This post is too rushed, good trolling deserves more love.
Pardon me if I sound like a little twat but even your mom can troll better than that, and that's saying A LOT (two words) since she has to type while I'm having sex with her.
She said I had I nice organ... so I didn't bill her ;]
Oh! how I USE to enjoy sitting at the organ and performing all the works of great composers, until one day I ran into some Music Teachers and life has never ever ........been the same again!
I think you're wrong. Into every generation, each artist has their own defining mark on how they craft their work. ou play this pieve slow. He plays it faster. Marie Claire Allain loved to do frilly ornamentation on her Bach organ pieces, and her German counterparts were about to have a stroke. The point is...each artist is free to explore their own was of expressing their interpretaion of the music, even change it if they so choose. Toscanini's tempo's kept getting faster with age.
No, I think I'm right. The structure of the music dictates how it is to be played. You don't have to tell me anything about interpretation because I am usually the one who stresses the point you made here.
Look at Ton Koopman, he plays it fast but I can still feel emotion. I have set tempo for this piece. Why? Because I want to find the best one so that people can hear the counterpoint and polyphony at work.
I am afraid you have no idea what you're talking about. No offence intended of course.
I suppose each 'artist' is 'free to explore their own ways of expressing....' but that doesn't IN ANY WAY mean that the results are what the composer had in mind. I personally do not believe in 'interpretation.' 'Interpretation' is an excuse for not knowing ABOUT the music - particularly its structure and style.
This comment has received too many negative votesshow
I like your video but I think that you are stretching the tempo to much. The ground beat is a little bit to fast for me. For exampe the part 1:48 - 1:50 sounds pretty ridiculous actually. It´s suppose to symbolize Jesus being crucifeid. It have to "sound" like you are nailing him up on the cross. You kind of make it sound like jesus jogging in an alley full of beautiful trees:P (excessive)
I agree with you on the stretching of the tempo, but where on earth did you get the idea that "it's suppose to symboolize Jesus being crucified."? Bach's music is to performed at the will of the performer, with absolutely no true "correct" way to do so. It's an interesting interpretation, but it does not "have" to sound in any one way.
most of bach's music has deep theological symbolism. symbols ranging from time signatures such as 3/2 symbolizing the Trinity and Christ's dual nature, to a counter-melody wrapping around the melody to represent the serpent in the garden of eden in "durch adam's fall ist ganz verderbt". the concept of music being performed at the will of the performer is a romantic idea, which was developed 100 or so years after the death of bach. bach would have wanted a traditional interpretation.
I thik like "tastenmensch12" ! The triller are to fast ! Try to play this peace more cleary it's mixed and you can't hear every tone clearly ! It must be more regularly but you can give accents and make some highlits in this piece !
I agree, for 1,5 year it's quite good. I have the same piece as you play, but when I try to look it up through the browser, it can't find it...although I have it in "My Videos". Maybe you can help me?
try to play the solo not so ramantically!It's bach.try to keep the tempo, don't give so many accents.Play the solo without many feelings quite like a machine.Perhaps you like what i mean.
"Play the solo without many feelings quite like a machine."
What?!?!? If your going to perform music without feelings - then let a machine do it. It will do it better. Without feelings there is no point for the musician.
Sorry! I didn't knew that you're just playing organ since an year and half ago. In this case, I must give my congratulations, because you're going pretty well so far. The fugue is more complicated. On the last page, you have to articulate both hands with both feet and...it's a bit more laborious...So, you have problems with your pedal tecnique...I know a book which has a lot of pedal exercices. It's the "Gradus et Parnasum" of Remondi. Did you ever heard about it?
I desagree from your interpretation. Bach is not from the Romantic, he is from the Baroque style... You play it on a tempo rubato exagerated. In spite of that, you have good manual tecnique but your feet aren't so well...I'm playing this work too.
Sorry for my feet technic, I know it's still poor:) I have began learning organ since 1.5 year ago, till now, the feet interpretation is till very very difficult for me, sorry:)
this prelude is so fun to play. i played it last saturday at my first Mass. my teacher says that this one must have a definate tempo, but to squeeze the broken chords and "interesting points" as long as possible. then it gets a very dramatic baroque organ effect. you sound very very good. les orgues francais sont incroyables!
I play this prelude (and fugue) at my local church. I think the pedal introduction needs some work, and the tempo is a little too fast, and the rallentandos are exaggerated. You play it in kind of romantic fashion but this is a baroque piece. I also disagree with the choice of registers, I think there needs to be a dominance of mixtures, just a classic "plenum" sound.
Considering this is a French instrument, the Mixtures won't add quite the same sound you'd expect. There's nothing wrong with playing it in a romantic fashion, Virgil Fox did it. Diane Bish does it. Keep up the good work!
Sorry that I've misunderstood your meaning:) sorry for my poor English:p I just wanted to tell you that this organ which I played is in my school in Paris:) That's so great you've played on Cavaille-Coll organ!! I hope I can visit that church in Copenhagen one day:)
Welcome! this organ was built by Aristide Cavaillé-Coll in the concert hall of "Schola Cantorum", a music school in Paris, 40 jeux; the detail i'll check after the vacation, thank you!
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@advisorC101
This post is too rushed, good trolling deserves more love.
Pardon me if I sound like a little twat but even your mom can troll better than that, and that's saying A LOT (two words) since she has to type while I'm having sex with her.
She said I had I nice organ... so I didn't bill her ;]
squeakysneakerdj 2 years ago
Oh! how I USE to enjoy sitting at the organ and performing all the works of great composers, until one day I ran into some Music Teachers and life has never ever ........been the same again!
Chesterbarnes1 2 years ago
Its too fast, this piece deserves more sympathy. Even-time.
Forgive me if I sound rude but even I can play this piece better and me compared to you.. is saying allot.
Nice organ though, who is the builder?
advisorC101 2 years ago
I think you're wrong. Into every generation, each artist has their own defining mark on how they craft their work. ou play this pieve slow. He plays it faster. Marie Claire Allain loved to do frilly ornamentation on her Bach organ pieces, and her German counterparts were about to have a stroke. The point is...each artist is free to explore their own was of expressing their interpretaion of the music, even change it if they so choose. Toscanini's tempo's kept getting faster with age.
youhavegottabejoking 2 years ago
No, I think I'm right. The structure of the music dictates how it is to be played. You don't have to tell me anything about interpretation because I am usually the one who stresses the point you made here.
Look at Ton Koopman, he plays it fast but I can still feel emotion. I have set tempo for this piece. Why? Because I want to find the best one so that people can hear the counterpoint and polyphony at work.
I am afraid you have no idea what you're talking about. No offence intended of course.
advisorC101 2 years ago
Forgive my typo, I meant "I have NO set tempo for this piece".
advisorC101 2 years ago
I suppose each 'artist' is 'free to explore their own ways of expressing....' but that doesn't IN ANY WAY mean that the results are what the composer had in mind. I personally do not believe in 'interpretation.' 'Interpretation' is an excuse for not knowing ABOUT the music - particularly its structure and style.
organman52 2 years ago
Or rushing through it while we're on that note.
advisorC101 2 years ago
Comment removed
squeakysneakerdj 2 years ago
WTF?
afertyus1000 2 years ago 3
Beautifully performed - thank you - Lance
organpipe8 2 years ago
This comment has received too many negative votes show
I like your video but I think that you are stretching the tempo to much. The ground beat is a little bit to fast for me. For exampe the part 1:48 - 1:50 sounds pretty ridiculous actually. It´s suppose to symbolize Jesus being crucifeid. It have to "sound" like you are nailing him up on the cross. You kind of make it sound like jesus jogging in an alley full of beautiful trees:P (excessive)
tjugofyra 3 years ago
I agree with you on the stretching of the tempo, but where on earth did you get the idea that "it's suppose to symboolize Jesus being crucified."? Bach's music is to performed at the will of the performer, with absolutely no true "correct" way to do so. It's an interesting interpretation, but it does not "have" to sound in any one way.
baroquian1685 3 years ago 3
Comment removed
tjugofyra 3 years ago 2
most of bach's music has deep theological symbolism. symbols ranging from time signatures such as 3/2 symbolizing the Trinity and Christ's dual nature, to a counter-melody wrapping around the melody to represent the serpent in the garden of eden in "durch adam's fall ist ganz verderbt". the concept of music being performed at the will of the performer is a romantic idea, which was developed 100 or so years after the death of bach. bach would have wanted a traditional interpretation.
tiernan87 2 years ago
This is 100% true!!!
The rythms and the chords points out that it's Jesus crucifiction bach wants to describe!
tjugofyra 2 years ago
Complimenti!!!
simonegnt91 3 years ago
Pedal work! Pedal work yes!!!! Keep up!
Chesterbarnes1 3 years ago
I thik like "tastenmensch12" ! The triller are to fast ! Try to play this peace more cleary it's mixed and you can't hear every tone clearly ! It must be more regularly but you can give accents and make some highlits in this piece !
MrWanamaker 4 years ago
had to be a japanese. lol
tage92 4 years ago 3
i love the register you are using
sooo haunting=]
poptart777 4 years ago 3
I agree, for 1,5 year it's quite good. I have the same piece as you play, but when I try to look it up through the browser, it can't find it...although I have it in "My Videos". Maybe you can help me?
mannickpol 4 years ago
i can see your clip!
it seems that you already found the way:]]] bravo!!!^^
composerpan 4 years ago
try to play the solo not so ramantically!It's bach.try to keep the tempo, don't give so many accents.Play the solo without many feelings quite like a machine.Perhaps you like what i mean.
Very goood for the short period of time!!!Go on!
tastenmensch12 4 years ago
"Play the solo without many feelings quite like a machine."
What?!?!? If your going to perform music without feelings - then let a machine do it. It will do it better. Without feelings there is no point for the musician.
czarnick123 3 years ago
Sorry! I didn't knew that you're just playing organ since an year and half ago. In this case, I must give my congratulations, because you're going pretty well so far. The fugue is more complicated. On the last page, you have to articulate both hands with both feet and...it's a bit more laborious...So, you have problems with your pedal tecnique...I know a book which has a lot of pedal exercices. It's the "Gradus et Parnasum" of Remondi. Did you ever heard about it?
geheimnisvolle 4 years ago
I didn't know that book:p I will go to scores shop to look for it:) I just put Fugue for you, please give me your opinion, thank you!!:)
composerpan 4 years ago
When do we have the fugue?
geheimnisvolle 4 years ago
soon:)
composerpan 4 years ago
I desagree from your interpretation. Bach is not from the Romantic, he is from the Baroque style... You play it on a tempo rubato exagerated. In spite of that, you have good manual tecnique but your feet aren't so well...I'm playing this work too.
geheimnisvolle 4 years ago
Sorry for my feet technic, I know it's still poor:) I have began learning organ since 1.5 year ago, till now, the feet interpretation is till very very difficult for me, sorry:)
composerpan 4 years ago
The fugue following this prelude is one of the most amazing pieces Bach wrote.
reonat 4 years ago
Excellent work! I loved it. So you get to play on a Cavaillé-Coll? You can imagine how jealous I am! Keep up the great work. :)
NWalterstorf 4 years ago
this prelude is so fun to play. i played it last saturday at my first Mass. my teacher says that this one must have a definate tempo, but to squeeze the broken chords and "interesting points" as long as possible. then it gets a very dramatic baroque organ effect. you sound very very good. les orgues francais sont incroyables!
kirschenman 5 years ago
I play this prelude (and fugue) at my local church. I think the pedal introduction needs some work, and the tempo is a little too fast, and the rallentandos are exaggerated. You play it in kind of romantic fashion but this is a baroque piece. I also disagree with the choice of registers, I think there needs to be a dominance of mixtures, just a classic "plenum" sound.
PraeludiumUndFuge 5 years ago
Considering this is a French instrument, the Mixtures won't add quite the same sound you'd expect. There's nothing wrong with playing it in a romantic fashion, Virgil Fox did it. Diane Bish does it. Keep up the good work!
caddyorganist 5 years ago
and it is situated in Cobenhagen .. :)
911fo 5 years ago
not far from Cobenhagen:p in Paris actually:)
composerpan 4 years ago
nope, Cavaille-coll .. in copenhagen.
911fo 4 years ago
In fact, it's the name from Aristide Cavaille-Coll, the great organ builder:) You can find more information on Wikipedia:)
composerpan 4 years ago
yeah and what?
I know he is french, but there is a organ by him in Copenhagen. I have playd that instrument. Thats why I know it is in Copenhagen
911fo 4 years ago
Sorry that I've misunderstood your meaning:) sorry for my poor English:p I just wanted to tell you that this organ which I played is in my school in Paris:) That's so great you've played on Cavaille-Coll organ!! I hope I can visit that church in Copenhagen one day:)
composerpan 4 years ago
Can you write something about this organ?
ViniciusLoncanis 5 years ago
Welcome! this organ was built by Aristide Cavaillé-Coll in the concert hall of "Schola Cantorum", a music school in Paris, 40 jeux; the detail i'll check after the vacation, thank you!
composerpan 5 years ago