further mor sfkb, you weren't there in the baroque at all... there was scooping all over the place and there was vibrato and such things existed before bach. it's not like it was decided to vibrate after bach's death in erurope unilaterally. no one knows what the contratenor could actually do. no one alive today no matter what the descriptions..... we weren't there end of story. scholl??? kiehr???? good grief. such mediocre singers.
in 1994, scholl was no one. and i think the combination is incredible. they are great. i loved them both and the combination thereof. actually scholl??? how do people cite such a mediocre countertenor as someone to look up to?
Sony engineers were fairly good for 1993; however, the directors who chose the two singers made a huge mistake. Neither the countertenor nor the soprano had a voice or technique anything close to that of the descriptions of the castrato voice. They could have come much closer had they used singers like Andreas Scholl and Maria Cristina Kiehr. Both had pure voices, perfectly controlled technique and vibrato (no warbling or sliding), and had been trained in Baroque style and technique.
Oh MY LORD! 2:46 to 3:21! Am I really hearing that for real?!!! Is this possible? To sing over 30 seconds and sound so beautiful?!!! That was truly magnificent! She sang that note over 30 seconds---wow---- and it was pure and PERFECT from beginning to end. Ewa has one of the finest voices I have ever heard in my life!
You're listening to the magic of the computer-splicing of the voices of a (very talented) soprano and a (quite impressive) counter-tenor making for the unearthly voice of the castrati, the most talented and best-trained singing machines of their time.
I read there was no splicing of the two voices in this scene and Lascia, but I can't be totally sure. I will check again. But yes, I know about the splicing! Have to admit, it's a great idea! I love their voices! Ciao, Donna
lol I think it's funny when the actor playing Farinelli is singing along in his OWN voice. They obviously edited that out of the movie, but you can hear it if you listen closely. My guess is he is doing that so it looks more like he's actually singing, as opposed to just bad lip-syncing.
Ewa's and Derek's voices were absolutely perfect for this movie. Ragin's voice timbre is what Farinelli suppose to have, but his vocal scale was only at 50% of Farinelli's range. Ewa with her timbre of voice almost identical to Derek, could continue to upper scale of Farinelli. However, there are arias in this movie performed by Ewa or Derek exclusively, with each of them being "Farinelli" at 100%.
Why not Dariusz Paradowski...
2010wieliczka 3 months ago in playlist 2010wieliczka's favorites
scholl is better, though loved dionisi
babajaga39 6 months ago
further mor sfkb, you weren't there in the baroque at all... there was scooping all over the place and there was vibrato and such things existed before bach. it's not like it was decided to vibrate after bach's death in erurope unilaterally. no one knows what the contratenor could actually do. no one alive today no matter what the descriptions..... we weren't there end of story. scholl??? kiehr???? good grief. such mediocre singers.
marcellny 1 year ago
in 1994, scholl was no one. and i think the combination is incredible. they are great. i loved them both and the combination thereof. actually scholl??? how do people cite such a mediocre countertenor as someone to look up to?
marcellny 1 year ago
Sony engineers were fairly good for 1993; however, the directors who chose the two singers made a huge mistake. Neither the countertenor nor the soprano had a voice or technique anything close to that of the descriptions of the castrato voice. They could have come much closer had they used singers like Andreas Scholl and Maria Cristina Kiehr. Both had pure voices, perfectly controlled technique and vibrato (no warbling or sliding), and had been trained in Baroque style and technique.
sfkcbf 2 years ago
AWESOMEEEEEEEEE!!
IsayokiDeath 2 years ago
c'est magnifique
simplemente maravillosos Ewa malas
imponenete
sorpredente
y el contratenor estupendo
Calaf120 2 years ago
Oh MY LORD! 2:46 to 3:21! Am I really hearing that for real?!!! Is this possible? To sing over 30 seconds and sound so beautiful?!!! That was truly magnificent! She sang that note over 30 seconds---wow---- and it was pure and PERFECT from beginning to end. Ewa has one of the finest voices I have ever heard in my life!
donnamariealba 2 years ago
You're listening to the magic of the computer-splicing of the voices of a (very talented) soprano and a (quite impressive) counter-tenor making for the unearthly voice of the castrati, the most talented and best-trained singing machines of their time.
ChrisC2I 2 years ago
I read there was no splicing of the two voices in this scene and Lascia, but I can't be totally sure. I will check again. But yes, I know about the splicing! Have to admit, it's a great idea! I love their voices! Ciao, Donna
donnamariealba 2 years ago
not is real ¡
richard8114 2 years ago
hahaha Stefano0 Dionisio sings awful!! thanks to god we have ewas
notanangel2195 3 years ago
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gocomet 3 years ago
AMAZING!
AlejandraDark 3 years ago
This was one of the best films ever about opera. The music was just heaven!
babyycat 3 years ago
Bosko :) sam jestem kontratenorem,a postać Farinelli'ego jest dla mnie fenomenalna ;)
szpaku7g 4 years ago 3
QUE BANDA SONORA TAN ESPECTACULAR.
richard8114 4 years ago
lol I think it's funny when the actor playing Farinelli is singing along in his OWN voice. They obviously edited that out of the movie, but you can hear it if you listen closely. My guess is he is doing that so it looks more like he's actually singing, as opposed to just bad lip-syncing.
jbalexander327 4 years ago
You mean the final in Lascia ch'io pianga?
Roscieto 4 years ago
No at the beginning you can hear him singing along with her
Nicoco95310 3 years ago
he actor made the castro voice seem sexy
jazsan222 4 years ago
i meant tha actor made it more passionate
jazsan222 4 years ago
So great!!.. if you have more videos about the making of Farinelli i will thanks you forever!!
GISELACARRANZA23 4 years ago
Excellent. One of my all-time favorite films.
ArielX2K 4 years ago
Great film!
Infiernine 4 years ago
Thanks a lot for this video, muza8!
LoRau 4 years ago
Ewa's and Derek's voices were absolutely perfect for this movie. Ragin's voice timbre is what Farinelli suppose to have, but his vocal scale was only at 50% of Farinelli's range. Ewa with her timbre of voice almost identical to Derek, could continue to upper scale of Farinelli. However, there are arias in this movie performed by Ewa or Derek exclusively, with each of them being "Farinelli" at 100%.
opera75 4 years ago 6
Lascia Ch'io Pianga being exclusively for Mallas-Godlewska and Generoso Risuegliati O Core and the ever long Cara Sposa belonging only to Ragin
Roscieto 4 years ago
This is so intersting to see what it was like behind the film's making as well as the voice.
Thanks so much
Roscieto 4 years ago