Added: 4 years ago
From: kraustrujillo
Views: 13,847
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  • Wonderfull version.

  • Non solo i colori e il legato impreziosiscono il fraseggio di Kraus ma la dinamica. Con il dominio magistrale dei fiati sa smorzare o amplificare i suoni magistralmente: ai fini stilistici e interpretativi.

  • Esta canción es hermosa!!, me hace acordar a mi papá, abuelo...........gracias por subirla!

  • Ritengo da sempre che Alfredo Kraus il meglio dei tenori da concerto.

    Bravissimo

  • By the way, it's a shame the album this selection is from is out of print.

  • That is indeed unfortunate! I can't imagine a voice like Kraus' being ignored for further pubication in the least form as a Special CD! This one man's elegance (courage) will stand him in such goodstead that I wonder why some group doesn't buy up these fallow rights and after due process offer the family holding the rights sufficient consideration as to bring Alfredo Kraus to us on a Special CD.

  • Three dozen different renditions of Musica Proibita are currently posted on YouTube.

    I've been auditioning them for the past two weeks because I have to learn this aria for my voice class.

    I have to say, Alfredo Kraus' interpretation is as near perfection as one can get, both technically and more importantly, expressively.

    I am simply blown away. Absolutely magnificent.

  • Hola! gracias por esta preciosa version de Kraus!

    Quisiera saber ademas de donde es la foto que has puesto del paisaje con las montañas, me recuerda mucho a donde yo me crie! No se si sera pero esta musica, esa foto fue una combinacion fue la combinacion exacta para dar rienda a la nostalgia desde Arabia Saudita! Saludos y gracias!

  • Bisognerebbe avere lo spartito musicale davanti quando di ascolta un brano musicale. Spesso non si può però averlo. Sulla fiducia allora credetemi: la tecnica vocale di Alfredo Kraus è talmente ad alto livello che, unita ad una rara sensibilità interpretativa, non solo rispetta la musica scritta dall'autore, ma la trasfigura in una dimensione emotivo-sentimentale che accede nin tanto e solo all'arte, ma al nostro cuore. Con eleganza, finezza e stile: aggiungo.

  • tengo conciertos de kraus en peru,chile,argentina,españa,do­cumentales biograficos,entrevistas,operas completas,peliculas,clases maestras,interesados escribanme

  • semplicemente fantastico! un semitono sopra all'originale per evitare il fa#! Un mostro della tecnica.

  • you think it was to avoid the F#? I think is because the low E from the beginning and all that phrase low. But is a good point...the F# is a very difficult note but Kraus had not problem with this.

  • This is one of the most elegant singers ever to sing opera in my opinion. I always think of people with heroic characters when I hear Kraus sing and take great pleasure in listening to him smoothly attack a difficult passage and finish it so beautifully that I imagine him tipping his hand to the competitor who mistakenly dismissed him. He was a great singer and from what I read and hear from those who sang with him he was generous and patient to a fault. Bravo maestro Kraus!!

  • Dear blakemooney,

    I agree. Kraus was amazing.

    I am a lifelong opera buff. but I am not a "fan" of particular individual.

    Each of the opera greats are better at certain arias than others. None is "the best" every time.

    But Kraus is remarkable for the number of arias that he interprets more intelligently than others.

    He really grasps, then communicates the content of both the melody and lyrics.

  • I agree and suggest that most opera lovers or just plain "fans" have built their opera and "operatic hit" bases on the best versions of arias they happen upon as they move through their particular world. Someone isolated on a small island in the N. Atlantic or somewhere in the Tropics can hardly run out and buy a ticket to a top opera house. Neither can the majority of others but all of us can isolate our budgets enough to save and send off something we've heard only once. Good for us!

  • You really hit the nail on the head with your observation. Initially, there's nothing flashy about Kraus's singing. No mannerisms, instead he gets directly to the core of the music and brings out the meaning in a very pure way. He lets the music speak for itself and doesn't add anything unneccessary. The reason why mannerisms exist imo is when the artist feels subconsciously that he doesn't understand the material well enough and has to substitute something flashy instead to cover it up.

  • Dear Pollione88,

    I think you said it very well indeed.

    A performing artist confident in his understanding of the work knows that he has plenty of challenges just developing the full potential of the work as written.

    He feels no compulsion to gild the lily, or as they say in China, add legs to a painting of a snake!

  • Es una hermosa canción, y es la primera vez que la escucho con El Señor Alfredo kRAUS.

    Me parece una magnifica interpretación.

    Saludos desde Acapulco, Guerrero, México.

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