@padredemishijos12 There's a recording of Dudamel with the LA Philharmonic of this work; it won a Grammy for best orchestral recording last night. It's only available as a digital download from iTunes, however.
It's interesting that the only conductor alive today that can maybe touch a little of the glory that was kleiber's mysterious art, gustavo dudamel, is such a different animal, of another era
@000009arisd Maestro Kleiber became Carlos in Argentina, and Gustavo Dudamel is from the other end of South America as is Maestro Daniel Baremboim. Currently other South Americans, from Venezuela: Maestro Diego Matheuz, director of Teatro Fenice in Venice, and Maestro Christian Vasquez, Director of the Stavanger Symphony Orchestra, in Norway. Gustavo Dudamel says that Carlos Kleiber is the best conductor of all time, and he may be right, but Dudamel is a modest and humble man.
@corneliusfelix interesting you find this disjointed. he seems to work harder than any conductor i've ever seen to keep the flow of the piece almost uninterrupted and the momentem constant. celi, on the other hand, seems content to stretch the phrase shapes in very unusual ways (although i'd hesitate to call even his idiosyncracies disjointed). anyway, i do love celi in most everything and appreciate his love of orchestral sound.
@1HiMimi We all have our favorite recordings of the works we love, sometimes even a "desert island" selection. For me, that Brahms 4th is the Charles Munch recording with the BSO, issued in 1959 by RCA as LSC-2297; it was available as one of their "Silver Seal" CDs (but in rather mediocre sound). Perhaps the new owners (Sony) will deign to add it to their "Living Stereo" series of hybrid SACD reissues (along with several others from that historic collection).
Of similar stature is the recording Fritz Reiner made for the Readers Digest with the RPO (Chesky CD006), recorded in London's Walthamstow Town Hall; on playback, Reiner turned to the recording engineer, Kenneth Wilkinson, and said, "Young man, this is the most beautiful recording I have made." Then there is Bruno Walter's valedictory recording made during his Indian Summer with the Columbia Symphony in Los Angeles, now on Sony - and, of course, Carlos Kleiber's recording with the VPO on DG.
@AJNorth I remember Walter's recording from when I was very young. It was so wonderful- it was one of the reasons I switched from Piano to an Orchestral instrument, which I still play 50 years later.
I'll look for Reiner's. I love this Kleiber recording too, with it's astonishingly long phrases.
@tedviolafire If you can, try to locate a copy of the Charles Munch/BSO stereo recording (below); it may also end-up on your 'short list.' And, if you can locate a copy of the 1st piano concerto with Rudolf Serkin & George Szell/Cleveland Orch (Sony), you may be taken aback. The story goes that after recording the 1st mvmnt, the piano had to retuned; some critics knocked Serkin for heavy-handedness, but he & Szell were exactly spot-on. In the 2nd mvmnt, the aching poignancy will melt your heart.
Perhaps the Bavarian Staatskapelle hasn't the polish and energy of the VPO, with whom Kleiber made his recording of the Fourth for DG (here, for instance, the tempos are a bit broader), but they acquit themselves respectably in this live performance. Kleiber's moulding of the music carries his trademark stamp and transcendence.
@AJNorth I was thinking that I've heard better orchestras, thanks for confirming. I've heard this played with more urgency, too. Brahms greatest symphony, for sure.
@AJNorth I was thinking that I've heard better orchestras, thanks for confirming. I've heard this played with more urgency, too. Brahms greatest symphony, for sure. Wonderful blending of heroic and lyrical elements, but that's Brahms's trademark.
Il suo stile di conduzione è veramente esaltato con Brahms e soprattutto con questa sinfonia. Carlos Kleiber rimarrà un mistero, nella sua grandezza, per tutti quelli che amano la musica! Ogni nota dell'orchestra è così piena di vita e appassionata!!
Not too many "connaisseurs" can listen, read , understand or enjoy Brahms (his concertos, symphonies and quartets need some time time to be understood but then..., you will love his masterpieces). They were composed for "the few"! He is a TOP COMPOSER... one or two steps lower than Beethoven and Mozart (NOBODY CAN COMPOSE MUSIC LIKE WHAT BEETHOVEN and MOZART FOR US "mortals").
Brahms is A-OK!! Learn to listen to him and to his master pieces. They are out of this world!
@LombanaClaudio I agree with you. Many consider him a conservative at a time of musical progress. I have never understood this: he's keeping the classical model while revolutionizing music at the same time.
It is indeed a sublime moment - but here the cellos are too sharp, the acoustic, - they should be then as smooth and steady as they can be. I prefer Klemperer's recording (EMI great recordings of the century).
@EmceeLorder oh god yes i do. i played this once (cello) and that is the best part of quite possibly the best piece of classical music ever, in my opinion. i also love the bit at 1:30 and the last page of sheet music (5:42- the end)
@raiu0009 The 1'st horn clipped the pitch just slightly, but these are great horn players! It happens to everyone....you loose focus for just one split second and that can happen, even to the most seasoned of horn players.
wonderful 1st movement of what is considered Brahms' best symphony of the 4 he composed. premiered in 1885, definetely is the best contribution to this genre, excellent Brahms
I have to get de Furtwangler´s version with the Berlin Philarmonic recorded in the mid 40´s, is the best recording i have ever heard of this Symphony.
I feel that This symphony, the first two movements especially is very imaginative and passionate, and at times very warm. You could lose yourself in it!
The piece cries for a ritardando at the end, at least the last two measures, to allow those profound and ominous drum beats to punctuate the pieces conclusion.
If all musicians played is what's on the page, we'd be essentially MIDI files. You can control the volume/dynamics on (some) MIDI files, and articulation, and speed, but NEVER musicality.
I love Kleibers conducting even though this isn't in his finest mode, some lines in it could use more magic and feeling(singing), though he does a great job keeping down the hellish pressure that usually accompanies this piece.
I would love for Gustavo Dudamel and the Simon Bolivar Orchestra of Venezuela perform this Brahms piece.
padredemishijos12 1 month ago
Comment removed
SportzNut21 2 weeks ago
@padredemishijos12 There's a recording of Dudamel with the LA Philharmonic of this work; it won a Grammy for best orchestral recording last night. It's only available as a digital download from iTunes, however.
SportzNut21 2 weeks ago
and, kleiber, you're a hero.
It's interesting that the only conductor alive today that can maybe touch a little of the glory that was kleiber's mysterious art, gustavo dudamel, is such a different animal, of another era
000009arisd 2 months ago
@000009arisd Maestro Kleiber became Carlos in Argentina, and Gustavo Dudamel is from the other end of South America as is Maestro Daniel Baremboim. Currently other South Americans, from Venezuela: Maestro Diego Matheuz, director of Teatro Fenice in Venice, and Maestro Christian Vasquez, Director of the Stavanger Symphony Orchestra, in Norway. Gustavo Dudamel says that Carlos Kleiber is the best conductor of all time, and he may be right, but Dudamel is a modest and humble man.
padredemishijos12 1 month ago in playlist More videos from abbjorko
EPOS
000009arisd 2 months ago
Disjointed - odd, episodic rubbato - celibidache is better imo
corneliusfelix 8 months ago
@corneliusfelix interesting you find this disjointed. he seems to work harder than any conductor i've ever seen to keep the flow of the piece almost uninterrupted and the momentem constant. celi, on the other hand, seems content to stretch the phrase shapes in very unusual ways (although i'd hesitate to call even his idiosyncracies disjointed). anyway, i do love celi in most everything and appreciate his love of orchestral sound.
bonesteve 5 months ago 2
the best one for me is Fritz Reiner Raders Digest recorder!!!
rondrich05 1 year ago
What else? Nothing more, nothing better.
saifapr 1 year ago
@1HiMimi We all have our favorite recordings of the works we love, sometimes even a "desert island" selection. For me, that Brahms 4th is the Charles Munch recording with the BSO, issued in 1959 by RCA as LSC-2297; it was available as one of their "Silver Seal" CDs (but in rather mediocre sound). Perhaps the new owners (Sony) will deign to add it to their "Living Stereo" series of hybrid SACD reissues (along with several others from that historic collection).
AJNorth 1 year ago
Of similar stature is the recording Fritz Reiner made for the Readers Digest with the RPO (Chesky CD006), recorded in London's Walthamstow Town Hall; on playback, Reiner turned to the recording engineer, Kenneth Wilkinson, and said, "Young man, this is the most beautiful recording I have made." Then there is Bruno Walter's valedictory recording made during his Indian Summer with the Columbia Symphony in Los Angeles, now on Sony - and, of course, Carlos Kleiber's recording with the VPO on DG.
AJNorth 1 year ago
@AJNorth I remember Walter's recording from when I was very young. It was so wonderful- it was one of the reasons I switched from Piano to an Orchestral instrument, which I still play 50 years later.
I'll look for Reiner's. I love this Kleiber recording too, with it's astonishingly long phrases.
tedviolafire 11 months ago
@tedviolafire If you can, try to locate a copy of the Charles Munch/BSO stereo recording (below); it may also end-up on your 'short list.' And, if you can locate a copy of the 1st piano concerto with Rudolf Serkin & George Szell/Cleveland Orch (Sony), you may be taken aback. The story goes that after recording the 1st mvmnt, the piano had to retuned; some critics knocked Serkin for heavy-handedness, but he & Szell were exactly spot-on. In the 2nd mvmnt, the aching poignancy will melt your heart.
AJNorth 11 months ago
Perhaps the Bavarian Staatskapelle hasn't the polish and energy of the VPO, with whom Kleiber made his recording of the Fourth for DG (here, for instance, the tempos are a bit broader), but they acquit themselves respectably in this live performance. Kleiber's moulding of the music carries his trademark stamp and transcendence.
AJNorth 1 year ago
@AJNorth I was thinking that I've heard better orchestras, thanks for confirming. I've heard this played with more urgency, too. Brahms greatest symphony, for sure.
1HiMimi 1 year ago
@AJNorth I was thinking that I've heard better orchestras, thanks for confirming. I've heard this played with more urgency, too. Brahms greatest symphony, for sure. Wonderful blending of heroic and lyrical elements, but that's Brahms's trademark.
1HiMimi 1 year ago
Il suo stile di conduzione è veramente esaltato con Brahms e soprattutto con questa sinfonia. Carlos Kleiber rimarrà un mistero, nella sua grandezza, per tutti quelli che amano la musica! Ogni nota dell'orchestra è così piena di vita e appassionata!!
dome364 1 year ago
the coda of the first movement is so insanely dramatic!
fanofhaydn 1 year ago
Brahms wrote of this symphony: "the cherries are not so sweet here, and you certainly would not want to eat them!" Amen.
MrClassicalClassics 1 year ago
Alguem da trompa errou a nota! Veja durante os 5:30 minutos do vídeo
natto31 1 year ago
I love the way Kleiber conduct. He looks just like a wizard with his magic stick in the magical world.
caothanhlan 1 year ago
This comment has received too many negative votes show
He looks kinda' gay conducting up there.
depedro99 1 year ago
Carlos Kleiber - the best of the best - marvellous !!!!
TheBach2003 1 year ago 2
The gratest MUSICIAN all of times Carlos Kleiber
TheBach2003 1 year ago 3
5:15 mistake of one brass instrument!!! Even great musicians are also humans..
vizhtor77 1 year ago
@vizhtor77 The Bavarian State Orchestra isn't the greatest...
MrClassicalClassics 1 year ago
Not too many "connaisseurs" can listen, read , understand or enjoy Brahms (his concertos, symphonies and quartets need some time time to be understood but then..., you will love his masterpieces). They were composed for "the few"! He is a TOP COMPOSER... one or two steps lower than Beethoven and Mozart (NOBODY CAN COMPOSE MUSIC LIKE WHAT BEETHOVEN and MOZART FOR US "mortals").
Brahms is A-OK!! Learn to listen to him and to his master pieces. They are out of this world!
LombanaClaudio 1 year ago 2
@LombanaClaudio I agree with you. Many consider him a conservative at a time of musical progress. I have never understood this: he's keeping the classical model while revolutionizing music at the same time.
MrClassicalClassics 1 year ago
@LombanaClaudio I hate comparisons, Brahms is in the pantheon of composer gods, and all are equal.
padredemishijos12 1 month ago
only a very angry Brahms could've written an ending like that intense...
bpschi 1 year ago 2
Why would someone dislike this?!
jawnps 1 year ago 2
Don't you just love 3:04 - 3:28?
EmceeLorder 2 years ago
It is indeed a sublime moment - but here the cellos are too sharp, the acoustic, - they should be then as smooth and steady as they can be. I prefer Klemperer's recording (EMI great recordings of the century).
iplongnin 1 year ago
@EmceeLorder oh god yes i do. i played this once (cello) and that is the best part of quite possibly the best piece of classical music ever, in my opinion. i also love the bit at 1:30 and the last page of sheet music (5:42- the end)
mbw12194 1 year ago
Quanto soffre... lo capisco completamente (o quasi...)...
culodigatto1 2 years ago
;-)
foerster 2 years ago
round 1.30...chills rolling down my spine...
dajohnthomas69 2 years ago
@dajohnthomas69 that's because of the augmented chord
C E Ab
Neongrapes 2 years ago
I hear something off at 5:16-5:17, particularly in the French Horn section. Anyone else catch it? I hope it's just my ears that are off.
raiu0009 2 years ago
this is SCROC...do you know SCROC?
JoColonnelloKurtz 2 years ago
I hear, too :)
lemonedo 2 years ago
@raiu0009 You are right, there's a missing note there.
shivadasnyc 2 years ago
@raiu0009 The 1'st horn clipped the pitch just slightly, but these are great horn players! It happens to everyone....you loose focus for just one split second and that can happen, even to the most seasoned of horn players.
hornalicious 2 years ago
I'm expecting him to throw his dark side of the force rays....
Bautisnemo 2 years ago
lol very mature
overlordKrunK 2 years ago
Well certainly is not a really mature comment, but , come on look to him, he has the same face as Palpatine !!:_D
Bautisnemo 2 years ago
true. and he can do crazy shit with his hands. Hell, maybe he can channel the force through them as well
overlordKrunK 2 years ago
Brahms rocks!!!
ajvila 2 years ago
This comment has received too many negative votes show
Definently an awesome symphony. However Brahms' 5th in D will always be best!!
GusMagnusO 2 years ago
Brahms 5th?
xaviqaz 2 years ago 3
I have to say I prefer Beethoven's 12th in R major. :P
taviona 2 years ago 4
Dude really? Maybe Brahms has a posthumous work I've never heard of.
LudwigZhi 2 years ago
6:37 = awesome conducting skill
MrFrankLB 2 years ago 3
I prefer brahms 3.
MrChris1125 2 years ago
there is no best sym.
every time when i listen to one of the Brahms sym, it seem to b the best
ivanovic241 2 years ago 3
...I suffer from the same complaint!
jazzlover06 2 years ago
wonderful 1st movement of what is considered Brahms' best symphony of the 4 he composed. premiered in 1885, definetely is the best contribution to this genre, excellent Brahms
beethomozart 2 years ago 3
Kleiber looked so old...
cedricyu803 2 years ago
I have to get de Furtwangler´s version with the Berlin Philarmonic recorded in the mid 40´s, is the best recording i have ever heard of this Symphony.
ilshatt 2 years ago
This comment has received too many negative votes show
Karajan´s version is better but i like this too.
jo53ha 3 years ago
I feel that This symphony, the first two movements especially is very imaginative and passionate, and at times very warm. You could lose yourself in it!
Lavalampoflava 3 years ago 3
This is a recommended piece for violin auditions to the YT symphony orchestra.
GaramRee 3 years ago
Yes,the excerpt begins at 5:39.
ThaSchwab 3 years ago
This comment has received too many negative votes show
Eww man that guy is so anti-climactic.
Wickedcooler 3 years ago
The piece cries for a ritardando at the end, at least the last two measures, to allow those profound and ominous drum beats to punctuate the pieces conclusion.
Way too rushed.
LazlosPlane 3 years ago
I must say that I like the way it is. A ritard. would have been too melodramatic given the quiet intensity throughout the piece.
guimachaut 3 years ago
You don't play it if it isn't written.
sirwootalot 3 years ago
If all musicians played is what's on the page, we'd be essentially MIDI files. You can control the volume/dynamics on (some) MIDI files, and articulation, and speed, but NEVER musicality.
clarinetmeister 2 years ago 3
Divine!
alvik2007 3 years ago
If this is not heavenly, i'd rather not be in heaven
beethoven4ever 3 years ago 7
So powerful and intense! divine music! love the phrasing!!!
lau399 3 years ago
I love Kleibers conducting even though this isn't in his finest mode, some lines in it could use more magic and feeling(singing), though he does a great job keeping down the hellish pressure that usually accompanies this piece.
galaxyrainguy 3 years ago
you could never imagine how fantastic is the symphony
gunmenow 3 years ago
I often listen to the symphony in the morning, it helps me to get ready for the day... The last few seconds of this movement are awesome
Polpy68 3 years ago 3
Wow.
This level of drama...
mathpianist93 4 years ago 2
oooooH!!!! out of this world
kinercia 4 years ago 21
Revelation
sbor2020 4 years ago 13
Don't need to comment.
balazsorban 4 years ago 3