Now that I have heard this and the other clip from this broadcast this role will always belong to La Stupenda! I can't think of anyone else who could touch this!
I'm still waiting: a Lucia de Lammermoor movie with someone that looks and acts like callas and has sutherland's pitch and agility. Because Moffo's filmed lucia, though musically good, is a joke. Can you imagine: a filmed Lucia just as strong as Losey's Don Giovanni?
From what I have read I don't think Callas would have made a good actress in a movie of Lucia had she acted as she did on stage. I read she usually didn't do all that much on stage, it was more her presence than her movements that captivated. Sutherland moved much more on stage, Callas said she would never run around or fall on stage as Sutherland did in the mad scene from Lucia.
I think she would. Screen acting requires much less movement then stage, it must be more subtle. And i don't think Lucia MUST fall and run in stage. It may have worked with Sutherland in the early days but i honestly prefer a more self centered Lucia. Have you seen Pasollini's Medea?
You might be right. I just pictured her as being somewhat theatrical, with few but grand gestures on stage, which I don't think would be all that good in a filmed Lucia.
I haven't seen Medea, so I might wrong, of course :)
Oh, i highly recommend it. Callas fans or not. It's not just a good movie but the only opportunity callas had to show how great of an actress she was. =)
As much as I love Dessay, and believe me I LOVE Dessay, Sutherland owned this role. I'm not a huge Sutherland fan, but come on...this is incredible. The first time I heard this, it floored me.
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shame she never had an equally great stage director as she had in her husband-conductor. LESS IS MORE! i find it funny though how she tries to do "Callas gestures" but ruines them immediately with her over-"acting! still, a fabulous singer! try to listen to callas' lucia of 1952, that is true madness! with her final e-flat you just know that this girl passed into another dimension! chills me everytime!
Comey, she has every right to an opinion. Sutherland has be criticized for her acting before it's nothing new. and personally though I absolutely love her VOCAL acting, and her voice too, I'm not a fan of her stage acting.
The only reason that Dame Joan does not go right into it is because she does not scoop the note... Where as Luba does... the scoop i find makes for a sloppy ending for this aria, Vs. the clear cut E-flat ending of Dame Joan.
Edita Gruberova often overused the scoop and I could see Luba doing the same.
As for Luba's voice being more powerful... Dame Joan could compare with a Wagnerian Soprano, I however cannot say the same for Luba.
Yeah. I realize that Joan is much more talented. Just curious: what exactly does a Wagnerian Soprano mean? (Something to do with Richard Wagner's era???)
No not his era, but with his music, Wagnerian Sopranos often sing his peices... hence the name, and they have exceptionally large voice, they can project themselves over a very large orchestra, and the other singers that they sing with.
She was studying to become a Wagnerian soprano after one of her favourite singers when Bonynge advised her to focus on bel canto repertoire since coloratira came easily to her. That's why she has a larger voice than the normal coloratura. Also, her e-flat was also larger than the normal coloratura (Except for Callas, who has the biggest e-flat on earth!)
Listen to her Turandot and you will know what I'm talking about when I say Wagnerian greatness...
As a very new opera fan (I'm 21, mind you), can someone please explain to me WHY Joan is considered THE best Lucia? I find her diction to be, at times, laughably flawed, and she's clearly not the greatest of actors. Yes, her voice has some clearly divine moments (that section from 2:11 to the e-flat is perfection)... but if you ask me, Sills shined more, as an actress (clearly!) and dare I say vocalist (!) more so than Sutherland. And please don't be condescending in your answers, either.
the answer one - listen to more music)) voice Sills lyrical and in role Lucia it is absolutely inapplicable... There Is no dramatic painting, an expressiveness.
You can have little idea of what her voice sounded like in the theatre. It was three-dimensional--it surrounded, enveloped you. She was INCOMPARABLE at sustaining the mood of doom and terror surrounding Lucia. Sills: aggressive, for me, too much the gutsy American chick, the voice was often spread and tremulous, if very fleet. Joan was immensely sympathetic. Sills, a fine performer, played a nagging Mad Scene. Joan's runs were like pearls, her high notes like giant diamonds. Unearthly.
it will never seize to amaze me the perfection with which she sings the line that begins at 2'11'' of this clip. This is one of the most difficult lines in the coloratura repertoire. The final Eflat is also fantastic
This gives us just a glimpse at her sensational 1959 debut. She is of fresher voice and of better diction than the version with Bell's telephone hour. AMazing footage!!!
I heard her second night in 1959! Wherever did you find this marvellous clip? Is it an in-house film? Her voice was so large and sweet and true, and the whole production visually and dramatically stunning.
After the nit-picking about acting and diction, one fact stands unassailable....her singing voice, her instrument, was the greatest ever heard.
Hako2004 3 months ago
@Hako2004 In any genre. I have a theory Sutherland could've sang any genre she wanted and still have been an incredible .
ChrisStockslager 1 month ago
Does anyone know is this available commercially ? I'd love to have it.
billcarr54 4 months ago
Viva La Stupenda <3
The world will never again see the like of her. Rest in peace, Joanie.
soultrading 4 months ago
R.I.P
fake99123456 1 year ago
2 days ago she deid, whe will mis her !!!!!!! O yes she wash the BEST.
jasmyntje3 1 year ago
Merely the highest level of achievement possible.
eflaspo 1 year ago 4
Now that I have heard this and the other clip from this broadcast this role will always belong to La Stupenda! I can't think of anyone else who could touch this!
radwigs 1 year ago
R.I.P. Joan.
jaydeenyc 1 year ago
Maravillosa!!!
Eklegein 2 years ago 2
I'm still waiting: a Lucia de Lammermoor movie with someone that looks and acts like callas and has sutherland's pitch and agility. Because Moffo's filmed lucia, though musically good, is a joke. Can you imagine: a filmed Lucia just as strong as Losey's Don Giovanni?
I hope i can live to see this.
tneprescintr 2 years ago
From what I have read I don't think Callas would have made a good actress in a movie of Lucia had she acted as she did on stage. I read she usually didn't do all that much on stage, it was more her presence than her movements that captivated. Sutherland moved much more on stage, Callas said she would never run around or fall on stage as Sutherland did in the mad scene from Lucia.
operamagnus 2 years ago
I think she would. Screen acting requires much less movement then stage, it must be more subtle. And i don't think Lucia MUST fall and run in stage. It may have worked with Sutherland in the early days but i honestly prefer a more self centered Lucia. Have you seen Pasollini's Medea?
tneprescintr 2 years ago
You might be right. I just pictured her as being somewhat theatrical, with few but grand gestures on stage, which I don't think would be all that good in a filmed Lucia.
I haven't seen Medea, so I might wrong, of course :)
operamagnus 2 years ago
Oh, i highly recommend it. Callas fans or not. It's not just a good movie but the only opportunity callas had to show how great of an actress she was. =)
tneprescintr 2 years ago
@operamagnus and darling Callas in right!~Suggestion and imagination are the highest in art!
velazquez2009 1 year ago
Oh man! Thanks God for microphones and cams. Just perfect!
gustavox1985 2 years ago 4
esto si es una verdadera joya que espectacular poder ver videos de este tipo¡¡¡¡¡
richard8114 3 years ago 3
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Her acting is awful, but vocally she was so amazing! I still prefer the voice of Dessay, but that's just personal preference.
Windgrace 3 years ago
Non capisci un cazzo!!!!! La Sutherland è la migliore in assoluto!!!!!!! Ficcatelo in testa!!!!!!!!!
liszt91 3 years ago 4
As much as I love Dessay, and believe me I LOVE Dessay, Sutherland owned this role. I'm not a huge Sutherland fan, but come on...this is incredible. The first time I heard this, it floored me.
Brava, La Stupenda!
LeNozze44 3 years ago 24
@LeNozze44 the acting of sutherland I dislike very much alas, very overacted and ridiculous! But voice enough...o la la. Too mechanical to my taste.
velazquez2009 1 year ago
This comment has received too many negative votes show
shame she never had an equally great stage director as she had in her husband-conductor. LESS IS MORE! i find it funny though how she tries to do "Callas gestures" but ruines them immediately with her over-"acting! still, a fabulous singer! try to listen to callas' lucia of 1952, that is true madness! with her final e-flat you just know that this girl passed into another dimension! chills me everytime!
demondiva77 3 years ago
She had a great director like Franco Zeffirelli.(Lucia debut in 1959, Lucia at paris in 1960 and Alcina in 1960 and so on..)
AmorediPazzia 3 years ago 3
This has been flagged as spam show
Okay please shut up
comey717 3 years ago
Comey, she has every right to an opinion. Sutherland has be criticized for her acting before it's nothing new. and personally though I absolutely love her VOCAL acting, and her voice too, I'm not a fan of her stage acting.
Jaydoggy531 3 years ago 8
Comment removed
ChrisStockslager 3 years ago
Well..She sings high note more fast than Joan, but power of E-flat is incomparable to Joan's.
AmorediPazzia 3 years ago
You've got to be kidding!
Jabe88 3 years ago
The only reason that Dame Joan does not go right into it is because she does not scoop the note... Where as Luba does... the scoop i find makes for a sloppy ending for this aria, Vs. the clear cut E-flat ending of Dame Joan.
Edita Gruberova often overused the scoop and I could see Luba doing the same.
As for Luba's voice being more powerful... Dame Joan could compare with a Wagnerian Soprano, I however cannot say the same for Luba.
VirnAlfakyn 3 years ago 3
Yeah. I realize that Joan is much more talented. Just curious: what exactly does a Wagnerian Soprano mean? (Something to do with Richard Wagner's era???)
ChrisStockslager 3 years ago
No not his era, but with his music, Wagnerian Sopranos often sing his peices... hence the name, and they have exceptionally large voice, they can project themselves over a very large orchestra, and the other singers that they sing with.
VirnAlfakyn 3 years ago
She was studying to become a Wagnerian soprano after one of her favourite singers when Bonynge advised her to focus on bel canto repertoire since coloratira came easily to her. That's why she has a larger voice than the normal coloratura. Also, her e-flat was also larger than the normal coloratura (Except for Callas, who has the biggest e-flat on earth!)
Listen to her Turandot and you will know what I'm talking about when I say Wagnerian greatness...
Frufrucucu 3 years ago
As a very new opera fan (I'm 21, mind you), can someone please explain to me WHY Joan is considered THE best Lucia? I find her diction to be, at times, laughably flawed, and she's clearly not the greatest of actors. Yes, her voice has some clearly divine moments (that section from 2:11 to the e-flat is perfection)... but if you ask me, Sills shined more, as an actress (clearly!) and dare I say vocalist (!) more so than Sutherland. And please don't be condescending in your answers, either.
alemerent 4 years ago
the answer one - listen to more music)) voice Sills lyrical and in role Lucia it is absolutely inapplicable... There Is no dramatic painting, an expressiveness.
lahire22 4 years ago
You can have little idea of what her voice sounded like in the theatre. It was three-dimensional--it surrounded, enveloped you. She was INCOMPARABLE at sustaining the mood of doom and terror surrounding Lucia. Sills: aggressive, for me, too much the gutsy American chick, the voice was often spread and tremulous, if very fleet. Joan was immensely sympathetic. Sills, a fine performer, played a nagging Mad Scene. Joan's runs were like pearls, her high notes like giant diamonds. Unearthly.
Richiesutherland 3 years ago 2
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Sills voice is annoying and you have no taste take you dip shitted mind out your moms rotten vagina
comey717 3 years ago
While there are other great Lucia's, this is vocal perfection
operaboy81 4 years ago 4
The trill on the high note is magnificent along with everything else. Dame Joan, thank you.
63Attila 4 years ago 2
it will never seize to amaze me the perfection with which she sings the line that begins at 2'11'' of this clip. This is one of the most difficult lines in the coloratura repertoire. The final Eflat is also fantastic
Lohengrin 4 years ago 4
THE Lucia!
timsuffolk 4 years ago 3
La Stupenda forever.
FABRIZIO82 4 years ago 3
This is why, to me, she will always be the best Lucia! Viva La Stupenda!
Bzopera 4 years ago 2
nd this is how it's done!!! i was so disappointed that night at the met....
raymzi 4 years ago
Rare footage of the premier Lucia of the latter half of the 20th century. Thanks coloraturafan.
I always find Sutherland's high trill here amazing, and don't think any other soprano pulls it off so well (if even attempted).
meltzerboy 4 years ago 2
This gives us just a glimpse at her sensational 1959 debut. She is of fresher voice and of better diction than the version with Bell's telephone hour. AMazing footage!!!
domi2020 4 years ago
I heard her second night in 1959! Wherever did you find this marvellous clip? Is it an in-house film? Her voice was so large and sweet and true, and the whole production visually and dramatically stunning.
CharlotteinWeimar 4 years ago 3
I love how easy this kind of singing was to Joan! She sings it faster than most other sopranos, and makes it sound so much easier! Vocal perfection.
operamagnus 4 years ago 2
Wowowow!!!!! This is simply vocal perfection. The runs and the trills are so effortless and accurate and beautiful!
It was a sin for all recording companies not to have recorded everything Sutherland then cared to sing!
GavinLyKW 4 years ago
Thankyou very much
actor001 4 years ago
Oh, She start to sing this aria speedly!
1960,1961 is right..
yglygl4545 4 years ago