I was studying and had pandora on in the background when this song came up. I closed my eyes and my 10 yr old son became a baby again. Somebody bought my now ex wife and i the baby einstein dvd and this was one of the tracks. I could see my old apartment and my baby son and ex together watching it. It's funny how music can affect us so deeply.
I first heard this piece in Grade Nine on -- of all places -- the 2nd Blood Sweat and Tears album. They did a nice, jazzed up version. What's important, though, is that the BS&T version led me to the music of Eric Satie. I love so much of it, but none more than this exquisitely sad, brilliant, quirky, evocative, sublimely musical piece of work.
I remember when my 2nd grade teacher would play this for us while we worked. It's funny how the smallest of memories can be so special and cling to you like moths to lamplight.
this song makes me think way back to memories of me burning bridges with all the people in my life, only to realize that the problem is me and my inability to handle being judged by anyone.
I had this as a standard ringtone on an old mobile phone a few years back and used to listen to it endlessly, my phone broke and I looked and listened for this song for years only for it to re-appear on a CD about a year back, what an amazing piece of music, it makes me feel like i'm slowly drifting down a river on a beautiful sunny day!
This song brings back so many memories. I remember when I was in 2nd grade and Mrs. Kar, my teacher, would play it while we worked. That was the first time I ever heard a Satie piece. Ever since then, Satie has been my favorite composer and Ciccolini, my favorite pianist.
@Davidkracht One of the reasons Ciccolini is considered the first and the greatest Satie interpretator is, he doesn't give in to playing slow and melodramatic like some new kids do. He doesn't degenerate it to a weepy overly melancholic mop, but plays it with elegance and something that feels like irony to me.
He lifts Satie's works to what they were meant to be, Art and Beauty instead of an easy chillout.
@FUBARbyBOOZE Playing a piece slowly does not mean that you're a "new kid" in any way; and I there never was a shred of negativity against Ciccolini in my comment. As we all share different music tastes, it's only natural that we interpret and play pieces differently, yes?k
@Davidkracht Ah right, I didn't mean to overreact, sorry. I guess "quite good" is a big compliment if you're English but I read it as 'meh, he's fine' (which would be far below Aldo coming from anyone).
Yeah. This guy pretty much owns Satie and destroys everyone else who would attempt the same songs. In a perfect world, he'd punch that De Leeuw guy in the face and summarily execute Roge.
I bought Mr.Ciccolini playing these pieces when i was about 16. I paid less than a dollar for it on lp. A million dollars would be absurd(to little). This is beyond belief for me its beyond technique.
Aldo Ciccolini giving it his all. No lack of concentration and a kind of tension behind it. And notice that casual brush of a note as he moves his hand away from the keyboard after he's finished playing the last note in the score....love it!
This is so heartbreakingly beautiful I actually fear it. I fear its ability to bring to my memory the past that is gone, love that is gone, people that are gone. This is truly great art. Magisterial emotional punch with no hyperbole.
There is a sort of terror here. But would you forego the attachment to spare yourself the inevitable loss? The music says no, I think. How Satie does it is a tremendous mystery to me. The music is so simple, and yet...
@JerryMichaelGriffin grow up will you Jerry? I realise that under cover of the mask the net provides many of us engage in personal insult we would not engage with face to face - indeed occasionally I do so myself - but do try to stop it. It's nasty puerile behaviour which earns no brownie points at all and does not appear in the least bit clever so is counter productive as well. Cop on like a good chap and stop being nasty.
Why is this the only video of a real pianist playing gymnopedie? Isn't it one of the most beautiful piece? By the way 5 stars for Aldo's perfect interpretation.
@kaakyf Most "virtuosos" prefer spectacular pieces. Since you can win nothing (since the technical part is very easy) but lose a lot (since, unlike fast pieces, it will instantly reveal the slightest lack of artistic capacity) playing this kind of music.
@kaakyf wtf do u mean of a real pianist playing this, most vids are of real pianists playing, we all take classes and study music, we all are real pianists, just cuz we dont play on stage but for ourselves...
This piece is the first one I've ever learned to play many months ago cause I thought it's very simple yet only the great pianinsts like Ciccollini can make it as delightful. I can only imagine how much practice and how great talent it takes to play it like that. Since I have heard this interpretation I started to practice this piece again for hours and hours, hoping that one day I can put as much magic in it as Ciccolini did. Johnnyzing I am looking forward to hear your version.
interesting.....I thought it was a bit quick too...but his touch kept the legato magic. Only the best can do that. I've done that movement with, believe it our not, Piano and Tubular Bells. I'll be posting it soon. It worked.
@MrPianoDavid As far as I was aware the tempo was never defined as 66 by Satie himself at least not in any score I've ever seen. He simply states Lent et Douloureux.
... ich find's verdammt gut gespielt - und auch das Tempo passend gewählt.
Die Gefahr gerade bei den Gymnopedien (in ihrem ruhigen Tempo) liegt darin, daß der große Spannungsbogen in viele kleine, unzusammenhängene, einzelne Phrasen zerfällt.
Die Noten sehen einfach aus, jeder Stümper kann das vom Blatt spielen, aber diese Musik zu gestalten ist verdammt schwer.
one of my favorite songs to play; so simple yet it seems to have an affect on people listening. this rendition is all right; not my favorite, but not horribly wrong.
I found a beautiful version (piano+orchestra) by Gilles Gambus. Just type Gilles Gambus Gymnopedie and enjoy it. There is more great live concert on line.......
I've just returned (an hour ago) from watching Aldo Ciccolini play the 2nd Rachmaninov Concerto at the Royal Festival Hall London. He is 80 now! and received a standing ovation. Wonderful, and then great to see this historic recording here.
Why, I wonder, does this song evoke so much emotion from those of us that seek to be touched by it? Are we the ones that have the true passion for life and love for the simplest of things? What does this song tell us about ourselves?
It sounds a bit theatrically, but this piece is breathtaking...I think, that this is the "unbearable lightness of being" . Hope that somebody has the same opinion.
I can't remember where I first heard it. Must be in some tv interlude between programmes. I was mesmerised and was desperate to find it but couldn't. I had no musical knowledge or training and had no idea how or where to look for it. For years and years.....until now. Oh, thank God for small mercy
It's sampled in the chorus of the Janet Jackson song, "Someone To Call My Lover" ("Maybe we'll meet at a bar/he'll drive a funky car/maybe we'll meet at a club/and fall so deeply in love...").
LOL. In reading my comment, I realize that it could be construed as obnoxious and arrogant. I want to say "How might one day play this piece as well as Ciccolini?"
Has anyone heard Rachel Z do "Moon At The Window"? It's jazz but it is such a feast of how she plays chords.....playing with the voices therein. Her "Moon At The Window" would shine on Youtube, i think so.
This is beutiful!.. Late at night.. On one channel on my tv..when all the programs are over. there is this clock ticking.. and music playin... This song always is the last one.. Love listing to it before going to sleep! Love it so much!
A lot of people would want it played extremely slow, and I guess Janne Mertanen comes very close to that interpretation, but I think that's a little too dramatic.
I like to think Ciccolini comes closest to how Satie would've played it. Try it, even in the slow videos there's no one playing this softly..
you got to respect ciccolini for recording such a large amount of satie. most well known pianst wouldnt record or play satie because satie never wrote virtuuoso piece that show off skill. and satie isnt a very popular or well respect composer ( at least when compared to other like mahler or chopin).
OMG This song is just breathtaking. Could it be that Faithless (UK Electro Band) used it? it sounded so familiar when i listened to it. i only discovered satie today. but the song feels like i been listening to it forever and know it by heart.
nonchablunt: Welcome to the wonders of this music. Almost everyone I know who has ever heard this piece for the first time says the same thing you just did! It must be in the subconcious or something because when you do finally hear it, it's a revelation! I can't wait for the next musical miracle waiting for me somewhere.
I guess I've never really heard anyone else's version of this piece, but I've followed the score along with this pianist and I can't figure out what he's doing wrong. What don't you guys like about his interpretation (Because I just started learning it myself and don't want to screw it up from the beginning)?
Dear JJP,Music must breathe naturally...not like tick like a clock.And there are so many ways to do this.Each phrase here has very little individuality in color,dynamic,timing and feel.Would you like to be treated just like all the rest?
smithsherman: Thank you. I'm looking for the first time at the score and attempting this one (although it is well within my competency range), and what would you say to a first timer at this one (you mentioned what he was missing, but not how one achieves the colors, dynamics, timing, etc.)?
Music mustn't do anything. This is just simple beauty. He does change in his playing, just not very dramatically; subtly. You don't always have to lean into the music and sigh over every note you play. That's probably a mistake in fact
smithsherman, I have to wonder how Satie originally meant it as he wrote it in 1887. You're "clock ticking" analogy actually makes me wonder if he did not mean it like that. From what I've read, Satie was somewhat of a pre-cursor of the avant-garde and the absurdist/surrealist era. Apparently he referred to himself jokingly not as a musician but as a "phonometrician." At the dawn of the industrial age, perhaps he was making a statement on the passage of time and futile efforts to control it.
Interesting comment on Satie being a self-stylized phonometrician. Anyone interested in timing and composition should check out BachScholar here on YT. Cory is a professor of music and very fine pianist who explains his theories of tempo for a range of music from Bach to Scott Joplin.
Ciccolini is my favourite player of Satie. When following the score with him and others I understand why he reads what he reads, even when I don't agree. Moreover I can hear Satie's humor more in Ciccolini than in anyone else (ofcourse that doesn't apply to this work).
Was this piece in a Studio Ghibli film, like Laptua: Castle in the sky? My friend played it to me and I know that I heard it from somewhere. . . Like that.
are ritualistic and detached.his intent was music purged of any allusions to romantic rhetoric.the use of excessive rhythmic uniformity was the point-the rejection of music as bougeois entertainment.Satie's music
antcipates the experimental, minimalist aesthetic that emerged after 1960.Satie's radical agenda is of a music going nowhere,
anti-romantic and designed to shock and scandalise the audience, much as the surrealists and Cubists did.
from a movie or cartoon that song?
vito869 1 month ago in playlist Liked videos
I was studying and had pandora on in the background when this song came up. I closed my eyes and my 10 yr old son became a baby again. Somebody bought my now ex wife and i the baby einstein dvd and this was one of the tracks. I could see my old apartment and my baby son and ex together watching it. It's funny how music can affect us so deeply.
robertpetit200 3 months ago 3
es la musica del WII sports :)
jsancho83 4 months ago in playlist Mr Nobody
grazieeeeeeeee!
Esopo11 4 months ago
TY vaimusic for this wonderful post.
paulostroff99 4 months ago
Holy SHit listen to this when you are high and mix it with another from your itunes account and play them interposed!!!!
madamewho 5 months ago
Stunning music brilliantly played by a geat pianist. TY vaimusic for posting.
paulostroff99 7 months ago
I first heard this piece in Grade Nine on -- of all places -- the 2nd Blood Sweat and Tears album. They did a nice, jazzed up version. What's important, though, is that the BS&T version led me to the music of Eric Satie. I love so much of it, but none more than this exquisitely sad, brilliant, quirky, evocative, sublimely musical piece of work.
froggo66 7 months ago
I remember when my 2nd grade teacher would play this for us while we worked. It's funny how the smallest of memories can be so special and cling to you like moths to lamplight.
trekkie1fan 7 months ago 2
this song makes me think way back to memories of me burning bridges with all the people in my life, only to realize that the problem is me and my inability to handle being judged by anyone.
xxchaosguyxx 10 months ago 2
@xxchaosguyxx a very beautiful response to a very beautiful work of art...I do understand.
curious1curious 7 months ago
@xxchaosguyxx
The important thing--and the beautiful one--is your realization. The music deepens these understandings
strangersname 6 months ago
I had this as a standard ringtone on an old mobile phone a few years back and used to listen to it endlessly, my phone broke and I looked and listened for this song for years only for it to re-appear on a CD about a year back, what an amazing piece of music, it makes me feel like i'm slowly drifting down a river on a beautiful sunny day!
lewisglegend 10 months ago
This song brings back so many memories. I remember when I was in 2nd grade and Mrs. Kar, my teacher, would play it while we worked. That was the first time I ever heard a Satie piece. Ever since then, Satie has been my favorite composer and Ciccolini, my favorite pianist.
trekkie1fan 11 months ago
way too fast.
CaptainBluebear08 11 months ago
echo tiger army's eloquence
atlatahuac 1 year ago
This song brings a tear to my eye.
My cock eye
geezonthekeys 1 year ago
He plays it a little too fast for my taste, but besides that it's quite good.
Davidkracht 1 year ago
@Davidkracht One of the reasons Ciccolini is considered the first and the greatest Satie interpretator is, he doesn't give in to playing slow and melodramatic like some new kids do. He doesn't degenerate it to a weepy overly melancholic mop, but plays it with elegance and something that feels like irony to me.
He lifts Satie's works to what they were meant to be, Art and Beauty instead of an easy chillout.
FUBARbyBOOZE 1 year ago
@FUBARbyBOOZE Playing a piece slowly does not mean that you're a "new kid" in any way; and I there never was a shred of negativity against Ciccolini in my comment. As we all share different music tastes, it's only natural that we interpret and play pieces differently, yes?k
Davidkracht 1 year ago
@Davidkracht Ah right, I didn't mean to overreact, sorry. I guess "quite good" is a big compliment if you're English but I read it as 'meh, he's fine' (which would be far below Aldo coming from anyone).
FUBARbyBOOZE 1 year ago
Comment removed
TullioWalker 1 year ago
i cried .. thats all i can say ... if i could choose only one song to take with me after the end of my days it would be this ...
chabi3000 1 year ago
a win for the gays! ;D
Reubunderfull 1 year ago
it doesn't need any comments...
antbee77 1 year ago
Yeah. This guy pretty much owns Satie and destroys everyone else who would attempt the same songs. In a perfect world, he'd punch that De Leeuw guy in the face and summarily execute Roge.
begrackled 1 year ago 4
I only have one question. How do you not like this?
primesniper14 1 year ago
Very very awesome. Timeless.
zackshinkfield 1 year ago
Some days ago I played this music for him:)
donchevmeister 1 year ago
I bought Mr.Ciccolini playing these pieces when i was about 16. I paid less than a dollar for it on lp. A million dollars would be absurd(to little). This is beyond belief for me its beyond technique.
17205513 1 year ago
which year is this
sinancans 1 year ago
This is heart wrenching
TylerPCoughlin 1 year ago
Aldo Ciccolini giving it his all. No lack of concentration and a kind of tension behind it. And notice that casual brush of a note as he moves his hand away from the keyboard after he's finished playing the last note in the score....love it!
studdingsails 1 year ago
Gracias Dianita por recomendarme esto! Es INCREIBLE!
NicoCabral75 1 year ago
beutiful!!!
dmabraham1979 1 year ago
fine, but too fast. This is mean to be a more mellow tune.
taipan4891 1 year ago
Fantastica interpretazione!!!
neronefoggy 1 year ago
Ciccolini gets it. he just gets it...
shldnbschmn 1 year ago
bellissimo
maggiegirotto 1 year ago
Ciccolini plays Satie that way it was meant to be played. Marvelous touch.
turingtape 1 year ago 5
@turingtape I tought it is a bit too fast-static
PyroclasticMind 1 year ago
veramente
doctrozaimon 2 years ago
Yesterday he played for me this piece and now it is much slower..he is a great artist..
donchevmeister 2 years ago
This is so heartbreakingly beautiful I actually fear it. I fear its ability to bring to my memory the past that is gone, love that is gone, people that are gone. This is truly great art. Magisterial emotional punch with no hyperbole.
tigerarmyrule 2 years ago 55
There is a sort of terror here. But would you forego the attachment to spare yourself the inevitable loss? The music says no, I think. How Satie does it is a tremendous mystery to me. The music is so simple, and yet...
taftchatham 2 years ago
agreed....
palatinesouth 1 year ago
@tigerarmyrule Speech or literature must be involved to use the word hyperbole. You almost sounded smart. Better luck next time.
flabbyballsack 1 year ago
@tigerarmyrule wow there is nothing more cringeworthy than someone trying to be deep and meaningful and using words he dosen't even understand
JerryMichaelGriffin 1 year ago
@JerryMichaelGriffin grow up will you Jerry? I realise that under cover of the mask the net provides many of us engage in personal insult we would not engage with face to face - indeed occasionally I do so myself - but do try to stop it. It's nasty puerile behaviour which earns no brownie points at all and does not appear in the least bit clever so is counter productive as well. Cop on like a good chap and stop being nasty.
tigerarmyrule 1 year ago 3
@tigerarmyrule 1000 poets in a 1000 years couldn't have said it any better.
supercooled 3 months ago
grazie maestro!
andy66RM 2 years ago 2
La musique pour le fin du monde!!!
and so beautifully, thoughtfully read by Ciccolini.... with just the right hesitancy and falling away of sound....
glummdelclitch 2 years ago 3
J'aimerais etre en contact avec Monsieur Ciccollini au sujet de sa musique et mes films. Est ce quel q'un connit comment lui contacter?
Merci
claireviolet 2 years ago
AWESOME!!!!
wat3rki 2 years ago 2
merci, Aldo était mon maître, j'ai composé mon haïku pour lui. Grâce à lui, nous avons redécouvert Erik Satie.
passeyag 2 years ago 3
Why is this the only video of a real pianist playing gymnopedie? Isn't it one of the most beautiful piece? By the way 5 stars for Aldo's perfect interpretation.
kaakyf 2 years ago 40
@kaakyf Most "virtuosos" prefer spectacular pieces. Since you can win nothing (since the technical part is very easy) but lose a lot (since, unlike fast pieces, it will instantly reveal the slightest lack of artistic capacity) playing this kind of music.
mradons 1 year ago
@kaakyf wtf do u mean of a real pianist playing this, most vids are of real pianists playing, we all take classes and study music, we all are real pianists, just cuz we dont play on stage but for ourselves...
deandro985 1 year ago
@deandro985 shut up yo yo
Walrustew 1 year ago
@kaakyf -Aldo was a great pianiust who played this awesome music wonderfully.
paulostroff99 7 months ago
@kaakyf -Indeed .He plays it better than anyone else that I've ever heard play it.
paulostroff99 4 months ago
Perhaps it may have been ever so slightly quick, but, who cares; it was superb! Thanks to Vaimusic for sharing this with us.
toscanini9 2 years ago
Yup, a little bit quick. Still gives me goose bumps though.
jamesbannon008 2 years ago
This piece is the first one I've ever learned to play many months ago cause I thought it's very simple yet only the great pianinsts like Ciccollini can make it as delightful. I can only imagine how much practice and how great talent it takes to play it like that. Since I have heard this interpretation I started to practice this piece again for hours and hours, hoping that one day I can put as much magic in it as Ciccolini did. Johnnyzing I am looking forward to hear your version.
rrrafau 2 years ago 3
If I dare to criticise the maestro it is slightly quick....but it is sublime.
tigerarmyrule 2 years ago
interesting.....I thought it was a bit quick too...but his touch kept the legato magic. Only the best can do that. I've done that movement with, believe it our not, Piano and Tubular Bells. I'll be posting it soon. It worked.
johnnyzing 2 years ago 5
In fact he adopts strictly the tempo indicated by Satie himself : 66 by quarter note with a bit of agogik. If i may say
MrPianoDavid 2 years ago
@MrPianoDavid As far as I was aware the tempo was never defined as 66 by Satie himself at least not in any score I've ever seen. He simply states Lent et Douloureux.
kaioxygen 2 years ago 2
... ich find's verdammt gut gespielt - und auch das Tempo passend gewählt.
Die Gefahr gerade bei den Gymnopedien (in ihrem ruhigen Tempo) liegt darin, daß der große Spannungsbogen in viele kleine, unzusammenhängene, einzelne Phrasen zerfällt.
Die Noten sehen einfach aus, jeder Stümper kann das vom Blatt spielen, aber diese Musik zu gestalten ist verdammt schwer.
mlkoln 2 years ago
one of my favorite songs to play; so simple yet it seems to have an affect on people listening. this rendition is all right; not my favorite, but not horribly wrong.
captainmandy 2 years ago
mai ascoltato niente di più bello...
magipiano86 2 years ago
muito sútil, Satie é muito significativo. grato pelo post. abs.
mongeq2007 2 years ago
ciccolini? un pessimo pianista e musicista ma un finocchione da far paura
iosoil 2 years ago
Amazing
ampimp69 2 years ago
Maestro !
tigerarmyrule 2 years ago 2
Belissimo Aldo.
josegiraldi 2 years ago 2
favourite song
thienan 2 years ago 3
but everybody plays this so quickly... it's supposed to be lento (60bpm)!
ruudparklimy 2 years ago
I dont erik satie gave any instructions on how to play this?
Lortagreb 2 years ago
I dont yogurt?
namenottaken0 2 years ago
Comment removed
goldtogreysmoke 2 years ago
you just dont know what you're talking about
namenottaken0 2 years ago
This has been flagged as spam show
I found a beautiful version (piano+orchestra) by Gilles Gambus. Just type Gilles Gambus Gymnopedie and enjoy it. There is more great live concert on line.......
gigabruzinho 2 years ago
Actually, he is 85! And he is still so amazing. One of the greatest pianists alive.
ianakov 2 years ago
I've just returned (an hour ago) from watching Aldo Ciccolini play the 2nd Rachmaninov Concerto at the Royal Festival Hall London. He is 80 now! and received a standing ovation. Wonderful, and then great to see this historic recording here.
SeDoBheatha 2 years ago
how marvelous! all the best to this wonderful artist.
thanks very much for your post.
dnycguy4 2 years ago
perfect
manamara 2 years ago
Luv it
beskim 2 years ago
(midniterider4559) Thank you for your comments, this is well performed, so soothing I think.
HEARTEFFECTS 2 years ago
i can't bare to watch him play it i like just listening to it better. god this song is so touching.
midniterider4559 2 years ago
too fast
midiaespacial 2 years ago
you are totally right
Simpleburning 2 years ago
Why, I wonder, does this song evoke so much emotion from those of us that seek to be touched by it? Are we the ones that have the true passion for life and love for the simplest of things? What does this song tell us about ourselves?
HEARTEFFECTS 2 years ago
Comment removed
midniterider4559 2 years ago
(hearteffects) ...that was beautiful. you made me cry. and i truthfully really never cry. this song does make me feel very emotional.
midniterider4559 2 years ago
It sounds a bit theatrically, but this piece is breathtaking...I think, that this is the "unbearable lightness of being" . Hope that somebody has the same opinion.
ipscale 2 years ago 5
Simply, Sublime!
SABOREAME68 2 years ago
It is WONDERFUL!!!!!!!!!!!!!!!!
JoyCeLy4ev 2 years ago
It isn't very difficult to play, but he does play perfect!
DeliiiRockGirl 2 years ago
Comment removed
eliasbb 2 years ago
Gorgeous piece of music and played divinely by a far too soon mainly forgotten-but brilliant pianist.
paulostroff99 2 years ago
Sky...Sky...Sky...
MissLulu1976 2 years ago 2
Bravo
EZEEKEEL 2 years ago
grandissimo ciccolini..... tocco superbo.....
vincik80 2 years ago 2
Belíssimo Aldo !!!
josegiraldi 2 years ago
My favorite performance of my favorite piece of music.
Fuliginosus 2 years ago
I can't remember where I first heard it. Must be in some tv interlude between programmes. I was mesmerised and was desperate to find it but couldn't. I had no musical knowledge or training and had no idea how or where to look for it. For years and years.....until now. Oh, thank God for small mercy
ss0099218 2 years ago 4
It's sampled in the chorus of the Janet Jackson song, "Someone To Call My Lover" ("Maybe we'll meet at a bar/he'll drive a funky car/maybe we'll meet at a club/and fall so deeply in love...").
blazerr 2 years ago
Time flies, listening to this.
Coontock 2 years ago
Heavenly music!
allieree 3 years ago
Truly adorable masterpiece.
WistfulGeek 3 years ago
It's incredible, I read the comments and nobody talks about the most important things, the music and the artist who interprets it!!!!
Satie was at his way a genius, a futurist, and Ciccolini is a great artist!
brastoki 3 years ago 2
Ooooh ... after all these years, managed to play along on soprano recorder. (I had learned it on piano, but the melody is sooo sensible!)
tremben 3 years ago
How do I play this piece this well???
GrandPatzer 3 years ago
LOL. In reading my comment, I realize that it could be construed as obnoxious and arrogant. I want to say "How might one day play this piece as well as Ciccolini?"
GrandPatzer 3 years ago
Epitomy of french music ... very atmospheric ... divine ...
darnmat 3 years ago 3
I'm totally playing this piece for my piano final :]
80FrontStreet 3 years ago
this is very good study music,
movie9 3 years ago
Has anyone heard Rachel Z do "Moon At The Window"? It's jazz but it is such a feast of how she plays chords.....playing with the voices therein. Her "Moon At The Window" would shine on Youtube, i think so.
madero111 3 years ago
This is beutiful!.. Late at night.. On one channel on my tv..when all the programs are over. there is this clock ticking.. and music playin... This song always is the last one.. Love listing to it before going to sleep! Love it so much!
CyberShr0om 3 years ago 2
could be just a little bit slower but very close to my imagination of Gymnopedie's perfect interpretations
yabool2001 3 years ago 2
I agree with yabool, beautiful job but a little slow in parts.
MikeyNCat 3 years ago
A lot of people would want it played extremely slow, and I guess Janne Mertanen comes very close to that interpretation, but I think that's a little too dramatic.
I like to think Ciccolini comes closest to how Satie would've played it. Try it, even in the slow videos there's no one playing this softly..
haarbal92 3 years ago 3
I liked it
eggory 3 years ago 2
Love it.
merrilleeya 3 years ago
you got to respect ciccolini for recording such a large amount of satie. most well known pianst wouldnt record or play satie because satie never wrote virtuuoso piece that show off skill. and satie isnt a very popular or well respect composer ( at least when compared to other like mahler or chopin).
kingstravinsky101 3 years ago
If Ciccolini's version isn't the best, whose is?
Fuliginosus 3 years ago
OMG This song is just breathtaking. Could it be that Faithless (UK Electro Band) used it? it sounded so familiar when i listened to it. i only discovered satie today. but the song feels like i been listening to it forever and know it by heart.
nonchablunt 3 years ago
nonchablunt: Welcome to the wonders of this music. Almost everyone I know who has ever heard this piece for the first time says the same thing you just did! It must be in the subconcious or something because when you do finally hear it, it's a revelation! I can't wait for the next musical miracle waiting for me somewhere.
jjp009 3 years ago
aiit, if you're on facebook lemme know ;)
svartsjel6 3 years ago
It has it´s way. High tones sparsed up. Got it. Very Good.
fl4vio 3 years ago
This performance should be retitled,"The Emperor and his New Clothes".
smithsherman 3 years ago
Or..."What it feels like to be hit, rhythmically, in the head with a hammer--but not too hard."
GetMeThere1 3 years ago
Yes...Yours is more apropos.
smithsherman 3 years ago
I guess I've never really heard anyone else's version of this piece, but I've followed the score along with this pianist and I can't figure out what he's doing wrong. What don't you guys like about his interpretation (Because I just started learning it myself and don't want to screw it up from the beginning)?
jjp009 3 years ago
Dear JJP,Music must breathe naturally...not like tick like a clock.And there are so many ways to do this.Each phrase here has very little individuality in color,dynamic,timing and feel.Would you like to be treated just like all the rest?
smithsherman 3 years ago 2
smithsherman: Thank you. I'm looking for the first time at the score and attempting this one (although it is well within my competency range), and what would you say to a first timer at this one (you mentioned what he was missing, but not how one achieves the colors, dynamics, timing, etc.)?
jjp009 3 years ago
Music mustn't do anything. This is just simple beauty. He does change in his playing, just not very dramatically; subtly. You don't always have to lean into the music and sigh over every note you play. That's probably a mistake in fact
eggory 3 years ago 6
smithsherman, I have to wonder how Satie originally meant it as he wrote it in 1887. You're "clock ticking" analogy actually makes me wonder if he did not mean it like that. From what I've read, Satie was somewhat of a pre-cursor of the avant-garde and the absurdist/surrealist era. Apparently he referred to himself jokingly not as a musician but as a "phonometrician." At the dawn of the industrial age, perhaps he was making a statement on the passage of time and futile efforts to control it.
Ozoneum1 3 years ago 2
Interesting comment on Satie being a self-stylized phonometrician. Anyone interested in timing and composition should check out BachScholar here on YT. Cory is a professor of music and very fine pianist who explains his theories of tempo for a range of music from Bach to Scott Joplin.
BocaFriend 3 years ago
yeah, I've got his CD. excellent work.
robfilmer 3 years ago
Wonderful indeed! Haunting! TY
paulostroff99 3 years ago
It takes following a score literally to appreciate this,because the playing is entirely unmusical
smithsherman 3 years ago
sorry?
aedo67 3 years ago
Smith and Catex both have a point...
suzettegm 4 years ago
Ciccolini is my favourite player of Satie. When following the score with him and others I understand why he reads what he reads, even when I don't agree. Moreover I can hear Satie's humor more in Ciccolini than in anyone else (ofcourse that doesn't apply to this work).
Catexpoint 4 years ago
too fast and unsentimental!
AstroExpressions 4 years ago
Was this piece in a Studio Ghibli film, like Laptua: Castle in the sky? My friend played it to me and I know that I heard it from somewhere. . . Like that.
jezzerad 4 years ago
its in a show called princess tutu
icecreamyaa 3 years ago
This is so horribly objectified & revised into the modern day metronomic anti-expressive style that it loses all of its yearing infinite dreaminess.
I hear a pianist who plays notes instead of painting pictures for his audience.
Do this to Shostakovitch or Prokofiev...if you must...but not this...it's simply pathetique in the wrong way.
smithsherman 4 years ago
Saties early works (Sarabandes as well)
are ritualistic and detached.his intent was music purged of any allusions to romantic rhetoric.the use of excessive rhythmic uniformity was the point-the rejection of music as bougeois entertainment.Satie's music
antcipates the experimental, minimalist aesthetic that emerged after 1960.Satie's radical agenda is of a music going nowhere,
anti-romantic and designed to shock and scandalise the audience, much as the surrealists and Cubists did.
valsopuseight 3 years ago 6
Yes it's great but
"Embedding disabled by request"
pianobleu2 4 years ago
So bittersweet and unsentimental. I like his interpretation.
aesthetic1950 4 years ago