I think it is great! I really like the optional slamming of the piano lid. It does not go much further out there atonally than other modern symphones. I am still finding this very pleasant. I will keep in mind to stress the key melodies even within the atonal sections. Thanks!
From the whole set of variations my favourite remained the theme. In some of the variations you hardly hear melody with all those atonal passages, glissandoes, hammered clusters and very much use of pedal, which makes the music horrible. Of course, that is my own opinion. I don't want to mock someone.
@tomekkobialka Yes, I was waiting for the end. Oh well. I just started playing the piano again and for some reason, this composition seemed like a good place to start up again. I really am enjoying the variations.
@listenwhatisayoh, I will keep an open mind. Have you heard the interpretation by Ursula Oppens (to whom Rzewski dedicated the piece) that is also available here on YT? I think the contrasts are stronger and it has more vitality.
I don't agree the performance is that grand. The contrasts are too weak. Look at Rzewski's directions in the score. Hamelin is a fantastic technician who lacks heart and vision, absolutely the problem with contemporary highly trained musicians. Each of the highly distinct sections of this piece has pretty much the same feeling and dynamic range. That is not how I hear Rzewski's score.
@stochasticactus You obviously have not listened to one of his Chopin interpretations yet. You should hear his recording of the Sonata No. 2, and if it's just the first movement.
However, in my opinion, this performance is emotionally and dynamically very deep.
I like Hamelin better than other pianists, who disregard timing and technique or composure for the sake of emotion, and those who disregard feeling and emotion for the sake of technique/timing. I think Hamelin is the perfect compromise.
@listenwhatisayoh There is no compromise with Hamelin, just pure perfection, since he has better technique than any cold "robot" and a deeper musical understanding and feeling than lots of "fake-emotive" pianists as lang lang.
Thanks for posting this entire set! I just heard this live in Manchester played by Benjamin Powell, an excellent young English pianist, and this gave me a chance to cement my grasp of the structure while the performance was still fresh in my mind (and of course Hamelin is amazing).
I do love this recording, but I heard Stephen Drury play this piece live and it was the most stunning live performance I've ever seen or heard. I highly recommend his recording, too, for anyone who's interested.
where is Ursula Oppens when u need her! Webern,Berg who is that before 7th var. not Rach? Must find out who Rz studied with. This is rally one of the great variations. Up there with Diabelli!
@LopezDeLoyola Saint-Saens was a bad conductor, too, and he knew it so much that he sometimes told his musicians before starting "lead me well, gentlemen" (conduisez-moi bien, messieurs)!
the first variation is clearly 'taken' from Webern's piano variations, but not all variations sound familiar to me. does anybody has a list of the compositions to which each variation refer?
A wonderful work. My preference in recording in U. Oppens, The composer makes his personal mark on his HatART recording (accurate, yet a tad rough). and Hamelin - what can I say, he seems to "make a very nice pudding out of a pie recipe". The Pudding may taste great, yet eating the Pie might be the most rewarding way to go.
one of the best things I've ever listened to
nzmklc 3 days ago
He is so cool for this one
cedricrlongreen 2 weeks ago
@Trollscience1 But some of them are really ingenius!
emopz13 1 month ago
Vive la Révolution, camarades! A bas la finance internationale et l'ultralibéralisme qui met notre économie dans la main des marchés.
Vive la République. Le peuple uni ne sera jamais vaincu.
XVIIIProductions 1 month ago
I think it is great! I really like the optional slamming of the piano lid. It does not go much further out there atonally than other modern symphones. I am still finding this very pleasant. I will keep in mind to stress the key melodies even within the atonal sections. Thanks!
gretchenlowe126 1 month ago
From the whole set of variations my favourite remained the theme. In some of the variations you hardly hear melody with all those atonal passages, glissandoes, hammered clusters and very much use of pedal, which makes the music horrible. Of course, that is my own opinion. I don't want to mock someone.
emopz13 1 month ago
muy bueno de verdad, es un maravilloso tema y que bueno que no se pierda, saludos desde chile
wolfkire 4 months ago
I LOVE POINTILISM SO FREAKING MUCH!!!
FusionSummit 6 months ago
Excelente interpretación de este tema, que de ser una canción chilena paso a ser un himno mundial por la libertad. Saludos desde Chile.
realtiempo 6 months ago 2
@realtiempo Si es un razon que aprender por supuesto! Saludos y tu!
gretchenlowe126 1 month ago
splitting the YT videos into sections of six variations each would've been better for this (keeping in mind the piece's overall structure)
great upload though :D
ChibiRaikou 7 months ago
@ChibiRaikou I had to keep under the 10 minute video limit :(
tomekkobialka 7 months ago 3
@tomekkobialka Yes, I was waiting for the end. Oh well. I just started playing the piano again and for some reason, this composition seemed like a good place to start up again. I really am enjoying the variations.
gretchenlowe126 1 month ago
@listenwhatisayoh, I will keep an open mind. Have you heard the interpretation by Ursula Oppens (to whom Rzewski dedicated the piece) that is also available here on YT? I think the contrasts are stronger and it has more vitality.
stochasticactus 7 months ago
I don't agree the performance is that grand. The contrasts are too weak. Look at Rzewski's directions in the score. Hamelin is a fantastic technician who lacks heart and vision, absolutely the problem with contemporary highly trained musicians. Each of the highly distinct sections of this piece has pretty much the same feeling and dynamic range. That is not how I hear Rzewski's score.
stochasticactus 7 months ago
@stochasticactus You obviously have not listened to one of his Chopin interpretations yet. You should hear his recording of the Sonata No. 2, and if it's just the first movement.
However, in my opinion, this performance is emotionally and dynamically very deep.
I like Hamelin better than other pianists, who disregard timing and technique or composure for the sake of emotion, and those who disregard feeling and emotion for the sake of technique/timing. I think Hamelin is the perfect compromise.
listenwhatisayoh 7 months ago
@listenwhatisayoh There is no compromise with Hamelin, just pure perfection, since he has better technique than any cold "robot" and a deeper musical understanding and feeling than lots of "fake-emotive" pianists as lang lang.
ZioJafar 5 months ago 2
@ZioJafar yeah lang land does not have the emotion to trulyt appreciate a work like this
2hyeok 4 months ago
This is fantastic.
musoderelict 7 months ago
this man plays everything
newFranzFerencLiszt 8 months ago
Thanks for posting this entire set! I just heard this live in Manchester played by Benjamin Powell, an excellent young English pianist, and this gave me a chance to cement my grasp of the structure while the performance was still fresh in my mind (and of course Hamelin is amazing).
gerbss1 11 months ago
Comment removed
XAttaHabibX 1 year ago
@XAttaHabibX ......well........go and listen only the theme by Inti Illimani......
kandinskaya 1 year ago
@XAttaHabibX u don't like variations?
lukeydargons 10 months ago
I do love this recording, but I heard Stephen Drury play this piece live and it was the most stunning live performance I've ever seen or heard. I highly recommend his recording, too, for anyone who's interested.
pmarq32 1 year ago
Hamelin has such a marvelous, sonorous golden tone. His sound reminds me of Artur Rubinstein and Dinu Lipatti, but with Horowitz' technique.
brozors 1 year ago
Amazing, thanks for sharing.
boomchuckaboom 1 year ago
Variation 5 is incredible
playingmusiconmars 1 year ago
I love Inti Illimani and Rzewski!
MarcheseCadmio88 1 year ago
This piece resounds with greater relevance and impact now - in light of the Chilean miners being freed after all those days underground.
People United ... Will Never Be Defeated
notsure002 1 year ago 4
where is Ursula Oppens when u need her! Webern,Berg who is that before 7th var. not Rach? Must find out who Rz studied with. This is rally one of the great variations. Up there with Diabelli!
lovesGenet 1 year ago
where is Ursula Oppens when u need her!
lovesGenet 1 year ago
Var. 7 for president!
Kegrath 1 year ago 2
Is Chilean :D
JbugueS 1 year ago 4
after hearing this i think carl vine should go and play with his first piano sonata in the sand pit
junobostock 1 year ago
absolutely THE best recording of the piece out there!
patricioapaez 1 year ago 31
@patricioapaez no one does anything better than hamelin, except horowitz sometimes
huzzzzzzahh 11 months ago
Variation 7 rocks
AcePro 1 year ago
Im happy to be a Pole, and im happy that there such talented peoples like Rzweski :)
masterpuma 1 year ago
@LopezDeLoyola Saint-Saens was a bad conductor, too, and he knew it so much that he sometimes told his musicians before starting "lead me well, gentlemen" (conduisez-moi bien, messieurs)!
123coolmik 1 year ago
I'm usually not into the modern style of composing, but I really like this song. Variation 7 is amazing.
Daftpunkfan123 1 year ago 2
@Daftpunkfan123 Daft Punk is modern.
cybertooth49 1 year ago 3
Comment removed
Daftpunkfan123 1 year ago
@cybertooth49 Ain't that the truth?
JupiterIV 1 year ago
Amazing! Thanks for sharing.
pelodelperro 1 year ago
the first variation is clearly 'taken' from Webern's piano variations, but not all variations sound familiar to me. does anybody has a list of the compositions to which each variation refer?
80aless 2 years ago
There's a part of this piece online with Rzweski playing it himself, and and i think it's better than this recording, but that's only to be expected.
hanspellegrims 2 years ago
Really? I like this one more than Rzewski's own recordings that I've heard, although I like Takahashi and Drury more than Hamelin or Rzewski.
John11inch 2 years ago
A wonderful work. My preference in recording in U. Oppens, The composer makes his personal mark on his HatART recording (accurate, yet a tad rough). and Hamelin - what can I say, he seems to "make a very nice pudding out of a pie recipe". The Pudding may taste great, yet eating the Pie might be the most rewarding way to go.
EuriskoLontano 2 years ago
Hamelin does a giant job on this.
madmodpo 2 years ago 29
@madmodpo
where does he not?
FliegendeHollaender 4 weeks ago