Added: 5 years ago
From: Sissco
Views: 97,095
Sort by time | Sort by thread (beta)

Link to this comment:

Share to:

All Comments (70)

Sign In or Sign Up now to post a comment!
  • Barenboim's version seems more conventional. Frankly and without disrespect, Gilels' version is cleaner and fresher. He plays the 4th variation at a swift 98 bbm.

  • ..ok, so I couldn't resist actually listening and quickly forgot the Cb as I marvelled at this artist's ability to connect EVERY note, to sculpt the work, to recreate it freshly and spirit it across. He knew about sound, acoustic, tone and had an expressive warmth balanced by complete clarity of intellect. Utterly wonderful. I saw/hread him live only once and I so glad my memories are held up here.

  • It is such a great pity that the audio presents us with a continuous Cb - the most utterly alien note out of all possible disturbances. However, I watched with the volume cancelled and it was still marvellous. There were so many wonderful things in Gilels' technique; the posture for a start and the smoothest transfer of weight which created liquid gold tone, perhaps the most wonderful tone I've ever heard in a pianist.

  • repeat button 0:17

  • Comment removed

  • Seriously think the audience is dead, especially the guy on the end, seated top of screen in the last chair. Is he alive?

  • beethoven is such a badass

  • @purbanegoro lol wtf

  • clarity of composition ,personalizezed is impressive

  • Gilels plaid in Austria on ossiach lake in a church Beethoven Sonatas when i was young 40 years ago... it was divine...

    his sound reminds Backhaus ....

    he and richter were really the most important russian pianists who  could play abroad (Gilels more than Richter)

  • Maybe it's the camera angle, but that looks like some kind of crazy 12' concert grand!

  • Gilels is Beethoven!

  • @choppinliszt Agreed!

  • @choppinliszt ??? never

  • similar to schubert's impromptu op. 142 no. 2... no?

  • @peteribored777 Yes, you're 100 percent correct and I don't know why your comment has been downvoted.

  • @peteribored777

    I see it as the blueprint for Chopin's sonatas, and in particular the B flat minor Funeral March Sonata. Chopin was very familiar with Beethoven's Ab sonata, teaching as part of his curriculum.

    Besides Les A'deiux having a Funeral March, Beethoven, who developed the scherzo uncharacteristically puts it here as the 2nd movement, pushing the gravitas of the work to the third movement, in this case the Funeral March.

    The 2nd movt. of all Chopin's sonatas are marked scherzo.

  • He's lucky he didn't fall of the stool. It looks like he's sitting on air!

  • E nemmeno lui realizza gli sforzati del tema scritti in partitura.

  • sure noble

  • Excellent is all I can say. Wow!

  • NICE

  • Hooray. Someone agrees with me about Gilels. I've not heard much about him since his passing. I thought he had few or no peers. A Gilels Society used to exist in Carmel, CA but again, I've had no news lately. Gilels' attack, moods, tempi, precision, all just blew Beethoven wide open for me. Please tell me, from where are these live performances taken? Russia? Europe? USA? How old etc.? Nice to hear pieces that few play anymore. Esp. with dignity & with the March, without parody or vulgarity.

  • I think it was recorded at the Moscow Conservatoire but I'm not sure.

  • It is Moscow Conservatorie.

  • The noise is in minor, the music in major.

  • Yeah? So what?

  • Oh God, I love this piece! My girlfriend used to play this piece!

  • I love this interpretaion of the "Funeral March" Sonata,Op.26.Ther is such depth of feeling and soul.

  • Its a pity there is that irritating buzzing noise on this video because Gilels is a fine interpreter of Beethoven's music,I have just recently bought the set of nearly complete piano sonatas and eroica variations it was absolutely fantastic a truly great pianist

  • n0t......stupid mother er get a  ing life you ing retard

  • What, you're calling Richter feminine? You seriously need to listen to his interpretation of Prokofiev's 5th Piano Concerto - He rips the piano apart.

  • Well a tigresse can rip flesh apart so I'm not saying that Richter plays in an effete way, but I will listen to his Prokofiev and get back to you if I think he needs to change planets.

  • There is no need fighting over these two pianists - they both are genious: everyone in his way but I like your metaphors and your sence of humor.

  • gosh, the atmosphere..

  • A wonderful performance - thank you for posting this. Greetings from Scotland.

  • GreatPianists: You are profoundly correct and understand the unique and unmatched merits of both pianists, although after hearing both artists live, I must say the Richter's intensity was staggering beyond human comprehension and, as of yet,still stands unchallenged!

  • Бетховен получается у него великим. Открываются не чувства, а целый мир. Это то что надо!

  • wunderbar.

  • Grazie!

  • Why are some people seated on stage??? Couldn't they have bought glasses instead?

  • I like the string section although I am a pianist at heart!

  • I like Gilels whithouth doubt, but I LOVE how Radu Lupu plays this Sonata. Do you know this version?

  • hh lol yeah tell that to a deadman and by the way he played that perfectly speed is not everything in music considure that as a lesson in life or as a reccomendation from professional musician...

  • argh i hate how he plays the 2nd variation. the melody should be in the left hand, the right hand is wayy too loud.

  • I waren't impressed much. He plays it too slow, so the melody falls apart sometimes. And he doesn't use all of the opportunities that the tune holds. He could have played it with more imagination.

  • I love this!

  • It's an amazning performance! And look at that audience on stage, those kids too. They do not even twitch a muscle it seems. It really puts American audiences to shame...

  • This sonata I've played a long time. It was a favorite of Chopin, who gave it to his students. One of them described Chopin's playing of it. Chopin supposedly didn't care for the late sonatas and considered the Op. 31 E flat sonata vulgar. Interesting.

  • yeah right. Gilels had a far greater conception of what constitutes 'good sound'. That should be common knowledge!

  • I have heard both of them live, and there is not any doubt who is the better of them. Neuhaus was their teacher, and his opinion is the same as mine. It´s time to reconsider!

  • I think Neuhaus was his mentor not a teacher... His teachers were Tkach and Reingblad - they did the foundation not Neuhaus...

  • Richter plays like a strong man, Gilels plays like a God.

  • Gilels has a more rich tone than Richter in my opinion.Go Gilels darlin.

  • Gilels seems to have a more sensitive touch, whereas Richter has more of a fire

  • Gilels is good, but hear out Richter´s recording and listen to it the way it should be played! It is so much better!

  • nice I'm learning this, great to hear Gilels performing it

Loading...
Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more