In the US, they changed the name of the album to "Pure Pop for Now People." Nowadays, they would've left the name "Jesus of Cool" but the record company would've told him not to use the line "Little Hitler."
@AndyManilow Sure- the similarity is in the lush backing vocals (ala the George O'Hara Smith singers on All Things Must Pass lp). At least it is to me anyway.
@AndyManilow Sure- the similarity is in the lush backing vocals (ala the George O'Hara Smith singers on All Things Must Pass lp). At least it is to me anyway.
@AndyManilow Sure- the similarity is in the lush backing vocals (ala the George O'Hara Smith singers on All Things Must Pass lp). At least it is to me anyway.
Since Lowe was so close to Costello through the late 70s (producer, label mate, musical collaborator etc) it's tempting to read Lowe's lyrics as a comment on Costello who was using a lot of Nazi/fascist imagery in his lyrics and behaving like something of a fired-up control freak, supposedly keeping a list of journalists who'd criticised him in a little black book to exclude from guest lists at shows.
Why get so uptight and filthy-mouthed about music? This is just a good sing-among pop song. First heard it in a furniture store and no one could tell me who was singing it. Well, I like it.
This comment has received too many negative votesshow
i dig lowe. in fact, i dig lowe very much. but i would consider him to be a "guitly pleasure." one of my fave guilty pleasure singer/songwriters, right up there with graham parker and nick lowe. but there's no denying it. lowe's form of power pop sacrifices subtlety for power. and his songs come off as cheesy, disposable, and irrelevant. compared to beck (or even someone like robbie williams), nick lowe is a relative nonentity.................
dude, i hate to recommend really great songs to ignorant blowhard jerks such as yourself, but just take a listen to "Shelly My Love", or "The Beast In Me" from Nick Lowe's Impossible Bird CD. And then you can stick your ridiculous comment.
it's cool. i didn't take offense but i did make a mistake myself. i forgot to add elvis costello to my "Triumvirate" of cheesy, guilty pleasure singer songwriters. they have all written good songs. but, in terms of awareness and sensitivity, they PALE next to songwriters such as beck, moby, and robbie williams (not to mention female songpoets such as bjork and tori amos).
of course it's my opinion. and (i venture to say) it's the opinion of most informed pop fans and critics. lowe, graham parker,and elvis costello have never been all that popular with the public and they haven't been critical favorites for decades. the supporters of their kind of power pop have generally been macho "purist" critics and "rockist" types who are living in the past. you'll seldom hear a contemporary artist, like avril lavigne or tori amos),cite nick lowe as one of her favorites.
Firstly, you missed an excellent Big Lebowski reference and secondly you consider Tori Amos a contemporary artist - your opinion should be stricken from the record. Your two cents are spent pal
robert christgau, simon reynolds, simon frith, kodwo eshun, chuck eddy maybe...the list goes on and on. they don't necessarily watch the grammies, but they have their fingers on the pulse of the public in some ways and are discerning about the BEST in popular taste. they think in terms of "progressive pop" rather than rock and roll or pop rock, even though they may not use the term. thus, they would think of nick lowe as an anachronism, i dead end within the context of the evolution of pop.
Not to be disrespectful to your opinion, but it seems presumptuous on your part to claim to know these critics viewing habits or how they think in terms of music genres. IMHO what you call Progressive Pop is the death knell of pop music much as Lite Jazz is the death knell of jazz.
absolutely. i don't know if these people watch the grammies and i couldn't care less. as to "how they think in terms of musical genres," i'm just speculating based on their writings and i could be wrong. but i would see these critics as moving away from an elitist "rockist" stance (essentially a white, middle class, male stance) toward a vision of pop as a multicultural, postmodern phenomenon with "electronica" (for want of a better term) as its international bedrock genre.
progressive pop isn't the death knell of pop music. it signifies a CHANGE in the nature of pop music, in my opinion a change for the better. i like old-fashioned power pop myself, yet i realize that the contemporary "progressive" form of pop is much more culturally significant. progressive pop is a kind of music that keeps up with contemporary technological trends while still appealing to the average "non-elitist" listener.
jazz as a creative artform didn't outlast the twentieth century. i DIG jazz and at one time was very much into it. but one has to concede that jazz is an elitist, pretentious musical genre. yes, lite jazz (or smooth jazz) is a "kitschy" phenomenon. yet it is an attempt to develop an ACCESSIBLE derivative of jazz, an offshoot of jazz that appeals to the unsophisticated listener while still acknowledging the techological changes that have taken place in the music industry.
there's "good" kitsch and "bad" kitsch. "good" kitsch connects with an audience and engages with the technology of its time. "bad" kitsch is just "kitschy." avril and robbie make culturally-resonant "important" kitsch. nick lowe (though i love him) is essentially just an old goon living in the past................................
I could be wrong but I seriously doubt in 25 years time (let alone 5-10),people will be talking about,let alone remember who the heck Avril Lavigne is. I'd love to see her in 2020 to see what the " old goon-ness" will be up to.
Anyway, it's whatever you're into that counts. Opinions are like a**holes-everyone has them.
Crappy video of a great song. Doesn't matter. It's so great to see Nick Lowe. Bit of trivia: He stole the song title from his friend Elvis Costello who instead had to write a song called Two Little Hitlers.
In the US, they changed the name of the album to "Pure Pop for Now People." Nowadays, they would've left the name "Jesus of Cool" but the record company would've told him not to use the line "Little Hitler."
gmartinz01 4 weeks ago
Top shelf stuff from one of the most talented artists to ever grace the airwaves !
wmw2525 8 months ago
I don't think it sounds like ELO. If anything it reminds me of the Hollies and their style
Igglefan75 9 months ago
leih geis arsch
hasefisch 9 months ago
heil sieg!
Tarnavchik 11 months ago
Great stuff. I miss it. He helped usher in alternative. All the generation X'ers to current can thank him.
GermanShepherdWolf 1 year ago
The style here reminds me of ELO, which I liked/like very much.
magnusea 1 year ago
Fantastic! It's also about time "Labour of Lust" was given a decent reissue
sabram8 1 year ago
this is new to me......
marti72256 1 year ago
I have always wondered if this song is about Bryan Ferry.
MDJarv 1 year ago 2
Love this song. Know that it has nothing to do with politics; still as I live in Germany it has an odd feel to it. Nevertheless a great song.
wallygator100 1 year ago
WTF???
Seanou 1 year ago
Great stuff--thanks for uploading this!
I like the US track listing of this album best, as it has the studio version of "Heart Of The City" and the definitive "They Call It Rock"
vonwegen100 1 year ago
i loved 1978
chinasherry1961 1 year ago
i loved 1978
chinasherry1961 1 year ago
i loved 1978
chinasherry1961 1 year ago
i loved 1978
chinasherry1961 1 year ago
Go Basher. Can anyone put "Shes got soul" on YouTube. Danke.
deutschschoen 1 year ago
Harrison?????? No way.
AndyManilow 1 year ago
@AndyManilow Sure- the similarity is in the lush backing vocals (ala the George O'Hara Smith singers on All Things Must Pass lp). At least it is to me anyway.
crapple009 1 year ago
@AndyManilow Sure- the similarity is in the lush backing vocals (ala the George O'Hara Smith singers on All Things Must Pass lp). At least it is to me anyway.
crapple009 1 year ago
This has been flagged as spam show
@AndyManilow Sure- the similarity is in the lush backing vocals (ala the George O'Hara Smith singers on All Things Must Pass lp). At least it is to me anyway.
crapple009 1 year ago
Does anyone else hear a George Harrison influence in this song?
nadjadee 2 years ago 3
Yes, no doubtedly from My Sweet Lord.
Good call!
crapple009 2 years ago
Yes, in the harmonised slide guitars and also in the Spectoresque production.
bbrl722 1 year ago
I think jonbecker03 is trying to pull your chains,having a little fun.
crapple009 2 years ago
Thanks for posting this.
Nick Lowe - one of the greatest living Englishmen.
RUBBERMOOG 2 years ago
Love Nick Lowe.
RadioBazterd 2 years ago
I've ordered "Jesus Of Cool" a few days ago but don't have it yet. Can't wait :)
Unabomber2 2 years ago 3
Nice work. I'm workin' on a little Hitler or mein own.
PaulTettam 2 years ago
Since Lowe was so close to Costello through the late 70s (producer, label mate, musical collaborator etc) it's tempting to read Lowe's lyrics as a comment on Costello who was using a lot of Nazi/fascist imagery in his lyrics and behaving like something of a fired-up control freak, supposedly keeping a list of journalists who'd criticised him in a little black book to exclude from guest lists at shows.
harlowsmonthly 3 years ago 3
Why get so uptight and filthy-mouthed about music? This is just a good sing-among pop song. First heard it in a furniture store and no one could tell me who was singing it. Well, I like it.
corkeyIIonthebus 3 years ago
Never really "got" Graham Parker (it might still happen though!), but Lowe & Costello totally ruled at this point...
diskochimp 3 years ago
Check out his lp,Squeezing Out Sparks.
crapple009 2 years ago
Squeezing Out Sparks is a brilliant album by the wonderful Mr Graham Parker.
Mouldytone 2 years ago
Right on Mouldytone.
I especially love the songs,Local Girls and Discovering Japan.
Wish I had the special Live Sparks lp.
crapple009 2 years ago
check out Ian gomm gomm with the wind another brilliant album from that time period
chinasherry1961 1 year ago
@Mouldytone actually the album title had to be renamed to pure pop for now people. Jesus of Cool wasnt allowed in the US back then
chinasherry1961 1 year ago
@chinasherry1961 Thanks mate. I didn`t realise that the Album`s title was different in the US.
Tony
Mouldytone 1 year ago
yeah,
"but you'll get no change only shooting at them long range"
is not nearly as deep as
"i'm a loser baby, so why don't you kill me"
vuvaladusi 3 years ago
I wonder what this song means?
GarthAlgar2598 3 years ago
This comment has received too many negative votes show
i dig lowe. in fact, i dig lowe very much. but i would consider him to be a "guitly pleasure." one of my fave guilty pleasure singer/songwriters, right up there with graham parker and nick lowe. but there's no denying it. lowe's form of power pop sacrifices subtlety for power. and his songs come off as cheesy, disposable, and irrelevant. compared to beck (or even someone like robbie williams), nick lowe is a relative nonentity.................
jonbecker03 3 years ago
dude, i hate to recommend really great songs to ignorant blowhard jerks such as yourself, but just take a listen to "Shelly My Love", or "The Beast In Me" from Nick Lowe's Impossible Bird CD. And then you can stick your ridiculous comment.
JoeBBBlow2 3 years ago 2
I didn't have to make my post so obnoxious and rude. I apologize for the harsh adjectives.
JoeBBBlow2 3 years ago
it's cool. i didn't take offense but i did make a mistake myself. i forgot to add elvis costello to my "Triumvirate" of cheesy, guilty pleasure singer songwriters. they have all written good songs. but, in terms of awareness and sensitivity, they PALE next to songwriters such as beck, moby, and robbie williams (not to mention female songpoets such as bjork and tori amos).
jonbecker03 3 years ago
"Well that's just, like, your opinion, man."
zombiewarfare 3 years ago
of course it's my opinion. and (i venture to say) it's the opinion of most informed pop fans and critics. lowe, graham parker,and elvis costello have never been all that popular with the public and they haven't been critical favorites for decades. the supporters of their kind of power pop have generally been macho "purist" critics and "rockist" types who are living in the past. you'll seldom hear a contemporary artist, like avril lavigne or tori amos),cite nick lowe as one of her favorites.
jonbecker03 3 years ago
Firstly, you missed an excellent Big Lebowski reference and secondly you consider Tori Amos a contemporary artist - your opinion should be stricken from the record. Your two cents are spent pal
protest11 3 years ago 4
Who are these Informed pop critics and fans you're citing? People who watch the Grammy awards?
ChasBeauregarde 2 years ago
robert christgau, simon reynolds, simon frith, kodwo eshun, chuck eddy maybe...the list goes on and on. they don't necessarily watch the grammies, but they have their fingers on the pulse of the public in some ways and are discerning about the BEST in popular taste. they think in terms of "progressive pop" rather than rock and roll or pop rock, even though they may not use the term. thus, they would think of nick lowe as an anachronism, i dead end within the context of the evolution of pop.
jonbecker03 2 years ago
Not to be disrespectful to your opinion, but it seems presumptuous on your part to claim to know these critics viewing habits or how they think in terms of music genres. IMHO what you call Progressive Pop is the death knell of pop music much as Lite Jazz is the death knell of jazz.
ChasBeauregarde 2 years ago
absolutely. i don't know if these people watch the grammies and i couldn't care less. as to "how they think in terms of musical genres," i'm just speculating based on their writings and i could be wrong. but i would see these critics as moving away from an elitist "rockist" stance (essentially a white, middle class, male stance) toward a vision of pop as a multicultural, postmodern phenomenon with "electronica" (for want of a better term) as its international bedrock genre.
jonbecker03 2 years ago
progressive pop isn't the death knell of pop music. it signifies a CHANGE in the nature of pop music, in my opinion a change for the better. i like old-fashioned power pop myself, yet i realize that the contemporary "progressive" form of pop is much more culturally significant. progressive pop is a kind of music that keeps up with contemporary technological trends while still appealing to the average "non-elitist" listener.
jonbecker03 2 years ago
jazz as a creative artform didn't outlast the twentieth century. i DIG jazz and at one time was very much into it. but one has to concede that jazz is an elitist, pretentious musical genre. yes, lite jazz (or smooth jazz) is a "kitschy" phenomenon. yet it is an attempt to develop an ACCESSIBLE derivative of jazz, an offshoot of jazz that appeals to the unsophisticated listener while still acknowledging the techological changes that have taken place in the music industry.
jonbecker03 2 years ago
Ellington, Basie and Armstrong are elitist and pretentious??? Dude, your way off base - no further comments.
ChasBeauregarde 2 years ago
As an informed pop fan and critic,I don't share your opinion at all.
Gotta admit though,"Hey,Hey,I Wanna Be Your Girlfriend" by Avril and Robbie Williams are my some of my cheesy,disposable guilty pleasures.
crapple009 2 years ago
there's "good" kitsch and "bad" kitsch. "good" kitsch connects with an audience and engages with the technology of its time. "bad" kitsch is just "kitschy." avril and robbie make culturally-resonant "important" kitsch. nick lowe (though i love him) is essentially just an old goon living in the past................................
jonbecker03 2 years ago
I could be wrong but I seriously doubt in 25 years time (let alone 5-10),people will be talking about,let alone remember who the heck Avril Lavigne is. I'd love to see her in 2020 to see what the " old goon-ness" will be up to.
Anyway, it's whatever you're into that counts. Opinions are like a**holes-everyone has them.
crapple009 2 years ago 3
Comment removed
tappioha 2 years ago
Robbie Williams music is not cheesy?
crapple009 2 years ago 3
As the world turns
At the edge of night
And the seed of shock is sown
I'll make a little Hitler of my own
okbass 3 years ago
Jesus of cool, that's Nick-o.
scs3000 3 years ago 10
Never knew there was a video for this song. Thanks for posting!
billieredsocks 3 years ago 3
Crappy video of a great song. Doesn't matter. It's so great to see Nick Lowe. Bit of trivia: He stole the song title from his friend Elvis Costello who instead had to write a song called Two Little Hitlers.
robbyroo212 3 years ago 9
Er...WOW!! Thanks a bunch for posting this! I never even realised that "Little Hitler" had a video until now :-)
kevgmac76 3 years ago