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  • His nomenclature could throw someone off...but the 'scale' Harris demonstrates is simply a Cmajor scale with an extra note thrown in - the Aflat. The resulting scale is now 8 notes and therefore [since most jazz is 4/4] "synchs up" rhythmically [melodically, and harmonically - as Harris demonstrates elsewhere - as well].

    Actually, all major scales, as well as minor ['minor6th 'and 'dorian' especially] as well as mixolydian [dominant 7th] should be played with these "chromatic corrections'...

  • @csilva85 isnt that the major bebop scale?

  • @wschrad - Exactly! Thanks for making that point...obviously different people will use different nomenclature, but the resulting "sound" is still the same.

  • yes

  • best part starts at 1:10

  • Comment removed

  • fantastic...!

  • NICE

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