@jose044 If you ever want to grab some really cool tensions and hip sounding lines that grab a lot of outside and altered tones then just grab your root and from your root play Super Locrian. Super Locrian is the 7th scale degree of melodic minor and if you use it you will can easily access the b9, #9, #11, 13, and b13. Just mess around with that and trust me, you will be sounding quite "altered" pretty soon! haha
Another interesting way of looking at melodic minor (shape-wise) is as natural major #1. Sounds weird, I know, but that's what you get if you raise the root in natural major—the altered scale.
Ok thanks, probably as I did classical theory I tend to apply it even in my improvisations but mix it up with what sounds right against what I am playing. Thanks for your reply...
This may be a stupid question, But say Im in the key of G. Does that mean I can play Mixolydian (5th) over a G major chord progression and it'll sound all right?
I cant make that altered scale sound XD
jose044 1 year ago
@jose044 If you ever want to grab some really cool tensions and hip sounding lines that grab a lot of outside and altered tones then just grab your root and from your root play Super Locrian. Super Locrian is the 7th scale degree of melodic minor and if you use it you will can easily access the b9, #9, #11, 13, and b13. Just mess around with that and trust me, you will be sounding quite "altered" pretty soon! haha
candlewick163 10 months ago
you mean start from a note up or down from the root, right? or do you mean modulate the whole scale up or down?
caseyforever 2 years ago
He says "play the whole shape moved up and down the fret board by a whole step or 4th or 5th" or something like that.
GuillermoSmyser 2 years ago
Thanks Dave!
cingram72 3 years ago
Awesome.
soundwrks 3 years ago
Another interesting way of looking at melodic minor (shape-wise) is as natural major #1. Sounds weird, I know, but that's what you get if you raise the root in natural major—the altered scale.
AstAMoore 3 years ago
By the way,how was namm ?
pistache7 3 years ago
Yes dave,Great lesson.Uh...will this help me get to see california again ?Just kidding.
pistache7 3 years ago
DAYUM that's a sweet guitar.
NumbNutz12000 3 years ago
I can't even begin to write something like that. It's so frustrating.
Altered6Chicken 3 years ago
Your playing is so smooth! Awesome! Probably the reason you are playing with Steve Vai! lol
-Blair
booya62056 3 years ago
Nice one, looking forward to the new album cant wait!
satch099 3 years ago
Doesn't melodic minor go up 1,2, b3,4 5, maj6, maj7 and then come down, b7, b6, 5,4, b3,2, 1 ?
gr1moire2112 3 years ago
in classical theory yes, it goes up melodic and down aeolian. but in modern music, it's mainly used as the same scale up and back.
riffoftheweek 3 years ago
Ok thanks, probably as I did classical theory I tend to apply it even in my improvisations but mix it up with what sounds right against what I am playing. Thanks for your reply...
gr1moire2112 3 years ago
This may be a stupid question, But say Im in the key of G. Does that mean I can play Mixolydian (5th) over a G major chord progression and it'll sound all right?
Blandified 3 years ago
nice riff, those chords would sound nice behind it if they were open too
LRMMcDonnell 3 years ago
sometime people call it Jazz melodic minor, to specify that doesn't change, ascending or descending :D
Can't wait for your new cd :D
joekataldo 3 years ago
Amazing as always Dave
iamrichlol 3 years ago
A very clever idea. Using an easy pattern in a different context to get a new sound. Awesome.
GuillermoSmyser 3 years ago
Thanks Dave
palgaez35 3 years ago
Awesome video!
Afffinity 3 years ago