The ability to play attractive things vs. the ability to play things attractive.....2 entirely different things in my opinion...mani iyer,UKS,Palghat Raghu fall into the 2nd classification...the hallmark of these towers when compared to buildings.
This isn't the most difficult thing to play, not the fastest, not the most mathematically challenging, but for some reason, this simple yet delightful piece sounds amazing. It's hard to explain, it's just too sweet
Agree with you both. There is something inexplicable about the way in which Mani Iyer plays that just catches your breath. Any time you hear him playing, its divine whether in accompaniment or in a thani. Never yet heard a match and doubt I ever will.
I have seen many mridangists with amazing speed, power, clarity, maths, rhythm BUT nobody has that magical simplistic quality which Mani Iyer seems to have. In this regard he may never be matched by anyone.
haha i agree, but then why did you say above that many would agree that he's average? i sure as hell think that he's wayyyyy above that, 10-fold. if anything, he deserves to be on that pedestal that "jhnlasik" mentioned.
if you have ever heard him accompany anything fast, particularly Jalajakshi by L. Subrmanian in 13 speeds, you will immediately notice his incredibly clarity and control in even the fastest of tempos
This comment has received too many negative votesshow
this playing is no where close to Pazhani or Murugabhoopathy- Mani Iyer was kept in pedstal because he was a iyer. other than that he was an average drummer.
Well, he was also placed on a pedestal because he was the first one to elevate the role of the mridangist. Prior to him, a mridangist could be just any guy and nobody gave a damn. He set the stage for mridangists to be a respected performer.
He may be an average drummer by today's standards where complexity is levels beyond what it once was (and he does make the occasional error), but for the time, he was probably something else.
Sound depends on the type of mridangam (Male, female or instrumental) and the each person produces a unique sound even if all played the same mridangam it would sound different. Then there is also technique.
each mridangam is tuned to the fundamental note of "Sa." Basically Sa is the first note of the major scale in western music, like the Do of Do Re Mi. All singers have different pitches that they sing to, as do instrumentalists, and the mridangam pitch varies to stay tuned to the fundamental note. Hopefully that helps you out a little...
The most famous mridangist of all time. Famous because he defined what mridangam playing is today. But i have never heard anyone who can match his timing. Even Alla Rakha (Tabla legend) took lessons from him.
that look fake but not
naveenshanv 2 years ago
Comment removed
opus88888 2 years ago
The ability to play attractive things vs. the ability to play things attractive.....2 entirely different things in my opinion...mani iyer,UKS,Palghat Raghu fall into the 2nd classification...the hallmark of these towers when compared to buildings.
astrohari25 3 years ago 6
it was sarcasm i used earlier
sonofthedestroyer 3 years ago
this man is a legend
ludakrishnan 3 years ago 2
sonofthedestroyer, What you said is so true.
This isn't the most difficult thing to play, not the fastest, not the most mathematically challenging, but for some reason, this simple yet delightful piece sounds amazing. It's hard to explain, it's just too sweet
worlddominator62 3 years ago
Agree with you both. There is something inexplicable about the way in which Mani Iyer plays that just catches your breath. Any time you hear him playing, its divine whether in accompaniment or in a thani. Never yet heard a match and doubt I ever will.
dmakkuni 3 years ago
there is a kind of intellectual rigour in what he plays, unlike a lot of newer mridangists, where it is solely about virtuosity. he is truly great...
monksatya 2 years ago
I have seen many mridangists with amazing speed, power, clarity, maths, rhythm BUT nobody has that magical simplistic quality which Mani Iyer seems to have. In this regard he may never be matched by anyone.
sonofthedestroyer 4 years ago
haha i agree, but then why did you say above that many would agree that he's average? i sure as hell think that he's wayyyyy above that, 10-fold. if anything, he deserves to be on that pedestal that "jhnlasik" mentioned.
ajay226 3 years ago
did i say that? I must have meant that he dosent play complicated things.
sonofthedestroyer 3 years ago
adadadadadadaa....kuppannum suppanum ellan mani iyer pathi pesa arambichutan..avan avan dialogue adikavendiyadu
goundmani 4 years ago
Konjam Adakkivaasikonumaa?
sonofthedestroyer 4 years ago
if you have ever heard him accompany anything fast, particularly Jalajakshi by L. Subrmanian in 13 speeds, you will immediately notice his incredibly clarity and control in even the fastest of tempos
lumpish419 4 years ago
obviously none of you have ever heard palghat mani iyer accompany
he was never the person to have flamboyant, particularly showy thanis
thats not what he was about and THATS why he is on such a pedestal as a legendary mridangist
he set the precedent for accompanying and brought the importance of rhythm as a COMPLEMENT to the song
lumpish419 4 years ago
This comment has received too many negative votes show
this playing is no where close to Pazhani or Murugabhoopathy- Mani Iyer was kept in pedstal because he was a iyer. other than that he was an average drummer.
jhnlasik 4 years ago
Im sure many will agree with you that Mani iyer was average
sonofthedestroyer 4 years ago
I don't see why not??
jhnlasik 4 years ago
Hahahahahahahahahahahahahahahhahahahahahahahahahhaaaahahaaaaaaaaaaaaaaaaaaaaaaaa!
sonofthedestroyer 4 years ago
Just bullshit my friend...
HATHI01 4 years ago
Well, he was also placed on a pedestal because he was the first one to elevate the role of the mridangist. Prior to him, a mridangist could be just any guy and nobody gave a damn. He set the stage for mridangists to be a respected performer.
He may be an average drummer by today's standards where complexity is levels beyond what it once was (and he does make the occasional error), but for the time, he was probably something else.
ShootMyMonkey 4 years ago
well said my friend.
kgpian 4 years ago
thanks a lot
vinuon 4 years ago
THANKS A LOT !
sangheeta 4 years ago
why do some mridangams sound different from others?
Rugiviet 5 years ago
Sound depends on the type of mridangam (Male, female or instrumental) and the each person produces a unique sound even if all played the same mridangam it would sound different. Then there is also technique.
sonofthedestroyer 4 years ago
each mridangam is tuned to the fundamental note of "Sa." Basically Sa is the first note of the major scale in western music, like the Do of Do Re Mi. All singers have different pitches that they sing to, as do instrumentalists, and the mridangam pitch varies to stay tuned to the fundamental note. Hopefully that helps you out a little...
ajay226 4 years ago
The most famous mridangist of all time. Famous because he defined what mridangam playing is today. But i have never heard anyone who can match his timing. Even Alla Rakha (Tabla legend) took lessons from him.
sonofthedestroyer 5 years ago
34534314543 videos of people "farting"...1 video of mani iyer... that´s just sad.
aumentada 5 years ago
awesome!
thanks a lot
allforumer 5 years ago
muchas gracias
elturpial76 5 years ago
God bless you ashwinrohin!!!
I have been looking for a video of Mani iyer for months!!
This is a very very very precious video.
sonofthedestroyer 5 years ago