I know this is a stupid question, but i'm trying to find something simular to this, but it goes: parara ra pa pa pa pa pa parararara rararara ra pum pum...
I had the good fortune many years ago to haveTony Coe sit in on a session that we used to havey every sunday in dublin. He did have a sound & style that was unique and was playing great sax then. Is he still playing?
Another great chart from the pen of Francy Boland. It's as much fun to listen to as it is to play. He was a unique writer for big band with the way he voiced the sax section, and I too love the three tenor (like Woody) sound. Thanks for posting. John C. Smith, Dallas
Hope you're joking.... this is the baddest camerawork tipically from the 60'. They manage always to spot on the wrong player...and the new video effects - what a mess....brrrrrrr
I have their stunning Handle With Care on reel to reel....and just got the CD in the mail today...seems to sound on CD like an early CD. Treble is wack. But, man...that album is huuuuuge. Get it.
It's great to see them doing "Sax No End" live. I have embedded that video plus three other versions of the tune at my blog today. Feel free to come by anytime. (URL is in my profile.)
Does anyone know whether the five man solo was written especially for the guys or is a transcription of someone else's solo? Humble's loving it - he's outblowing everyone!
The piece was written by Francy Boland for the "Orchester Kurt Edelhagen" probably in 1962 as an arrangement of "Chinatown". It presented the different sections in the band and had special features for trumpets and trombones also. There were no improvised solos. This piece here is "only" the last part of the original version.
Neither is it a transcription (but original Boland), nor was it written for these guys. Derek Humble was a member of Edelhagen´s band in 1962 but the others weren´t.
As far as I can recall Tony Coe has always had that style. Someone once said that "he doesn't play the saxophone, he paints notes in the sky with it" Some call it quirky, others call it genious. Count Basie liked it so much that TC was asked to join his band but he declined. Mancini liked it enough for TC to play the theme for "The pink Panther" for him.
WhenTC took over the lead alto later on in the Boland band, he really went places with his "inside-out" playing. I really fell for that thing. His alto tone is something else... I really recommend the records "White Hot", "Red Heat" and "Blue Flame" I know they're hard to find.
When you're improvising, there are no mistakes; because you're creating your own masterpiece at moments notice. There are too many anal-retentive perfectionists in this world who are just freaking bores.
Sometimes, listening too closely, as either armchair critic or musician, can reveal seeming "mistakes". If you listen less critically - as a five year old might hear it, these mistakes become miraculously subsumed into a strange thing called music. All sounded good to me.
Shame on you, that was no dud, that was a typically quirky Tony Coe solo. He was, and remains, a uniquely talented tenor player (you may have heard him playing in the Return of the Pink Panther and he's also unique among British musicians in having been offered a job with Count Basie's Orchestra). I've seen him many times including with the Clarke/Boland Big Band and he's never disappointed.
This video brings back a lot of memories of nights misspent at Ronnie's in the 60's and 70's!
I hear you... He doesnt suck but his ideas just didnt flow as well as the other guys ya know? I mean look at who he is taking a solo after. Johnny Griffin. By Far my fav of all time.
Yes, Seffrid. Quirky's the right word. Tony's a unique player, and I think he was just trying to do something different to Johnny and Ronnie either side of him. They were both linear, so he went for angular. Bear in mind that this is a much abbreviated version of the number - all of the other live versions I've heard are at least 10 minutes long, giving each player a longer solo.
i think all the players up there are great only 1 missing is tubby hayes but tony coe how original to play off the chords that way space and timing not quirky genius it is what seperates us mortal plyers from them
wow - just got a record of this group - wow - all the records are cool as clarke and clare on on totally separate channels so you can actually check out what they are in invidually doing. clare seems to hold the back beat more and clarke does all the fiddly bits. in the snare. what a band !
Usually I have nothing but mean an nasty things to say but, this is something really special. Two drummers swinging there ass's off, and these great sax guys!! Just great. The screen in the background, and the lead alto with the shades, gotta love it. I can't say enough.
Just being able to see footage of this band playing live is a honour. Clarke and Clare are a tour de force. I grew up listening to both volumes of the recordings of the band at Ronnie Scots club. Ronnie Scot is a national treasure.
I saw Derek Humble in a small group setting several times in the late sixties/early seventies he was very good. Died young. Hit his head against a kerb stone in the street.
Awesome!
jazzjanne1 2 months ago
just awesome!
Tigerped 8 months ago in playlist Big Band
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Snake Davis : An Evening of Soul on 18 June 2011 at The Common Room, University House,The University of Sheffield - will be a great night.
AlexMckownBand 8 months ago
Love the Big Band vibe!!! wow! this is great! there's a band in L.A. does big band with a twist. ck them out.
search cinnamon doll jazz
it's neil young's song arranged in big band style
videomania100 9 months ago
I know this is a stupid question, but i'm trying to find something simular to this, but it goes: parara ra pa pa pa pa pa parararara rararara ra pum pum...
luka99medak 10 months ago
Derek Humble is the man, hands down
arrourasanti2 11 months ago 3
i like the 19 minute version!
arrourasanti2 11 months ago
Tony is still terrific. We saw him last year with a big band. With new kneecaps he's as good as ever!
mikeos1 1 year ago
This is WAY better than today's pop music. I'd choose to listen to this over any Lady GaGa or Justin Beiber any day of the week.
GEhotpants101 1 year ago
I had the good fortune many years ago to haveTony Coe sit in on a session that we used to havey every sunday in dublin. He did have a sound & style that was unique and was playing great sax then. Is he still playing?
mikebuddy1 1 year ago
Another great chart from the pen of Francy Boland. It's as much fun to listen to as it is to play. He was a unique writer for big band with the way he voiced the sax section, and I too love the three tenor (like Woody) sound. Thanks for posting. John C. Smith, Dallas
PecosRiverBrass 1 year ago
Tony Coe is a genius
Alino17 2 years ago
Some amazing camera work there at 3:55-4:00. Cinematic brilliance.
ricdeed 2 years ago
@ricdeed
Hope you're joking.... this is the baddest camerawork tipically from the 60'. They manage always to spot on the wrong player...and the new video effects - what a mess....brrrrrrr
Drummerworld 1 year ago
This is really nice
tobiasv134 2 years ago
amazing!!!
jazz1bro 2 years ago
I have their stunning Handle With Care on reel to reel....and just got the CD in the mail today...seems to sound on CD like an early CD. Treble is wack. But, man...that album is huuuuuge. Get it.
sclogse1 2 years ago
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I had to remove the shoutbox at my blog ... too many raves about the lossless rips you can download there ;-)))))
Cheers,
Scoredaddy
ScoreDaddys1 2 years ago
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hey brunojazzman -- you're even featured at Rifftides with your sax no end post. cool.
this version is okeh ;-)), though a bit too much of everything for my tastes; i'd prefer peterson's piano performance.
stijnhouwer 2 years ago 2
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It's great to see them doing "Sax No End" live. I have embedded that video plus three other versions of the tune at my blog today. Feel free to come by anytime. (URL is in my profile.)
All best,
Brewx
BrunoJazzmanLeicht 2 years ago 5
Fantastic!!!!
VangeVibran 2 years ago 5
Great vid, but can't you post the whole tune (if you have it of course) in 2 or 3 different parts?
Francozen 2 years ago 6
Awesome!!! However, why have two drummers? It just means that everyone is making a little less cash ;-)
itmsjim 2 years ago 2
The rhythm is presumably impossible to play with just two hands. Great recording.
Pralbpralbpralb 2 years ago
55555555555555555555stars fabulous men
jazzobassoon 2 years ago 2
Does anyone know whether the five man solo was written especially for the guys or is a transcription of someone else's solo? Humble's loving it - he's outblowing everyone!
Henderbeast 2 years ago 2
The piece was written by Francy Boland for the "Orchester Kurt Edelhagen" probably in 1962 as an arrangement of "Chinatown". It presented the different sections in the band and had special features for trumpets and trombones also. There were no improvised solos. This piece here is "only" the last part of the original version.
Neither is it a transcription (but original Boland), nor was it written for these guys. Derek Humble was a member of Edelhagen´s band in 1962 but the others weren´t.
bbconvention 2 years ago
great to see a live rendition of this work which was on one of the first jazz records i ever bought and still after 30 years one of my favorites
jammiebeez 3 years ago
As far as I can recall Tony Coe has always had that style. Someone once said that "he doesn't play the saxophone, he paints notes in the sky with it" Some call it quirky, others call it genious. Count Basie liked it so much that TC was asked to join his band but he declined. Mancini liked it enough for TC to play the theme for "The pink Panther" for him.
essaljay 3 years ago 2
WhenTC took over the lead alto later on in the Boland band, he really went places with his "inside-out" playing. I really fell for that thing. His alto tone is something else... I really recommend the records "White Hot", "Red Heat" and "Blue Flame" I know they're hard to find.
icedrum2 2 years ago
What is the cool if this movie/track is not cool...
idancejazz 3 years ago
Ahhh! The nostalgia. Remember Tony Coe on alto in Humph's band - at the Conway Hall?
cbonew 3 years ago
When you're improvising, there are no mistakes; because you're creating your own masterpiece at moments notice. There are too many anal-retentive perfectionists in this world who are just freaking bores.
luisamarte2000 3 years ago 3
Sometimes, listening too closely, as either armchair critic or musician, can reveal seeming "mistakes". If you listen less critically - as a five year old might hear it, these mistakes become miraculously subsumed into a strange thing called music. All sounded good to me.
jazzflutist 3 years ago
Everyones an expert! unless your a sax player, SHUT UP !
bossanovasax 3 years ago
für mich die geilste(verzeihung für dieses wort,aber bei "sax(!)no end"kein anderes wort möglich)big band aller zeiten.
Clarke/Clare an den Schlagzeugen sind einfach tierisch!dazu
die Mörder-Bläser Sektion.uuuiiihhh.Sehr gross!!!!!!!
AL10Hermann 3 years ago
... kann ich nur beipflichten.
Die Sax No End Version LIVE at RonnysClub
ist noch um einiges besser.
Aber es gibt NOCH eine SUPER-Live-Version
von Orchester Kurt Edelhagen ca. aus dem Jahre
1962 oder 64, aus Tour-Ostdeutschland,
wo Boland viele Titel arrangierte und ein großer Teil
der Boland-Musiker NOCH bei Edelhagen in Köln waren.
Egbert1957 3 years ago
Everyone is a critic. There are no duds here, just different things to say. Once again, Shut the hell up unless you are up there doing better.
This is real music.
jazznutz 3 years ago 2
Shame on you, that was no dud, that was a typically quirky Tony Coe solo. He was, and remains, a uniquely talented tenor player (you may have heard him playing in the Return of the Pink Panther and he's also unique among British musicians in having been offered a job with Count Basie's Orchestra). I've seen him many times including with the Clarke/Boland Big Band and he's never disappointed.
This video brings back a lot of memories of nights misspent at Ronnie's in the 60's and 70's!
Seffrid 4 years ago 3
I hear you... He doesnt suck but his ideas just didnt flow as well as the other guys ya know? I mean look at who he is taking a solo after. Johnny Griffin. By Far my fav of all time.
SaxJazz19 3 years ago
Yes, Seffrid. Quirky's the right word. Tony's a unique player, and I think he was just trying to do something different to Johnny and Ronnie either side of him. They were both linear, so he went for angular. Bear in mind that this is a much abbreviated version of the number - all of the other live versions I've heard are at least 10 minutes long, giving each player a longer solo.
Cheeseford 3 years ago
i think all the players up there are great only 1 missing is tubby hayes but tony coe how original to play off the chords that way space and timing not quirky genius it is what seperates us mortal plyers from them
hitmanisback 3 years ago
I like the space that Tony puts into his solo; lets you think about the last phrase before playing the next
Henderbeast 2 years ago
@Seffrid Although, I do feel he was more creative when playing the alto.
hommefriday 1 year ago
Second Solo was a dud
SaxJazz19 4 years ago
i think that he was trying to deviate from the first solo, but totally bombed, cause he didnt remember what it start out like
blitzfisherman 3 years ago
WOW... That was the best sax I ever had!
tomvanbeelen85 4 years ago
Once again the wonderful Sahib Shihab on bari!! Great sound, great band!
Bari251 4 years ago 2
wow - just got a record of this group - wow - all the records are cool as clarke and clare on on totally separate channels so you can actually check out what they are in invidually doing. clare seems to hold the back beat more and clarke does all the fiddly bits. in the snare. what a band !
saulbeat 4 years ago
Super Sax is surpassed?
harrycarney2000 4 years ago
Usually I have nothing but mean an nasty things to say but, this is something really special. Two drummers swinging there ass's off, and these great sax guys!! Just great. The screen in the background, and the lead alto with the shades, gotta love it. I can't say enough.
JerryTheJew123 4 years ago
Just being able to see footage of this band playing live is a honour. Clarke and Clare are a tour de force. I grew up listening to both volumes of the recordings of the band at Ronnie Scots club. Ronnie Scot is a national treasure.
countcoupe 4 years ago
I am absolutely of the same opinion as Cheeseford, the 2 super drummers are just great an do not at all spoil this fantastic band.
Marcelfbch 4 years ago
I saw Derek Humble in a small group setting several times in the late sixties/early seventies he was very good. Died young. Hit his head against a kerb stone in the street.
MAJORSNODGRASS 4 years ago
Two drummer thing sucks the whole thing down.
Larryamg 4 years ago
When the two drummers are Kenny Clarke and Kenny Clare, it works just fine for me.
Cheeseford 4 years ago 3
you're a twat !
allaaaah 4 years ago
@Larryamg I dont agree. Unique.
smutjunkie74 1 year ago
that swings
kleitspark 5 years ago
Derek Humble was one of the greatest lead altos-just ask Phil Woods.
jamieforjazz 5 years ago
Comment removed
Henderbeast 2 years ago
this is freaking amazing. i love how most of them are tenors :)
ohsnap69 5 years ago
clarke boland big band
artpinopasta 5 years ago
thats a SWINGIN' band... love it!!!
Strongscotch 5 years ago