@09monos thnx... Ah yes when painting with artificial light I just check if I have 100 lux or more on the canvas, otherwise seeing the colors is more difficult....
@Jun127 For the gradients you need enough paint, preferably opaque, then blend with a dry brush when it is still wet. It is easier to do this when the surface has some structure, because otherwise you move the paint and you see the brush marks. So fine canvas or cardboard is easier than MDF panel....
@Jun127 Right now I use a slow medium of equal parts venice turp and stand oil. I think in ths painting I used 3 parts linseed oil and one part Graham Walnut Alkyd. Normal Liquin also works but has evaporating solvents in it...
@josvanr Denkt u er ooit nog aan cursussen te geven, je kan op de academies (waar ik op zit) nog alleen maar heel autonoom les krijgen waarbij het gaat om je geest i p v de techniek. Dat vind ik best jammer dus ik vraag me af of er in Nederland überhaupt nog wordt les gegeven in techniek.
@ThomaliciousTV Misschien dat het er ooit nog eens van komt, maar voorlopig nog niet.. In nederland weet ik 2 instituten waar een beetje in de richting komen: Wackers Academie in Amsterdam en de Klassieke Academie in Groningen. Maar wil je echt heel traditioneel onderwijs dan moet je zijn bij de 'Florence Academy' in ... Florence...
La forma de pintar y el acabado de las obras de este hombre, me recuerda a los viejos maestros. Los videos están bastante bien realizados, se ve la forma de trabajar del pintor y su resultado final, conjunción en las luces, tonos, color, composición, etc. En estas últimas obras, hace el cristal tangible.
DO you varnish your paintings after finishing them? if you do do share that as well. And what are your views on Oiling out, as painters do to even out the shine on surface.
@gardenofarcane Sometimes I varnish but not systhematically. I maybe should do so.... Usually I also oil out the painting (with oil+liquin) to even out the shine. So far I didn't have any problems with this. As long as it is done thinly?....
Great work, and it really helps that you share these details with us (how long it took for instance).
Say what are my chances of some critique from you?
You're one of the main daily painters that have motivated me to focus on still life and start daily painting. But I'm still a student and could really use some advice on how to improve.
Can I send you a PM with some of my still life paintings? or should I do a speed painting video like yours, for some better critique?
@paulcorfield yes I applied it very thinly all over the panel, but as thin as I could; just so the paint flows off the brush in the first strokes. This medium dries somewhat slower. I dont reallly know if the alkyd makes any diffference, because I used so little. (I just added some more linseed oil to what I already had.).
@paulcorfield It's about the same medium, only more linseed oil so it dries more slowly.. Yes I oil out the panel but very very thinly, just to get rid of the 'scratchy' feeling when painting on a dry panel..
@Cruelhazard Yes on the lower part of the painting (the side of the table) I first applied paint, then later removed some of it with a large dry brush, so empty panel shines through. It gets lighter and the panel structure shows. In the other objects it's mostly just the effect of painting on panel. Every touch is visible so one always sees a texture...
Amazing work. Very realistic!
soccerchick24913 1 month ago
I love your work! Stunning artwork and skills! Congrats! One question if I may: I saw a light meter...how do you use it?
09monos 2 months ago
@09monos thnx... Ah yes when painting with artificial light I just check if I have 100 lux or more on the canvas, otherwise seeing the colors is more difficult....
josvanr 2 months ago
@josvanr How do you get those smooth gradients and blends? Can you do a lesson at slower speed and narrated? that would be awesome...
Jun127 2 weeks ago
@Jun127 For the gradients you need enough paint, preferably opaque, then blend with a dry brush when it is still wet. It is easier to do this when the surface has some structure, because otherwise you move the paint and you see the brush marks. So fine canvas or cardboard is easier than MDF panel....
josvanr 2 weeks ago
@josvanr also, do you have any favorite brands? which liquin do you use?
Jun127 2 weeks ago
@Jun127 Right now I use a slow medium of equal parts venice turp and stand oil. I think in ths painting I used 3 parts linseed oil and one part Graham Walnut Alkyd. Normal Liquin also works but has evaporating solvents in it...
josvanr 2 weeks ago
Geef jij toevallig ook nog les in schilderen? Op een school of academie?
ThomaliciousTV 2 months ago
@ThomaliciousTV hallo, nee is er nog niet van gekomen..............
josvanr 2 months ago
@josvanr Denkt u er ooit nog aan cursussen te geven, je kan op de academies (waar ik op zit) nog alleen maar heel autonoom les krijgen waarbij het gaat om je geest i p v de techniek. Dat vind ik best jammer dus ik vraag me af of er in Nederland überhaupt nog wordt les gegeven in techniek.
ThomaliciousTV 2 months ago
@ThomaliciousTV Misschien dat het er ooit nog eens van komt, maar voorlopig nog niet.. In nederland weet ik 2 instituten waar een beetje in de richting komen: Wackers Academie in Amsterdam en de Klassieke Academie in Groningen. Maar wil je echt heel traditioneel onderwijs dan moet je zijn bij de 'Florence Academy' in ... Florence...
josvanr 2 months ago
@josvanr Ik zoek het op! Thnx
ThomaliciousTV 2 months ago
What a talent. Nice job.
fdh1004 3 months ago
dam you make it look wasy but its hard to make
danielloja 3 months ago
yes - I saw the smiley face at :26
macrsd1 4 months ago
La forma de pintar y el acabado de las obras de este hombre, me recuerda a los viejos maestros. Los videos están bastante bien realizados, se ve la forma de trabajar del pintor y su resultado final, conjunción en las luces, tonos, color, composición, etc. En estas últimas obras, hace el cristal tangible.
alcugasa 4 months ago
I saw that smiley face! right back at you there my friend!
cestchaz 6 months ago
Did you catch the smiley face at :26? Like this post if you did.
terrapin52 7 months ago 4
heel mooi
suntanners 7 months ago
I think you are so talented, maybe a slower dvd later?
charlesport1 7 months ago 2
@charlesport1 thnx.... yes have to do that some time..........
josvanr 7 months ago
@charlesport1 i hope to do so some time.....
josvanr 2 weeks ago
DO you varnish your paintings after finishing them? if you do do share that as well. And what are your views on Oiling out, as painters do to even out the shine on surface.
gardenofarcane 7 months ago
@gardenofarcane Sometimes I varnish but not systhematically. I maybe should do so.... Usually I also oil out the painting (with oil+liquin) to even out the shine. So far I didn't have any problems with this. As long as it is done thinly?....
josvanr 7 months ago
Great work, and it really helps that you share these details with us (how long it took for instance).
Say what are my chances of some critique from you?
You're one of the main daily painters that have motivated me to focus on still life and start daily painting. But I'm still a student and could really use some advice on how to improve.
Can I send you a PM with some of my still life paintings? or should I do a speed painting video like yours, for some better critique?
calin4thewin 7 months ago
@calin4thewin thnx. Yes if you like just send some images. Most convenient is on my email address.....
josvanr 7 months ago
@josvanr Very well, email sent, I am letting you know here as well, just in case it reaches your spam folder :)
calin4thewin 7 months ago
Very nice work Jos. Did you wipe the medium all over the panel before the start? Do you prefer this medium to your old alkyd/oil medium?
paulcorfield 7 months ago
@paulcorfield yes I applied it very thinly all over the panel, but as thin as I could; just so the paint flows off the brush in the first strokes. This medium dries somewhat slower. I dont reallly know if the alkyd makes any diffference, because I used so little. (I just added some more linseed oil to what I already had.).
josvanr 7 months ago
@paulcorfield It's about the same medium, only more linseed oil so it dries more slowly.. Yes I oil out the panel but very very thinly, just to get rid of the 'scratchy' feeling when painting on a dry panel..
josvanr 7 months ago
amazing josvanr you are my teacher ,, really i'm glad that i can learn from you'r work
rainsong89 7 months ago
i liked the little smiley face you hid in the middle! great work as always!
engelteir 7 months ago
@engelteir the work 'has multiple layers of meaning'...
josvanr 7 months ago
great work as always, josvanr
LioeIe 7 months ago
I'm guessing to get that textural effect on the objects, you're dry brushing? I can't really tell :P. Good stuff, nice job with the reflected light.
Cruelhazard 7 months ago
@Cruelhazard Yes on the lower part of the painting (the side of the table) I first applied paint, then later removed some of it with a large dry brush, so empty panel shines through. It gets lighter and the panel structure shows. In the other objects it's mostly just the effect of painting on panel. Every touch is visible so one always sees a texture...
josvanr 7 months ago
god that audio is causing headaches
but nice painting
koron44 7 months ago
@koron44 youtube provides this great feature called the mute button!
LioeIe 7 months ago
@koron44 thinking about adding some bach music, but this track has become more or less my trade mark. (sound from the street in my studio)...
josvanr 7 months ago