of Bb major. Or both? Im really trying to understand the use of diminished scales but jazz is tough to learn on your own so any help would be appreciated.
@SilenceXCore Do what sounds good :D . A good non diatonic note to use at first is the blues note, which would be, in a g minor penatonic shape, a c# . So in a minor scale if you play a #4th (just add the note into the scale, don't sharpen the 4th) . Arpegios outlining the current chord being used can be good too... though that is more complex ^^ . Even better though, just try singin what yuou play ^^
Dont wanna break your guys buzz but the point of this progression is to NOT play in 1 scale. But emphasize the chord tones of every chord played. A great progression because it uses all the 7 modes, and can help you understand chord/jazz soloing.
@Kiniatha im still trying to get my mind about the concept of modes but idk its confusing. i play pretty much the Gm scale but with many i guess "wrong" notes and it sounds jazzy. its not purposely wrong though its more freeflowing like jazz but i guess knowing the mechanics of it would help me know what I'm doing
@Kiniatha are you saying i should play the mode to the corresponding chord or the mode to any of the tones in the corresponding chord? Im new to jazz so I just wanna be sure I know what your saying. Thnaks!
jazz tends to either play the entire scale which would be G natural minor. because jazz is very technical and not bluesy or simplistic (pentatonic is)
a non abbreviated scale would suit this track better IMO
@MyDoomedAccount But pentatonics sound great! Don't avoid them! However, also try exploring chord extensions: flat/sharp 5s, 9s, 11s, 13s, etc. This will open your ears to new harmonies and make your lines sound "jazzier". Approaching it from a chord tone perspective rather than a scale perspective.
You can also try pentatonic substitutions: play a minor pentatonic starting on the 3rd of a maj7 chord, or starting on the 9th (=2nd) of a minor chord! Analyse which chord tones you're now playing!
thanks for the back track. you can make back tracks in garage band or band in a box.
I have coded back tracks for "when your smiling", "autumn leaves" , "all the things your are", and so on in garage band and would like to post them sometime.
hey what works best with this?? i kno all the O.G. guitar guys are gonna talk shit but shoot me some scales neway. brother's just tryin to learn man, chill out!!! thanks.
try learning all of your arpeggios for all of the chords, and then play them in one position, meaning the same four/five fret areas. then incorporate the G minor scale, since in this song, every chord is diatonic to the key of G minor, or Bb major. then just play your G minor scale over the song but incorporate those arpeggio target notes in there. thats a start!
thank you. very useful and appreciated as I have grown tired of using only pentatonic and natural minor scales. I shoulda payed more attention at my lessons, regret it now.
btw if you listen to Bill Evans or Miles or pretty much whoever, you won't here much "modal scale" usage. While those modes mentioned below can have groupings of notes that sound "right" with the chords, but it's more common in the jazz idiom to exploit the notes of the chord changes in a melodic arching phrase. This allows your improvisations to really go somewhere with the intent of the chord progressions. So to sum it up, don't go with the mindset that you "just play the right scale"
This is comprised of two main changes. a ii-V-I in Bb major and a ii-V-I in G minor. Learning some nice phrases over those two changes really helps. Listen to this tune on Cannon Ball Adderley's album "Somthin' else" Just about the same tempo as this back track if i remember right.
D Phrygian and C Dorian also put out some pretty cool melodies. yeah they're all diatonic to G minor, but they still opened up new doors. Jamming to Jazz is pretty fun :) much easier than i expected and easier for me than jamming to metal backing tracks because it's easier to be melodic
@ironwolg G aeolian sounds great too, and I agree, I play bass and I've really improvised, but this is easier to be melodic, and more fun than expected!
@ironwolg Mmm jazz has more technicalities than metal lol, but as long as you're having fun, that's all that matters. Check out pat metheny, ultimate jazz guitarist
@Gitarmorten it all depends on the tonal center. D phrygian would have D as the tonal center and C dorian would have C as the tonal center. plus they both have different sounds to them, phrygian has kind of a middle eastern sound and is often used in metal while dorian sounds more jazzy. unless you deliberately play C dorian while making D the tonal center. modes can get confusing and hard to explain sometimes, especially when there's a 2 year old running around screaming lol
the first set of chords is a 2-5-1 in Bb major, the one following it is a 2-5-1 in G minor...and then they both repeat a few times...so you could switch between the two keys when appropriate and throw in a few arpeggios and start sounding more jazzy and less bluesy, for those of you sticking to pentatonic all the time =]
Whoever made the tip about using f min - that sounds great too. I find it only fits for a bit because it creates tension that needs resolving. But I'm especially enjoying using the fmin blues and then switching to gmin blues. Are people here arguing over the fact it's been transposed? That seems a bit weird I can't see the point. I use gmin (sometimes harmonic) and then Bb maj which is the same thing. If people are complaining about tune being transposed that's a bit silly.
it's in G major. This is coming from a from both a guy who has studied the song extensively and my real book. You have the wrong chords also. If you'd like to know the proper progression feel free to message me.
its minor! look at the chords they dont fit g major..who cares about your realbook... youre right, these arent the original chords.. but the original version doenst swing too.. your comment is simply stupid..
No, the one chord that doesn't fit is a sub chord, from the melodic minor. there is only one chord in the entire song that doesn't fit g major, yet not a single one fits g minor. Maybe in your cracked up interpretation, but I can 100% assure you it is G major. Go ask any jazz teacher, it's an EXTREMELY well known standard.
I know its a standart.. but if you take every sub-mode stuff every chord will fit into every key.. and thats bullshit.. its about the chords beeing played infront and behind it.. honestly.. do you play any instrument? if so play a normal g major scale over it.. then play the g minor over it.. to proove it lets try the relativ major.. so play A# major.. if this doenst sound right to you.. or you think major sounds good.. CHECK YOUR EARS! and BTW: you dont have to get that mean..
Yes, I play bass, piano, guitar, saxophone, clarinet and harmonica. Have studied jazz quite a bit with great teachers. Plenty of ear training. The key that bets fits this song is G major, thus it is the key people play it in. I'm 100% sure I'm correct, so if you'd like to take some good advice go learn the song properly.
Look deviring, my version is in G minor. The chords that you have stated are in G Major (E minor). Yes i agree, that is a standard key, but G minor is also a standard key. MANY people play it in G minor. But i think i see why you feel G major is sounding good. Im assuming you are soloing over with saxophone. Mate, G major on saxophone is B flat Major concert key!! So no wonder it sounds normal. End of story. If you don't like the key my version is in, then leave
ya but he's got the key all wrong. forget about major minor. what he's saying is not even the relative minor. i think he's playing a transposed instrument
Jezz im getting so many comments I just made a mistake. The verson in my book said it was in G- major. I got the real Jazz book . But weather in G major or minor its still sounds good
cause you dont have a really accurate key on this one because the chords are only played by the piano wich is really short.. the walking baseline leaves more room for improvising
Well since the song is in G-minor throughout, all the chord changes hold similarities to this chord. Also, F-minor chord is composed of F (the seventh of G-minor) a-flat (the flat two of G-minor) E-flat (the major sixth of G-minor) and C. The c is the third note in G blues so coupled with a c-sharp it sounds awsome. So yah, Since F-minor utilizes so many of the parent chord's notes, it sounds good.
do you have Remembering J.P (larry carlton - lee ritemour) backing track? I'm hopeless in finding it. thanks btw.
ivanxmahya 1 month ago
Some of those chords are wrong.
Carthsgtr 2 months ago
Why did it have to end?
cd31247 3 months ago
this backing track would be so much better if it had a clear ending.. I'm over here getting ready to jizz up a storm and all of a sudden it stops.. I never finish!
TheAJB1996 3 months ago 5
very good but too short for me
Sgarrafiesto 4 months ago
cool. in my voice key, but a little fast.
kristinlee 4 months ago
What's a nintendo?
RDArtist81 5 months ago
holy crap
gamefreakadamy 5 months ago in playlist jam tracks
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WhatTheFork 5 months ago
i would prefer to have a backing track in Eminor
danlovesnan 5 months ago
@danlovesnan /watch?v=0nZUwAwyGcg
Selecter8 4 months ago
What about the use of guide tones?
Nicko1555 6 months ago
Why won't my video response post?
ChickityChoice 7 months ago
what scales on the tenor sax could i play over this?
jvy012896 7 months ago
@jvy012896 all of them :)
ChickityChoice 7 months ago
Managed to play a Jazzy 'Still got the Blues' by Gary Moore over this hahaa
judojoe07 8 months ago
I'm a bassist, so it's not really that much of backing track. The bassline does sound good though.
fatfatat444 8 months ago
the bass its just horrible .
teracite 9 months ago
Try playing over it with with G phrygian! Sounds KILLER!
drumbassguitar 10 months ago
@drumbassguitar yes, if you're deaf XDXDXDXDX kidding.. but the flat 9th doesn't sound very good because the 9th ( A natural ) is part of most of the chords... but anyway, jjazz is fun also because you can experiment whatever you want,,,, A flat can sound good on C7, G7 and maybe Bbmaj but not everywhere,, the tune is clearly in G minor
machinegunlicks 8 months ago
Sounds great with G minor pentatonic Native American Flute
rctfan2 10 months ago
To clear things up, I'm pretty sure it's G areola. I know this because it makes my girl's nipples hard
lonewolf1234512345 11 months ago 34
@lonewolf1234512345 HAHAHAHAHA. Best comment ever!
TheGilmer 4 months ago
shit it cuts off so roughly
lukat93 11 months ago
u realize this song is in the key of g major right? hahahahah
usuck606 11 months ago
@usuck606 No, it's in Gm.
jjtyler21 11 months ago
I love playing D whole tone over the ii-V's in g.
aznxtasy341 11 months ago
this is amazing for guitar. You can play like Miles, or spice it up with some swing. GREAT !!!
johngoo343 11 months ago
deos the G melodic minor suits?
motorhead1995able 11 months ago
love it!! thanks for taking the time
tinman5680 1 year ago
G Aeolian sounds just fine over this :)
QueenToKingOfSpades 1 year ago
this is better but that cymbal is too loud , its actually worse than a wet night with lots of crickets sounding all at once
blast4music 1 year ago
Some interesting comments. Essentially this is in (where it resolves) G min - or G Aeolian (for the Greeks) with the notes deriving from it's relative major Bb. The way to make this sound 'jazzy' would be to focus on altering the dominant chords - ie the F7 (2nd chord) and the D7 (6th chord) - so play sharp 5s and flat + sharp 9s - careful with flat 5s. Also to give strength try to emphasise the individual arpeggios for each change. This will be a good place for people to start.
gypsydjango 1 year ago
For guitar players: 3 note diminished triads sound great over the D7 chord. Try this (all played on the top 3 strings):
2,1,2 ; 5,4,5 ; 8,7,8 ; 11,10,11 ; 14,13,14
Adds a lot of tension before the resolution to the Gm. Enjoy!
TheLostInAustin 1 year ago
can i shred g harmonic minor over this? :D
GibsonGuitarsForLife 1 year ago
i have a question.. im just starting to learn theory. can you play the b flat major scale over this also because its a relative minor of g????
igvu92 1 year ago
dumb question can I play g minor over this?
JRTET21 1 year ago
@JRTET21 just play around, you´ll hear that you can do it ;)
JeffJefferson95 1 year ago
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@JRTET21 just play around, you´ll hear that you can do it ;)
JeffJefferson95 1 year ago
Just play in b flat. Much easier for me to think in the major key instead.
tonybowers123 1 year ago
thanks for the tune Iwill play it with my alto sax. thats great dude
liberguty 1 year ago
question. Lets say I wanna improvise with the dimished scale. Since this ones in Gmin, would I use the Bb half whole or Bb whole half ( I know they're all based off of C Db and D) . Or would I have to play a diminished scale based on the V7 of Bb major. Or both? Im really trying to understand the use of diminished scales but jazz is tough to learn on your own so any help would be appreciated.
derrickwaynelange 1 year ago
How do you leave the scales and chord appergios to make something else more interresting? Like chromatism, diminished and i don't know what else.
SilenceXCore 1 year ago
@SilenceXCore Do what sounds good :D . A good non diatonic note to use at first is the blues note, which would be, in a g minor penatonic shape, a c# . So in a minor scale if you play a #4th (just add the note into the scale, don't sharpen the 4th) . Arpegios outlining the current chord being used can be good too... though that is more complex ^^ . Even better though, just try singin what yuou play ^^
Guitareben 1 year ago
@Guitareben Thanks for the informations dude, i'll try out what you said and experiment with these alot.
SilenceXCore 1 year ago
Dont wanna break your guys buzz but the point of this progression is to NOT play in 1 scale. But emphasize the chord tones of every chord played. A great progression because it uses all the 7 modes, and can help you understand chord/jazz soloing.
Kiniatha 1 year ago 15
@Kiniatha im still trying to get my mind about the concept of modes but idk its confusing. i play pretty much the Gm scale but with many i guess "wrong" notes and it sounds jazzy. its not purposely wrong though its more freeflowing like jazz but i guess knowing the mechanics of it would help me know what I'm doing
PhantomWarlock 1 year ago
@Kiniatha are you saying i should play the mode to the corresponding chord or the mode to any of the tones in the corresponding chord? Im new to jazz so I just wanna be sure I know what your saying. Thnaks!
derrickwaynelange 1 year ago
@Kiniatha Yeah my jazz skills are poop right now :[ thanks for the advice though.
Shi7Disc0 1 month ago
thank you very much, this is awesome
marquesgoncalo 1 year ago
This is great, thanks very much!
Lew90UK 1 year ago
I was getting really into it, but then it stop out of nowhere xD.
Solitude102 1 year ago
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Thanks for posting this! Very helpful for practising melody and improvisation :)
ZivaLight 1 year ago
Thanks for posting this! Very helpful for practicing melody & improvisation too
ZivaLight 1 year ago
At 2:12 bill evans is holding a nintendo ds, I knew something was up.
watmorecanisay1290 1 year ago 34
@watmorecanisay1290 haha, awesome ! I haven't seen this because i was looking my fret board : D
SweeetPicker 1 year ago
@watmorecanisay1290 I think that could very well be the greatest youtube comment history will ever see. my jaw came unhinged....
itowedin 9 months ago
@watmorecanisay1290 LMMMMMMFFAAAAAAAAOOOOOOOOOO
88Cortex 7 months ago
theres some piano notes that clash with the Gm pentatonic so it would have to be timed out right to not be over the sour notes , think scales
AaronJTodd 1 year ago
Good for guitar improvisation.
mitchwheelz 1 year ago
@HereWeGoSteelers This is classic jazz tune, so it's not that confusing... the fusion things are much more complicated...
filipdinev1 1 year ago
Perfect to practice with. Nice feel on the bass, too!! Thanks.
guitarwoman2 1 year ago
did you make the backing track????!!!!!
I need the audio.......
Zender0zXD 1 year ago
amazing how cool this sounds by simply using the G minor BLUES SCALE. Thanks for the upload.
MrCptGonzo 1 year ago
thanks
metagdp 1 year ago
Star Trek huh !.
I think I saw James T Kerk belly dancing to this.
Cool video and song.
********
Your Friends…
Michael and
Mrs. Boo
Michael123BooDog2 1 year ago
sorry for this noob question, but can i play Gm pentatonic over this?
wojtekmetal 1 year ago 12
@wojtekmetal Yup, of course
gamerohan 1 year ago 6
@wojtekmetal i agree you can do that. but if you want a much more jazzy feel rather than a bluesey one id use the regular g minor scale.
IronMaiden313 1 year ago
@wojtekmetal also try A# major ......... wich is your basic major scale with the root on the 6th fret :)
jemjoesatch 1 year ago
@wojtekmetal you can play Gm pent
Bb Aeolian Bb pent for a major/ lighter sound to contrast the minor
saron380 1 year ago
@wojtekmetal
yes you can but also the blues scale mix them both
gerriwales 1 year ago
you can use any g minor scales personally i think the dorian sounds really cool over this @wojtekmetal
koti41692 1 year ago
Comment removed
tilakswami 1 year ago
@wojtekmetal
You CAN play Gm pentatonic over this.
but in the spirit of jazz, you really shouldn't.
jazz tends to either play the entire scale which would be G natural minor. because jazz is very technical and not bluesy or simplistic (pentatonic is)
a non abbreviated scale would suit this track better IMO
MyDoomedAccount 1 year ago
@MyDoomedAccount But pentatonics sound great! Don't avoid them! However, also try exploring chord extensions: flat/sharp 5s, 9s, 11s, 13s, etc. This will open your ears to new harmonies and make your lines sound "jazzier". Approaching it from a chord tone perspective rather than a scale perspective.
You can also try pentatonic substitutions: play a minor pentatonic starting on the 3rd of a maj7 chord, or starting on the 9th (=2nd) of a minor chord! Analyse which chord tones you're now playing!
woutertron 1 year ago
@wojtekmetal
try to improve it with Gm & G penta. Try to switch in proper siuations. Thats Jazz! :)
hopfenkaltschale 11 months ago
@wojtekmetal in theory yes, but learn to play the correct scales for these chords.
luckily this song really has no scale changes because cm7 f7 and Bbmaj7 contain all the same notes.
C-D-Eb-F-G-A-Bb. so use the Bb-Ionian, C-Dorian, F- Mixolydian
KRdomeako89 8 months ago
@KRdomeako89 Does it matter a whole lot if you play the I and IV chords with a flat 7? I know they're not dominant, but would it work anyway?
CaramelMarshmallow 7 months ago
@wojtekmetal Dude just listen to your ear. Use theory to explain what sounds good... not vice versa
Kaitano94 7 months ago
@Kaitano94 Check the date of my post...
wojtekmetal 7 months ago
@Kaitano94 Great comment!
ChickityChoice 7 months ago
@wojtekmetal I think G Minor (Aeolian) sounds alright if you hit the changes... ;-) I'll fake it until I can hit the chord tones.
cjds18 6 months ago
Might try this track shortly - I like it.
jazzflutist 1 year ago
thanks for the back track. you can make back tracks in garage band or band in a box.
I have coded back tracks for "when your smiling", "autumn leaves" , "all the things your are", and so on in garage band and would like to post them sometime.
robviolin1 1 year ago
youre missing out the part with the descending chords
FenceThis 1 year ago
is that first progression a 6-2-5-1 ?
soma123amos 1 year ago
@soma123amos no, its a 2-5-1-4 (in B flat major) or 4-7-3-6 (in G minor)
gamerohan 1 year ago 6
@gamerohan did you make the backing track????!!!!!
I need the audio.......
Zender0zXD 1 year ago
@gamerohan whats a 2-5-1-4? is it like in B flat major, C - F - Bb - Eb?
Jord3W 10 months ago
@Jord3W Cm7, F7, Bbmaj7, Ebmaj7
gamerohan 10 months ago
@gamerohan what's next?? It's a D something, then a D7 something I think and after that a Gm9 I think.
gerchuvox012 9 months ago
instead of just running scales, why not try to acknowledge the chords?
grotonhomie 1 year ago 2
I think it's better in C minor
indrazor1 1 year ago
wish i could sing it in this key
llddau 1 year ago
It's an easy to learn backing track, with an understandable cord progression, great for pianists and those who would like to make some love with it
Ravenspike 1 year ago
Comment removed
Ahharris117 1 year ago
this is so useful. im trying to learn the song on the guitar and this backing track helped alot.
ianidinuse 1 year ago
omg this track is sooooo goood i had so much fun playing on it
nateums 1 year ago
@nateums :D 1 more... lol
heroeofsand 1 year ago
this is so nice to play to!
jaytonbye 1 year ago
yesssss i got it!
TapThatAss100Times 1 year ago
fuck i love this track
dongpingog 1 year ago
THANK YOU so much! I just got back from my local store with my new saxophone and have had this piece waiting to be played by my new sax. Much love!
Venezino90 1 year ago
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this is awesome, this is good for a bit of fusion
54spiritedwill54 1 year ago
I with this had the turnaround (Gm-C Fm Bb) at the end.
ColoradoBansuri 1 year ago
soube-me bem solar por cima
hermano1383 1 year ago
hey what works best with this?? i kno all the O.G. guitar guys are gonna talk shit but shoot me some scales neway. brother's just tryin to learn man, chill out!!! thanks.
damugman 1 year ago
@damugman What about reading the tittle (G minor) xD
That would be a good place to start!
zbarneyz 1 year ago
try learning all of your arpeggios for all of the chords, and then play them in one position, meaning the same four/five fret areas. then incorporate the G minor scale, since in this song, every chord is diatonic to the key of G minor, or Bb major. then just play your G minor scale over the song but incorporate those arpeggio target notes in there. thats a start!
willrock241 1 year ago
@willrock241
thank you. very useful and appreciated as I have grown tired of using only pentatonic and natural minor scales. I shoulda payed more attention at my lessons, regret it now.
damugman 1 year ago
there's chords missing after the bridge
coolioto 2 years ago
F dominant 7th is great to play with too.
bluPulz 2 years ago
@bluPulz, yes F mixolydian is good in the first 2-5-1 (major key)
gamerohan 2 years ago
its really nice for practicing my bass skils xD
deimuadda999 2 years ago
wow i never really like jazz.. but this music really soothings and relaxing... mmmm ~ =)
Kimchi08 2 years ago
good job - thanks for sharing
TinaLaMartina 2 years ago
btw if you listen to Bill Evans or Miles or pretty much whoever, you won't here much "modal scale" usage. While those modes mentioned below can have groupings of notes that sound "right" with the chords, but it's more common in the jazz idiom to exploit the notes of the chord changes in a melodic arching phrase. This allows your improvisations to really go somewhere with the intent of the chord progressions. So to sum it up, don't go with the mindset that you "just play the right scale"
ColoradoBansuri 2 years ago 4
yeah, I gotta say that when I improv over jam tracks, it sounds so much better when I turn off my brain, use my ears and just play over the changes.
viper1991 2 years ago
This is comprised of two main changes. a ii-V-I in Bb major and a ii-V-I in G minor. Learning some nice phrases over those two changes really helps. Listen to this tune on Cannon Ball Adderley's album "Somthin' else" Just about the same tempo as this back track if i remember right.
ColoradoBansuri 2 years ago
D Phrygian and C Dorian also put out some pretty cool melodies. yeah they're all diatonic to G minor, but they still opened up new doors. Jamming to Jazz is pretty fun :) much easier than i expected and easier for me than jamming to metal backing tracks because it's easier to be melodic
ironwolg 2 years ago 25
D phrygian and C dorian is not the same as g minor? same notes?
craxgp4 2 years ago
yeah they're the same notes
ironwolg 2 years ago
@craxgp4 they are the same notes, but start at different tonal centres
rahuladvani08 2 years ago 2
@ironwolg G aeolian sounds great too, and I agree, I play bass and I've really improvised, but this is easier to be melodic, and more fun than expected!
BassicallyMusic 2 years ago
@ironwolg Mmm jazz has more technicalities than metal lol, but as long as you're having fun, that's all that matters. Check out pat metheny, ultimate jazz guitarist
PurplePlayer99 1 year ago
@PurplePlayer99 not necessarily, check out some prog metal like Liquid Tension Experiment
ironwolg 1 year ago
@ironwolg How do you differ between those modes when they include the same notes?
Gitarmorten 1 year ago
@Gitarmorten it all depends on the tonal center. D phrygian would have D as the tonal center and C dorian would have C as the tonal center. plus they both have different sounds to them, phrygian has kind of a middle eastern sound and is often used in metal while dorian sounds more jazzy. unless you deliberately play C dorian while making D the tonal center. modes can get confusing and hard to explain sometimes, especially when there's a 2 year old running around screaming lol
ironwolg 1 year ago
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@ironwolg How do you differ between those modes when they include they same notes?
Gitarmorten 1 year ago
@ironwolg G natural minor same scale
tinman5680 1 year ago
@tinman5680 it has the same notes but is not the same scale
ironwolg 1 year ago
@tinman5680
nah foo, u mad tripin
mjsupafly 1 year ago
should have been longer!!!
sjking92 2 years ago 33
@sjking92 Lmao, thought the same thing, halfway through improv soloing and it stops... -_-
KapustaCuber 1 year ago
@KapustaCuber The same for me, it's horrible !
SweeetPicker 1 year ago
@sjking92 THATS WHAT SHE SAID
PhantomWarlock 1 year ago
don#t forget that Bb major is the g minor relative
VCRider 2 years ago
i just play c major, with some variations on c minor
xaviermoyssen 2 years ago
lol. arguing over the key. he said it was in g minor.
mikese93 2 years ago
I play Cm dorian mode
RockyEpiphone 2 years ago
Comment removed
RockyEpiphone 2 years ago
this is awesome, Im having so much fun
biigzen 2 years ago
the first set of chords is a 2-5-1 in Bb major, the one following it is a 2-5-1 in G minor...and then they both repeat a few times...so you could switch between the two keys when appropriate and throw in a few arpeggios and start sounding more jazzy and less bluesy, for those of you sticking to pentatonic all the time =]
just a thought.
chucknorrispranks 2 years ago 3
G MINOR!!! come on now. just try em both. major sounds hella ugly over this.
nickchase1000 2 years ago
Whoever made the tip about using f min - that sounds great too. I find it only fits for a bit because it creates tension that needs resolving. But I'm especially enjoying using the fmin blues and then switching to gmin blues. Are people here arguing over the fact it's been transposed? That seems a bit weird I can't see the point. I use gmin (sometimes harmonic) and then Bb maj which is the same thing. If people are complaining about tune being transposed that's a bit silly.
prababilacab 2 years ago
i just play g minor
prababilacab 2 years ago
Good on you!haha
gamerohan 2 years ago
@gamerohan G minor is f mixolydian
martinman300 1 year ago 3
@martinman300 Yes essentially, but they are completely different in their own ways because of the different tonal centres.
gamerohan 1 year ago
passt kein bische zu g minor
Ningensuke 2 years ago
was solls denn sonst sein? natürlich ist das g moll schau doch die akkorde rechts an.. ich glaub der fehler liegt bei dir.!
aronkarmusic 2 years ago
its in g major not minor
i2Dog 2 years ago
No im sure in it's G Minor, (B flat Major)
gamerohan 2 years ago
it's in G major. This is coming from a from both a guy who has studied the song extensively and my real book. You have the wrong chords also. If you'd like to know the proper progression feel free to message me.
devinring 2 years ago
its minor! look at the chords they dont fit g major..who cares about your realbook... youre right, these arent the original chords.. but the original version doenst swing too.. your comment is simply stupid..
aronkarmusic 2 years ago
No, the one chord that doesn't fit is a sub chord, from the melodic minor. there is only one chord in the entire song that doesn't fit g major, yet not a single one fits g minor. Maybe in your cracked up interpretation, but I can 100% assure you it is G major. Go ask any jazz teacher, it's an EXTREMELY well known standard.
devinring 2 years ago
I know its a standart.. but if you take every sub-mode stuff every chord will fit into every key.. and thats bullshit.. its about the chords beeing played infront and behind it.. honestly.. do you play any instrument? if so play a normal g major scale over it.. then play the g minor over it.. to proove it lets try the relativ major.. so play A# major.. if this doenst sound right to you.. or you think major sounds good.. CHECK YOUR EARS! and BTW: you dont have to get that mean..
aronkarmusic 2 years ago
Yes, I play bass, piano, guitar, saxophone, clarinet and harmonica. Have studied jazz quite a bit with great teachers. Plenty of ear training. The key that bets fits this song is G major, thus it is the key people play it in. I'm 100% sure I'm correct, so if you'd like to take some good advice go learn the song properly.
The chords for the first 8 bars are:
| A-7 | D7 | Gmaj7 | Cmaj7 | F#dim7 | B7 | E-7 | E-7 |
The same chords appear the whole song in different order.
devinring 2 years ago
Gosh.. dont you get it? These might be the chords from your realbook.. but the chords played here are:
Cm7
F7
BbM7
EbM7
Am7b5
D7
Gm7
Gm7
aronkarmusic 2 years ago
Look deviring, my version is in G minor. The chords that you have stated are in G Major (E minor). Yes i agree, that is a standard key, but G minor is also a standard key. MANY people play it in G minor. But i think i see why you feel G major is sounding good. Im assuming you are soloing over with saxophone. Mate, G major on saxophone is B flat Major concert key!! So no wonder it sounds normal. End of story. If you don't like the key my version is in, then leave
gamerohan 2 years ago
You got me wrong. The other guy said its in major. Im trying to make him understand this lovely piece is in minor =)
aronkarmusic 2 years ago
ya but he's got the key all wrong. forget about major minor. what he's saying is not even the relative minor. i think he's playing a transposed instrument
gamerohan 2 years ago
you should know that
woutertje23 2 years ago
Jezz im getting so many comments I just made a mistake. The verson in my book said it was in G- major. I got the real Jazz book . But weather in G major or minor its still sounds good
i2Dog 2 years ago
i like Eb lydian
guitarpick678 2 years ago
doesnt work
treasuremen 2 years ago
Why? Dont you know wich scale to use... im gonna give you a idea..
G Minor A# Major C-Dorian D-Phyrian
aronkarmusic 2 years ago 2
how come it sounds good to play F minor and also G minor to this one?? thanks
allsport1313 2 years ago
cause you dont have a really accurate key on this one because the chords are only played by the piano wich is really short.. the walking baseline leaves more room for improvising
aronkarmusic 2 years ago
Well since the song is in G-minor throughout, all the chord changes hold similarities to this chord. Also, F-minor chord is composed of F (the seventh of G-minor) a-flat (the flat two of G-minor) E-flat (the major sixth of G-minor) and C. The c is the third note in G blues so coupled with a c-sharp it sounds awsome. So yah, Since F-minor utilizes so many of the parent chord's notes, it sounds good.
Backdrop2772 2 years ago
i like that man sounds good, this is a great jam track!
when2L 2 years ago
Thanks so much!
Pems33 2 years ago 2