Added: 4 years ago
From: shadowlorde
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  • I love the idea.

  • Haha, awesome!!

  • I do that too man, I also switch it up so I'm leading with the snare and also play sextruplets.

  • when it's sped up, it sounds like d-beat. i think there's some weird triplet, bass drum on the off beat stuff going on in d-beat

  • Listen to Against the Clock by Allan Holdsworth. There's a blast beat in the drum solo.

  • This "idea you had" is a VERY common thing. With the snare you are simply playing quarter note triplets against the swing ride cymbal pattern. The bass drum is playing off beat quarter note triplets. Another way to look at it is that the notes of the snare and bass equal eighth note triplets. This pattern is used all the time in jazz but with much more finesse.

    Check the clutch of your top hi hat cymbal. It's so loose that it makes noise. Sounds like you don't have a bottom felt for the clutch.

  • @DrumTchr I was on a short lived blast beat kick when i made this vid. and i was also working on the art of bop drumming .. came across that and thought I could turn it into a blast variation. and in my mind at that time I was thinking of doing that through a whole part of a song as a main beat. and the hat clutch thing ... it was just really loose i do have all the felts on all my cymbals

  • @shadowlorde we are all drumming brothers. we are all different. much luck and success with your drumming. peace.

  • That is SOO rediculously rad!

  • its something different, and nice that somehow you achieved to combine metal and jazz, but when playing it, there is nothing jazzy on it, at all. jazz time looses its feel in that death metal mess. anyway, i think its a great idea for practicing, where for sure, can help both jazz drummer and death metal drummer. so, well done my friend

  • I'm pretty sure Steve Smith has done this, too.

  • nice idea. This sounds really brutal at the faster speeds.

  • Brutal jazz.

  • GAH! Don't say it's RANDOM! you JUST explained what you're doing and that you're synchronizing! that is NOT RANDOM!

  • i don't like it.... it's crap

  • acutally this thing sounds fuckin great when its played veeery slow!!!

    When u play it fast it sounds like fuckin mess:/

    But in the middle of vid u showed it in slower speed... it was more like a slow skank beat and to me it was one of the most crazy sounding beat iv ever heard!

    Because of that ride fill it gets.... huh, some kind of.... huh... cant name it , it just sounds amazing!:)

  • That sucked ass

  • maybe try swinging the "blast beat"? should sound more synchronized...

  • buddy rich...

  • "a band that somehow succesfully mixes death metal and jazz?" erm, atheist?

    but besides that, you're jazz playing is tight as fuck.

  • i wasn't into atheist when i made this vid (didn't hear of them yet).. but have since gotten REALLY into them and yes .. HOLY SHIT !! they are awesome .. i saw them live in allentown maybe like 2 months ago .. i was standing against the stage mouth wide open drooling at what steve flyn was doing.. completly sick!! he never uses this jazz blast though and i honestly hate this video .. it's gotten more views than any of my other vids and it was just a random vid i made with little thought

  • Haha was it the one with Gnostic and The faceless? If so i opened up on the hall stage with my band.

  • yes it was ... gnostic had me drooling too.. sick stuff. which band were you? i don't remember any of the openers ... the sterling always has 10,000 openers

  • @Szaam Painted in Exil is the band u want for that

  • This one is one of the exercises in "Advanced Techniques for the Modern Drummer" by Jim Chapin Volume 1 coordinated independence as applied to jazz and bebop. I'm learning primarily to play metal but I'm learning everything else too and I think this book is great.

  • I dont like BLAST.but you are INOVATOR!!!!!!!!!!!!THANK YOU

  • Just sounds like any other blast beat...

  • Give Wikipedia a search.

    Probably under "blast beat". Then read.

  • "but i call it the jazz blast! "lol

    I love this

    "If you somehow combine jazz with deathmetal"

  • ...blast beats were in jazz before other bands started using them.

  • i reckon alternate between a china and a bell and or ride with you right hand, at a fast tempo that would sound huge. cool shit otherwise!! A+

  • hey nice beat

    nice and original

  • Slight vairation of a D-beat. punk and hardcore drummers have been playing it for about 25 years.

  • Tony alweys did that lick.

  • all my songs go like that:)

  • Very cool thing to stumble upon.

    But this is something very old. I think the first time i heard it was from Tony Williams, but a bunch of cats have been playing this fill for years.

    But if you want to call this a "Blast" beat, then that stuff started back in the 50's or probably much early.

    Cheers

  • it sounds too ugly

  • it does. i'm honestly trying to figure out why this video has the most views. it is my least fav of the vids i have on here. it also has the most comments. ... i've realized that people don't like to leave compliments.. they'd rather find something that they don't like and complain. lol. anyway .. check out some of my other lesson vids. like on moeller, open close, or up down

  • its a cool idea to make a new type of blast beat. but it just sounds way too busy to sound good.

  • Listen to Joey Baron on the two first albums from Naked City, he does this kind of blast beat among other techniques. Very interesting one.

  • Haha, even if it's hard to fit into any kind of music, it's a great exercise for separating your left and right side of the body. :) Thanks for it, I'll try it out actually.

  • it is ... lol.. i can't find a good use for it still .. but it's atleast a good coordination exercise

  • Cool and funny at the same time. Great exercise I bet.

  • Blast beats started in jazz, Tony Williams and Sunny Murray for a start...

  • i kinda like it.

    nice and syncopated haha

  • I might be wrong but it kind of sounds like blasting style of early Immortal (Abbath on drums :D). I'm sure it could fit some black metal.

  • Bravo... Very creative!

  • I don't know where the fuck I heard this, but... didn't blast beats come from an old jazz band? But then taken up by someone else who made it the way it is today?

  • yes. actually buddy rich used blasts as little fills very occasionally

    then through time and evolution it became a main beat

  • Yeah, he played it, but I don't think it inspired the blast beat in metal.

    That came from extreme punk/metal bands like DRI, then grindcore bands took it further.

  • correct me if I am wrong but blast was done in jazz but the drummer from suffocation took it and incorporated it early on.

  • experimental ftW!

  • ya i think jazz drummers did create the blast beat but didnt use it a whole song like some bands...which is annoying. but its cool for phils. i liked ur punk beat tho. and its a cool idea. :)

  • Dude that is a pretty sweet little blast groove. i'm gonn work on it for sure. i saw a drummer called Zorro play something like that where he plays the shuffle pattern on the ride or hats and a constant triplet patern on the snare with oddly placed accents but your groove takes that same concept and applies it to metal. i really like it.

  • that took it up both pipes

  • I get what you're doing - it's pretty cool. It's a variation of independence between the ride and hh pattern and the snare and BD. There's alot of them, and they help any jazzer's comping skills - so what you're doing is taking the triplet between snare and bd, then doing it blast style with the jazz pattern on ride an hh over top. It's been done. But it's still very cool.

  • I dig it...sounds cool.

  • That's kinda tight dude lol. I dunno it really don't seem that "out there" as far as putting accents on the ride hand. I think that old black dahlia fellow did a lot of similar stuff. Keep it up you seem really good.

  • sorry man, in my opinion it just sounds like a wet fart, loud and disgraceful. :/ u have skill and i can see it, but i spose faster isnt better, get groovy and slow things down. soz to be rough, constructive criticism :)

  • i've said it a million times already. thank you for the constructive criticism, but this is ment to sound loud and disgraceful. like a regular blast beat. with jazz time on the ride cymbal instead of the typical cannibal corpse type blast. i do appreciate the constructive criticism.

  • oh man, I play jazz.. well anyway - this is not what u can use in jazz - man thats metalldrumming and no way jazz at all. sorry

  • that is actually the point of this. to use in a form of metal/experimental thing. not to use in regular jazz.

  • The blast beat was traditionally a jazz technique that Tony WIlliams and Buddy Rich used.

  • i forget which song i heard it in ... but i do remember hearing buddy do it in a song. he only did it for about 2 measures. i think it's more of a bop technique and this exercise is in john riley's the art of bop drumming book. the only difference is the musical intention i have for it.

  • my intended use for this isn't for a short full (although i use it as a short comping thing 99.9999999999999999% of the time)

    i was thinking of its use in a very ecclectic jazz-death metal fusion as a main beat through crazy screeching guitars and gutteral vocals

  • SEI ORRENDO

  • man im not in2 dat sort of drumin..........but dat is one crazy idea. 2 thumbs up and five stars!

  • lol

  • I do this while doing an 8th note pattern with my left foot swapping between my slave pedal and hi-hat pedal. Sounds sweet, also playing this at slow speeds like the original jazz blast beat (the original blast beat) sounds quite nice.

  • Great! :D

  • cool man, great, new sounds should try this with breakdowns..

  • Drummers are a brotherhood. As a drummer of 35 years, I appreciate any fellow drummer sharing their ideas. Thanks man!

  • ABSOLUTELY COOL

  • d3thekid is some kind of a poser, he said that "listen to more recordings and you'll hear it. it's nothing new", if you said so, could you give me at least a reference to listen to because i've been scratching all sorts of music in everyday life.

  • it's been done by i think tony williams and those types. but my idea was for using it as not just a 3 second fill .. but as a consistent drum blast through a 2 minute death metal fused with jazz clusterfuck

  • no man, it doesn't suck, it's cool. this is something new and actually it's very difficult with that independence stuff going there, its really hard to keep that jazz thing going on along with the triplets between the snare and bass drum.

  • whatever these haters say, I think its pretty cool

    and you got good control and independence between your limbs

  • your not controlling your volume

  • everyone is so angry on this video. i understand everyone thinks it sucks. i get it. i still have never used it in anything, it was just a dumb idea that i thought sounded pretty cool at the time. i kinda like it .. but still haven't quite found the right use yet.

  • bad sound~

    its kinda suck also lol ^^,

  • Yah, no one's played that before

  • sounds shit!

  • Well..check out tony williams......thats the shit!!!

  • People do this all the time, listen to more recordings and you'll here it. It's nothing new.

  • Yes, I try qualm for this axe at god

  • provo nausea per questo mannaia a dio

  • translation please

  • u got a point there lol

  • bleah bad sound. He is A clown.

  • i agree on that lol

  • lol, that was great. Very funny!

  • i dig it the most. very interesting. good job.

  • your god is a pig

  • sick pattern. would have liked to see u play it in a jazz situation as a jazz fill... i could imagine elvin doing some crazy shit like this too

  • thats  odd

    but i like :D

  • in my opinion... its kool, but everything is going to fast to really hear or focus on the jazz part... but you also said something about succesfully mixing death metal and jazz... War From A Harlots Mouth does a pretty good job of that...

  • Really weird, you're great.

  • you play it 2 fast and ur snare is rubbish

  • its kind of a joke. i'm not playing it fast enough actually. i want it to sound like a death metal bast beat with a jazz ride pattern

  • Nice man I like it.

  • very random.. but i like it

  • you are idiot man. i love you

  • It's strange but I can definitely see potential there!

    Keep up the good work!

  • cool shit

  • hey man what Evans series heads are they? thanks.

  • coated g2's on the toms i still have stock heads on the reso's

    genera dry snare and emad bass.

  • sounds really nice, have you used the G1's on the snare? if so what are they like?

  • nope just the g dry. it became my favorite from the 1st time i put it on

  • that's pretty great man.

  • man this has nothing got to do with JAZZ

  • it's a death metal new blast concept. combining jazz time with a blast beat. i know it's not pure jazz. it's a jazzy BLAST BEAT. it's completely pointless.. i was just bored one day. and actually that beat in in john riley's the art of bop drumming book

  • hey boy, it isn't even jazzy what you play. That's the point. What you play is the notes of a jazz-Ride combined with tripplets on the snare + bassdrum +HH. It has nothing got to do with Jazz at all. There is no feel of the accented 2 + 4 in Jazz-Music. Listen to John Riley, you've mentioned a good source. LEARN the feel! Learn feel in general! Listen to this buddy:

    "Pocket Rockout Episode 4:JAZZ" Listen how he plays the ride cymbal and apply it to your play!

  • your such an angry little douchebag aren't you? it's just a random idea for a new and different blast beat using a jazz ride pattern. god fucking damnit dude. chill out!

  • i do kno how to play real jazz.  i listen to a lot of buddy rich and miles davis. this was just an interesting idea for playing expeimental death metal

  • Yeah you got to show us some of your jazz skills! Try to accent the 2 and 4 on the ride when you play the jazz-blast beat fast!

  • man your goona have to mic your ride for this to sound good......the ride has to be on top of the sound

  • also heard Jack DeJohnette do stuff like this

  • It was much more subtle though..

  • sounds like what Tony Williams was doing with Lifetime.

  • thats pretty cool man

  • i think its pretty sick you should try it with some jazz/metal riffs

  • Drummers get the book Advanced techniques for the modern drummer by Jim Chapin

    it has a LIfetimne worth of information in it.

    Terry Bozzio was shacked to see a lot of the inovative ostiantoes he was doing had already been done by JIm in the 40s.Just NOT on such a big kit

    Terry brings thre musical and tonal aspect to these

    Tim

  • Good vids shadow its good to see drummers adding jazz ideas to Metal

    JIM chapin teaches us this in The BLUE book.

    do the same thing but accent the triplets and you'll get more of a swing feel.

    Just to let everyone know how advanced JIM is he as doing this in the 40's

    Tim waterson

  • I was gonna get his book ,... but i keep putting it off for some reason.

  • idk if youve ever seen the chris pennie (dillinger escape plan) drum solo where he plays in 5.. that blast kinda sounds similar.

  • I really dig that.

  • That is a good idea. Very very nice to see that people also get through it without a book. I say that because the same comping exercice is in Jack DeJohnette`s comping book, on the first page, ex. 13. Proves that those excercice aren`t sacred.

    btw, check out this book, will teach you alot about those things.

    Karl

  • i have john riley's the art of bop drumming and he does it for 1 or 2 beats worth in the comping section i just dragged it out longer. lol.

    i will put that book on my list of books i have to get.

  • yor a really good drummer but i think it sounds like crap

  • thats fine with me .. actually i came up with this screwing around. it sounds wierd and i can't think of many uses for it unless i get in some kind of jazz grind band which i don't think the genre has been invented yet. lol

  • thats weird, i came up with something kinda like that but it was just a straight one two on the ride... u seem to know what your doing though, im gonna subscribe.

  • now thats coordination haha

  • lol +1

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