It seems they were on tour in New Orleans. They went to a large restaurant and somehow he seated himself in the "colored" section. A waiter came to him and said "You cannot sit here. This is Colored only"
Whereupon Monteux replied
"M'Sieur....I AM Colaird! I am PINK!
Everyone erupted in laughter and Monteux was served where he sat.
When i saw the female flute principle(in 1959!) i immediately
thought Doriot Anthony Dwyer, but dismissed it due to the date. When in 1974, as a student at Tanglewood, i heard her play the Prokofieff sonata, and she looked very much the same!
Don't know if anyone else has posted this story. In his old age, Monteux dyed his hair, but not, for some reason, his mustache. He was an approachable guy, and someone asked him "How is it your mustache is white, but the hair on your head is black?" He smilingly replied "Because ze 'air on my head, has not had ze same experiences!"
Such a treasure trove of old faces in another time--yet not really SO long ago. I especially like Gino Cioffi the principal clarinetist--probably the last player in a major symphony orchestra to use the bright, sweet glass mouthpiece.
I have been curious about what Monteux's conducting looked like. In his letter to Matthijs Vermeulen of 1929 he wrote the couldn't get a good impression of the composer's 3rd symphony as he didn't play the piano (!) and should first hear it with the orchestra. Imagine the conductor who premiered the Sacre not being able to play the piano! It has always made me wonder how he then studied the score (probably first with Stravinsky playing it for him?).
I've just bought Monteux on vinyl. Beethoven's fourth symphony on Victrola. Exellent! I will buy much more of this. You have every reason to be proud of your ancestry!
@kirkmonteux - Kirk: Are you aware that some of your great-grandfather's RARER recordings are now available? I mean the 1929/Paris Conservatoire performance of Stravinsky's Rite of Spring, and others.
I agree with you; his unforced musicality is amazing. His late recordings with the London Symphony are unmatched, especially the Ravel DAPHNIS, Elgar ENIGMA VARIATIONS, and Tchaikovsky SWAN LAKE. I've never heard an orchestra makes sounds like those heard on those recordings! This excerpt is marvelous; he gets the BSO to sound like great chamber music players.
I have a great story abou the Maestro.
It seems they were on tour in New Orleans. They went to a large restaurant and somehow he seated himself in the "colored" section. A waiter came to him and said "You cannot sit here. This is Colored only"
Whereupon Monteux replied
"M'Sieur....I AM Colaird! I am PINK!
Everyone erupted in laughter and Monteux was served where he sat.
Hiram2you 3 months ago
This has been flagged as spam show
Hey everyone!
I'm a composer from Pittsburgh interested in film scoring. Please check out my music and let me know what you think!
rkotcher 7 months ago
The man in the top right corner at 1:26 is my great-grandfather! :)
cpaulskier16 9 months ago
Was that a LADY flutist?
In what year?
1401JSC 1 year ago
This absolutely amazing!!
igalbras 1 year ago
Seated next to Ms. Dwyer in the flute section, the venerable Jimmy Pappoutsakis.
ibriveadus 2 years ago
I saw George Zazovsky!
minacciosa 2 years ago
This is flutist Doriot Anthony Dwyer, no question about it.
dasteufelhund 2 years ago
When i saw the female flute principle(in 1959!) i immediately
thought Doriot Anthony Dwyer, but dismissed it due to the date. When in 1974, as a student at Tanglewood, i heard her play the Prokofieff sonata, and she looked very much the same!
stevekindler 2 years ago
Don't know if anyone else has posted this story. In his old age, Monteux dyed his hair, but not, for some reason, his mustache. He was an approachable guy, and someone asked him "How is it your mustache is white, but the hair on your head is black?" He smilingly replied "Because ze 'air on my head, has not had ze same experiences!"
Wcross34 2 years ago 3
Such a treasure trove of old faces in another time--yet not really SO long ago. I especially like Gino Cioffi the principal clarinetist--probably the last player in a major symphony orchestra to use the bright, sweet glass mouthpiece.
ipmoic 2 years ago
It is so weird to see my grandfather playing here -- he's in the cello section.
mdstategirl 2 years ago 2
Doriot Anthony Dwyer !
naiki9 2 years ago
Thanks for putting this up!
I have been curious about what Monteux's conducting looked like. In his letter to Matthijs Vermeulen of 1929 he wrote the couldn't get a good impression of the composer's 3rd symphony as he didn't play the piano (!) and should first hear it with the orchestra. Imagine the conductor who premiered the Sacre not being able to play the piano! It has always made me wonder how he then studied the score (probably first with Stravinsky playing it for him?).
carminum 3 years ago
but what is that giant thing in Pierre's right hand?
Jafuet 4 years ago
Thank you for sending these wonderful DVDs
Great job
kirkmonteux 4 years ago
I am so glad to find my great-grandfather here.
This is a wonderfull collection. Thank you.
Kirk Monteux
kirkmonteux 4 years ago 11
Wow. The music gene runs in your family.
It must have been fun for him to be on the podium at that Le Sacre premiere. :)
nibelungensohn 4 years ago
I've just bought Monteux on vinyl. Beethoven's fourth symphony on Victrola. Exellent! I will buy much more of this. You have every reason to be proud of your ancestry!
keramikk 3 years ago 2
yes i am
kirkmonteux 3 years ago
@kirkmonteux - Kirk: Are you aware that some of your great-grandfather's RARER recordings are now available? I mean the 1929/Paris Conservatoire performance of Stravinsky's Rite of Spring, and others.
jhb134 11 months ago
It's not Part 4. That's supposed to be the real version of the Shrovetide fair.
Otherwise, it's a great performance. Some parts were too fast, but otherwise it was fine.
Which version was it?
HerrWozzeck 4 years ago
I do. My LP contains part of the rehearsal as well.
billinrio 4 years ago
I think Pierre Monteux is THE best conductor of the 20th century! This is just great!
I wonder if some of you know the 1962 recording of the Eroica symphony (beethoven) with the Concertgebouw orchestra... You should listen...
vanesseveld 4 years ago 8
I agree with you; his unforced musicality is amazing. His late recordings with the London Symphony are unmatched, especially the Ravel DAPHNIS, Elgar ENIGMA VARIATIONS, and Tchaikovsky SWAN LAKE. I've never heard an orchestra makes sounds like those heard on those recordings! This excerpt is marvelous; he gets the BSO to sound like great chamber music players.
billyguns2 4 years ago
Here here. I stumbled upon that Eroica a while ago. One of the best Eroicas I've heard along with the mono Klemperer and the live Scherchen.
nibelungensohn 4 years ago