@HagenSara10 Many thanks for your kind and enthusiastic comment! I am enjoying watching/hearing videos you have favorited or commented upon. Thanks for listening... Jeremy Stone
Tough to give a good answer in a "comment" space. Long story short, I studied the Taubman method under Edna Golandsky, who teaches wrist rotation but NOT keeping the wrist low. I've been experimenting (lately) with some use of low wrist thanks to Van Cliburn, who heard me play at age 12 (!) and spoke to me about this, nearly 50 years ago!
Taubman method is exactly what i am pursuing, and your video was the one i watched in which the principles of taubman came back to memory
do u think that all great pianists use some variation of taubman? i.e. optimal efficiency to move in certain trajectories have only one unique solution for the force application. argerich drops her arm pretty hard and keeps fingers rigid, which concurs with taubman in sense that fingers never individually move
I wouldn't say all great pianists use "some variation of Taubman." For example, Horowitz's approach broke all the rules, yet he played as no other. And I've heard exquisite pianists who used a lot more finger-generated movement than Taubman recommends. What I WILL say is that I gained a lot from this approach. (Also, I studied years earlier with Jacob N. Helmann, my old Russian teacher who'd also taught Taubman. She said that his ideas about technique got her started on her own. Small world!)
thanks for the reply. what i had always thought was that horowitz "dropped" whole arm to play things but did not really twist wrist a lot. its still within taubman guidelines as long as fingers dont use their own strength; (ie you can play CDEFG by dropping your hand really hard and consistent and having each finger collapse in strength right after it depresses its note. btw horowitz had a special piano that had lighter keys
How lovely to hear you play again! I remember a Poulenc (?) concerto in high school, where I accompanied your lovely sensitive tone with my well-meaning heavy-handedness. Ah, well. Since then, I've turned my attention to singing (rentayenta and quirecleveland are also on YouTube). Nice to reconnect electronically. All the best!
Bravo. Excellent playing. You should try the Sorbonne Competition in Paris for gifted amateurs also, but make sure when you play there, the piano is tuned, because they are negligent in that respect. They only tune the piano once before the competition. A rug under your piano when you record may help reduce some reverb. Congratulations.
Many thanks for your kind and enthusiastic response! A rug would be a good idea; I did try stuffing a quilt under the piano. Unfortunately for the acoustics, the piano is situated in a very live room with mostly bare walls and a vaulted ceiling; and it sits in a corner, which megaphones the sound even further. We are planning for a new home in which the piano will reside in its own carpeted, bookshelf-lined room--hopefully better acoustically!
Good luck. I was burnt in the Sorbonne Competition when I had to play on a piano out of tune. You should try it. I am sure that you will do very well. It is in March 2009, and you have time to prepare. The fee is $50. You are a much better pianist than me.
Many thanks for listening and for your enthusiastic response!
I started piano lessons at age 5 and am now 59, though I didn't practice classical piano for over 30 years prior to 2005, when my wife and I bought the rebuilt Steinway B you see in the video and I began practicing again. I've played the Polonaise since I was a teenager; the Moszkowski is new for me.
Anyway, thanks again for your response, and I am also enjoying your videos (and those of PianoPlaya123)!
Hello Jeremy, I enjoyed this very much -- you play very well and it's a great instrument. Sometimes the difference between "amateur" and "professional" is not very clear...and thanks for subscribing!
Your performance is beautiful and beyond anything mere words can describe. I took the time to listen to all of the other talented contestants. Yours is definitely # 1. Thank you! Sandy Gilman, Thomas Jefferson '67 alumni.
Hi Jeremy - I've listened to your video now several times. Excellent, uplifting performance! Best wishes from a Weill Cornell Med College grad and psychiatrist... Susan
this is absolutely superb. when i'm going crazy trying to write papers i love to take a break to watch this video, kind of like insta-therapy! really wonderful performance.
Speaking as one who has battled the piece myself!!
Actually.....my teacher thought I played it well and that I should have used it for one of the competitions. I told him, "Hey, all it shows is WHAT I CAN'T DO!" :-)
But you, on the other hand, it shows what you CAN do.
OK..it is fair. I really do not think anybody having music degree can compete in this competition. It is the same like a non practicioner medical doctor competes against regular people who do not have thorough understanding of medical field. Moreover, it is a disgrace for their almamater, for example somebody from Curtis competed against amateurs. Curtis is a hardcore music school in the WORLD.
I am impressed.
leymaren 1 month ago
Mr. Stone:
Thank you for a delightful performance.
You have technique and pianism, two different things that belong together for one to call himself/herself a PIANIST.
You are an excellent PIANIST!
Thank you much,
HagenSara10
HagenSara10 4 months ago
@HagenSara10 Many thanks for your kind and enthusiastic comment! I am enjoying watching/hearing videos you have favorited or commented upon. Thanks for listening... Jeremy Stone
jes9015 3 months ago
sometimes i speak and i would telle you something : Nice to meet you
PsychotikPandora 1 year ago
i am impressed by your technique. Did you learn it by doing drills (and also by dropping entire hand and twisting wrist accordingly)?
callenishss 2 years ago
Tough to give a good answer in a "comment" space. Long story short, I studied the Taubman method under Edna Golandsky, who teaches wrist rotation but NOT keeping the wrist low. I've been experimenting (lately) with some use of low wrist thanks to Van Cliburn, who heard me play at age 12 (!) and spoke to me about this, nearly 50 years ago!
Thanks for the comment--Jeremy Stone
jes9015 2 years ago
Taubman method is exactly what i am pursuing, and your video was the one i watched in which the principles of taubman came back to memory
do u think that all great pianists use some variation of taubman? i.e. optimal efficiency to move in certain trajectories have only one unique solution for the force application. argerich drops her arm pretty hard and keeps fingers rigid, which concurs with taubman in sense that fingers never individually move
callenishss 2 years ago
I wouldn't say all great pianists use "some variation of Taubman." For example, Horowitz's approach broke all the rules, yet he played as no other. And I've heard exquisite pianists who used a lot more finger-generated movement than Taubman recommends. What I WILL say is that I gained a lot from this approach. (Also, I studied years earlier with Jacob N. Helmann, my old Russian teacher who'd also taught Taubman. She said that his ideas about technique got her started on her own. Small world!)
jes9015 2 years ago
thanks for the reply. what i had always thought was that horowitz "dropped" whole arm to play things but did not really twist wrist a lot. its still within taubman guidelines as long as fingers dont use their own strength; (ie you can play CDEFG by dropping your hand really hard and consistent and having each finger collapse in strength right after it depresses its note. btw horowitz had a special piano that had lighter keys
callenishss 2 years ago
Great job!5*
criseluka 2 years ago
How lovely to hear you play again! I remember a Poulenc (?) concerto in high school, where I accompanied your lovely sensitive tone with my well-meaning heavy-handedness. Ah, well. Since then, I've turned my attention to singing (rentayenta and quirecleveland are also on YouTube). Nice to reconnect electronically. All the best!
bevsimmons 2 years ago
Bravo. Excellent playing. You should try the Sorbonne Competition in Paris for gifted amateurs also, but make sure when you play there, the piano is tuned, because they are negligent in that respect. They only tune the piano once before the competition. A rug under your piano when you record may help reduce some reverb. Congratulations.
stephenTGV 3 years ago 2
Many thanks for your kind and enthusiastic response! A rug would be a good idea; I did try stuffing a quilt under the piano. Unfortunately for the acoustics, the piano is situated in a very live room with mostly bare walls and a vaulted ceiling; and it sits in a corner, which megaphones the sound even further. We are planning for a new home in which the piano will reside in its own carpeted, bookshelf-lined room--hopefully better acoustically!
Thanks again for your comment,
Jeremy Stone
jes9015 3 years ago
Good luck. I was burnt in the Sorbonne Competition when I had to play on a piano out of tune. You should try it. I am sure that you will do very well. It is in March 2009, and you have time to prepare. The fee is $50. You are a much better pianist than me.
stephenTGV 3 years ago
Enjoyed your classical piano. It is wonderful, as usual. Are you the same Jeremy Stone of Denver, CO and Schwayder Camp fame?
Yourd, Raymond Pohl
rpohl111 3 years ago 3
As my kids would say, "OMG!" Yes, that's me! How did you happen to find my video? Hope all is well with you; I'll send you a separate note.
Best,
JS
jes9015 3 years ago
This video is great - I can't wait to see more!
walruteer 3 years ago
Thanks! --I'm working on it.
--JS
jes9015 3 years ago
Wow, this is awesome! How long have you been playing? You have inspired me to never quit. Thanks!
pianochem 3 years ago
Many thanks for listening and for your enthusiastic response!
I started piano lessons at age 5 and am now 59, though I didn't practice classical piano for over 30 years prior to 2005, when my wife and I bought the rebuilt Steinway B you see in the video and I began practicing again. I've played the Polonaise since I was a teenager; the Moszkowski is new for me.
Anyway, thanks again for your response, and I am also enjoying your videos (and those of PianoPlaya123)!
Best regards,
Jeremy
jes9015 3 years ago
wow! The polonaise and the etude are amazing!
Great stuff! Bravo!
=)
stienwayz 3 years ago
Hi pianopera, pianogirl98, and stienwayz! Thank you all for watching my video and for your gracious comments! I am enjoying your videos as well.
--Jeremy Stone
jes9015 3 years ago
Bravo!
pianogirl98 3 years ago
Hello Jeremy, I enjoyed this very much -- you play very well and it's a great instrument. Sometimes the difference between "amateur" and "professional" is not very clear...and thanks for subscribing!
pianopera 3 years ago
Jeremy,
Your performance is beautiful and beyond anything mere words can describe. I took the time to listen to all of the other talented contestants. Yours is definitely # 1. Thank you! Sandy Gilman, Thomas Jefferson '67 alumni.
SandyGilman 3 years ago 2
Hi Jeremy - I've listened to your video now several times. Excellent, uplifting performance! Best wishes from a Weill Cornell Med College grad and psychiatrist... Susan
susansternelliott 3 years ago
this is absolutely superb. when i'm going crazy trying to write papers i love to take a break to watch this video, kind of like insta-therapy! really wonderful performance.
saysaygirl 3 years ago
I'm a fellowette competitor. I must say your technique is very amazing. I love this piece! Nice job.
Melanie
melaniejsnow 3 years ago
excellent ... J'ai bien aimé votre performance.
pearpippins 3 years ago
Your playing has astonished me since I was a teenager, and it still does.
wehobug 3 years ago
WOW!!
Your "Etincelles" is quite remarkable!
Speaking as one who has battled the piece myself!!
Actually.....my teacher thought I played it well and that I should have used it for one of the competitions. I told him, "Hey, all it shows is WHAT I CAN'T DO!" :-)
But you, on the other hand, it shows what you CAN do.
Well done!!!
larchmontmark 3 years ago
Many thanks for your kind and generous comment!
jes9015 3 years ago
Hopefully, you are not ex Curtis, Julliard, or other top conservatories alike...
BecsteinDude 3 years ago
No, I'm not a graduate of Curtis, Juilliard, or any other music school. Thanks for your vote and encouragement!
jes9015 3 years ago
OK..it is fair. I really do not think anybody having music degree can compete in this competition. It is the same like a non practicioner medical doctor competes against regular people who do not have thorough understanding of medical field. Moreover, it is a disgrace for their almamater, for example somebody from Curtis competed against amateurs. Curtis is a hardcore music school in the WORLD.
BecsteinDude 3 years ago
I have voted for you...I like your performance!
BecsteinDude 3 years ago
I enjoyed both pieces very much. Easily the most musical and original Op. 53 I've heard on here. Great job!
a124947 3 years ago
I appreciate your comment! I'm well aware that several folks have chosen to submit this Polonaise; it is such a great and beloved piece. Thanks!
jes9015 3 years ago
I'm giving you my vote.
prairie69 3 years ago
Thanks, both for your vote and your comment!
jes9015 3 years ago
Your technique is astounding. Flawless execution, great tone. One of the best performances in the bunch.
Medguy83 3 years ago
Thanks for listening, and for your enthusiastic response!
jes9015 3 years ago
GREAT!
WMUdrummer 3 years ago
THANKS!
jes9015 3 years ago
I like this guy's way of pacing things.
Wartybliggens 3 years ago
What an interesting comment; thanks for listening.
jes9015 3 years ago