Great performance... Will NEVER forget him doing Mahler 9 with Cleveland around 1970... Fantastic and still the orchestra built by Szell. My Dad was bass trombonist then and all players were stunned by his conducting and the orchestra was top notch! I have a bootleg from WCLV radio. Sounds better than the Concertgebouw recording!
His 7th took the longest for me to get into and begin appreciating. But this recording automatically, exponentially increased my appreciation for the piece more than listening to my recording multiple times ever did. It's amazing what difference a great recording can make.
HappyWandy457, here we see "Precise Conducting" at its highest level: All details were worked out at rehearsals, which end up to a reduced expression on stage. But watching our jung Gustavo Dudamel, we see the difference: Soul Expression at his level. Wow! I like this humanised conducting foremost!
Watch the CSO and Pierre Boulez on Wednesday.October 27,2010. WTTW Chicago and WFMT-FM. I saw and heard the whole thing live twice - rehearsal and performance. The video says watch the complete performance of the Berliner Phil. but my computer says unavailable. Kiddleliddle
@fbain1horn lol that would be me too if I was there. Especially after spending a year with my 6th grade band. This is angelic in comparison. I'd be in tears. Lol.
@brianleeeelnairb yeah that would've been so good to sit in the front row..... i just went to the berlin phil's BBC prom the other week, they did mahler 1. it was absolutely insane!
Hmm I prefer to think of it as the soul. THe percussion is more the heart. Gives it a beat. And when they stop the ban can still keep going :) Not so for French Horns. Take them away and the orchestra's got nothing.
I actually only own one recording, by the Milwaukee Symphony Orchestra, which happens to be clean at that point (though I heard them play this live a month ago and they were a lot better). I usually rely on YouTube for my "recordings," because I can find a lot on here that most would find on iTunes first. I also tuned in for the CSO performance with Boulez that the other commenter mentioned.
@bugleboy499 you're RIGHT. I love the Berlin Phil but I have to say, that I don't like the trumpet sound in this video. The sound doesn't fots to the Rest of the Orchestra I think if all three would play trumpets in B, it'd be a lot better-... in my opinion of course
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I have seen mahler 7 about 3 or 4 times. All with different conductors all with different orchestras. "shit american orchestra" you say I went to see the mahler cycle at carnegi hall this past may. #3 and #7 you wana talk about shit I was falling alseep, my friend said they were booing at #5. I have seen the nyphil perform just about every Mahler but #4 I would say they give BPO a run for the money if not better.
I can't find the excitement and the neurotic feel found in Kondrashin, Bernstein, and Kubelik. The horns do sound strained, and I think the entrance is a bit too muted; why not blast out the notes? The percussion does the nice job, though.
I agree that you miss a certain kind of white hot excitement, but it is a matter of Haitink's interpretation: the glow is in the sound and the balance. With Haitink, his Mahler-interpretations are getting deeper and deeper, and not so much extraverted. His Beethoven however seems to be very rythmic and 'youthful'.
In my humble opinion: Totally focussed on sound, warmth and breath. Second of all, slower and more eye for detail. I agree that it sometimes gets too slow (the Adagietto of the 5th takes almost 14 minutes), but I mentioned "deeper" as a juxtaposition to flashy and loud.
Mahler wrote THE loudest symphonies ever, (and also the quietest). You need a conductor who can do both of them, but i personally think Haitink only does better in the quiter parts, a bit more suiting him to the more lyrical movements.
Yes, I agree. His 4th is phenomenal. But then...you must also agree that the 3rd is a bit on the slow side (1st movt.). By the way: maybe his best performances on Mahler were in the 70's and 80's with the Concertgebouw, the Eurovision Christmas Matinees. You know them? They must be available everywhere.
Different conductors have their own way or style of interpretations, if everyone is doing Mahler in Bernstein's way, what is the point of having a conductor?
Well, I personally think the orchestra and the conductor is restrained here, which has nothing related to Bernstein. Great recordings should consist of a great interpretation, but to get a great interpretation you need a orchestra in good shape. The Berliner Philharmoniker isn't in this one.
Take Kondrashin and Klemperer's 7th - the Kondrashin is an extremely exuberant one but Klemperers is meditative. Bu
may i kindly ask who you are and what you do to judge that way about the berliner philharmoniker? i mean listen to the trumpets - reminder: this is a live-recording!! tell me a finer live-recording (beside chailly's amsterdam recording)!
Yes, I agree the orchestra is restrained here. This is how Haitink deals with Mahler. See his Mahler 6 with the Chicago Symphony Orchestra on youtube.
@karajanhk I'm actually fine with the level of the orch--I understand the more restrained nature of European orchestras in general (in comparison to the CSO Bud days that is) & how it's harder to get that certain brilliance on rotaries. I was referring to the lick after figure 228; it physically sounded strained.
As for Mahler 6, thanks for pointing that out. I've been lucky enough to hear the CSO do it on consecutive nights w/ different conductors, so this would be a great comparison for me.
@WAKeele well the lead trumpet has to play an extremely high note in the opening solo ( a C that's2 octaves higher than middle C) the highest note possible on a trumpet. Their embouchure has to be tight beyond tight, and they have to hold it. This is hard enough on a traditional trumpet, and even harder on a rotary trumpet that the Berlin Phil uses. Also, Tamás Velenczei, the lead trumpet playing the solo, has a different embouchure than most players, and has to play it to the side.
@TheKevinV08I know the piece well from playing it. A high C concert is NOT "the highest note possible on trumpet". This statement alone nulls any sort of advance you have--not being mean, it's just knowledge based. There are plenty of pieces that demand more--Alpine Symphony & Mahler 8 being quite notable. I also find it no harder to play in the higher register on a rotary than a piston (which doesn't mean it's not harder for others though). Berlin is great. It's not a slam but an observation.
what movement of symphony no. 7 is this?
musicislife2716 4 months ago
@musicislife2716 It is the beginning of the finale.
BerlinPhil 4 months ago
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edupraca 4 months ago
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5 movement
edupraca 4 months ago
And so I can't believe it, who else can gear it?
e.G. first trumpet at 0:37 is way under the pitch... berlinphil is so much better, don't like this interpretation..
SchwarzeDose21 4 months ago
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thomas04300613 6 months ago
I wouldn't mind if I were the 20012 flute in that orchestra!
musicfreak3109 7 months ago
BerlinPhil, is maestro Haitink using the New Critical Edition?
hiyetty 7 months ago
That high B by Dohr is just epic.
cpthornman 7 months ago
i just love it!
check out the tennstedt version which is also here on youtube!
mortalfrog0815 9 months ago
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shib340 9 months ago
It's good, Stefan Dohr is real great, but the articulation might just as well be a bit sharper. Great performance though, in all sense!
Well this is so much better than Bernstein + Vienna...
JC5268 9 months ago 3
Claudio Abbados version is much better sorry, i dont like this.
SchwarzeDose21 10 months ago
Great performance... Will NEVER forget him doing Mahler 9 with Cleveland around 1970... Fantastic and still the orchestra built by Szell. My Dad was bass trombonist then and all players were stunned by his conducting and the orchestra was top notch! I have a bootleg from WCLV radio. Sounds better than the Concertgebouw recording!
danderbass 11 months ago
His 7th took the longest for me to get into and begin appreciating. But this recording automatically, exponentially increased my appreciation for the piece more than listening to my recording multiple times ever did. It's amazing what difference a great recording can make.
MusicInvestigation 11 months ago
Beautiful, would love to travel to Berlin just for the music
Ms Etoile7
MsEtoile7 11 months ago
Is the woman in background having an orgasm @0:12 ? lol
bochan207 1 year ago
@bochan207 That's because she IS
TheRohBoat 1 year ago
@bochan207 who wouldnt orgasm to mahler?
hyeonj315 1 year ago 4
That part of the final movement 0:43 from Mahler 7th sounded like Wagner's "Der Meistersinger von Nurenberg".
alan1963 1 year ago
Schade, dass die Berliner Philharmoniker immer nur kurze Auschnitte zeigen und komplette Videos auf YT gern sperren lassen...
Aber wir haben schon verstanden: Wir sollen mal wieder was kaufen!
Tja, so is das in dieser Welt: Umsonst gibt´s leider nur den Tod, aber nicht Berlins Philharmoniker...
nikodemus7777 1 year ago
HappyWandy457, here we see "Precise Conducting" at its highest level: All details were worked out at rehearsals, which end up to a reduced expression on stage. But watching our jung Gustavo Dudamel, we see the difference: Soul Expression at his level. Wow! I like this humanised conducting foremost!
Hans Fröhlich - Germany
happywandy457 1 year ago
Mahler, Haitink, and Berlin. Three of my favorites!!!
EDGJZConglomerate 1 year ago 2
the best orchestra plus the best recording = WOW
iter68 1 year ago 3
One of the greatest conductors ever. He lets the musicians on the edge of their seat.
And let you enjoy every second. :)
martinusB95 1 year ago 2
Watch the CSO and Pierre Boulez on Wednesday.October 27,2010. WTTW Chicago and WFMT-FM. I saw and heard the whole thing live twice - rehearsal and performance. The video says watch the complete performance of the Berliner Phil. but my computer says unavailable. Kiddleliddle
robertstracke 1 year ago
@robertstracke Thanks for your advice - the broken link should work now.
BerlinPhil 1 year ago
@robertstracke the CSO played wonderfully that night, yeah
zzzzzzzzzz202 1 year ago
Rainer Seegers for the win.
schnozz87 1 year ago
Stefan Dohr is like, "This is my orchestra."
jacobflaschen 1 year ago
good comments here.just discovering Mahler....i LOVE this vid...i want more!
99galisteo1 1 year ago
The conductor is so great. He let you enjoy every second.
martinusB95 1 year ago
is this the Nachtmusik II?
gera1262 1 year ago
@gera1262 No it's the beginning of the last movement
TheKevinV08 1 year ago
@TheKevinV08 thanks a lot!
gera1262 1 year ago
@gera1262 Nope, Finale.
Haeronthegreat 1 year ago
@ gera1262 it's the last movement, it does not look like the music that night ...
thomas4179 1 year ago
the woman in the audience 0:13 - 0:30 directly in the middle seems to be enjoying it a bit much
fbain1horn 1 year ago 2
@fbain1horn lol that would be me too if I was there. Especially after spending a year with my 6th grade band. This is angelic in comparison. I'd be in tears. Lol.
musicchick581 1 year ago
@fbain1horn I don't know about you, but I would give anything to see this live. haha
brianleeeelnairb 1 year ago
@brianleeeelnairb yeah that would've been so good to sit in the front row..... i just went to the berlin phil's BBC prom the other week, they did mahler 1. it was absolutely insane!
fbain1horn 1 year ago
FUCKING HELL stefan dohr!
fbain1horn 1 year ago 5
Yes, Herr Dohr is hot. Having studied with some of the best, I can say that. Haitink is a class act. I love that guy. He still has it.
duckbarf 1 year ago
listen to the first horn =)
osumb17 1 year ago
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20512361 1 year ago
This is really a "Nachtmusik"
a great version for a great symphony
aicos1424katsu 1 year ago
Hmm I prefer to think of it as the soul. THe percussion is more the heart. Gives it a beat. And when they stop the ban can still keep going :) Not so for French Horns. Take them away and the orchestra's got nothing.
kenruneck 2 years ago
in some ways this is better than the video they made back in 1993 or so...now on DVD.
GregHales 2 years ago 2
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french trompeter are better ! ^^
trompetmusik 2 years ago
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i never like the trumpeters in berlin.. the trumpet section sounds like they play on deflated trumpets..
foodmore 2 years ago
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MarkusTrompete 2 years ago
nice trumpet
951029945766 2 years ago 3
Gustav is a great))))))))))))))))))))
Dima4702 2 years ago 2
Nice horns!
JLwaldhorn 2 years ago 6
Yay Haitink! He is fantastic!!
balletcomposer 2 years ago 5
Few things can move emotion like the power of a full orchestra once everything's been polished and perfected. The soul quakes...
MundaneRaptor 2 years ago 2
stefan dohr i love you
Finners1551 2 years ago 23
He is the best around today!!!! Wouldnt you agree?
paxmanhorn20 2 years ago 8
Wann wird Daniele Gatti nach Berlin eingeladen um Mahler zu dirigieren?
medmai 2 years ago
1:32 is possibly the first time I've ever heard no wrong notes in the trumpet section.
ThaSchwab 2 years ago 55
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Wow, talk about horrible grammar
ThaSchwab 2 years ago
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This comment was to myself, so you really didn't need to thumb my it down
ThaSchwab 2 years ago
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GMahlerVerehrer 2 years ago
@ThaSchwab
Then you haven't heard this yet. ;)
watch?v=SpWDHYGPxDc
GMahlerVerehrer 2 years ago
Did you upload that video for me? Lol. What recording is that?
ThaSchwab 2 years ago
Yes, I did. ;)
It is the recording with the Vienna Philharmonic Orchestra conducted by Sir Simon Rattle; recorded on May 11, 1995.
GMahlerVerehrer 2 years ago
Figures, Sir Simon is one of my favorites.
ThaSchwab 2 years ago
@GMahlerVerehrer: Ja wer hat denn da am Regler gedreht? Bruel&Kjaer-Microphones with diffuse-field capsules + equalizer. Simply too much.
blechmusik 1 year ago
@blechmusik
Wenn du mich schon adressierst, solltest du in Worten zu mir reden, die ich verstehe.
GMahlerVerehrer 1 year ago
@ThaSchwab no way! really? Ugh this is my favorite group..I hope not! :o(
musicchick581 1 year ago
@musicchick581
What? What I said was a good thing. :)
ThaSchwab 1 year ago
@ThaSchwab I know I was saying that I hope they dont make mistakes cause they're my favorite :o)
musicchick581 1 year ago
@ThaSchwab You can listen to solti with the CSO. They play so much better.
foodmore 1 year ago
@ThaSchwab
Listen to better recordings, that's all I have to say. I've heard 5 different recordings of this and they're all clean.
jsteuernol 1 year ago
@jsteuernol
I actually only own one recording, by the Milwaukee Symphony Orchestra, which happens to be clean at that point (though I heard them play this live a month ago and they were a lot better). I usually rely on YouTube for my "recordings," because I can find a lot on here that most would find on iTunes first. I also tuned in for the CSO performance with Boulez that the other commenter mentioned.
ThaSchwab 1 year ago
@ThaSchwab
CSO with Abbado is very good. The recording of Vienna with Bernstein conducting on youtube here is also quite decent, check it out.
jsteuernol 1 year ago
@jsteuernol
I don't really care for the older videos like that. The instruments themselves sound horrible.
ThaSchwab 1 year ago
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@ThaSchwab The germans don't fuck around
charleshoskinson 10 months ago
@ThaSchwab too bad they arent in tune :( first one's in tune, second one is flat, third is sharp.
bugleboy499 6 months ago
@bugleboy499 bullshit
fbain1horn 4 months ago in playlist fbain1horn's Favourited Videos
@bugleboy499 you're RIGHT. I love the Berlin Phil but I have to say, that I don't like the trumpet sound in this video. The sound doesn't fots to the Rest of the Orchestra I think if all three would play trumpets in B, it'd be a lot better-... in my opinion of course
SchwarzeDose21 4 months ago
I love this movement.Pure genius of Mahler.
ArturoAlejandroS 2 years ago 2
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numb3rmonkey08 2 years ago
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numb3rmonkey08 2 years ago
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numb3rmonkey08 2 years ago
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such a yawner of an opening. gives his intepretation an undecided feeling.where's the energy from 1:18 onwards? boo
foodmore 2 years ago
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I agree. Haitink made the BPO sound like some shit american orchestra.
jlip001 2 years ago
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I have seen mahler 7 about 3 or 4 times. All with different conductors all with different orchestras. "shit american orchestra" you say I went to see the mahler cycle at carnegi hall this past may. #3 and #7 you wana talk about shit I was falling alseep, my friend said they were booing at #5. I have seen the nyphil perform just about every Mahler but #4 I would say they give BPO a run for the money if not better.
osumb17 2 years ago
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Hmm. Pretty slow tempo for the last mvt of this.
I can't find the excitement and the neurotic feel found in Kondrashin, Bernstein, and Kubelik. The horns do sound strained, and I think the entrance is a bit too muted; why not blast out the notes? The percussion does the nice job, though.
Sinfoniette 2 years ago
I agree that you miss a certain kind of white hot excitement, but it is a matter of Haitink's interpretation: the glow is in the sound and the balance. With Haitink, his Mahler-interpretations are getting deeper and deeper, and not so much extraverted. His Beethoven however seems to be very rythmic and 'youthful'.
MarkoKassenaar 2 years ago 2
Please tell me how his interpretations are getting deeper. For me, the peak was at the 3rd but never got better.
Sinfoniette 2 years ago
In my humble opinion: Totally focussed on sound, warmth and breath. Second of all, slower and more eye for detail. I agree that it sometimes gets too slow (the Adagietto of the 5th takes almost 14 minutes), but I mentioned "deeper" as a juxtaposition to flashy and loud.
MarkoKassenaar 2 years ago
Mahler wrote THE loudest symphonies ever, (and also the quietest). You need a conductor who can do both of them, but i personally think Haitink only does better in the quiter parts, a bit more suiting him to the more lyrical movements.
Sinfoniette 2 years ago
Yes, I agree. His 4th is phenomenal. But then...you must also agree that the 3rd is a bit on the slow side (1st movt.). By the way: maybe his best performances on Mahler were in the 70's and 80's with the Concertgebouw, the Eurovision Christmas Matinees. You know them? They must be available everywhere.
MarkoKassenaar 2 years ago
Different conductors have their own way or style of interpretations, if everyone is doing Mahler in Bernstein's way, what is the point of having a conductor?
karajanhk 2 years ago
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Well, I personally think the orchestra and the conductor is restrained here, which has nothing related to Bernstein. Great recordings should consist of a great interpretation, but to get a great interpretation you need a orchestra in good shape. The Berliner Philharmoniker isn't in this one.
Take Kondrashin and Klemperer's 7th - the Kondrashin is an extremely exuberant one but Klemperers is meditative. Bu
Sinfoniette 2 years ago
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But I certainly can't see how one can make a great interpretation when the orchestra doesn't have the skill to.
Sinfoniette 2 years ago
But this BP is one of the finest orchestras in the world...
karajanhk 2 years ago 10
may i kindly ask who you are and what you do to judge that way about the berliner philharmoniker? i mean listen to the trumpets - reminder: this is a live-recording!! tell me a finer live-recording (beside chailly's amsterdam recording)!
Michi090381 2 years ago
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Kondrashin's live rec
Sinfoniette 2 years ago
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No you may not.
jlip001 2 years ago
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Michi090381 2 years ago
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I thought so..
Michi090381 2 years ago
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Lol. So you deleted your comment before I could read it, dumbass.
jlip001 2 years ago
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just try to find it, idiot!
Michi090381 2 years ago
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Michi090381 2 years ago
Yes, I agree the orchestra is restrained here. This is how Haitink deals with Mahler. See his Mahler 6 with the Chicago Symphony Orchestra on youtube.
karajanhk 2 years ago
@karajanhk I'm actually fine with the level of the orch--I understand the more restrained nature of European orchestras in general (in comparison to the CSO Bud days that is) & how it's harder to get that certain brilliance on rotaries. I was referring to the lick after figure 228; it physically sounded strained.
As for Mahler 6, thanks for pointing that out. I've been lucky enough to hear the CSO do it on consecutive nights w/ different conductors, so this would be a great comparison for me.
WAKeele 1 year ago
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No one cares what you think.
jlip001 2 years ago
Amazing! Great to see maestro Haitink, I've played this piece under his baton as well! :-)
finnishredder 2 years ago 10
01:44 is that Wang Jian at the first row?
althen 2 years ago
no, he isn't
karajanhk 2 years ago
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Wow, I'm surprised with the trumpet section; they sounded a bit strained. I know this piece isn't a walk in the park, but this is the Berliner Phil.
WAKeele 2 years ago
@WAKeele well the lead trumpet has to play an extremely high note in the opening solo ( a C that's2 octaves higher than middle C) the highest note possible on a trumpet. Their embouchure has to be tight beyond tight, and they have to hold it. This is hard enough on a traditional trumpet, and even harder on a rotary trumpet that the Berlin Phil uses. Also, Tamás Velenczei, the lead trumpet playing the solo, has a different embouchure than most players, and has to play it to the side.
TheKevinV08 1 year ago
@TheKevinV08I know the piece well from playing it. A high C concert is NOT "the highest note possible on trumpet". This statement alone nulls any sort of advance you have--not being mean, it's just knowledge based. There are plenty of pieces that demand more--Alpine Symphony & Mahler 8 being quite notable. I also find it no harder to play in the higher register on a rotary than a piston (which doesn't mean it's not harder for others though). Berlin is great. It's not a slam but an observation.
WAKeele 1 year ago
bravissimo
massimolioy 2 years ago 10
amazing, i would have loved to see this live
RyaZila24 2 years ago 18