Added: 5 years ago
From: auteurgirl
Views: 29,843
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  • what....the....fuck?

  • this is my 2nd fav part

  • anyone who wants to donate can do so now at questioncopyright(dot)org/sita­_distribution

  • This is an inspired approach to feature animation - use under-appreciated public domain music for the soundtrack and adapt a traditional story. Let the resources you can find and afford lead and inspire your creativity. With that formula, you have a starting point for creating a feature film singlehandedly. All you need is time, dedication and talent, which Nina Paley obviously has in spades. This is really a way forward for independent animators. Brava Nina!

  • Problem: music isn't public domain. That's why it can't get a wider release (at least, not yet).

  • I love love love Annette Hanshaw and am so happy about this film being made!

  • very clever, and she did the whole thing almost all by her self! bet her husband feels stupid now that everyone else knows she's awesome now

    <3

  • So "ain't Disney" and makes it very charming. Love the blend of music and art work. Top notch -- hope it wins an award or two at Tribeca - Patrick in London

  • Cute designs! Great synthesis of historic western pop music, eastern comsology, and very original art. Well done, Nina.

  • Smooth as Maria Muldaur in Cambridge silk sinking with the Ceylon Jug band. Arthur C.'s schlock rocket jockstrap bloody on the floor....EASE.

  • I was floored when I met Nina a few years ago, and I discovered she was using the music of Annette Hanshaw for her work. Anette Hanshaw is one of those forgotten singers of the late 20s-early 30s, who should be remembered. Bravo, Nina! You rock. This is wonderful.

  • wats tat red thing on her belly

  • Its her detonate button. Do NOT press!

  • cute and funny^^

  • love it! ::)

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