A metronome only provides a fixed, rigid, relentless pulse; therefore any metronome markings on sheetmusic cannot accurately communicate the pulse, swing, or groove of music: The pulse is often not regular e.g. in accelerando, rallentando; or in musical expression as in phrasing (rubato, etc.).
This is a missconception when using a metronome, a performer like for example Horowitz had a super "pulse feel" many years of practising with a metronome gets a "inner clock", so that YOU controll the pulse not the other way around... When playing rubato or music with alot of ritardandos and accelerandos it is even more important to have a good "pulse feel", and you can only get it from practising with a metronome, ironic, lol...
i think you do a very nice job on taking your time to shape phrases. however, give your melody a direction listen to it very carefully when you play it. i think at around 50 secs you should feel your piece become a little tense and at 1 13 or so you should feel a climax. let your melody sing more and give it movement.
No help on the fact that i hit the wrong keys and that the end is too short LOL more on technical issues and phrasing. Look at my faces and the way i shake my head as i play, hahaha lol, that was mainly the reason why i uploaded this clip(i really had no idea i made those faces).
Good job, quit the unecessary face expressions.
ImmortalSpecies 8 months ago
Great job!!! Keep up the good work!!!
xheidenx 1 year ago
nice, but dont use a metronome, NOT good for your musical mind at all . Would love to hear this in good quality
RemovdSande11 1 year ago
@RemovdSande11
LOL
Sorry, but only Chopin himself used a metronome for his practising and teaching..
So you are claming that Chopin, Vladimir Horowitz, Franz Liszt etc had a "bad musical mind" ???
krokigrygg 1 year ago
A metronome only provides a fixed, rigid, relentless pulse; therefore any metronome markings on sheetmusic cannot accurately communicate the pulse, swing, or groove of music: The pulse is often not regular e.g. in accelerando, rallentando; or in musical expression as in phrasing (rubato, etc.).
RemovdSande11 1 year ago
@RemovdSande11
This is a missconception when using a metronome, a performer like for example Horowitz had a super "pulse feel" many years of practising with a metronome gets a "inner clock", so that YOU controll the pulse not the other way around... When playing rubato or music with alot of ritardandos and accelerandos it is even more important to have a good "pulse feel", and you can only get it from practising with a metronome, ironic, lol...
krokigrygg 1 year ago
Sorry for the bad grammatic and spelling, lol..
krokigrygg 1 year ago
Haakon --I thought you were brilliant at 53. I'm learning this piece right now and I think you sound great!
suzearl 2 years ago
i'm trying to learn the right hand on guitar. it sounds really cool
almaster0 3 years ago
i think you do a very nice job on taking your time to shape phrases. however, give your melody a direction listen to it very carefully when you play it. i think at around 50 secs you should feel your piece become a little tense and at 1 13 or so you should feel a climax. let your melody sing more and give it movement.
chopinheart 3 years ago
I agree! Next time i will be playing on a grandpiano..:=)
krokigrygg 3 years ago
well, your test seems to work...you've successfully used YouTube.
I can't help you with this one...I don't know it, but I think we have the same metronome. HA!
Thanks for posting. (This was a studid comment, sorry)
MaryRuth72 3 years ago
Want help on the performance, tips etc.
No help on the fact that i hit the wrong keys and that the end is too short LOL more on technical issues and phrasing. Look at my faces and the way i shake my head as i play, hahaha lol, that was mainly the reason why i uploaded this clip(i really had no idea i made those faces).
krokigrygg 3 years ago
"i really had no idea i made those faces)."
Neither did David Helfgott.
jjp009 1 year ago