He's exactly right in his teaching but he's not explaining it very well in my opinion. I guess that's the difference between a player and a teacher. He should be explaining that he's looking for "feeling" and "separation of the notes". It would be much easier to understand from the teacher. Incidentally, I'm both a teacher and a player but of a different instrument...the violin. In any event, the teacher is completely correct.
What could be more daunting and frustrating than attempting to emulate a gifted master. If mastery of the instrument were simply the result of teaching and practice we could all be Julian Breams. But, of course, what he can/could do is the manifestation of talent not just hard work and practice. You can't turn a donkey into a race horse just by training it.
What could be more daunting and frustrating than attempting to emulate a gifted master. If mastery of the instrument were simply the result of teaching and practice we could all be Julian Breams. But, of course, what he can/could do is the manifestation of talent not just hard work and practice. You can't turn a donkey into a race horse just by training it.
Looks like the student is playing a Kohno. A good guitar, but it doesn't hold a candle to Bream's. Yes, Bream is a man who knows how to extract beautiful tone from a guitar, but still. That guitar of his sounds magnificent. Worlds better than that Kohno -- or whatever it is.
Bream's interpretation of this piece also shows his mastery, and it seems to be lost to an extent on the student.
Even though all that criticism is very constructive, I would have shit my pants if I were in his student's seat... so kudos to him for taking it all in stride.
his student does admirably in the face of that genius... thank you for this incredible snapshot and look at one of the greatest musicians to walk the earth in the 20th century....
@sleazebee you meant to say "Bream makes me spunk"? And yes you are gross and uncalled for :) I just figured it out! Super Mario only speaks Italian and he can't understand a word Bream is saying to him. Bream hates that dude. Reminds me of an old teacher of ours hating an old colleague of ours :) WAAAA hahahahahaha
Bream was so far ahead of his peers...from the days he started, all through his career, just amazingly better then anyone of his time...save maybe even ground with Segovia, despite their styles and preferred writings being different. Just amazing.
Bleeehhhhh mono sound only coming from the left channel. I'm listening with headphones and it's really hurting my ears because the right ear wants to hear something.
I don't agree with this mans opinion on the chords that you play in between the notes of the melody. I think that you have to give changes in those chords more time for the listener to really get into
Re Villa-Lobos' take, Bream apparently won him over. He had misgivings at first, but wound up buying stacks of Bream's record and giving them out as Christmas gifts.
Amazing how Bream memorizes every detail of a performance and has something to say about each part.
Yes he highlighted some important stuff there... but spending too much time on that piece. I would want to learn about how to color/phrase/put momentum in great pieces like chaconne, Tarregas works, Albeniz and so on
I have some questions for people who play this piece or have the sheet-music:
I see everybody (Williams, Breams, Santos, this guy) plays a C-sharp as the first note of the 18th bar (18th bar without counting the first B-note), and in my sheet-music there's a C written down; so a C with the denial sign.
And some play the low E-string for the second time in the 4th bar with de D and in mine it's written down in the 6thbar with the B.
@HitokiriDiaz Easy little things like arpeggiating and hanging on the a-major chord at 2:21 instead of quickly chopping through it like Mr Moustache does.
Or slowing the tempo down a little.
SO yeah I mean it, this piece, like all music is easy to do well, and easy to do badly.
Ok, I have some questions for people who play this piece:
I see that everyone (Williams, Bream, Santos, this guy) repeats the C-sharp as the first note in the 18th bar. (the 18th bar without counting the first B-note) Now the problem is that in my sheet there's a C written down... What should it be??
Then some play the the low E-string for the second time with the D at the 4th bar and some play it with the B at the 6th bar. What is it??
Ok, I have some questions for people who play this piece:
I see that everyone (Williams, Bream, Santos, this guy) repeats the C-sharp as the first note in the 18th bar. (the 18th bar without counting the first B-note) Now the problem is that in my sheet there's a C written down... What should it be??
Then some play the the low E-string for the second time with the D at the 4th bar and some play it with the B at the 6th bar. What is it??
@CarlosMacMartin To be honest there's quiet a few Great performers, but Media is not so passionate about a person playing intelligent music. rather someone singing about how much money he makes. Anyways, They're Big 3 indeed.
Just love Julian Bream. I was priveledged to see him in concert in the 80's. A great pioneer for the guitar. He doesn't beat about the bush with shallow complements for the player (who played the piece very well actually). What remarkable knowledge and passion for his instrument. Come on Julian..lets have one last concert performance from you!!
I really like this song, And i love the way Bream's so passionate about this piece of music, But i can't help wondering what Villa-Lobos Would have made of Bream's performance.
I love how the melody of this piece is played on the bass notes while the higher register plays the chords in the beginning. it sets a really somber yet beautiful mood, if that makes any sense. Then, it goes from a minor tonality and opens up to an upbeat, beautiful major tonality. Villa Lobos really knew the intricacies of the guitar and how to make it sing with an almost angelic quality.
Bream seems a bit pissed as well by the lack of musicality this guy can produce... a strong technique, but man, no love for the music he's playing at all...
Bream is right: this piece is extremely romantic and the contrast between the two distinct parts has to be built with tact...
Jules has da tekkerz.
Joeyboiification 4 hours ago
WOW that's one bad combover.
maskedknight0 1 month ago
thank God for youtube
thenamesfrancisco 1 month ago
He's exactly right in his teaching but he's not explaining it very well in my opinion. I guess that's the difference between a player and a teacher. He should be explaining that he's looking for "feeling" and "separation of the notes". It would be much easier to understand from the teacher. Incidentally, I'm both a teacher and a player but of a different instrument...the violin. In any event, the teacher is completely correct.
capitalismforme 1 month ago
This has been flagged as spam show
What could be more daunting and frustrating than attempting to emulate a gifted master. If mastery of the instrument were simply the result of teaching and practice we could all be Julian Breams. But, of course, what he can/could do is the manifestation of talent not just hard work and practice. You can't turn a donkey into a race horse just by training it.
oldwhtman 1 month ago
What could be more daunting and frustrating than attempting to emulate a gifted master. If mastery of the instrument were simply the result of teaching and practice we could all be Julian Breams. But, of course, what he can/could do is the manifestation of talent not just hard work and practice. You can't turn a donkey into a race horse just by training it.
oldwhtman 1 month ago
Looks like the student is playing a Kohno. A good guitar, but it doesn't hold a candle to Bream's. Yes, Bream is a man who knows how to extract beautiful tone from a guitar, but still. That guitar of his sounds magnificent. Worlds better than that Kohno -- or whatever it is.
Bream's interpretation of this piece also shows his mastery, and it seems to be lost to an extent on the student.
mwmcbroom 3 months ago
Even though all that criticism is very constructive, I would have shit my pants if I were in his student's seat... so kudos to him for taking it all in stride.
borowczyk76 3 months ago
his student does admirably in the face of that genius... thank you for this incredible snapshot and look at one of the greatest musicians to walk the earth in the 20th century....
dlevita 4 months ago
bream makes me cream...sorry that was gross and uncalled for. he rules tho
sleazebee 4 months ago
@sleazebee you meant to say "Bream makes me spunk"? And yes you are gross and uncalled for :) I just figured it out! Super Mario only speaks Italian and he can't understand a word Bream is saying to him. Bream hates that dude. Reminds me of an old teacher of ours hating an old colleague of ours :) WAAAA hahahahahaha
hammypoopsagain 4 months ago
Bream was so far ahead of his peers...from the days he started, all through his career, just amazingly better then anyone of his time...save maybe even ground with Segovia, despite their styles and preferred writings being different. Just amazing.
chrisxcore19 4 months ago
meet this amazing gentle old guy,,and he took time to sign his name and best wishes..sweet man..god bless this is magic thakyou
weemarky 4 months ago
Thank you so much for sharing this video. Godbless...
Lawrence81392 5 months ago
holy fuck!!!
lamecasuelas2 5 months ago
The student is George Brassens ? :-))))
MrGuitarcat 6 months ago
3:30 - "Go fuck yourself".
goaliesrule3034 6 months ago 5
@goaliesrule3034 Hahahahah!!! you know it dude....! "bloody bastard bitch julian!!!! u promised you would not do this!!!!!! "
terrormonkey1 6 months ago
where is no 2...
Flamencanta 8 months ago
Bleeehhhhh mono sound only coming from the left channel. I'm listening with headphones and it's really hurting my ears because the right ear wants to hear something.
PrivateBuckwheat 8 months ago
I can´t hear it
there´s something wrong with de audio :(
pablomiel19 9 months ago
Thx too the internet.
Best class I ever had
voljakat 10 months ago
imposible no tocar bien si tenes un maestro como julian dejate de joder jajaja...
nitsugabarrios87 10 months ago
Helped me a lot :D
soul0606 11 months ago
Everything Bream says is absolutely true - this is one piece he owns.
The first time I listened to his recording of the 5 preludes on an old green LP was a monumental day in my life, and made me turn to classical guitar.
Even now, after almost 20 years of playing, I never cease to be amazed by the man's musical sensibility.
pistachioguy 11 months ago
I don't agree with this mans opinion on the chords that you play in between the notes of the melody. I think that you have to give changes in those chords more time for the listener to really get into
anonymous668 1 year ago
Really incredibly useful advice for anyone learning this piece.
gettempapa 1 year ago
Re Villa-Lobos' take, Bream apparently won him over. He had misgivings at first, but wound up buying stacks of Bream's record and giving them out as Christmas gifts.
Amazing how Bream memorizes every detail of a performance and has something to say about each part.
MrZardoz777 1 year ago
Exelente
darckdiabloXboxLive 1 year ago
OMFG supermario can play villa lobos. o.0
silphscope 1 year ago 27
Yes he highlighted some important stuff there... but spending too much time on that piece. I would want to learn about how to color/phrase/put momentum in great pieces like chaconne, Tarregas works, Albeniz and so on
GinoTheSinner 1 year ago
nice comb-over
jeff551z 1 year ago
nice moustache....
essej765 1 year ago
Is that Cheryl Grice in the audience?
key2kingdom 1 year ago
This guy is just not into the lesson...like he's bored.
GTCooper223 1 year ago
I have some questions for people who play this piece or have the sheet-music:
I see everybody (Williams, Breams, Santos, this guy) plays a C-sharp as the first note of the 18th bar (18th bar without counting the first B-note), and in my sheet-music there's a C written down; so a C with the denial sign.
And some play the low E-string for the second time in the 4th bar with de D and in mine it's written down in the 6thbar with the B.
Thanks.
HitokiriDiaz 1 year ago
@HitokiriDiaz There are quite a few different versions of this piece.
TheHandsomeCrab 1 year ago
@TheHandsomeCrab But there must be a original version I think..
HitokiriDiaz 1 year ago
Music is so easy to do well, and so easy to do wrong.
TheHandsomeCrab 1 year ago
@TheHandsomeCrab Easy to do well?
HitokiriDiaz 1 year ago
@HitokiriDiaz Well it's easy for Julian Bream.
TheHandsomeCrab 1 year ago
@TheHandsomeCrab So if it's easy for Bream, it's easy to do well? I don't really follow where you're going..
HitokiriDiaz 1 year ago
@HitokiriDiaz Easy little things like arpeggiating and hanging on the a-major chord at 2:21 instead of quickly chopping through it like Mr Moustache does.
Or slowing the tempo down a little.
SO yeah I mean it, this piece, like all music is easy to do well, and easy to do badly.
TheHandsomeCrab 1 year ago
@TheHandsomeCrab and you can do neither, im sure
Thill1116 1 year ago
This has been flagged as spam show
Ok, I have some questions for people who play this piece:
I see that everyone (Williams, Bream, Santos, this guy) repeats the C-sharp as the first note in the 18th bar. (the 18th bar without counting the first B-note) Now the problem is that in my sheet there's a C written down... What should it be??
Then some play the the low E-string for the second time with the D at the 4th bar and some play it with the B at the 6th bar. What is it??
Thanks.
HitokiriDiaz 1 year ago
This has been flagged as spam show
Ok, I have some questions for people who play this piece:
I see that everyone (Williams, Bream, Santos, this guy) repeats the C-sharp as the first note in the 18th bar. (the 18th bar without counting the first B-note) Now the problem is that in my sheet there's a C written down... What should it be??
Then some play the the low E-string for the second time with the D at the 4th bar and some play it with the B at the 6th bar. What is it??
Thanks.
HitokiriDiaz 1 year ago
Comment removed
JazzzPianist 1 year ago
It's astonishing how much musicality was added to the piece through Breams instruction.
WilliamEGD 1 year ago
Wow! Great teacher & performer.My favorite out of the "Big 3".
CarlosMacMartin 1 year ago
@CarlosMacMartin To be honest there's quiet a few Great performers, but Media is not so passionate about a person playing intelligent music. rather someone singing about how much money he makes. Anyways, They're Big 3 indeed.
Mkamalid 1 year ago
Just love Julian Bream. I was priveledged to see him in concert in the 80's. A great pioneer for the guitar. He doesn't beat about the bush with shallow complements for the player (who played the piece very well actually). What remarkable knowledge and passion for his instrument. Come on Julian..lets have one last concert performance from you!!
Pipixcan1 1 year ago
did he say really rip it at 7.04 , sweet
bigmuso123 1 year ago
anyone know what lovely chord he is playing at 8:58
MinGophers 1 year ago
@MinGophers it's an Am7 chord. just play the basic Am7 position but add the G on the 3rd fret of the first string with your pinky.
hellhammer161 1 year ago
@MinGophers I believe it's a B major
WilliamEGD 1 year ago
nice
sbrod002 1 year ago
I really like this song, And i love the way Bream's so passionate about this piece of music, But i can't help wondering what Villa-Lobos Would have made of Bream's performance.
pauljannone123 1 year ago 3
Lol you gotta love the Spartan approach. Nice clip.
ArjanAJ 1 year ago
Excellent masterclass.
OGERMAIN 1 year ago
This is wonderful, thank you for sharing !
larryjohnny 1 year ago
I love Bream!! He's the man. He's right into Villa lobos ... don't rush the music, enjoy it!
keto6789 1 year ago
I love how the melody of this piece is played on the bass notes while the higher register plays the chords in the beginning. it sets a really somber yet beautiful mood, if that makes any sense. Then, it goes from a minor tonality and opens up to an upbeat, beautiful major tonality. Villa Lobos really knew the intricacies of the guitar and how to make it sing with an almost angelic quality.
6672rock 1 year ago
This is a very helpful video, I am playing this piece for an audition and it's really helping with the understanding and rendering of the song.
metalcoreaddict 2 years ago
this helped when learning the piece my self. a great man julian bream is
mathers1693 2 years ago
Great!, thanks for posting.
guitarlearnerperu 2 years ago
Bream's understanding of music is wonderful.
IanLewis80 2 years ago 29
@IanLewis80 I agree
OGERMAIN 1 year ago
Comment removed
Quergitarre 2 years ago
Bream seems a bit pissed as well by the lack of musicality this guy can produce... a strong technique, but man, no love for the music he's playing at all...
Bream is right: this piece is extremely romantic and the contrast between the two distinct parts has to be built with tact...
wchyme 2 years ago
you have no way of telling how much someone loves music
raycewest 2 years ago
Bream is such a mellow guy until music is concerned and you see him getting really irritable!!
thebeatcreeper 2 years ago
@thebeatcreeper He doesn't irritable to me, he just seems very passionate.
Cleverreason 1 year ago
that guy looks a bit pissed off that Bream criticized his performance!
thebeatcreeper 2 years ago
i've been working on this piece & this video has helped me move from just reciting the correct notes to a half decent performance. Bream is the man!
gextvedde 2 years ago