I find it very interesting to compare Milstein's "undoctored" theme to Heifetz's theme statement (the original variations, but both state the original theme), also floating around Youtube. Milstein uses more open E strings, which gives a nice contrast to the 4th finger E, on which he lingers slightly, with a gentle vibrato.
milstiein is an amazing violinist. but i wouldnt call him god because a violinist that plays like god wouldn't play open E if not needed. i'm talking about the opening theme.
The interesting point is not that so many great violinists are Jewish but why. Intellectual prowess, cultural heritage, physical dexterity, superior muscle memory? I don't know the answer, but it would be interesting to empiracally study the question.
Yes, it is safe to say that nearly all of the world's great violinists are Jewish. This isn't an opinion for people to rip on - it's a historical fact. Milstein, Heifetz, Kreisler, Bell, Shaham, Perlman, Zukerman, Menuhin, Oistrakh, Stern, Szeryng, Elman, and so on are all Jewish. The Jewish culture has greatly enriched and blessed the rest of the world, and we are in their debt.
Maybe it is, maybe it isn't. But i know plenty of Jewish people that don't and can't play the violin. I'm almost certain there aren't "violin" genes too. It's probably their work ethics. Those who have the talent to succeed will through perseverence and hard work.
si alguna vez logro tocar la mitad de la mitad de la mitad de bien que este tipo...será mucho. Y todo un logro y un honor para mi poder interpretar esta pieza apropiadamente.
As just a section fiddler, I had the good fortune to play the accompanyment to the beethoven concerto for mr. milstein years ago. Be fore that was a mozart overture I wan=s not playing. Back stage mr. milstein came into our room and we talked about technique for 10-15 minutes! he was the kindest and most gental man I ever met. i learned more in 10 minutes than all the years of lessons and practice! it was amazing.
If there is any doubt about NM, buy and listen to the hours on end, the EMI box set "The art of Nathan Milstein" and report back. He could play with bad had and finger at age 82 and still improvise. Others may have been better, but playing for 70 years from age 11 he got the most on record and film and did not need a remix or second take.
There is no words to describe his level of playing. Pure, simple, yet full of excitement and compelling emotions! He is a true virtuoso who will not be forgotten...
I searched long to find him playing Paganiniana on CD, but this version is far superior to what I bought. Does anyone have any idea where I could get a hold of this? Thanks.
Man, the old masters. I love these guys, they take what we would call unconventional or sloppy technique today and turn it upside down and make it brilliant, I guess that just goes to show that the sound is all that matters in the end
this is his own composition called paganiniana which is based on the #24 theme, but includes the motifs from caprice #16, witches dance, #6, #14, #21 and stuff that i dont feel looking up. i think that he just came with it.
Milstein is brilliant. I played the Bach g minor fugue and put it up on my YouTube profile, and Milstein's Bach was very largely my inspiration.
Btw, which Paganini 24 arrangement is this? I noticed Heifetz played yet a different one, and the one commonly distributed in caprice compilations is another one still.
Is his own composition, as whitemexnumba1 says he include themes from those caprices, also from concerto nº1 , he made kind of paganini salad! Caprice 16 , 21 , 14 , 6 etc...
Amazing playing by an old master! By the way..I am appalled at some of the crap language used sometimes and for that who did it here..is a total moron! Get a life moron! Next time..use your brain and say something constructive instead of spoling for the rest of us who actually appreciate good music such as this! Otherwise bugger off and go somewheere else like a porn site where you can get off!
The violin is the (ex) Goldman Stradivarius, which Milstein owned from 1946 until his death in 1992. It now belongs to retailer Jerry Kohl, and is probably on loan to deserving violinists.
Cellos and bass do it in the opposite direction. The top of the bow points towards them, while the violin bow as you can see is pointed outward to hide the white bow-hair.
Heifetz is a mistery: His right hand was incredibly stiff; he held the bow as though it were disgusting. However, Heifetz' intonation is divine. Compare his live (sic!) recording of the Paganini 24th Caprice. In front of a live audience, there is not a single note which is out of tune. The passage in thirds is nearly menacing.
Oistrakh is truly the king of the bow: Everything is relaxed, he guides the bow over the strings, but never holds it, which makes for the best sound production.
Hmmm... I'm not so sure. Often, Milstein's technique is much cleaner than Heifetz. Though he may look stiff, he just interacts with the bow differently. Milstein's philosophy was 'Less is More'. If you notice, his bowhold is with near minimal movement. To be too relaxed in certain parts can be disastrous. My dad told me a story of when milstein threw his bow into the audience during a concert... how's that for relaxed? XD
Hmmm... maybe he's a Perlman lover, like I am. But anyone would seem to have a stiff right arm next to Perlman, because you can't deny that he has the most relaxed bow arm and best bow control of the greats. But that guy sure is dumb for calling Heifetz stiff, I must agree
True, everything you say. What really matters tho, is that they're both awesome and better than both of us and everyone else on this page will ever be. So I guess that matter is quite indifferent.
I hate how in these videos they have to zoom in on some part of him, especially when its his face. cause there's so much to learn from him just watching him play, and that defenatly takes away from that.
but regardless, it was incredible. I always have to watch these a few times just to get every detail, amazing, and milstein is a brilliant violinist.
i know you admire his left hand ("dexterity"...remember?)
That i found among the old posts: "Milstein is sometimes called the king of the bow/king of the right hand... how can you all novices question his right hand"
you probably don't count among those "novices"...but i found it of interest
Obviously, someone like Milstein would be possessed of an extraordinary technique in both hands, and I see nothing wrong with his right hand/arm whatsoever.
However, that phenomenal cleanliness and accuracy in his playing has a lot to do with his left hand, the fingers moving as little as possible, so meticulously.
And also, for me the "king of the bow/king of the right hand" would either be Heifetz or Oistrakh (most likely Oistrakh). Nothing against Milstein, though. One of the greatest.
Milstein was a fabulous violinist. But I understand from his former accompanist that he literally had to be pushed on stage because he suffered from SEVERE stage fright. He had a rather small tone. In his work with full orchestra this was apparently quite discernable. I am also told by those who knew him that he has a breathtakingly beautiful wife--so there!
His main one was a Stradivari, which he re-named the Maria Teresa, after his wife and daughter. I don't know if that's the one he's playing in this video. This does look a little different from the others I've seen him play.
Played violin for 3 years and recieved a full scholarship to perform at the International Conservatory of Music - so lets not boast. Further, Paganiniana was not considered by Milstein to be the hardest - he believed the 'Mephisto Waltz' a transcription from a piece by Liszt was the hardest he'd ever played.
Oh no no, I'm not a professional at all! I'm just a guy who loves music and was lucky to meet the right people at PBS who did a story on me. Did I come off as a professional? X_X I hope not...Though I will say I didn't go through "normal" training...I stopped lessons after a year and worked on my own developing differently from most mainstream violinists...By the way, mind if we move to private messages? I think we're too off topic here! xD
yeah, yeah. there are a millioner - er 36 - comments on how he played. But the thing I noticed is that a growm man is using what looks like a 1/2 size instrument. what's up with that? oh, but he does play like a GOD.
You're probably right about that with the 7th position...oh and I love the one fine tuner...something about it makes me less apt to blame my instrument's tuning and, rather, work on my own intonation...xD
lol! someone is being...sorta like me! :P. only open strings would be out of tune, all else you have control over. they could argue that, but I guess if you make a musical sound, they don't care as much. ha. that's my experience, at least.
that makes me feel slightly better. I made a mistake at the quartet performance I did last night at a dinner party. Whatever. $200 was worth everyone staring.
Even the greatest musicians make mistakes! I have heard Andre Rieu make a mistake live (he messed up on Silent Night) and during a live performance with Rachel Barton her other soloist and herself lost timing from each other for about 8 measures! That's why I like solo work...easier to hide mistakes are "original workings."
Three and a half years myself but, like you I'm sure, I have put WAY too much time into practicing...I'm working on Paganini's 24th right now and man is that a pain but I love doing left handed pizz...It's such a fun show off move! How long have you played?
I'll be honest. not arrogant/lying idiot. honest. I've played for 2 years and I am working on the hoffmeister concerto in d. (for viola). piano, I've played 6 years and am working on a bartok concerto.
ha! show off move...wait 'till you see my stand partner's "vibrato". he vibrates the basses across the room with that crazy show-off-shake,
Wow, impressive for two years. Blech, I should have focused more on sheet music and less on my ear and maybe I'd be doing that stuff too...x_x
That's some crazy vibrato through. CRAZY. But yeah...once I get it don't I'll try to post it..but don't expect it soon...it's really giving me a run for my money! xD
So beautifully played. The sound that he gets out of his violin is just amazing in every single note.
I agree that such violinplaying deserves standing ovation for hours.
Isn't it great that we now have this possibility to study all these great musicians and SEE how they are playing. We can stop and repeat and see the bowings, the fingerings, everything.
I think, all these videorecordings will bring new ideas in teaching of music in general. It already has.
Milstein was a great musical mind. He never bothered about fingerings and bowings, for he almost always used different ones everytime he played. Somehow, they'd always worked well. A critic blasted him for this once, and Milstein responded by playing the whole of the Dvorak concerto the following night - with reversed bowing.
i would have to disagree about "never bothering about fingerings" when he was 82-performing the chaconne, it said he had to revise his original fingerings to play it
Hmm. I think my comments still stand. He did not change his "original fingerings", for he had none - BUT he did have to go through all his pieces in preparation for his last recital, for he had to play only with 3 fingers, having woken up in the morning with pain and stiffness in his left index finger.
Though there exists a published set of scores for this composition of his, none of his recordings/performances of this were ever the same; he always added and changed things on the spot to his liking.
this was composed by milstein himself. he took a whole bunch of themes by paganini and jumbled them together like a salad, adding his own variations. this is the result. amazing thing is that during performance, the variations are done impromptu. food for thought huh. fantastic. unarguably one of the greats.
o freaking...obviously the audience weren't musicians, he deserves a standing ovation. I love his unique style and his way of expressing himself through Niccolo Paganini. Beautiful.
incredible performance!! Milstein is one my most admired violinists, and certainly his technique is faultless in this difficult piece. Milstein demonstrated the way how a violin should sound.
His trills!!! It's... it's...!!
khira07 1 year ago
omg hes a beast! this is insanely great
m0nk3ym43r 1 year ago 2
IT IS FUCKIN AWSOME!!!!!!!!!!!!!!
dgt0099 1 year ago
epic
voon200 1 year ago
Nothing against Milestein's playing he truly is one of the greatest but for some reason im still firmly backing Mr Heifetz as the greatest ever...
gibsonpaddy 1 year ago
@gibsonpaddy I don't think anyone on this board will fault you for loving Heifetz . . . as long as you love this too!
flash7725 9 months ago
No words to describe Mr.Milstein's playing" Paganiniana "...just miraculous !
MrGunterguerrero 1 year ago
just watching his facial expressions, it's impossible not to love this man.
mareoraft 2 years ago
I find it very interesting to compare Milstein's "undoctored" theme to Heifetz's theme statement (the original variations, but both state the original theme), also floating around Youtube. Milstein uses more open E strings, which gives a nice contrast to the 4th finger E, on which he lingers slightly, with a gentle vibrato.
Truly remarkable.
fiddlercrab3 2 years ago
paganini
AlessioDan 2 years ago
O.o
CrazySingingNote 2 years ago
DJGBGIUGDJKGF
Great. His, and Heifetz's of this are amazing.
As well as the violist Primrose.
musicpirate456 2 years ago
Did he write those variations?
Milky111wtf 2 years ago
yes
victorfb01 2 years ago
he is...genius...
gulisha520 2 years ago
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BLACKVIGOUR 2 years ago
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milstiein is an amazing violinist. but i wouldnt call him god because a violinist that plays like god wouldn't play open E if not needed. i'm talking about the opening theme.
sportsfan1937 3 years ago
you're obviously a fucktard. stick to sports plz.
mtava002 3 years ago 3
The interesting point is not that so many great violinists are Jewish but why. Intellectual prowess, cultural heritage, physical dexterity, superior muscle memory? I don't know the answer, but it would be interesting to empiracally study the question.
hakmirchai 3 years ago
Cultural heritage I would postulate as the reason.
phantasy1 3 years ago 2
Comment removed
orritomasson 2 years ago
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I think it has something to do with their penis modification.
orritomasson 2 years ago
Jews are the best.99% of the great violinists are jewish.
milstein91 3 years ago
Yes, it is safe to say that nearly all of the world's great violinists are Jewish. This isn't an opinion for people to rip on - it's a historical fact. Milstein, Heifetz, Kreisler, Bell, Shaham, Perlman, Zukerman, Menuhin, Oistrakh, Stern, Szeryng, Elman, and so on are all Jewish. The Jewish culture has greatly enriched and blessed the rest of the world, and we are in their debt.
flash7725 3 years ago
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so is my dick
julliards 3 years ago
Although that's true you can't say it's "jew genes"
i'm pretty sure the horrors their culture have gone through have constituted to their wanting to succeed so much
Jaesango 3 years ago
Why are not the genes?I think the main reason is in their brain and education.
milstein91 3 years ago
Maybe it is, maybe it isn't. But i know plenty of Jewish people that don't and can't play the violin. I'm almost certain there aren't "violin" genes too. It's probably their work ethics. Those who have the talent to succeed will through perseverence and hard work.
Jaesango 3 years ago
Jewish people succeeded not only in playing violin, but also in many other areas. Its their willing to succeed, not any "violin genes" in my opinion.
denzakharov 3 years ago
my roommate is eating lox and bagels instead of practicing violin now... get back to work
club349 2 years ago
sometimes even the finest need to gnosh on lox and bagles!
phgp527 2 years ago 3
he DOES play like a god! (L)
EnnaSilme 3 years ago 2
What a staccato! Perfect
Draziw777 3 years ago 2
si alguna vez logro tocar la mitad de la mitad de la mitad de bien que este tipo...será mucho. Y todo un logro y un honor para mi poder interpretar esta pieza apropiadamente.
LasFrambuesas 3 years ago
Much better than Hilary Hahn. The interpretation is very organized. and not to mention his amazing articulation. The clarity is unbelievable.
OlivePirastro 3 years ago 2
I hope the interpretation is good, he did compose this piece ;)
chromaticglissando 3 years ago 2
i love paganiniana ...but only played by milstein
Doctor550 3 years ago 10
Salvatore Accardo does a great rendition, but Milstein's rendition is pretty much an impossible act to follow.
flash7725 3 years ago
niceee
stradplayer614 3 years ago 2
so masterfull!!!
johannmilstein 3 years ago 3
Great!!!!!!!!!!!!
violinpro 3 years ago 2
As just a section fiddler, I had the good fortune to play the accompanyment to the beethoven concerto for mr. milstein years ago. Be fore that was a mozart overture I wan=s not playing. Back stage mr. milstein came into our room and we talked about technique for 10-15 minutes! he was the kindest and most gental man I ever met. i learned more in 10 minutes than all the years of lessons and practice! it was amazing.
fiddlerny66 3 years ago 4
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Is dat so ?
3NUNS 3 years ago
I have his recording of this piece but this video is even more astonishing...
olga2809 3 years ago
He is a little younger here than in his 1970's "official" recording.
johnhopfensperger 3 years ago
If there is any doubt about NM, buy and listen to the hours on end, the EMI box set "The art of Nathan Milstein" and report back. He could play with bad had and finger at age 82 and still improvise. Others may have been better, but playing for 70 years from age 11 he got the most on record and film and did not need a remix or second take.
claveman99 3 years ago 3
I think its wrong to say that any violinist is better than another, since they have their strengths and weaknesses
cheetos4me 4 years ago 4
true but too many weaknesses that are strenghts on the other violinist will cause one to be 'better'.
scientistpatrick 3 years ago
Aaahh, the lines are so fuzzy...
equinshadox 3 years ago
There is no words to describe his level of playing. Pure, simple, yet full of excitement and compelling emotions! He is a true virtuoso who will not be forgotten...
chuqutty 4 years ago 4
lol i think u described it with words pretty well actually.
misterbg1 3 years ago
ha, i don't think that the word "simple" is the right adjective for this type of playing.
whitemexnumba1 3 years ago
has to be one of the hardest pieces to play
boogiemonster06 4 years ago
I searched long to find him playing Paganiniana on CD, but this version is far superior to what I bought. Does anyone have any idea where I could get a hold of this? Thanks.
flash7725 4 years ago
all geniuses are jews ...
MissBelgianBeauty 4 years ago
what about bach?
Aglaopheme 4 years ago 6
hey MissBB, you must be some kind of an agent provocateur or as stupid as your name would indicate
(( all true beauties are shallow, you know ;) ))
MnEmonicist 4 years ago
I really like to know what people like Milstein, Oistrakh or Menuhin says about any kind of coment like yours.
fedeminici 4 years ago
very stupid remark. Not good publicity for the intelligence of miss BB.
jsnauwaert 4 years ago
Well, she's right! (coming from a true brilliant jew)
funnyviolist 4 years ago
it's a shame he had to die... one of the best musicians ever!
STRLOL 4 years ago
Grandioso!
MacApp1966 4 years ago
Man, the old masters. I love these guys, they take what we would call unconventional or sloppy technique today and turn it upside down and make it brilliant, I guess that just goes to show that the sound is all that matters in the end
fiddlinmatt 4 years ago 3
One of my favourite Mistein-performances.
Thanks.
likemyviolin 4 years ago
heifeitz is the best for me.
makarna1976 4 years ago
this is his own composition called paganiniana which is based on the #24 theme, but includes the motifs from caprice #16, witches dance, #6, #14, #21 and stuff that i dont feel looking up. i think that he just came with it.
whitemexnumba1 4 years ago 2
It doesn't have the number 16
milstein91 3 years ago
Milstein is brilliant. I played the Bach g minor fugue and put it up on my YouTube profile, and Milstein's Bach was very largely my inspiration.
Btw, which Paganini 24 arrangement is this? I noticed Heifetz played yet a different one, and the one commonly distributed in caprice compilations is another one still.
BenChanViolin 4 years ago 2
Is his own composition, as whitemexnumba1 says he include themes from those caprices, also from concerto nº1 , he made kind of paganini salad! Caprice 16 , 21 , 14 , 6 etc...
KoganSvetlanov 4 years ago 2
the king again !!
Rephrat 4 years ago 4
Amazing playing by an old master! By the way..I am appalled at some of the crap language used sometimes and for that who did it here..is a total moron! Get a life moron! Next time..use your brain and say something constructive instead of spoling for the rest of us who actually appreciate good music such as this! Otherwise bugger off and go somewheere else like a porn site where you can get off!
rossariffin 4 years ago
The violin is the (ex) Goldman Stradivarius, which Milstein owned from 1946 until his death in 1992. It now belongs to retailer Jerry Kohl, and is probably on loan to deserving violinists.
TomBarrister 4 years ago
Thank goodness for rich people ;-)
yankeeshogun 4 years ago
I play violin, and to do that I might need to practice a little... :-)
MyshunoGuy 4 years ago
The bow is supposed to be that way.
It helps with bowing and such.
Cellos and bass do it in the opposite direction. The top of the bow points towards them, while the violin bow as you can see is pointed outward to hide the white bow-hair.
cfeAncient 4 years ago
His fingers are also very close together. His bowhand is very loose and free though, and he makes a great sound.
Zhou9 4 years ago
It would be boring if everyone played the same way.
matcormpuff 4 years ago
Hmm... THe bow isn't straight.
Zhou9 4 years ago
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FUCK YOU!!
tubeleonardo 4 years ago
It's the lens....I've noticed that happening in numerous old video recordings.
shawkobezhu 4 years ago
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Yes fuck you.
Doctor550 3 years ago
loooool
milstein91 3 years ago
unbeliavable!!!!!!!!!!!!!!!!!
guilobcast 4 years ago
Heifetz is a mistery: His right hand was incredibly stiff; he held the bow as though it were disgusting. However, Heifetz' intonation is divine. Compare his live (sic!) recording of the Paganini 24th Caprice. In front of a live audience, there is not a single note which is out of tune. The passage in thirds is nearly menacing.
Oistrakh is truly the king of the bow: Everything is relaxed, he guides the bow over the strings, but never holds it, which makes for the best sound production.
yogurt3000 4 years ago
Heifetz's right hand isn't as stiff as Milstein's.
sstutter 4 years ago
Hmmm... I'm not so sure. Often, Milstein's technique is much cleaner than Heifetz. Though he may look stiff, he just interacts with the bow differently. Milstein's philosophy was 'Less is More'. If you notice, his bowhold is with near minimal movement. To be too relaxed in certain parts can be disastrous. My dad told me a story of when milstein threw his bow into the audience during a concert... how's that for relaxed? XD
PaperGrape 4 years ago
Heifetz is indeed a mystery. But perhaps it's better that way. What really matters is that he was a godly violinist.
And Oistrakh's bow arm is so relaxed, the path of his bow never slides, and it's lightning fast and SO easy-looking. Just extraordinary.
GreatPianists 4 years ago
Heifetz stiff????????Lol ........you fuckin blind...LOL.....and stupid...what a shame.Better don't watch music videos,'cause you can't SEE
Palikee 4 years ago
Hmmm... maybe he's a Perlman lover, like I am. But anyone would seem to have a stiff right arm next to Perlman, because you can't deny that he has the most relaxed bow arm and best bow control of the greats. But that guy sure is dumb for calling Heifetz stiff, I must agree
ItzhakRoxMySox 4 years ago
I agree that Perlman has an incredibly relaxed bow arm, but when it comes to bow control I would say that David Oistrakh is possibly even better.
Whether it really matters is another thing...
Viocas 4 years ago
True, everything you say. What really matters tho, is that they're both awesome and better than both of us and everyone else on this page will ever be. So I guess that matter is quite indifferent.
ItzhakRoxMySox 4 years ago
Probably, but you can always dream and work hard ;)
Viocas 4 years ago
Very true, its certainly possible to reach their level, though i dont know if it will happen, haha.
ItzhakRoxMySox 4 years ago
so good! A lot cleaner than heifetz!
nathanbob12 4 years ago
I hate how in these videos they have to zoom in on some part of him, especially when its his face. cause there's so much to learn from him just watching him play, and that defenatly takes away from that.
but regardless, it was incredible. I always have to watch these a few times just to get every detail, amazing, and milstein is a brilliant violinist.
buddapeople 4 years ago
i think god can play better ;) awsome
flooothepooo 4 years ago
starting at 1:44, he hypnotizes me!
negroid44 4 years ago
That part at 4:18-4:38 is awesome.
Z0751 4 years ago
That's mindblowing precision and accuracy for ya.
That left hand...
GreatPianists 4 years ago
i know you admire his left hand ("dexterity"...remember?)
That i found among the old posts: "Milstein is sometimes called the king of the bow/king of the right hand... how can you all novices question his right hand"
you probably don't count among those "novices"...but i found it of interest
qixoty 4 years ago
Obviously, someone like Milstein would be possessed of an extraordinary technique in both hands, and I see nothing wrong with his right hand/arm whatsoever.
However, that phenomenal cleanliness and accuracy in his playing has a lot to do with his left hand, the fingers moving as little as possible, so meticulously.
And also, for me the "king of the bow/king of the right hand" would either be Heifetz or Oistrakh (most likely Oistrakh). Nothing against Milstein, though. One of the greatest.
GreatPianists 4 years ago
slay me now!!!!!!!! incredible!
gnatural 4 years ago
Is Milstein violin 3/4?
Looks too small.
gigamax1978 4 years ago
Milstein was a fabulous violinist. But I understand from his former accompanist that he literally had to be pushed on stage because he suffered from SEVERE stage fright. He had a rather small tone. In his work with full orchestra this was apparently quite discernable. I am also told by those who knew him that he has a breathtakingly beautiful wife--so there!
ipmoic 4 years ago
obviously. talent is secondary. to anyone play good the violin must work hard.
starcati 4 years ago
plays like god, yes. But, one teacher says to me once "no work, no miracle". Milstein is talent and hard work
oldschoolcomedy 4 years ago
if this is a summary of paganini's caprices... wheres all the staccato...?
ellegin88 4 years ago
In the second variation at 0:35 smartie
happyfunnyfoo 4 years ago
lol... thats spiccato... staccato are the on the string up ups lol...
ellegin88 4 years ago
what a wonderful summary of paganini's caprices!
duhhh86 4 years ago
fucking awesome. I love milstein's tone xD
DualThunder 4 years ago
does anybody know what violin he uses?
NunyaBizznis 4 years ago
His main one was a Stradivari, which he re-named the Maria Teresa, after his wife and daughter. I don't know if that's the one he's playing in this video. This does look a little different from the others I've seen him play.
flash7725 4 years ago
It (his main one, if this is indeed it) was indeed a Strad. The year was 1716.
PaperGrape 3 years ago
Played violin for 3 years and recieved a full scholarship to perform at the International Conservatory of Music - so lets not boast. Further, Paganiniana was not considered by Milstein to be the hardest - he believed the 'Mephisto Waltz' a transcription from a piece by Liszt was the hardest he'd ever played.
musicmatt09 4 years ago
didn't he (miltein) write this piece?
happpiday 4 years ago
Yes he did. It's based off Paganini's 24th and other caprices.
alien3456 4 years ago
Oh no no, I'm not a professional at all! I'm just a guy who loves music and was lucky to meet the right people at PBS who did a story on me. Did I come off as a professional? X_X I hope not...Though I will say I didn't go through "normal" training...I stopped lessons after a year and worked on my own developing differently from most mainstream violinists...By the way, mind if we move to private messages? I think we're too off topic here! xD
masael255 5 years ago
Um...I am Antonio Esmael...you saw my "My story"...or am I infamous in the second cheese state? (California's the better cheese state! xD)
masael255 5 years ago
really? professional violinist/3.5 years?
that's odd. everyone in the top level of the YOUTH orchestra (senior symphony) has played at least 5 (my brother)
and I would have to disagree with the cheese comment! Go to Door County someday, and attend a chesse/wine tasting.
musica53217 5 years ago
yeah, yeah. there are a millioner - er 36 - comments on how he played. But the thing I noticed is that a growm man is using what looks like a 1/2 size instrument. what's up with that? oh, but he does play like a GOD.
musica53217 5 years ago
Um...that's a full size. You know what they say about cameras; adds 20 pounds to people and drops sizes to instruments...xD
masael255 5 years ago
must be the excess of 7th position. yeah...cool. but it only has 1 fine tuner. ha!
musica53217 5 years ago
You're probably right about that with the 7th position...oh and I love the one fine tuner...something about it makes me less apt to blame my instrument's tuning and, rather, work on my own intonation...xD
masael255 5 years ago
lol! someone is being...sorta like me! :P. only open strings would be out of tune, all else you have control over. they could argue that, but I guess if you make a musical sound, they don't care as much. ha. that's my experience, at least.
musica53217 5 years ago
Yup, as long as it sounds musical that's ALL that matters. It's like I say; I never hit a wrong note...it's just my own arrangement! xD
masael255 5 years ago
originality, not "incorrect"
that makes me feel slightly better. I made a mistake at the quartet performance I did last night at a dinner party. Whatever. $200 was worth everyone staring.
musica53217 5 years ago
Even the greatest musicians make mistakes! I have heard Andre Rieu make a mistake live (he messed up on Silent Night) and during a live performance with Rachel Barton her other soloist and herself lost timing from each other for about 8 measures! That's why I like solo work...easier to hide mistakes are "original workings."
masael255 5 years ago
andre rieu???
whoo-weee! he performed in Milwaukee (I live in Wisconsin, the "cheese-state") and I went. He squeaked once while in 7th, but no one got lost.
I am a great musician. I make mistakes. Lol...I wish. another couple decades of practicing would do it, though. How long have you played?
musica53217 5 years ago
Three and a half years myself but, like you I'm sure, I have put WAY too much time into practicing...I'm working on Paganini's 24th right now and man is that a pain but I love doing left handed pizz...It's such a fun show off move! How long have you played?
masael255 5 years ago
I'll be honest. not arrogant/lying idiot. honest. I've played for 2 years and I am working on the hoffmeister concerto in d. (for viola). piano, I've played 6 years and am working on a bartok concerto.
ha! show off move...wait 'till you see my stand partner's "vibrato". he vibrates the basses across the room with that crazy show-off-shake,
when you finish working on it, will you post?
musica53217 5 years ago
Wow, impressive for two years. Blech, I should have focused more on sheet music and less on my ear and maybe I'd be doing that stuff too...x_x
That's some crazy vibrato through. CRAZY. But yeah...once I get it don't I'll try to post it..but don't expect it soon...it's really giving me a run for my money! xD
masael255 5 years ago
yeah...i started piano by ear, but then the left hand got to hard to hear.
have you ever heard of Antonio Esmael?
musica53217 5 years ago
Um...I am Antonio Esmael...you saw my "My story"...or am I infamous in the second cheese state? (California's the better cheese state! xD)
masael255 5 years ago
? who says Andre Rieu is among "the greatest musicians" ?
firebreathone 5 years ago
So beautifully played. The sound that he gets out of his violin is just amazing in every single note.
I agree that such violinplaying deserves standing ovation for hours.
Isn't it great that we now have this possibility to study all these great musicians and SEE how they are playing. We can stop and repeat and see the bowings, the fingerings, everything.
I think, all these videorecordings will bring new ideas in teaching of music in general. It already has.
I'm grateful for this!
arielpesach 5 years ago
i love nathan milstein
bryanmurray 5 years ago
a frikin mazing... i loved it it was amazing! AMAZING!!!
dagdas01 5 years ago
pretty lame applause for such a wonderful performance.
nbaballer8227 5 years ago
totaly agree, i'd be shtting myself xD
bulboflight 5 years ago
actually in fact, i'd like to beat up all those who didnt give him a standing ovation...
bulboflight 5 years ago
ME TOO
Doctor550 3 years ago
Wow! ...If I could do that I'd get laid!
tdyjak 5 years ago
what the fuck?? he's amazing!!!! I love that combination!!!!
monster1116 5 years ago
well OistrakMilstein is sort of right
it isn't the hardest piece
but still it's challenging for "mortals" like me
and i think milstein did fabulously in this recording
artoftheviolin 5 years ago
GOD.
robertvgupta 5 years ago
Thank you for a rare one.
orfe125 5 years ago
SICK...
kenkim5 5 years ago
Milstein is sometimes called the king of the bow/king of the right hand... how can you all novices question his right hand
waistoi 5 years ago
are the caprices variations of this, or is this made of variations of the caprices
oedible 5 years ago
Damn is this like the hardest piece written for violin or something?
AbsoluteZ3R0 5 years ago
A lot of people would put it up there, along with Ysaye's "Ballade," the Bartok solo sonata, etc.
felixmendelssohn 5 years ago
nope... The hardest pieces are some of paganini's solo violin pieces (god save the queen, etc...) Erlkonig by Ernst, or 6 polyphonic etudes by Ernst
OistrakhMilstein 5 years ago
Truly sublime.
jp2a2m 5 years ago
imagine some repugnant critic remarking about Milstein's bow arm. He not called the "Prince of the Bow" for nothing.
; )
trevorpinnocky 5 years ago
it only looks bent bc of the distortion of the video. obviously he has excellent bowing technique lol
AbsoluteZ3R0 5 years ago
Milstein was a great musical mind. He never bothered about fingerings and bowings, for he almost always used different ones everytime he played. Somehow, they'd always worked well. A critic blasted him for this once, and Milstein responded by playing the whole of the Dvorak concerto the following night - with reversed bowing.
cgzH 5 years ago
i would have to disagree about "never bothering about fingerings" when he was 82-performing the chaconne, it said he had to revise his original fingerings to play it
jeongalex 5 years ago
Hmm. I think my comments still stand. He did not change his "original fingerings", for he had none - BUT he did have to go through all his pieces in preparation for his last recital, for he had to play only with 3 fingers, having woken up in the morning with pain and stiffness in his left index finger.
cgzH 5 years ago
Though there exists a published set of scores for this composition of his, none of his recordings/performances of this were ever the same; he always added and changed things on the spot to his liking.
cgzH 5 years ago
this was composed by milstein himself. he took a whole bunch of themes by paganini and jumbled them together like a salad, adding his own variations. this is the result. amazing thing is that during performance, the variations are done impromptu. food for thought huh. fantastic. unarguably one of the greats.
tiappy 5 years ago
which paganini piece is this? (wow that sounded dumb)
jeongalex 5 years ago
o freaking...obviously the audience weren't musicians, he deserves a standing ovation. I love his unique style and his way of expressing himself through Niccolo Paganini. Beautiful.
XieXie3 5 years ago
watch them at the end of the performance.
jenny49658 5 years ago
the audience couldn't care less! lol
jenny49658 5 years ago
nice
jenny49658 5 years ago
dumb asses, paganini playes better, and jascha haifetz and issac stern !!! and some other hehehehe
arnak 5 years ago
Milstein, he is one of the best violinist.
Great post sissy!!!
Angyalka01 5 years ago
OMG! This is how Paganini should be played!
vioguru 5 years ago
MILSTEIN IS GOD
felixmendelssohn 5 years ago
incredible performance!! Milstein is one my most admired violinists, and certainly his technique is faultless in this difficult piece. Milstein demonstrated the way how a violin should sound.
marking99 5 years ago