Koopman had a "classical education" and then studied the organ (with Simon C. Jansen), harpsichord (with Gustav Leonhardt) and musicology in Amsterdam. He specialized in Baroque music and received the Prix d'Excellence for both organ and harpsichord.
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In 1979 Koopman founded the Amsterdam Baroque Orchestra and the Amsterdam Baroque Choir in 1992 (now combined as the Amsterdam Baroque Orchestra & Choir). Koopman concentrates on Baroque music, especially that of Bach, and is a leading figure in the authentic performance movement.
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While a number of early-music conductors have ventured into newer music, Koopman has not. He has said, "I draw the line at Mozart’s death" (1791). One exception is his recording of the Concert Champêtre of Francis Poulenc, written in 1928.
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Soloists for the project were among others Lisa Larsson, Sandrine Piau, Sibylla Rubens, Barbara Schlick, Caroline Stam, Deborah York and Johannette Zomer (soprano), Bogna Bartosz, Michael Chance, Franziska Gottwald, Bernhard Landauer, Elisabeth von Magnus, Annette Markert and Kai Wessel (alto), Paul Agnew, Jörg Dürmüller, James Gilchrist, Christoph Prégardien and Gerd Türk (tenor) and Klaus Mertens (bass).
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Koopman has received many prizes for his recordings. In 2005 he has commenced Dieterich Buxtehude – Opera Omnia, a project to record the complete works of Dieterich Buxtehude. As of March 2010, eleven volumes have been released. He was elected president of the "International Dieterich Buxtehude Society" in 2004.
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Koopman's extensive discography includes the complete Bach cantatas and organ works, St Matthew Passion (twice) and St John Passion, Mass in B minor, Christmas Oratorio, a recording of his own reconstruction of the lost St Mark Passion, concertos and harpsichord works by Bach, Mozart's Coronation Mass and Vespers, Requiem, a cycle of Mozart symphonies, Vivaldi's The Four Seasons, Handel's Messiah and Organ Concertos, et al.
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Besides his work with the Amsterdam Baroque Orchestra & Choir, he is in frequent demand as guest conductor and as harpsichordist and organist. Some of his organ interpretations have drawn criticism for their overuse of ornamentation. His aim is always to achieve authenticity in performance, using exact copies of historical instruments from the time of the composer.
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He is professor at The Royal Conservatory of The Hague. He is married to Tini Mathot, who is also an accomplished harpsichordist, and the two frequently perform together. Ms. Mathot is also his chief recording producer, as well as a teacher at the Royal Conservatory.
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This is quite incredible and very much how I love the organ to be played!
Thank you Ton Koopman, my hero of the organ!!
cazzie511. on 5.11.11. What a beautiful birthday present!! Thanks Ton.
cazzie511 3 months ago
Really nice compilation of German organ works performed by an excellent Dutch organist. Thanks a lot!
notaire2 4 months ago
@notaire2 thank you!
TheGravicembalo2 4 months ago
TON KOOPMAN (born 2nd October 1944 in Zwolle, Netherlands) is a conductor, organist and harpsichordist.
Prestazione Magnifico!!! Thank you for sharing this video.
MrGer2295 4 months ago in playlist More videos from TheGravicembalo2 4
@MrGer2295 thank you!
TheGravicembalo2 4 months ago
Koopman had a "classical education" and then studied the organ (with Simon C. Jansen), harpsichord (with Gustav Leonhardt) and musicology in Amsterdam. He specialized in Baroque music and received the Prix d'Excellence for both organ and harpsichord.
Prestazione Magnifico!!! Thank you for sharing this video.
MrGer2295 4 months ago in playlist More videos from TheGravicembalo2
In 1979 Koopman founded the Amsterdam Baroque Orchestra and the Amsterdam Baroque Choir in 1992 (now combined as the Amsterdam Baroque Orchestra & Choir). Koopman concentrates on Baroque music, especially that of Bach, and is a leading figure in the authentic performance movement.
Prestazione Magnifico!!! Thank you for sharing this video.
MrGer2295 4 months ago in playlist More videos from TheGravicembalo2
While a number of early-music conductors have ventured into newer music, Koopman has not. He has said, "I draw the line at Mozart’s death" (1791). One exception is his recording of the Concert Champêtre of Francis Poulenc, written in 1928.
Prestazione Magnifico!!! Thank you for sharing this video.
MrGer2295 4 months ago in playlist More videos from TheGravicembalo2
Among Koopman's most ambitious projects was the recording of the complete cycle of all of Bach's cantatas, a project completed in 2005.
Prestazione Magnifico!!! Thank you for sharing this video.
MrGer2295 4 months ago in playlist More videos from TheGravicembalo2
Soloists for the project were among others Lisa Larsson, Sandrine Piau, Sibylla Rubens, Barbara Schlick, Caroline Stam, Deborah York and Johannette Zomer (soprano), Bogna Bartosz, Michael Chance, Franziska Gottwald, Bernhard Landauer, Elisabeth von Magnus, Annette Markert and Kai Wessel (alto), Paul Agnew, Jörg Dürmüller, James Gilchrist, Christoph Prégardien and Gerd Türk (tenor) and Klaus Mertens (bass).
Prestazione Magnifico!!! Thank you for sharing this video.
MrGer2295 4 months ago in playlist More videos from TheGravicembalo2
Koopman has received many prizes for his recordings. In 2005 he has commenced Dieterich Buxtehude – Opera Omnia, a project to record the complete works of Dieterich Buxtehude. As of March 2010, eleven volumes have been released. He was elected president of the "International Dieterich Buxtehude Society" in 2004.
Prestazione Magnifico!!! Thank you for sharing this video.
MrGer2295 4 months ago in playlist More videos from TheGravicembalo2
Koopman's extensive discography includes the complete Bach cantatas and organ works, St Matthew Passion (twice) and St John Passion, Mass in B minor, Christmas Oratorio, a recording of his own reconstruction of the lost St Mark Passion, concertos and harpsichord works by Bach, Mozart's Coronation Mass and Vespers, Requiem, a cycle of Mozart symphonies, Vivaldi's The Four Seasons, Handel's Messiah and Organ Concertos, et al.
Prestazione Magnifico!!! Thank you for sharing this video.
MrGer2295 4 months ago in playlist More videos from TheGravicembalo2
Besides his work with the Amsterdam Baroque Orchestra & Choir, he is in frequent demand as guest conductor and as harpsichordist and organist. Some of his organ interpretations have drawn criticism for their overuse of ornamentation. His aim is always to achieve authenticity in performance, using exact copies of historical instruments from the time of the composer.
Prestazione Magnifico!!! Thank you for sharing this video.
MrGer2295 4 months ago in playlist More videos from TheGravicembalo2
In 2003 he established his own recording company "Antoine Marchand" (a French translation of his name).
In April 2003 he was knighted in the Netherlands, receiving the Order of the Netherlands Lion.
In 2011, Koopman begins a three-year stint as artist-in-residence with the Cleveland Orchestra.
Prestazione Magnifico!!! Thank you for sharing this video.
MrGer2295 4 months ago in playlist More videos from TheGravicembalo2
He is professor at The Royal Conservatory of The Hague. He is married to Tini Mathot, who is also an accomplished harpsichordist, and the two frequently perform together. Ms. Mathot is also his chief recording producer, as well as a teacher at the Royal Conservatory.
Prestazione Magnifico!!! Thank you for sharing this video.
MrGer2295 4 months ago in playlist More videos from TheGravicembalo2