The guitar can be exactly moulded to say an accuracy ( CAD computerized 3D set up) in top quality rod rubber which would sound as much superior to carbon fibre as a rod rubber mouthpiece on a saxophone or clarinet would sound better than a carbon fibre mouthpiece, with a rod rubber body as thick as the thickest sound boards and with no greater than 0.1mm" thick silver sleeve on the inside of the mould which is moulded in the sound board, sides and bottom separately. body of the guitar body.
and the solid sterling silver sleeve was internally polished and gold plated before being inserted in the mould it would outperform any existing flute based on the law of symmetry. Like 4x4=16, 5x3 or 3x5 =15, 6x2 or 2x6-12, 1x7 or 7x1=7 and 8x0or 0x8=0. Say a totally wooden flute is like 7x1=7 or a totally metal flute is like 1x7 where resonance is the lateral axis and harmonics and sound projection as opposed to sound absorption is the vertical axis, then my compound flute is like 4x4=16.
sounds in each combination: ABC, ACB, BAC, BCA and CBA and CAB where first position is soprano, second alto and third tenor. In clarinets rod rubber is second only to Honduran Rosewood and on the strenght of this, a solid rod rubber flute identical in proportions to the world's best wooden flute keywork included, should outperform most wooden flutes but if a super thin solid sterling silver sleeve was inserted around the mandril like centre of the mould and the rod rubber injected aound it and
So the only way to tell how wonderful the best of both worlds is to play say a trio using an instrument which is good to show each factor such as the flute. Play one part with a wooden flute another with a solid gold flute and the third part playing the same part twice over once with the solid wood flute and once with the solid gold flute. One then records identially the six possible permutations with A=wooden flute,B= solid gold flute and C= combined flutes as one noting how much nicer C always
sound tend to be far less sensitive,and yet as much as they lack this,the only elements in thePeriodicTable which has the ability to project wonderfully and put symmetry and higher degree of order in the sub tones and upper partials of the fundamental notes are gold and platinum.No matter how good the players no'flutist/flautist"can get the texture of a good wooden flute out of a solid gold or platinum flute and no wooden flute the glorious projection and harmonic richness and power of s/g&pltnm
being the linear vibrations which are conducted from the strings through the bridge, sound board and lastly the sides and bass of the guitar body. There provide what we call texture and resonance as opposed to the far more complex vibrations which exist in the three dimensional vibratins air column. The problem arises out of the fact that most materials which are sensitive to picking up the finest vibrations are soft and/or sound absorbing such as wood and the kind of materials which reflect
Miles, how do you feel about "objective beauty can be measured in terms of the degree to which the relative laws of nature invovled in any problem solving are: discerned, catered for and integrated with all of the other known relative laws, most often with confliciting needs according to what I call, "The law of symmatry." Applying this statement to the power problem:There are two particular kindsof vibrations which need to be catered for which most certainly are in conflict: the most important
The guitar can be exactly moulded to say an accuracy ( CAD computerized 3D set up) in top quality rod rubber which would sound as much superior to carbon fibre as a rod rubber mouthpiece on a saxophone or clarinet would sound better than a carbon fibre mouthpiece, with a rod rubber body as thick as the thickest sound boards and with no greater than 0.1mm" thick silver sleeve on the inside of the mould which is moulded in the sound board, sides and bottom separately. body of the guitar body.
proSpiritofTruth 3 months ago
and the solid sterling silver sleeve was internally polished and gold plated before being inserted in the mould it would outperform any existing flute based on the law of symmetry. Like 4x4=16, 5x3 or 3x5 =15, 6x2 or 2x6-12, 1x7 or 7x1=7 and 8x0or 0x8=0. Say a totally wooden flute is like 7x1=7 or a totally metal flute is like 1x7 where resonance is the lateral axis and harmonics and sound projection as opposed to sound absorption is the vertical axis, then my compound flute is like 4x4=16.
proSpiritofTruth 3 months ago
sounds in each combination: ABC, ACB, BAC, BCA and CBA and CAB where first position is soprano, second alto and third tenor. In clarinets rod rubber is second only to Honduran Rosewood and on the strenght of this, a solid rod rubber flute identical in proportions to the world's best wooden flute keywork included, should outperform most wooden flutes but if a super thin solid sterling silver sleeve was inserted around the mandril like centre of the mould and the rod rubber injected aound it and
proSpiritofTruth 3 months ago
So the only way to tell how wonderful the best of both worlds is to play say a trio using an instrument which is good to show each factor such as the flute. Play one part with a wooden flute another with a solid gold flute and the third part playing the same part twice over once with the solid wood flute and once with the solid gold flute. One then records identially the six possible permutations with A=wooden flute,B= solid gold flute and C= combined flutes as one noting how much nicer C always
proSpiritofTruth 3 months ago
sound tend to be far less sensitive,and yet as much as they lack this,the only elements in thePeriodicTable which has the ability to project wonderfully and put symmetry and higher degree of order in the sub tones and upper partials of the fundamental notes are gold and platinum.No matter how good the players no'flutist/flautist"can get the texture of a good wooden flute out of a solid gold or platinum flute and no wooden flute the glorious projection and harmonic richness and power of s/g&pltnm
proSpiritofTruth 3 months ago
being the linear vibrations which are conducted from the strings through the bridge, sound board and lastly the sides and bass of the guitar body. There provide what we call texture and resonance as opposed to the far more complex vibrations which exist in the three dimensional vibratins air column. The problem arises out of the fact that most materials which are sensitive to picking up the finest vibrations are soft and/or sound absorbing such as wood and the kind of materials which reflect
proSpiritofTruth 3 months ago
Miles, how do you feel about "objective beauty can be measured in terms of the degree to which the relative laws of nature invovled in any problem solving are: discerned, catered for and integrated with all of the other known relative laws, most often with confliciting needs according to what I call, "The law of symmatry." Applying this statement to the power problem:There are two particular kindsof vibrations which need to be catered for which most certainly are in conflict: the most important
proSpiritofTruth 3 months ago
That John Price sounds wonderful to me.
Michajeru 3 months ago
I'm a fan of the fan struts ,but Lettuce guitars are too "green sounding" for my taste.
poupee58 1 year ago
@poupee58 Green Sounding, What do you mean?? I never Tried one I cant really judge.
MrSnorlax22 8 months ago