the audience or other musicians. playing "in the head" seems to be required.
jazz education, as it is today has not prolonged the life of jazz, but, rather has put it , in a coma, on a kind of life support system. the undead genre. jazz. it turns out players playing both way over the heads of, and not touching the hearts of the audience who say "it just sounds like" bop be yop a doo bah diddle dee da da da" at light speed. i don't get it". usually, even if i "get it" i can't feel it.
i have to agree with scubakidtrpt, even today, the most interesting and original sounding jazz musicians often come not from formalized jazz education programs, but usually some combination of formal classical training and private instruction from jazz musicians. for example, jacky terrasson. the jazz education programs turn out for the most part functional big band players who read well and play harmonically correct mechanical sounding patterns over the changes, but very seldom connect with
Many of the greatest jazz musicians lacked formal training, but many did and during the past few decades, it's university jazz programs, the NEA and PBS that keep this music alive. Without the exposure that jazz scene gets from academia and the financial support of government arts funding and NGO's - jazz, like classical music, would certainly fade into greater obscurity. Jazz educator's are insuring that there's continued interest and available players for future generations.
i don't understand this whole 'jazz educator' thing. you learn from the greats, not exercises. coltrane didn't have any formal teachers, neither did monk. miles did, but not in a really systematic jazz pedagogy way and only until he left high school.
Great playing all the way around! Love Marvin Stamm's work. Check out his playing on George Gruntz's Concert Jazz Band albums, like Tiger by the Tail. Marvin's album, Mystery Man, great!
Evans himself says it was Miles that came with the composition. Check the Bill Evans Trio - Nardis [1970] video.
m0skit0zindahouse 4 months ago
ただ感謝!~数々の有名セッションを支えた実力ペッター、マーヴィン・スタム、自己のコンボで"NARDIS"を好演、メンバーもイイねえ! #jazzm
blackandtanful 5 months ago
I love this. Love it. I am a huge fan of this cat. It just happened. Great tone, great lines, communication. Fantastic.
TheJazzSwings 7 months ago
the audience or other musicians. playing "in the head" seems to be required.
jazz education, as it is today has not prolonged the life of jazz, but, rather has put it , in a coma, on a kind of life support system. the undead genre. jazz. it turns out players playing both way over the heads of, and not touching the hearts of the audience who say "it just sounds like" bop be yop a doo bah diddle dee da da da" at light speed. i don't get it". usually, even if i "get it" i can't feel it.
markmarktarmann 10 months ago
i have to agree with scubakidtrpt, even today, the most interesting and original sounding jazz musicians often come not from formalized jazz education programs, but usually some combination of formal classical training and private instruction from jazz musicians. for example, jacky terrasson. the jazz education programs turn out for the most part functional big band players who read well and play harmonically correct mechanical sounding patterns over the changes, but very seldom connect with
markmarktarmann 10 months ago
why is that piano covered?
can anybody please tell me? for the recording sake?
minakoplan 1 year ago
Year of this?? Anybody knows???
grooveman84 1 year ago
billy mays!!!!!1
CamerOneiric 1 year ago
the colonel gets it well done
SneakerZeeker 2 years ago
bill mays - impressive!
TinSpajic 2 years ago
scubakidtrpt1 -
Many of the greatest jazz musicians lacked formal training, but many did and during the past few decades, it's university jazz programs, the NEA and PBS that keep this music alive. Without the exposure that jazz scene gets from academia and the financial support of government arts funding and NGO's - jazz, like classical music, would certainly fade into greater obscurity. Jazz educator's are insuring that there's continued interest and available players for future generations.
GIRVANELLA 2 years ago
Ed Soph is a phenomenal player and, thankfully, a jazz educator, as well. This track is wonderful!
GIRVANELLA 2 years ago
i don't understand this whole 'jazz educator' thing. you learn from the greats, not exercises. coltrane didn't have any formal teachers, neither did monk. miles did, but not in a really systematic jazz pedagogy way and only until he left high school.
?
scubakidtrpt1 2 years ago
awesome.
even better because the KFC colonel sanders is on trumpet. :D
yemenohman 2 years ago 7
Very very good.
ronoman88 3 years ago
I had lost track of this set....glad i stumbled into it again!
This set is going into my YTube "good music"
Log!
madero111 3 years ago
Heyyyy ihave to say somsthing here too!
These guys are cookin', smo-woken.
I too can feel the vibes in this gig!
I love all your comments!
madero111 3 years ago
Here for a spell
subjectiveman 3 years ago
yes, very nice
stanondrums 3 years ago
damn Bill Mays milked that trumpet line for all its worth.
KW911 4 years ago
One fine day KW811 exclaimed:
KW> damn Bill Mays milked that trumpet line for all its worth.
I hate to disappoint you but the milking was done by Marvin Stamm. Bill Mays plays piano, tho maybe like a cow he milks it as well.
PhiberOptik
PhiberOptik001 3 years ago
use your ears, mays took stamm's last trumpet line and played around with that for a while.
rogersat 3 years ago 6
super version bravo
stratoboy78 4 years ago
Great playing all the way around! Love Marvin Stamm's work. Check out his playing on George Gruntz's Concert Jazz Band albums, like Tiger by the Tail. Marvin's album, Mystery Man, great!
harrysmallenburg 4 years ago
All this Stamm stuff sounds like a great gig.
mikeos1 5 years ago
Super Group! Thanks Jazz Video Guy!
WJ777
WJ777 5 years ago
Isn't that a quintet? Five stars though...
Steelydan3 5 years ago