why does berlin phil. have lights on--i find it very distractive looking at fellow listeneners...want to be in my own musical cocoon so to speak. is this their policy of lights on???
The expert composition that is Bruckner's Symphony No. 8 has not wavered from my favorite of all pieces for a very long time. "Bruckner's scope of expression is unlimited, though it has but few main subdivisions. Bruckner's musical message stems from the sphere of the saints; in Mahler speaks the impassioned prophet. He is ever renewing the battle, ending in mild resignation, while Bruckner's tone-world radiates unshakable, consoling affirmation."
Tone at 0:08 with the trombone is sooooo COOL!!!!!!! WOW!! Never had heard this symphony till today and I'm LOVE with it!!!!!! Oh MY WORD!! I want to play it so bad!!!!
In my travels around Bruckner since 1965 I can say with hand on heart that Christian Thielemann's rendition here with the fabulous BPO is almost without equal - and the 1st movement in particular is a revelation for all time.
I find it interesting that this is the 1890 version, as the performance on the website is the "original". I am quite intrigued, did the orchestra play the two versions on two different nights? in the same week?!?! If so, the members of this orchestra can only be Gods and the conductor a complete manic, a genius, irreplaceable, mind-blowingly-talented maniac.
Nein, das war noch nie der Fall. Vor ein paar Jahren mit Arndt, Cieslik, Bäumer etc. wurde sehr viel Lätzsch (Bremen) gespielt. Inziwischen mit Ott, Schulz etc. sehr viel Throja (Berlin). Manchmal sieht man die ein oder andere Kromat, Thein oder gar amerikanische...
@Corruptor133 And a lot of Orchestra and Jazz trombone players use trombones without laquer to make the sound resonate more. Plus, playing high notes on a straight tenor is much smoother and easier (in my opinion at least).
@quagdude It is a Kruspe, I think he told me it was about 70 years old. Definitely a tenor, but built with a very different concept in mind to American trombones. Smaller bore but a huge bell. Vibrant in the soft dynamics and not dull and bright and singing in the loud...i want one...
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Don't like the Berlin Phil. Hall. Cold, too angular, looks like a Star Wars set. Also, why don't they turn down the lights when the music starts? You can concentrate on the music instead of the lady's hairdo up front. Lastly, I imagine the musicians don't care for having a wedge of audience behind them--bad orchestra fung shui!!!!
Is this recording available on CD? I have the Karajan version, which is excellent, but I love what Thielemann did with the brass instruments in this version. Thanks!
When he was watching an opera, at the end a girl jumps in a fire. First thing bruckner does is turn to the guy next to him "Why did she have to die??" :'(
@cchamp270:13, 2nd trombone. What time is it? There are a few ppl looking at something off to the right. I wonder if it's a camera floating towards them?
Hi - I think they are using the bass bow movement as a reference point for rhythm. As the moment the bow's hit the strings can be a more precise cue than a conductors baton. No offence intended to maestro Thieleman.
Bruckner was such a musical genius! I don't know if it was he or some other composer that would have an OCD to count leaves on trees and count the steeples.
Bruckner was an eccentric but brilliant man alright. This is such a powerful piece of music and it takes a great mind to put all the instruments together without making it sound messy. its just a shame that people my age (16) don't appreciate great music such as this.
I've always questioned the use of triple winds (3,3,3,3) against the large brass section (8,3,3,1). it seems like the winds arent even heard. Then again, who am i to judge Bruckner, for i am a novice composer.
@gera1262 If you look at the works of early Richard Strauss, Gustav Mahler, and Max Reger very large brass sections seem to be a tred in most of their compositions. I think that it was a post wagnerian period idiosyncracy.
There's something weird about the Berliner Philharmoniker in which the brass never attempts to challenge the strings, where in all other orchestras it's naturally the place of the strings to challenge the brass. I'm sure all those brass players are superb but they drone a bit, instead of shine, which in this piece especially here at the recapitulation makes for an underwhelming effect, I think.
@SpottyDorsord The brass really do SHINE here, just my opinion. It is brilliant. They do better to keep balance across the entire orchestra than say the in your face brass of Chicago and New York (not saying that's bad, just their style). They do not challenge one another in volume, but in their brilliance of sound and tone. When you get members of an orchestra like this together you are daring them to make music. This excerpt is an example of that fact. I love it.
Nah, sure. Of course these things are relative. I wasn't so much thinking of the Admiralty of Chicago, but more the Thielemann Dresden recording and HvK's 1988 Wiener Phil effort. And the VPO brass are a long way from the Chicago cavalry. That's two military metaphors - 3 points!
My first reaction to this excerpt was admiration for the balance, but now I've seen things from the other side.....you're....
I have heard nothing of this conductor up to now, but what an introduction!!! Arguments will always go on about who is the best, but we are lucky to have recorded work by most of the Greats of the 20th and 21st centuries, so we can decide for ourselves.
Die Blechbläser sollten nach deutscher/österreichischer Tradition andersherum sitzen, die Tuba (vom Orchester aus gesehen) rechts, da sie dann mit der Stürze nach links zu den Posaunen und ins Orchester abstrahlt. Die jetzige Anordnung ist von dem Amis übernommen, die ja Tuben mit Périnet-Ventilen spielen, bei denen die Stürze nach rechts zeigt.
While I like this Bruckner alot, I do not understand how people see Thielemann as the "heir" to Karajan. For example his Schumann, Alpine, Heldenleben, remind me nothing of Karajan and have none of the great hallmarks or intensity Karajan brought to his music making (like him or not). Thielemann to me is good with Bruckner and some other areas, but his Struass tone poems with Vienna are not that great, and by the same age Karajan already made classic accounts. Thielemann not the 2nd coming.
I think people say he is the "heir" for many divergent reasons, negative and positive. I think it is said as an aspersion with connotations of authority (Fascist/NAZI), excessive, misguided polish, and ambition. Whether these are fairly associated with either man. And I think it is said as a compliment with connotations of brilliance of sound, Teutonic integrity, tradition, sense of structure, and fluid, muted, tasteful musical expression. Whether these are fairly associated with either man.
ok ok, I just meant that people like Hans Zimmer who write hollywood music have spent a lot of time listening to Bruckner (and Mahler and so on). A lot of this post-romantic large orchestra work often sounds like stuff written in Hollywood (esp John Williams lol).
Williams has pilfered Gustav Holst, Rimsky-Korsakov, Shostakovich, Debussy, Prokofiev, etc, etc.... Basically the entire post-Romantic era. He makes me very angry.
Yeah, that's kinda true. Although composers do take ideas from each-other all the time. This is perhaps where Mahler got the the idea of 8 horns=awesomeness.
No, it's not the beginning of the movement, it's a section out of the middle of the movement, repeating the theme of the beginning, but a little bit different.
Berlin Phil is prob the best in the world as of the last 3 years and will stay that way for a few more. They have the greatest horn section known to man. By the way Bruckner is no ment to sound like a french orchestra took over the stage. His symphony works are ment for ORGAN, a rather loud instrument I must say. One can not play bruckner to loud but yes an orchestra can play out of tune. Bruckner can never be to loud. American orchestra no soul you say. I THINK NOT.
I have to agree. I saw Mahler #2 there last November conducted by Haitink, got seats on short notice to sit in the second row. It was absolutely awesome, and I'm not ashamed to say that I nearly cried during the final movement.
It doesn't matter what the current popular trend in music is; when you've won 60 Grammys, your place in history is secure.
I must admitt to being fond of Chicago school of thought, but the overblown style that say New York are famous for certainly causes finite detail in music to get lost.
Yes but Berlin should not try for him...first Rattle agreed to stay on at the orchestra's request...and outside of Bruckner he does not seem all that impressive to me. I have not cared for his Strauss, and his Schumann cycle was just horrible.
His Bruckner is not bad. I have some of his Strauss with Vienna, and have heard his Schumann and those are not great, not even that good, and the Schumann is horrible.
also can i ask why some of the players keep looking in random places (not at the conductor) for example, 2nd trombone at 0:12 and 1st bassoon at 0:37??
hmm i don't think they are looking at the conductor... cos look at the bass trombone where he is looking at 0:13 when the 2nd trombone does his little glance. And i'm pretty sure the bassoon is not looking at the conductor cos you usually have the music in the same direction as the conductor so i doubt he is looking at the conductor at 0:35 onwards...
wenn thielemann schon seine treudeutsche schiene der vermarktung fährt wäre es doch mehr als wünschenswert ,wenn er in der lage wäre rythmische präzise auftakte hinzubekommen...sie sind alle unterschiedlich ausgeführt und nicht gewichtig genug gespielt.
Finde ich auch. Die von Bruckner so geliebten Blechbläser sollten hier mal endlich ein schön gewaltiges fortissimo(für das sie sonst immer so einen hang haben)spielen!
wer hier negativ votet solle bitte in der partitur nachschauen und überlegen ob 32/tel auftakte der bläser nicht besser mit laufenden achtelbewegungen der streicher zu kordinieren wären... dafür gibt es dirigenten...und thielemann ist einfach ein überbewerteter. er bringt es einfach nicht zusammen.
hörbeispiel jochum!!! bitte erst nachdenken dann voten
Ich stimme 100%-ig zu! Ich verstehe auch seine Dirigiertechnik überhaupt nicht, sieht nach ständiger Antreiberei aus ("bloß keine Zeit verlieren, wir müssen hier irgendwie durch!")...
this is a wonderful performance to me by both a as close to perfect as you can get conductor and orchestra. ive listened to it many times already and will continue to do co.
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visit my channel and see SEBASTIAM BAVERSTAM on cello
sanclspbr1 2 weeks ago
why does berlin phil. have lights on--i find it very distractive looking at fellow listeneners...want to be in my own musical cocoon so to speak. is this their policy of lights on???
windstorm1000 1 month ago
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gera1262 2 weeks ago
@windstorm1000 the lights are off, it's just that the stage lights are powerful enough to get into the audience's area.
gera1262 2 weeks ago
brass must love Bruckner---
windstorm1000 1 month ago
The expert composition that is Bruckner's Symphony No. 8 has not wavered from my favorite of all pieces for a very long time. "Bruckner's scope of expression is unlimited, though it has but few main subdivisions. Bruckner's musical message stems from the sphere of the saints; in Mahler speaks the impassioned prophet. He is ever renewing the battle, ending in mild resignation, while Bruckner's tone-world radiates unshakable, consoling affirmation."
SephenZepher 3 months ago
@SephenZepher A very sophisticated comment on Bruckner's music... I'm a new explorer in Bruckner's musical realm, but I think I can agree.
TheVaccumtube 2 months ago
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@kamiyayuga Yes, this is Bruckner, the greatest symphonist in the whole history of music!!!
bruckner4444 4 months ago
@kamiyayuga Yes, this is Bruckner, the greatest symphonist in the whole history of music!!!
bruckner4444 4 months ago 3
Thank you! You made my day!!
bigtina68 4 months ago in playlist best of Youtube
amazing army of horns leading the charge!!!!
noirvalentin 4 months ago 5
Tone at 0:08 with the trombone is sooooo COOL!!!!!!! WOW!! Never had heard this symphony till today and I'm LOVE with it!!!!!! Oh MY WORD!! I want to play it so bad!!!!
playingforhim511 5 months ago
2:35 - to think they can make such sounds with nothing on the page! Truly a talented group.
Gorboduc 6 months ago 13
@Gorboduc lol
astrophilip 6 months ago
@Gorboduc lool
noirvalentin 2 months ago
In my travels around Bruckner since 1965 I can say with hand on heart that Christian Thielemann's rendition here with the fabulous BPO is almost without equal - and the 1st movement in particular is a revelation for all time.
GourouxPete 6 months ago
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housemalaleche 6 months ago
i have decided...stefan dohr is king. no questions.
grattoas193 7 months ago 2
Leyendecker is doing work
tubadude07 7 months ago
wth is with the oboist at 1:00?
Obstructions 7 months ago
haha, 0:37, basoonist sneaks a glance.
ZOMGItsRobot 7 months ago
@MrFrasercat haha sure
JC5268 7 months ago
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epic.
just... epic.
cogitoergosummmx 7 months ago
Gänsehaut pur sag ich euch ;)
MrsLaipold 9 months ago
Thielemann is super!!!!
TheKuraota 9 months ago
Stefan Dohr as fifth?
JC5268 9 months ago
@JC5268 and 1st Bb Wagner Tuba! His choice I am sure!
MrFrasercat 8 months ago
@JC5268 .......and 1st Bb Wagner Tuba! His choice I am sure!
MrFrasercat 8 months ago
@JC5268
MrFrasercat 8 months ago
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I find it interesting that this is the 1890 version, as the performance on the website is the "original". I am quite intrigued, did the orchestra play the two versions on two different nights? in the same week?!?! If so, the members of this orchestra can only be Gods and the conductor a complete manic, a genius, irreplaceable, mind-blowingly-talented maniac.
-Spencer V Jarrett
SpencerVJarrett 10 months ago
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SpencerVJarrett 10 months ago
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SpencerVJarrett 10 months ago
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SpencerVJarrett 10 months ago
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SpencerVJarrett 10 months ago
thats alot of horns
tubaconrad 10 months ago
Dear Berlin Phil adopt me I want to live with you
TheGerman6th 10 months ago
Brilliant playing of a masterpiece. Amazing how many dumb people can't get the intensity and the building of a big edifice in the music. Bravo!
klavierspieler72 10 months ago
Just once in my lifetime I want to travel to see this magnificent orchestra live
lbrinin1701 11 months ago
I love how BerlinPhil is so responsive to youtube comments. Interesting information about the Kruspe trombone
tlchop 11 months ago
oh dear 1:49 back desk of violins...
32henrychinese 11 months ago 2
@Playingtrombone Its the truth---trombones don't play as much in other symphonies. players like to play--to get the spotlight.
windstorm1000 11 months ago
is principal trombone using a straight tenor!?
Corruptor133 1 year ago
@Corruptor133 It is a pre-war instrument without valvet manufactured by Kruspe in Erfurt.
BerlinPhil 1 year ago 15
@BerlinPhil that's very cool! you don't see that much anymore.
Corruptor133 11 months ago
@BerlinPhil That's very cool! you don't see that here in the states, its all about the new stuff here.
Corruptor133 11 months ago
@BerlinPhil ich dachte die wären durchgängig mit kromat besetzt ?
SuperDerbiSenda 8 months ago
@SuperDerbiSenda
Nein, das war noch nie der Fall. Vor ein paar Jahren mit Arndt, Cieslik, Bäumer etc. wurde sehr viel Lätzsch (Bremen) gespielt. Inziwischen mit Ott, Schulz etc. sehr viel Throja (Berlin). Manchmal sieht man die ein oder andere Kromat, Thein oder gar amerikanische...
MD051 8 months ago
@Corruptor133 And a lot of Orchestra and Jazz trombone players use trombones without laquer to make the sound resonate more. Plus, playing high notes on a straight tenor is much smoother and easier (in my opinion at least).
Matt123ttam 9 months ago
@Corruptor133 i think it looks lik a alto trombone,im not sure though.
quagdude 7 months ago
@quagdude It is a Kruspe, I think he told me it was about 70 years old. Definitely a tenor, but built with a very different concept in mind to American trombones. Smaller bore but a huge bell. Vibrant in the soft dynamics and not dull and bright and singing in the loud...i want one...
trombonejosh 7 months ago
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Corruptor133 1 year ago
der pure orgasmus für die ohren
SuperDerbiSenda 1 year ago 2
@SuperDerbiSenda absolut !!
noirvalentin 11 months ago
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Don't like the Berlin Phil. Hall. Cold, too angular, looks like a Star Wars set. Also, why don't they turn down the lights when the music starts? You can concentrate on the music instead of the lady's hairdo up front. Lastly, I imagine the musicians don't care for having a wedge of audience behind them--bad orchestra fung shui!!!!
windstorm1000 1 year ago
Brass players must love Bruckner--he really spotlights them and lets them shine (no pun intended).
windstorm1000 1 year ago 2
Probably Haas-version, like Karajan used to do.
Celibidache chose 1890-version
ibizaking 1 year ago
Is this recording available on CD? I have the Karajan version, which is excellent, but I love what Thielemann did with the brass instruments in this version. Thanks!
scienceguy8m 1 year ago
Who's the Bass Trombonist in the video?
tubadude07 1 year ago
@tubadude07 thomas leyendecker
mortalfrog0815 1 year ago
@tubadude07 Thomas Leyendecker
vfbfan08 11 months ago
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Bruckner is the Graal
underadesk.blogspot.com/
TheAestheticTruth 1 year ago
Bruckner, you were such a wonderful composer.
He was a quirky guy (in a good way)
When he was watching an opera, at the end a girl jumps in a fire. First thing bruckner does is turn to the guy next to him "Why did she have to die??" :'(
because he was so absorbed in the music...
soccerbabey 1 year ago
@soccerbabey Maybe the opera was "Der fliegende Holländer" or "Tannhäuser" LOL
aguador67 1 year ago
Bassonist at 0:37 - "What time is it?"
cchamp27 1 year ago
@cchamp27 0:13, 2nd trombone. What time is it? There are a few ppl looking at something off to the right. I wonder if it's a camera floating towards them?
JamesHowardYoung 10 months ago
@JamesHowardYoung
Hi - I think they are using the bass bow movement as a reference point for rhythm. As the moment the bow's hit the strings can be a more precise cue than a conductors baton. No offence intended to maestro Thieleman.
tmleese 9 months ago
ich hörs mir immmmer und immmmmer wieder an!!! und es wird immmmmmer berauschender!!!!
LottoTottoKind 1 year ago
More like Babe-orak, amirite?
Haeronthegreat 1 year ago
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tissueowen 1 year ago
edicson ruiz is the only one in the contrabass section using vibrato...
mortalfrog0815 1 year ago
German Orchestras !!! Impossible to defeat them
SirGlennGould 1 year ago 51
@SirGlennGould they will crush your french orchestra
charleshoskinson 9 months ago
@SirGlennGould - I am Canadian, and I agree with this statement 100%.
DeclanVB84 3 months ago
amazing
jwjhtc 1 year ago
Ok this is what I am talking about ;-) Low brass <3
LLJtbone 1 year ago
lovely
bidujador 1 year ago
genial...
gibt es eigentlich ein konzert das nicht perfekt ist und wen ja hab ich es noch nicht gefunden xD
homofuerst1234 1 year ago 2
Bruckner was such a musical genius! I don't know if it was he or some other composer that would have an OCD to count leaves on trees and count the steeples.
Bruckner was an eccentric but brilliant man alright. This is such a powerful piece of music and it takes a great mind to put all the instruments together without making it sound messy. its just a shame that people my age (16) don't appreciate great music such as this.
soccerbabey 1 year ago 2
@soccerbabey I'm so happy to know a person of your age can get Bruckner!!
Thank you for your comments. My nephew played some of the 8th symphony's
chords to a rock band, and they flipped out. This is great, they all screamed.
Yes it it! Indeed.
Thanks soccerbabey, keep the faith.
hwallacem 1 year ago
@soccerbabey im 15 and i love this....its my passion...its a shame that people our age dont appreciate this...its such great art :)
aweitzer1 1 year ago 2
I've always questioned the use of triple winds (3,3,3,3) against the large brass section (8,3,3,1). it seems like the winds arent even heard. Then again, who am i to judge Bruckner, for i am a novice composer.
gera1262 1 year ago
@gera1262 If you look at the works of early Richard Strauss, Gustav Mahler, and Max Reger very large brass sections seem to be a tred in most of their compositions. I think that it was a post wagnerian period idiosyncracy.
sfrenchhorn07 1 year ago
@sfrenchhorn07 Wannabe Wagners lacking the creative ability to think of a original equally suitable way to convey brute power
Gargantupimp 11 months ago
@Gargantupimp So what exactly is your comment directed towards? The size of the Orchestra? Or what it sounds like?
sfrenchhorn07 11 months ago
There's something weird about the Berliner Philharmoniker in which the brass never attempts to challenge the strings, where in all other orchestras it's naturally the place of the strings to challenge the brass. I'm sure all those brass players are superb but they drone a bit, instead of shine, which in this piece especially here at the recapitulation makes for an underwhelming effect, I think.
Anyone wanna fight aboudit?
SpottyDorsord 1 year ago
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LordVader9109 1 year ago
@SpottyDorsord The brass really do SHINE here, just my opinion. It is brilliant. They do better to keep balance across the entire orchestra than say the in your face brass of Chicago and New York (not saying that's bad, just their style). They do not challenge one another in volume, but in their brilliance of sound and tone. When you get members of an orchestra like this together you are daring them to make music. This excerpt is an example of that fact. I love it.
LordVader9109 1 year ago
@LordVader9109
How. Dare. You. Challenge. My. Opinion.
Nah, sure. Of course these things are relative. I wasn't so much thinking of the Admiralty of Chicago, but more the Thielemann Dresden recording and HvK's 1988 Wiener Phil effort. And the VPO brass are a long way from the Chicago cavalry. That's two military metaphors - 3 points!
My first reaction to this excerpt was admiration for the balance, but now I've seen things from the other side.....you're....
Only a master of evil, Darth!
SpottyDorsord 1 year ago
@SpottyDorsord I do love the VPO when they play Bruckner. One of my favorite recordings is his 4th Symphony under the direction of Claudio Abbado.
LordVader9109 1 year ago
INEFFABLE
hkams 1 year ago
This excerpt takes place right at the recapitulation
Userdoe1560 1 year ago
I don't know why... but I always laugh when that trombone looks at the camera at 0:14
DisabledJay 1 year ago 7
OMG I love the oboe at 1:00!!!
chadvvvickable 1 year ago
oh, i love it
ferdinandsouz 1 year ago
anyway baborak is the best
x3x3yz 1 year ago
I have heard nothing of this conductor up to now, but what an introduction!!! Arguments will always go on about who is the best, but we are lucky to have recorded work by most of the Greats of the 20th and 21st centuries, so we can decide for ourselves.
But there was only one Anton Bruckner!
what15myname 1 year ago
Die Blechbläser sollten nach deutscher/österreichischer Tradition andersherum sitzen, die Tuba (vom Orchester aus gesehen) rechts, da sie dann mit der Stürze nach links zu den Posaunen und ins Orchester abstrahlt. Die jetzige Anordnung ist von dem Amis übernommen, die ja Tuben mit Périnet-Ventilen spielen, bei denen die Stürze nach rechts zeigt.
Klingt trotzdem fantastisch !
MrDorfmann 2 years ago
Fantastisch!!!!!,,,Monumental!!!!
ChrissysVideokids 2 years ago
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amonasro100 2 years ago
epic
tubamarius 2 years ago 4
While I like this Bruckner alot, I do not understand how people see Thielemann as the "heir" to Karajan. For example his Schumann, Alpine, Heldenleben, remind me nothing of Karajan and have none of the great hallmarks or intensity Karajan brought to his music making (like him or not). Thielemann to me is good with Bruckner and some other areas, but his Struass tone poems with Vienna are not that great, and by the same age Karajan already made classic accounts. Thielemann not the 2nd coming.
GregHales 2 years ago
I think people say he is the "heir" for many divergent reasons, negative and positive. I think it is said as an aspersion with connotations of authority (Fascist/NAZI), excessive, misguided polish, and ambition. Whether these are fairly associated with either man. And I think it is said as a compliment with connotations of brilliance of sound, Teutonic integrity, tradition, sense of structure, and fluid, muted, tasteful musical expression. Whether these are fairly associated with either man.
SpottyDorsord 1 year ago
@GregHales He always looks like he's struggling. Music just doesn't look natural to him.
hbomb2579 1 year ago
Which movement is this please?
gregapage 2 years ago
It's the fourth... somewhere in the Middle...
manolly 2 years ago
@gregapage Nears the end of 4th movement.
ricolee830104 1 year ago
The Best orchestra in the world
music4dude 2 years ago 82
can anyone else the the influence of bruckner on hollywood? like, as in the recent Batman movies?? great horns btw,
mdchiesi 2 years ago
i think hans zimmer has more influence on hollywood,...
michael91301 2 years ago 2
ok ok, I just meant that people like Hans Zimmer who write hollywood music have spent a lot of time listening to Bruckner (and Mahler and so on). A lot of this post-romantic large orchestra work often sounds like stuff written in Hollywood (esp John Williams lol).
mdchiesi 2 years ago
I remember that The Onion made a joke about Williams having been ripping off Gustav Holst for the last thirty years.
Sylderon 2 years ago
Williams has pilfered Gustav Holst, Rimsky-Korsakov, Shostakovich, Debussy, Prokofiev, etc, etc.... Basically the entire post-Romantic era. He makes me very angry.
ddsoco 2 years ago 6
Yeah, that's kinda true. Although composers do take ideas from each-other all the time. This is perhaps where Mahler got the the idea of 8 horns=awesomeness.
Sylderon 2 years ago
Uhhhhhhh!!!! Buenisimooo!!! que grande esos tromboness!! Muy buena fila!!
alextromb 2 years ago
hope DG can put this in a CD
ugin38 2 years ago
sehr transparent...sehr gut!
tubamarius 2 years ago
Er sollte sich in Christian von Thielemann umbennen.
etiterum 2 years ago
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Too loud, too fast, too bad. Listen to Celibidache to hear Bruckner.
koolu99 2 years ago
Someone recently posted Celibidache's only Bruckner with the BPO (the 7th)
mikabrains 2 years ago
what version of the symphony is this
moman1208 2 years ago
It is the revised version from 1890.
BerlinPhil 2 years ago 3
ohh is this the beginning of the movement? coz i heard the karajan, and wand recordings and they sound totally different
moman1208 2 years ago
No, it's not the beginning of the movement, it's a section out of the middle of the movement, repeating the theme of the beginning, but a little bit different.
Bochoff1 2 years ago
Thats the beginning of the Reprise of the Finale!
StefanGraz 2 years ago
@BerlinPhil
is this the same version that karajan did in 1979? the version on youtube?
mobile507 1 year ago
@mobile507 Unfortunately, we have no information about the version Karajan performed in 1979 as this was a concert with Vienna Philharmonic.
BerlinPhil 1 year ago 6
@BerlinPhil old rivalty ! lol.
fgtuh 1 year ago
@mobile507 it is in the middle of the 4th movement.. the theme at the beginning is repeated there..
Axolo1991 1 year ago
@mobile507 I have that recording and it is this same 1890 version by Robert Haas
GustafNeilsonViolin 1 year ago
Berlin Phil is prob the best in the world as of the last 3 years and will stay that way for a few more. They have the greatest horn section known to man. By the way Bruckner is no ment to sound like a french orchestra took over the stage. His symphony works are ment for ORGAN, a rather loud instrument I must say. One can not play bruckner to loud but yes an orchestra can play out of tune. Bruckner can never be to loud. American orchestra no soul you say. I THINK NOT.
osumb17 2 years ago
I do agree that Berlin is the best in the world.
However, bragging rights for brass belongs to Chicago. No contest. CSO brass is absolutely unbelievable.
armyofsalvation 2 years ago
I have to agree. I saw Mahler #2 there last November conducted by Haitink, got seats on short notice to sit in the second row. It was absolutely awesome, and I'm not ashamed to say that I nearly cried during the final movement.
It doesn't matter what the current popular trend in music is; when you've won 60 Grammys, your place in history is secure.
Sylderon 2 years ago 3
@commanderful:
Meiner Meinung nach: Berliner Philharmoniker wie immer grandios, Thielemann wie immer ebenso!
Was genau findest Du an Thielemann "scheiße"?
Würde mich ganz ehrlich interessieren...
Bochoff1 2 years ago 4
At ThaSchwab,
In my opinion the Sound of the american orchestras has no soul!
musicus91 2 years ago 2
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Berliner Philharmoniker,wie immer genial...Thilemann,wie immer Scheiße....
commanderful 2 years ago
Good to see Jesper in the section!! Greetings from San Juan Puerto Rico
LuisFredTrombon 2 years ago
I must admitt to being fond of Chicago school of thought, but the overblown style that say New York are famous for certainly causes finite detail in music to get lost.
norathorr 2 years ago 3
The ONLY orchestra....
norathorr 2 years ago 4
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Thielemann is free soon.
etiterum 2 years ago
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Yes but Berlin should not try for him...first Rattle agreed to stay on at the orchestra's request...and outside of Bruckner he does not seem all that impressive to me. I have not cared for his Strauss, and his Schumann cycle was just horrible.
GregHales 2 years ago
Thielemann = Great.
norathorr 2 years ago 3
His Bruckner is not bad. I have some of his Strauss with Vienna, and have heard his Schumann and those are not great, not even that good, and the Schumann is horrible.
GregHales 2 years ago
How Ironic that this should be played the day after my father died.
JoshuaMazur 2 years ago
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norathorr 2 years ago
The ultimate piece performed by the ultimate orchestra! May your father rest in piece.
norathorr 2 years ago 2
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danke für den hinweis, habs grad entdeckt.ich war nur verwundert wie viele blinde vasallen dirigenten doch im allgemeinen haben....
lecksiekon 2 years ago
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soulless Bruckner. After Furtwangler, Celibidache, Wand, Asahina and Tintner, we have yet to find a conductor who 'understands' the master.
koolu99 2 years ago
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koolu99 2 years ago
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Wo ist der Beckenschlag ? Ah, die Stelle wurde eingespart.
etiterum 2 years ago
On 13 december 2008 I played an organ concert! And in the same time the berliner were playng a symphony of my favourite composer! Wow!
ChalieChaplin 2 years ago
also can i ask why some of the players keep looking in random places (not at the conductor) for example, 2nd trombone at 0:12 and 1st bassoon at 0:37??
Finners1551 2 years ago
I guess it's the blonde cellist. They're checking her out...
edvonschleck2 2 years ago 3
I'm pretty sure that the players were glancing at the conductor
rmfotj 2 years ago
hmm i don't think they are looking at the conductor... cos look at the bass trombone where he is looking at 0:13 when the 2nd trombone does his little glance. And i'm pretty sure the bassoon is not looking at the conductor cos you usually have the music in the same direction as the conductor so i doubt he is looking at the conductor at 0:35 onwards...
Finners1551 2 years ago
why is dohr not on 1st but on wagner tuba?? craaaaaaazy
Finners1551 2 years ago
@Finners1551 cause he loves playing tuba! plus Radek Barbarek is a damned good player as well!
MrFrasercat 8 months ago
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wenn thielemann schon seine treudeutsche schiene der vermarktung fährt wäre es doch mehr als wünschenswert ,wenn er in der lage wäre rythmische präzise auftakte hinzubekommen...sie sind alle unterschiedlich ausgeführt und nicht gewichtig genug gespielt.
lecksiekon 2 years ago
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Finde ich auch. Die von Bruckner so geliebten Blechbläser sollten hier mal endlich ein schön gewaltiges fortissimo(für das sie sonst immer so einen hang haben)spielen!
MaestroStark 2 years ago
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wer hier negativ votet solle bitte in der partitur nachschauen und überlegen ob 32/tel auftakte der bläser nicht besser mit laufenden achtelbewegungen der streicher zu kordinieren wären... dafür gibt es dirigenten...und thielemann ist einfach ein überbewerteter. er bringt es einfach nicht zusammen.
hörbeispiel jochum!!! bitte erst nachdenken dann voten
lecksiekon 2 years ago
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Ich stimme 100%-ig zu! Ich verstehe auch seine Dirigiertechnik überhaupt nicht, sieht nach ständiger Antreiberei aus ("bloß keine Zeit verlieren, wir müssen hier irgendwie durch!")...
Celibidianer1 2 years ago
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es ist eine unsitte permanet immer auf die pfundnoten zu phrasieren und vor allem diese dann nicht wirklich durchzuziehen.
dieser satz lebt von den extrem genauen und unendlich schweren auftakten.nur so ensteht die für diesen satz nötige "wucht".
so vermindert man gössere rythmische "schlampereien". vielleicht lernt er es noch wenn er älter wird.;-)
lecksiekon 2 years ago
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lach und schon sind unsere kommentare verschwunden.... naja besser dirigiert er deshalb auch nicht lololol
lecksiekon 2 years ago
Nicht schlecht dirigiert von Thielemann. Es gibt viele Interpretationsähnlichkeiten zu der "Karajan-Version". Insgesamt ein gutes Scherzo!
MaestroStark 2 years ago
that's not the scherzo, mr wiseguy.
SharpHarp99 2 years ago
Oh, hab mir danach die 9te angehört und die beiden verwechselt... :D
MaestroStark 2 years ago
I quite like the blondie cellist at 1:34. Anyone knowing her name?
edvonschleck2 2 years ago 2
wow way to completely miss the point. and be a creep.
vfral 2 years ago 2
so muss das klingen...genau so.
hundingwelser 2 years ago
bei youtube mpeg 4 das heisst schlechte audio qualität. du musst in die philharmonie gehen da gehts richtig ab.
HermerTV 2 years ago 2
Die Qualität hier is denn sehr gut. Jedoch, es wird mir gefallen, ob ich könnte in die Konzert gehen.
gengunfire 2 years ago
this is a wonderful performance to me by both a as close to perfect as you can get conductor and orchestra. ive listened to it many times already and will continue to do co.
kristidog 2 years ago 3
Thielemann is truly a master of Bruckner of this generation; his interpretion is Germanic and spiritual!
Hope he can succeed Simon Rattle as Berlin Phil. 's artistic direction!
karajanhk 2 years ago 2
Hey Karen! I could see you playing your Waldhorn!
Majik47 2 years ago
This leaves me speechless every single time I watch it. Phenomenal piece, phenomenal orchestra, phenomenal recording equipment... stunning
goorioles747 2 years ago 3
awesome!
divine604 2 years ago 2
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The brass was a little weak for my tastes, but I fully can't judge unless I was there in person since this is an engineered world now.
WAKeele 2 years ago
weak?
orcawhale4472 2 years ago