99% of hollywood filmscores are crap except for the good songs they included to make you buy the soundtrack. They pick classic hits to boost crap movies!! I love your demo. Fantastic sound. :)
about every synth i can personally say the prophet remains unrivalled even in analogworld for his extremely moody sound and ability to generate abstract ethnic sounds, its biggest secrets are polyphonic crossmod depending on chords held and osc modulation of Pulsewidth, listen to Japans Tindrum, ymo
There is only one prohet. Second comment I've left for this demo. The other DigitalScreams pro' 5 demo is shit hot too. Analogue is the best ever for synths. No wonder John Carpenter insisted on using these for his music scores, very dark.
Another demostration of what these instruments were able to do,a sound very actual and warm!Why do the collectors world so hard to have one?I hate collectors of anything,kill the wish to play,and discover new sounds!BAH!!!!
brilliant. The prophet 5 is up there with the cs80 and minimoog, I dream of owning one. Last tim I saw one for sale it was around £6,000. Your so lucky! They should still be using these synths in filmscores nowadays instead of that computerised orchestral rubbish
I love orchestral music and I find it totally grating when somebody tries to imitate it electronically; it never sounds right and always reveals how poor a film's production values are.
If it's electronic, it should sound electronic and be used appropriately as a compliment to the orchestra, like Jerry Goldsmith did with many of his very fine film scores.
Indeed. Emulations of orchestral instruments should be placed as far back in a mix as possible, or it will sound canned. Doesn't matter how good the samples are. I remember they were throwing a huge circlejerk over the guys that did the scores for Star Trek Legacy, and it didn't sound any different from any other sequenced orchestral stuff.
Yeah, digital orchestra's just remind me of midi and old video games. You just can't capture all the expression of a true orchestra. But synths acting like synths are some of the coolest things in the world. None of that emulation stuff.
You made the Prophet sound so evil, great job. My favorite old-school polysynth.
VisceralVoids 3 months ago
WTB Prophet 5 Rev 3.2/3.3
bhrama74 8 months ago
99% of hollywood filmscores are crap except for the good songs they included to make you buy the soundtrack. They pick classic hits to boost crap movies!! I love your demo. Fantastic sound. :)
1969atam 1 year ago
Nice deep droning...
TheSYNTHOID 1 year ago
This was all played by hand, no midi, no CV control - just multitracked about 5 times and done in one take - many years ago
DIGITALSCREAMS 1 year ago
one master synthetizer
SamDelil 1 year ago
Wow... how did you get that pulsating low drone?
metabog 2 years ago
as a longtime prophet 5+remote user and owned
about every synth i can personally say the prophet remains unrivalled even in analogworld for his extremely moody sound and ability to generate abstract ethnic sounds, its biggest secrets are polyphonic crossmod depending on chords held and osc modulation of Pulsewidth, listen to Japans Tindrum, ymo
, patrick cowley ,tangerine dream , the 5
produced the best music
alainraes 3 years ago
There is only one prohet. Second comment I've left for this demo. The other DigitalScreams pro' 5 demo is shit hot too. Analogue is the best ever for synths. No wonder John Carpenter insisted on using these for his music scores, very dark.
discothief 3 years ago
Another demostration of what these instruments were able to do,a sound very actual and warm!Why do the collectors world so hard to have one?I hate collectors of anything,kill the wish to play,and discover new sounds!BAH!!!!
LuxX63 3 years ago
brilliant. The prophet 5 is up there with the cs80 and minimoog, I dream of owning one. Last tim I saw one for sale it was around £6,000. Your so lucky! They should still be using these synths in filmscores nowadays instead of that computerised orchestral rubbish
114711114711 4 years ago 12
You definitely make a great point there.
I love orchestral music and I find it totally grating when somebody tries to imitate it electronically; it never sounds right and always reveals how poor a film's production values are.
If it's electronic, it should sound electronic and be used appropriately as a compliment to the orchestra, like Jerry Goldsmith did with many of his very fine film scores.
Watcher3223 4 years ago 5
Indeed. Emulations of orchestral instruments should be placed as far back in a mix as possible, or it will sound canned. Doesn't matter how good the samples are. I remember they were throwing a huge circlejerk over the guys that did the scores for Star Trek Legacy, and it didn't sound any different from any other sequenced orchestral stuff.
oS2006DE 4 years ago 2
Agree! This philosophy is sometime referred to as 'truth to materials' in architecture.
spiek 3 years ago
Yeah, digital orchestra's just remind me of midi and old video games. You just can't capture all the expression of a true orchestra. But synths acting like synths are some of the coolest things in the world. None of that emulation stuff.
CKnoxW 4 years ago 2
excellent stuff !
cub005 4 years ago
Spooky! Another John Carpenter soundtrack?:-)
mogoduc 4 years ago