Added: 4 years ago
From: Onegin65
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  • großartig- eine wundervolle stimme!!

  • onegin65 i dislike corelli! but his surdato i love!! Sorry!!!

  • GRANDE

  • Grandioso

  • Es impresionante! Una de las mejores y quizas la mejor para mi entender en como la canta el maestro BONISOLLI.

  • How did you get this? I can't seem to find it anywhere!

  • I first heard him on a pirate LP of the 1969 La Scala "Siege of Corinth" in which he sang the role of Cleomene, and had no problem keeping up with Sills and Horne in the coloratura department. He soon took on more dramatic roles and I did not hear him in the house until his Manrico at the Met in 1990; he was in spectacular voice that night and sang like a god. Thank you for posting this wonderful video clip!

  • Good voice for this opera but Corelli is still the best by far.

  • Fantastico!!

  • It's safe to say that Bonisolli was on fire singing this! LOL

  • In America, we were not given the opportunity to come to know Mr. Bonisolli , except the few that saw him on stage at the Met. or Washington Opera. His power , range and completely open throat are amazing. Such a true Verdi tenor, great high c's and so very manly. It's a shame his Cd's and video are quite rare.An amazing talent !

  • @TonyRomeoUSA1 He also sang here at the San Francisco Opera. I heard him first as a quite young singer in Traviata. The voice wasn't too big then but he had that easy High C. Maybe twenty years later he was back in Gioconda. Gordon Getty had paid for a new production for Pavarotti. When it was revived they cast Bonisolli. I heard both. Pavarotti had a smoother voice but Bonisolli was more exciting. Pavarotti's live Di Quella Pira wasn't this good.

  • Voce,temperamento e arte scenica fantastici! Franco sei stato un tenorissimo!!! Criticato troppo, Bravissimo!!! Uno dei miei preferiti! Fantastico!!!! Altro che certi tenorucoli del giorno d'oggi!!!

  • Bonsollis performances were exciting but full of tiny flaws. He had a great voice, great range and was enjoyble to listen to. He sang true on the final note of this aria which not many singers could attest to.

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  • Bravissimo Bonisolli ! Un magnifico Manrico con degli acuti da favola. La parte sembra essere stata scritta proprio per la sua voce. Peccato che se ne sia andato così presto. * * * * *

  • Khaaaaaan!

  • GRANDISSIMO!!!!!!!!!!!!!!!

  • уникальнейшая техника и уникальный голос!!!!!!!! уникальный певец!!!!

  • Grande!

  • grandissimo Franco

  • !!!!!SIMPLEMENTE GENIAL!!!!!!!!!!!!!!!

  • wow, beautiful transition to di quella pira. it is much better when it's fast

  • ну, мой пед всегда восхищался, когда бонисоли ещё и произносил чёткое слово на верхнем ДО....шикарный певец со школой на У, природа и техника ему позволяет просто кричать верхнее ДО, щиккарннно!!!!

  • Bonisolli has probably been the best Manrico of the last 40 years. And he proves it here. Who yould sing this aria as the stretta it is? The open shirt though was definitely not the director's idea. Bonisolli was truly in love himself and I was always forced to see his hairy chest, no matter if Manrico, Otello, whomever.

  • @Andreasberlin35 - ick, the open shirt and the hair! NO surprise he was a narcissist.  Great singer, though. He's rocking this aria.

  • Loving the fire in the background. Ha ha!

  • TACA FOGO NELA!

  • The ultimate Manrico. Imagine Domingos carear if Bonisolli sang at the met in the 70's ?

  • Franco Bonisolli con tutta la "virilità" che il ruolo richiede. Temperamento sanguigno.presenza scenica, facilità ad emettere acuti. Sentiamolo nel finale della "Pira" "supportato dalla direzione impareggiabile di Karajan, grande per creare questa tensione emotiva, attraverso tempi sempre larghi ma ben scanditi, effetti sonori strategicamente studiati attraverso posizionamenti particolari( fiati che sembrano venire dal cielo!)fino al "nervosissimo" finale "secco" e potente.Mai sentito così!

  • Great!

  • Awesome!

  • Awesome

  • mitico Bonisolli. Ho ancora nelle orecchie un suo Do durante il concertato del secondo atto di Aida... galleggiava sull'aria facile e squillante.

  • Listen to Franco Corelli

    He was above all tenor in Il Trovatore

  • F. Bonisolli in un'intervista disse : " Con me stesso sono umile perché so che di fronte all'universo sono un nulla, ma quando un sistema commericiasle vuole sfruttarmi, vuole mettermi sotto, io divento arrogante, ribelle, cattivo ( ... )." Altro che pazzo : questo anni fa aveva già capito a che scempio saremmo arrivati oggigiorno. Meraviglioso e immortale : un autentico " cavaliere solitario dagli acuti facili."

  • @Onegin65, Who is the soprano?

  • @tonyhan0903 Kabaivanska

  • @Onegin65 what carreras or bonisolli?

  • carreras is best

  • sin duda alguna la MEJOR!!!!! interpretacion de TODAS!!!!..... mejor que corelli... lanza.... domingo..... pavarotti..... todos son grandes tenores claro.... pero en esta aria binisolli es insuperable!!!!!!!

  • Grande Bonisolli!! To my ears still not as great as the "other" Franco - but - EGAD to have his likes among us today would be a gift from heaven! The soprano looked a great deal like Marilyn Niska...anyone know?? Thanks so for posting this - brings back the remembrance of many of Bonisolli's performances!! Always great - even if frequently over the top!!

  • Extraordinaria potencia

  • Excellent!! Crazy or not, a superb artist. Thanks for posting.

  • Bravo, this version and correlli´s are superb.

  • grande tenore

  • è molto più frenato sulle note rispetto ad altri, soprattutto sugli acuti.

    i "teco corro a morir" sono assolutamente spenti. Non capisco poi perchè sia l'unico che scende sull'ultima ripetizione.

  • Scende perchè così è scritto nella partitura. Comunque non è l'unico. L'ho sentita così anche da Giacomini, Martinucci, Domingo. Cerdo che anche l'essere trattenuto sia una scelta volunta. Bonisolli aveva invece la tendenza ad urlare e ad esibire troppo la voce. Qui invece, forse per merito del direttore, è molto più controllato e con un fraseggio più curato e attento del suo solito

  • great voice.

  • Pazzo or not, he had a tremendous voice.

  • How the hell does he sing an 'm' (as in 'allar'mi) without closing his mouth?? Either he's lipsynching, or this is a technique I don't understand.

  • This is a film, not a live performance.

    ;)

  • Lip synching.

  • all that note duration and... disco shirt and hair!!!

  • He's also wearing a chain with an attached "coin?" Could it be his horoscope sign? That was big in the mid-70's, too.....

  • Certainly one of the greatest Manricos of all time !!! Wonderful dramatic voice, singing with overstatement that fits very well in this opera.

    Excellent !!!

  • qualcuno mi dice se esiste il video dell'opera completa? lei è una giovanissima kabaivanska? thankyou

  • beh...giovanissima... 40 anni li aveva tutti...

    ciao Stefano,

    Giorgio Caoduro

  • Great voice!

  • An outstanding MAESTRO!!!!!!!!!!!!!!!!!!!!!!!­

  • incredible high Do! he is amazing!

  • Outstanding! he IS great!

  • he is good! but I can hear throat notes in his singing but it doesn`t matter, he is very good! I can hear that he knows the vocal school de l`U but a bit deviates from it....all the same...he is magnificent...

  • I am not a fan of Franco Bonisolli, prefere Mario Del Monaco, but inspite of it I have to say, that this is............................­...The best rendition of this aria!

  • Epico.

  • good stuff

  • il migliore di tutti !

  • Beh, non fosse stata scritta ben prima che Bonisolli nascesse direi quasi che è stata composta apposta per lui... ;p

    Forse non l'unico Manrico in assoluto (non so a te ma in questo ruolo mi entusiasma moltissimo anche Corelli; non nomino Del Monaco perchè rischierei d'essere tedioso) ma comunque senz'altro uno dei nomi più luminosi nel panteon dei grandi interpreti dell'opera verdiana

  • E' la voce eroico\drammatica più adatta a tale ruolo assieme a quella di Cecchele...

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  • Ah, lip syncing...

  • Bravo Maestro, Grande. Bravo!!!!!!!!!!!!!

  • Sono commosso da si tanta bravura. ECCEZIONALE

  • Interpretazione a dir poco sublime !

  • great recording

  • Change of heart? :-D

  • haha, yeah. i've learned to appreciate bonisolli...

  • la que aparece es Raina Kavaibanska?

  • FABULOZA VOZ NO LA CONOCIA

  • 10 e lode!

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  • I'm pretty sure he meant to do that.

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  • Well, Bonisolli is fantastic. But does anyone seriously like this aria? What's the point of this piece of music? I mean, I often love Verdi. But this?

  • I do! Not for the lyrics but for the fun of it, it's extremely well written. And really shows off an experienced tenor's voice.

  • with due respect, this may not be othello or another play by shakespeare, but the stretta is one of the great scenes in all of opera. cannot be trumped for drama and tenoral effect.

  • Yes, I like this aria. Verdi's cabalettas are not always inspired and have been cut often over the years...Leonora's, Alfredo's, il Duca's...but never Di quella pira!

  • Il pazzo! =)

  • much nicer than Pavarotti & Co.

  • Where was he when I was going to see Corelli and del Monaco? In Europe, I guess. Is this a film only? He sang it so easily, and in the original key, I thought he might be lip-synching...was he? Either way, he was obviously a magnificent Manrico.

  • It's a movie, everything is dubbed over. However, he has performed this aria live many times if not even better than this.

  • De perfecte Manrico, samen met Correlli. Geen ene huidige tenor die deze kwaliteit heeft. Mannelijk zingen mag niet meer voor de regiseurs.

  • I just love this opera. When somebody gets bad news, they sing long minutes about how quickly they must go and do something...

    "No minute to waste! But in fact, I can remain for a while and sing some high C's..."

    That's what we love in this genre. :D

  • Bellisssimo bonisolli!!Pazzo....bello...se­nsuale...un vero maschio!!

    ankhsnammon

  • crazy man great..........

  • Es muy bueno. Pero por Diorrr la producción con las imágenes de las llamas de fondo y tal... q cutrez.

  • A tenor in every sense of the word. Divo assoluto! He had it all, too. Great singing, looks and presence. Where is a tenor like this today?

  • Nowhere.

    all that we have today are...oh,my..I don't want to be offensive to anyone,but...

    ankhsnammon

  • Ankhsnammon and Operaaddict - I agree with you both! As Pacino said: "It's not a world of men."

    We are being feminized.

  • One does not hear the Da Capo enough. It puts into context the true meaning of the aria. Fantastic!

  • Had beroemder dan Domingo moeten zijn, uitstekenden hoogte.

  • What I wouldn't give...

    :(

  • casi tan bueno como Pavarotti, Luciano, The Best. R.I.P. Maestro

  • in the background, in the di quella pira bit, they change the violin part. instead of

    " (eight note rest) tika ta (eight note rest) ti"

    they have the "ta" replaced by "ti-ti", which sounds better than what verdi actually wrote! a minor fact, but worth noting.

  • in the background in the "al l'armi" bit, with the chorus, are they fighting imaginary enemies? it looks awesome, but when you think about it , its a little retarted, like they couldnt get some more chorus members to come and act as the enemy, anyway, i think thats pretty awesome anyway.

  • Pavarotti4eva - in the mid 70's people were quite naive about what they saw on tv regarding acting so that would pass.

    Nowadays we are just stupid regarding politics, wars and other Zionist rhetoric brigades controlling us but yet we notice when actors look bad on stage. Such is life. :rollseyes:

  • Franco was an great singer in his own right. Perhaps not as accurate or correct in his timing as the greats of his time but still he had an outstanding range and extremely powerful voice.

  • in this video, bonisolli is even more ridiculous than i remember him - and i saw him many time live on stage. he was was a great tenor - and always a tenor's parody at the same time. this vid is the proof!

  • He looks like Elvis when he runs toward the camera @ 1:35

    :-D

  • its amazing how he creates that fire effect in the background with his voice!

  • ROFL!!!

  • bonissoli rules. the best aria  i have ever heard

  • Next to Pav.

  • bizarro

  • best "di quella pira, I've ever heard.

  • No mi dispiace ma la pira di Corelli non la batte nessuno

  • Bélissimo mas o vídeo é cafonérrrrrrrrrrimoooooo!!!!!!

  • Belle performance. Film ridicule.

  • well it was the 70's, you must remember. :D

  • pavarotti in confronto a bonisolli è una ZANZARA!!!!!!!!!!!!!!!!!!!!!

  • ''aaHa'' se fosse vivo!!

  • the best performance of this masterpiece. Such a voice. Wonderfull.

  • Magnifique ténor que je viens de découvrir. Que de talents méconnus pour quelques uns sur médiatisés.

  • Il n'est pas méconnu! Il a chanté longtemps dans les plus grands théâtres! Et une personne folle et généreuse!

  • Yes, he was a great tenor. Thank you so much for putting up this clip...this is one of the better Bonisolli videos on the tube, and one that does not dwell on his well-known eccentricities. Yes, he was a zany character, but in a very likeable way--like a kid showing off. But his serious work was also voluminous and deserves respect.

  • I couldn't say it better, a bit crazy guy, but a great tenor!

  • This guy was so under rated. Unbelievable vocal range. A career that was cut short as Bonisolli died at a young age but still one of the greatest of his time

  • Excelente Bravisimo Maestro! Dios te bendiga.

  • Also the timbre, the style, and the quality of the high notes reminds to Franco Corelli. But Corelli was not so much teatrical. He shows more from the figure and less from his own personallity.

  • that campy style of movie would be made by the alagnas these days...=P

  • Great singer in questo pezzo cosi difficile!!! Bravo

  • great singing. But the special effects are a bit over the top. What are the soldiers doing at the end? Mock Fighting?

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