Now there are many outstading clips/arias on YouTube,but this has to come in top 5.
I had never heard her in what might termed Mozart "Opera Seria"before.
She uses her amazing vocally instrument and controls it to the benfit of Mozarts music.Strength without harshness ,feeling without distortion and flexibilty without ugliness.
Not many singers could convey this aria in the way she does.
I cannot find a complete recording of Clemenza with her,is there one anyhwere?
No one ever can be BETTER than Baltsa. There are many outstanding singers in opera world, some with much more spectacular technique or more " сorrect " type of voice, and some with really great artistic gifts that produce a very deep impresson . But there`s only ONE incomparable Baltsa. Just as two more incomparable artists - Callas and Shaliapin. And Baltsa is the most phenomenal - to me . Her irresistible charm lies in that pure and powerful personality - TOTALLY dedicated to art.
This was wonderful! The legato was fantastic. The fiorature was pretty good, but she flubbed the variation in the sequence. I know she did because I also sing this and it varies slightly as it goes up... u'd have to see the score. She wasn't as clean coming down the 2nd time. Even Bartoli with her aspirated version doesn't get it correct.
That smile at 1:14 is so odd. And maybe just a little creepy. As for the singing, it is excellent. I would never have pictured Baltsa as Sesto, but she makes it work.
The coloratura bits at the end are beyond compare. No aspiration, just a clean, beautiful line throughout. Baltsa sounds TERRIFIC here, and looks sensational to boot.
simply MARVELOUS!!!!!!!
VL2891 2 months ago
I noticed there are no comments on the clarinetist, who is her partner in this piece.
RossiniSoprano 6 months ago
This is just the best of all versions and interpreters. SPECTACULAR!
ezayi 11 months ago
Now there are many outstading clips/arias on YouTube,but this has to come in top 5.
I had never heard her in what might termed Mozart "Opera Seria"before.
She uses her amazing vocally instrument and controls it to the benfit of Mozarts music.Strength without harshness ,feeling without distortion and flexibilty without ugliness.
Not many singers could convey this aria in the way she does.
I cannot find a complete recording of Clemenza with her,is there one anyhwere?
MrSwifts31 1 year ago
nice, so beautiful
thanks a lot for sharing =D
KriBlackRoson 1 year ago
No one ever can be BETTER than Baltsa. There are many outstanding singers in opera world, some with much more spectacular technique or more " сorrect " type of voice, and some with really great artistic gifts that produce a very deep impresson . But there`s only ONE incomparable Baltsa. Just as two more incomparable artists - Callas and Shaliapin. And Baltsa is the most phenomenal - to me . Her irresistible charm lies in that pure and powerful personality - TOTALLY dedicated to art.
Rospaint 1 year ago
Agnes is OK, but I think is better Magdalena Kozená in this aria
Mariasonatta 1 year ago
Oh, she was so young! I had never seen her so young!
mrskinoti 1 year ago
i guess that's why she got paid the big money.
doodlydoo23 2 years ago
Brava!
felipecunha 2 years ago 2
This was wonderful! The legato was fantastic. The fiorature was pretty good, but she flubbed the variation in the sequence. I know she did because I also sing this and it varies slightly as it goes up... u'd have to see the score. She wasn't as clean coming down the 2nd time. Even Bartoli with her aspirated version doesn't get it correct.
rlee1976 2 years ago
SO WHAT??????
egooidios 2 years ago
check your score again - she is spot-on. and brilliant.
skidiva1913 2 years ago
there must be many recordings like this in the vaults of National television stations...
------------------------
Greetings,
Rolf
Historical classical recordings
European Archive, Paris
EuropeanArchive 3 years ago
Thank you! This is amazing!
leoperarm 3 years ago 4
That smile at 1:14 is so odd. And maybe just a little creepy. As for the singing, it is excellent. I would never have pictured Baltsa as Sesto, but she makes it work.
nclysander 3 years ago
There's no smile at 1:14!!!
Marroiamaxu 2 years ago
A minor technicality.
Looking back, I meant 0:14. A simple mistake. We all do it.
nclysander 2 years ago
goodness, the coloratura is stunning!
ricecracker79 3 years ago 2
The coloratura bits at the end are beyond compare. No aspiration, just a clean, beautiful line throughout. Baltsa sounds TERRIFIC here, and looks sensational to boot.
Gigglingatagas 3 years ago 5
but where are the emotions?
podkivanok 3 years ago
Fabulous technique.
Weillfanatic 3 years ago 2
Merci Parsifalito! This is such a rare clip! She made very few appearances in Paris. More please!
ernestlow 3 years ago