Added: 2 years ago
From: zviane
Views: 142,654
Sort by time | Sort by thread (beta)

Link to this comment:

Share to:

All Comments (122)

Sign In or Sign Up now to post a comment!
  • LOL!!!!!!!!!!

  • man this is awesome :D

  • jajajajaa en definitiva esta soy yo jajajaaa

  • ?????????????

  • haha en voyant des VII et des II partout j'étais sur que c'était québécois, et bingo!

  • Shouldn't the B section be "i" not I? - minor? at around .47

  • Captain obvious?

  • 120,000 views and only 3 dislikes? Not only is the piece of music a masterpiece...

  • "You must keep in mind that there are MORE THAN ONE METHOD to analyse music."

    Thank you for these videos, simply amazing, im sending it to all my musician friends, i wish teachers had taught me this way!

    you're great!

  • I would like to see this with Schoenberg :3

  • always makes me laugh

    

  • Complètement d'accord avec ta volonté de faire ça avec des animations, pour bien correspondre à la musique "coulante" de Mozart et de l'état d'esprit qui va avec (par contre pour Prokofiev le montage très rapide correspond à merveille :)). c'est marrant je me disais ça durant la vidéo, qui par ailleurs est très cool.

  • J adore l harmonie et tes petits films ;-)))))

  • @zviane ...and yet useful in clarifying the contrasting moods which you present. "i" with a sad face is less confusing to the student musician than "I."

  • lo mejor que vi en años!!!! sirve para dar clase en el conservatorio. La simpleza de los dibujos lo hace más gracioso e interesante.

  • BRAVO BRAVO BRAVO

  • hahahahaha! Incredible!

  • I LOVE how the five of five has so much attitude! XD

  • C'est toi qui as fait ça?

  • Congratulation, that's incredible, man! Very keen music knowledge!

  • pretty nice!!

  • ahahahaha fantastico

  • what soing is ?

  • G-E-N-I-A-L

  • Not bad - would have been nice to have small roman numerals on the minor chords.

  • moreeeeee!!! give us moreeeee!!!!!!!

  • Loved the V of V characterization!

  • I assume this was produced in "French"? Just curious, in French solfege is the lower case Roman numeral not used to denote minor chords?

    Loved watching and shared it on my Fb page!

  • Es realmente fascinante escuchar ésta hermosa música de Mozart.Además ayuda mucho a relajarte. Sirve como musicoterapia. Grande You-Tube

  • This is absolutely adorable.

  • Nice..... You just missed the tonicization to F major..

  • I love it! This is great, even without the animation! Waiting for more videos :)

  • Thanks for translate our point of view to the non-musician's world!

  • I sixte et quarte n'est pas un chiffrage acceptable. C'est rare comme d'la marde de pape :)

  • @YAM466 Of course it is! You can use 6 4 chords when the bass line moves stepwise through the chord, or at a cadence: Ic V I. It is not "rare as pope shit", it's common as muck.

  • @TheCrazyCello Et moi je répète que NON, c'est pas acceptable sur un temps fort. Ça PARAÎT être 6 4, mais en fait c'est un V avec des notes ornementales égales à la longueur du temps, puis résolues sur le temps suivant par mouvement conjoint, ce n'est PAS I 6 4. Pour qu'un chiffrage sixte et quarte soit acceptable, il doit absolument être amené par I6, par exemple, ce qui n'était pas le cas ici. Même chose pour IV 6 4. Ce n'est PAS un IV 6 4, mais un I avec des notes ornementales résolues BON.

  • @TheCrazyCello D'ailleurs, l'auteur(e) de la vidéo l'a mis entre parenthèses, pour prouver que c'est pas vraiment le bon chiffrage, mais que ça passe quand même.

  • @YAM466 There is nothing wrong with it! There are countless examples of Ic V I cadences throughout musical history. Literally thousands in the 18th century. Yes - normally a 2nd inversion chord is weak and would be avoided, but as I said, when the bassline moves stepwise through the chord it is allowed. However it is ALWAYS acceptable at a cadence, as in this occurance. 6/4 resolves to 5/3 on the dominant note in the bass before a perfect cadence. Stop talking shit.

  • @TheCrazyCello You don't understand what I mean. I KNOW it SEEMS to be an I 6 4, but it is NOT. It seems to be, but in fact it is a V with decorative notes that are resolved on the next pulsation. From a real analytic point of view, it cannot be named a 6 4, it is a V 5 3 with a melodic movement towards 6 4 resolved later on 5 3, but it cannot be named I 6/4. I know ornamented cadential V are acceptable and may seem to be I 6/4, but they can't be named that way !

  • @TheCrazyCello To be a true I 6/4, it MUST be introduced by the fundamental chord and be played on a weak pulse, like 3 if in 4/4. I KNOW what I am talking about, I just finished my musical analysis course! It can't be called I 64 because the fourth is dissonant and therefore renders the fundamental unstable. a fundamental MUST bring stability to the harmonic function. It can't be considered as an I 6/4 chord. I know I'm right ! It's written black on white, in my musical analysis book!

  • @YAM466 Look. What notes do you hear? You hear a G in the bass. You hear an E and a C above it. It doesn't matter if they are "ornamental" because they were not prepared by the secondary dominant which preceeded it, or if it is voice leading towards the V chord, or if it is dissonant, or harmonically unstable. It is an absolute undeniable fact that there is a G in the bass, with E and C above it. The figures that you place under the G are "6/4".

  • @YAM466 Textbooks are textbooks and are written after the fact. Do you think Mozart went "oh no, I can't place a 6/4 chord after a secondary dominant, on a strong beat - it renders the fundamental unstable! I'll write exactly the same notes, but it will just be known as an unprepared double suspension on the dominant". No, he just wrote the notes because they sounded right in the sense of the musical expression he wished to acheive. If he was writing figures underneath, he would simply write 6/4

  • @YAM466 However if you are arguing about whether it can be labled "chord I in 6 4 inversion" or "a chord on the dominant note with 6 and 4 above it" then that is possibly one of the most utterly pointless arguments ever to have been devised in the history of mankind and I bid you good day.

  • @TheCrazyCello I second Yam, in this case it's not a 6 4, but a V with ornemental note who make it look exactly like a 6 4, but it's not a 6 4 because the 6 4 need to be introduce by a I 6 :3

  • Cool!

  • what song is this?

    i played this before...but can't remember the name :((

  • @lelouch3 Mozart, Piano sonata No.16 in C, K. 545, first movement (allegro).

  • )) great!!!!wonderful!!

  • V de V was fantastic!

  • Great example

  • adorable!

  • Comment removed

  • Le 2 en mineur est parfait!

  • V of V is awesome hahaha

  • LOL EPIC!!!

  • I used to play this song all the time, I listened to this video and I went straight to my piano to play it.

    I believe this is marked as allegro, but it sounds sooo much better if you speed down the tempo just a little..

  • @Gaspacho79 actually we cannot know how fast they were playing when they signed "allegro" or "presto".. surely every allegro has its own tempo

  • I ii iii IV V vi vii and i ii III iv V VI vii, do that and I use it in class!

  • i like IV! so cute!

  • Wow félicitations Zviane j'ai vraiment eu beaucoup de plaisir avec tes deux animations !! J'aime beaucoup le III majeur, le VdeV et le I(6 4)... par contre, no offense, mais je suis pas sûr pour le napolitain. Je trouve que ça fait pas assez les statues tournent la tête d'un coup... 8)

    En tout cas, ce vidéo mérite tout mon like possible ! Bravo !

  • sjajno!

  • thanks !

  • so great

  • Très intelligent , tendre et très utile aussi pour une impression syntetique de l'harmonie comme état d'ame.

    je vais l'envoyer aux amis qui inseignent musique, comme moi : )

    brava/o zviane! Et je trouve que les dessins fixes sont beaucoup plus poetiques que les animations!!!

  • Geniale, vero e divertentissimo!

  • Haha, c'est arrivé par Facebook, et je me suis dit "tiens, ça me fait penser à zviane ; faut que je lui envoie". Ben fail, tu l'as déjà vu. Et pour cause !

  • @madpr0g hahahahaha :P

  • but is really fun!!

  • hum.. You should use "i" in the minor Tonality not I dont you???

  • Muy bueno!!!

  • j'aime le visage pour VII !

  • ...merci beaucoup, c'est très cool (et les dessins fixes marchent bien en ce case-là)... mais si tu me permets une sugestion:

    Il vaut mieux d'écrire les chordes mineurs avec des petites lettres (ex.: IV mineur = iv; II mineur = ii, etc.); ça va être plus elucidatif...

    À bientôt!

  • Amazing !!!

    BRAVO !!!

    Very Funny !

  • ¡Maravilloso! Superb!

  • Très jolie!

  • V = Mischief. I have a new respect for dominant chords.

  • OH MY GOD. I am laughing so hard right now. That was legitimately awesome.

  • Too adorable!

  • c tres mignon!!!!! j'aime bcp!

  • V?...mhm

  • @tomatoso27 V is the symbol for a 5 chord. The 5 chord is also a dominant chord. Yay for music theory 1!

  • @marchingsoutherner09 yes, I know. What i was trying to say, is that although I like the video a lot, I agree with most of the pictures for the chords, but not about the V one.

  • I love it! Thank you for doing this.

  • ¡Ehhh, que divertido!

  • V de V marveliuex

  • Muy original!

  • J'adore le I6/4? le 16/4 ist pour eine nimbly pimbly. es heisst V6/4, and Heinrich Schenkizzles ist der Meister. aber mucho kool vid. schenkst du?

  • Jaaajaja Genial!!!

  • ahahaha XD

  • J'adore le I 6  !!!!!!

    ..................... 4

  • la carita del Iv me mata!!

  • Das war das erste Stück, das ich von Mozart gespielt habe :)

  • Nice idea. Enjoyed it.

  • Comment removed

  • Comment removed

  • C'est adorable!

  • I love it! Thank you for posting this.

  • buenisismo siga asi parcero

  • Fan du premier degré !! :')

  • Bravo! C'est tellement mignon, ça, et je l'aime bien :)

  • Awesome!!! :D

  • BRAVOOOOOO TROPPP FORT!!! do more please! this is too cute!

  • JAJAJAJA amazing!!

  • Juaaaaaaa. Qué caras y cuántos prejuicios con los modos :P

  • genial!

  • jajjajaja muy bueno!

  • J'adooore !

  • Süüüüüüß!!!

  • HAHAAHAH je me doutais donc bien que ça ne pouvait provenir que de Zviane !

Loading...
Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more