beyond my poor powers to add or ... with all of his other gifts and talents, his voice's TIMBER, its strengthening with passion and conviction as his character urges his troops on to glory ... Love 'em all, Bjoerling, Corelli, Del Monaco, Carreras, Placido, Mario Lanza ... and then there's Luciano ... thanx Moorhe.
His voice was at its peak when the Maestro sang this. No tenor in the world could even come close..., not then, nor for many, many years thereafter. Even later in life, Pavarotti remained my favorite. Only when death silenced him did I look around for another to replace Pavarotti's great voice and presence, but alas, no one was there. Now the Maestro sings only unto God. And the angels weep with the joy that once wetted our tears as we listened.
I don't know if this recording was taken on stage or not. But it's sure that in 1977 Luciano pavarotti sang that role on the stage of San Francisco Opera. It's proved by the San Francisco Opera Archive online.
@Andreone333 Just read the credits above. It is listed as that very performance. And your question was? These SF performances were his first live Calafs and Caballe's debut (live) in the title role. The MET was to bring them both to NY on Opening Night a season or two later.I had a tickets for several of these in NY! Sadly, a strike scuttled these plans and they never sang this opera together at the MET.
Amazing preformance and bone-chilling sound in this song (as it should be) but I couldn't help but literally laugh out loud for a couple minutes as I saw that picture. I know it was the 70s but still, couldn't they pick something a little more formal. Seeing if that was what he wore in that concert that night.
@AdelioAltomar I don't think the 70s had anything to do with his wardrobe in the picture. I'm pretty sure that was just the costume that he wore for his role during the actual opera. In other words, it's his opera character's costume, not his own outfit he'd wear for recital concerts :) (That would explain why he's not in a tux.)
Cela ne peut-être une représentation car on ne pourrait tronquer le partition de cette manière; c'est forcément d'un concert dont il s'agit. Je pense d'ailleurs que Luciano P. n'a jamais chanté le rôle, beaucoup trop lourd pour lui; mais dans cet air, il est, à mon sens, sans équivalent...et cela risque de durer un bon moment !
I saw this performance live at SFO. It was so awesome I actually went to four different performances. The music after the aria was not removed. It was standard practice for the conductor and orchestra to stop as they were always overwhelmed with audience applause which often lasted several minutes. Then, after the applause subsided, the score continued. And no it was NOT lip-synced. One of the best performances I ever saw.
i disagree the best version was the final performance in turin olympics. as ihe was telling us it was his final concert and he sang magnificently you can hear it in his emotions
@IsCumaFut2 he recorded that weeks before because it was impossible to sing in the cold weather, he lip-synced the wholel thing. stunning, but not his best
Oh man. I've watched several versions of this entire Opera in the past few months including the one shown at the Met in NY this year with Marcelo Giordani and this is by far the best Nessun Dorma I've heard.
Para mí es éste el mejor performance que Luciano dio en Nessun DOrma. Un sonido redondo, viril, encajaba el tempo dentro de donde va en la partitura. Un canto ligado, generoso y sentido. Un final genuino y glorioso, sin exageraciones, hizo el tempo perfecto.
This is indeed distorted-- Pavarotti's timbre is far too dark here. It's amazing what a tiny pitch distortion does to the color of a voice-- as it's not a whole semitone flat, as you said, HMW.
mooorhe - there is no argument here. this is a quarter-step flat. and, as we know, pavarotti definitely did not have it transposed, especially to an impossible value (b-flat and a half). the audio is slowed down. also, the tessitura of his voice here seems much lower than it ever was, even at the end of his life, which further points to the fact that the audio is distorted.
This is from the opera stage? Weird.. the ending of it is like in a concert or something, as we know, the real nessun from opera will directly continued with melodies of the next scene.. there is no pause at all.
The short passage of music after the tenor completes the aria is removed as well. I'm guessing that Pavarotti knew he wouldn't be able to sing above the orchestra, so he had it changed a bit. It also allows applause for him if they do it that way. I'm pretty sure this is from the opera stage, yes.
What happens on staged opera performances (unlike studio recordings) is they don't follow Puccini's score and end the aria after the ending "Vinceró!" high notes. So that the audience will be allowed the opportunity to applaud the tenor. Not just Pavarotti.
Over the time that I've been listening to YouTube I've listened to many versions of this aria or many singers, and I have to say, it really IS Pavarotti's aria, no one else can quite hold up to him on this one!
You said it. Perhaps with the exception of the 1979 recital with Joan at the Met, this might be the best version on Youtube. Still waiting on Mooorhe to post the encore performance of this aria from 1976. Hah, take your time Mooorhe.
Moorhe, do you or any others who have posted many Pavarotti titles (GermanOperaSinger, Onegin65 to name a couple) have a Nessun Dorma before 1977?! I would like to hear Pavarotti when he could "blast" this song. Studio or live, no matter.
I looked through my collections and the earliest I could find was 1976 as an encore of a recital.
He was much more lyric back then, so he didn't 'blast it' as much but sang it with all his lyrical beauty.
For studio recordings, he did a 1972 studio recording of Turandot with Sutherland which has a very nice Nessun Dorma which I can't post on YouTube due to copyright regulations.
Don't think he should have done this role really...in the house...in studio he did a great one with Sutherland. But beautiful rendition and very good expression here, not like his rather monotonous ones in the 3 tenors concerts in the 90s.
Shit, he sounds great here. I agree though, in the 1990's it seemed like he didn't have the same passion. Then again, it must have been the 100,000th time he sang it at that point. His high notes were more airy(if thats a word) and not as full and rich sounding as it once was. Aging is a bitch.
The audo is O.K. moorhe, there's nothing wrong with it...But it's fairly quiet since I had to turn up my speakers to like 3/4 the knob to hear it good.
I don't think the audio is distorted. His voice is dark, yes... And I think that the orchestra was doing strange things that evening, seeing as both Caballe and Pavarotti's voices were quite small in 1977, they didn't have the orchestra playing full blast, as you can hear at the end here. I don't think the orchestra is playing lower though.
beyond my poor powers to add or ... with all of his other gifts and talents, his voice's TIMBER, its strengthening with passion and conviction as his character urges his troops on to glory ... Love 'em all, Bjoerling, Corelli, Del Monaco, Carreras, Placido, Mario Lanza ... and then there's Luciano ... thanx Moorhe.
atlatahuac 2 months ago
Amazing!!!
Liditus138 2 months ago
Ridiculous!! Just plain Ridiculous!
nagone11 4 months ago
the most beautiful tenor voice ever
indgiu 5 months ago 3
Brilliant version, brilliant tenor!
FCBayern221553 5 months ago
His voice was at its peak when the Maestro sang this. No tenor in the world could even come close..., not then, nor for many, many years thereafter. Even later in life, Pavarotti remained my favorite. Only when death silenced him did I look around for another to replace Pavarotti's great voice and presence, but alas, no one was there. Now the Maestro sings only unto God. And the angels weep with the joy that once wetted our tears as we listened.
mermew 5 months ago 5
Best version I think !
alghanimreem 7 months ago 2
i think this is other version of turandot, im not sure lol
Ipausestuff 8 months ago
I don't know if this recording was taken on stage or not. But it's sure that in 1977 Luciano pavarotti sang that role on the stage of San Francisco Opera. It's proved by the San Francisco Opera Archive online.
Andreone333 9 months ago 2
@Andreone333 Just read the credits above. It is listed as that very performance. And your question was? These SF performances were his first live Calafs and Caballe's debut (live) in the title role. The MET was to bring them both to NY on Opening Night a season or two later.I had a tickets for several of these in NY! Sadly, a strike scuttled these plans and they never sang this opera together at the MET.
eastsunrise 3 months ago
Amazing preformance and bone-chilling sound in this song (as it should be) but I couldn't help but literally laugh out loud for a couple minutes as I saw that picture. I know it was the 70s but still, couldn't they pick something a little more formal. Seeing if that was what he wore in that concert that night.
AdelioAltomar 1 year ago
@AdelioAltomar I don't think the 70s had anything to do with his wardrobe in the picture. I'm pretty sure that was just the costume that he wore for his role during the actual opera. In other words, it's his opera character's costume, not his own outfit he'd wear for recital concerts :) (That would explain why he's not in a tux.)
Entertainer114 3 months ago
Cela ne peut-être une représentation car on ne pourrait tronquer le partition de cette manière; c'est forcément d'un concert dont il s'agit. Je pense d'ailleurs que Luciano P. n'a jamais chanté le rôle, beaucoup trop lourd pour lui; mais dans cet air, il est, à mon sens, sans équivalent...et cela risque de durer un bon moment !
bpicaud1 1 year ago
I've listened to many performances of his, but this "sulla tua bocca lo diro" made my jaw drop. His voice was truly a gift from God.
wickedphant0m 1 year ago 3
Cantata bene, ma un semitono sotto!
Wolts1983 1 year ago
I saw this performance live at SFO. It was so awesome I actually went to four different performances. The music after the aria was not removed. It was standard practice for the conductor and orchestra to stop as they were always overwhelmed with audience applause which often lasted several minutes. Then, after the applause subsided, the score continued. And no it was NOT lip-synced. One of the best performances I ever saw.
cdbrewer49 1 year ago 5
Is that the costume he was wearing for this production?It makes him look like a game show host!...Thankfully the wonderful singing transcends it!
PhilipFairweather 1 year ago
i disagree the best version was the final performance in turin olympics. as ihe was telling us it was his final concert and he sang magnificently you can hear it in his emotions
IsCumaFut2 2 years ago
@IsCumaFut2 he recorded that weeks before because it was impossible to sing in the cold weather, he lip-synced the wholel thing. stunning, but not his best
followthehatecrewild 1 year ago
lo que daría por haber estado ahi!!!!!!!!!
ezev8logos 2 years ago
Perfecto. Best version of Nessum Dorma i've heard. Best of those by Pavarotti of course too.
Ysphen 2 years ago
You cut off the applause too early :(
Redboy4 2 years ago
WoW!!!
babystinky 2 years ago
Oh man. I've watched several versions of this entire Opera in the past few months including the one shown at the Met in NY this year with Marcelo Giordani and this is by far the best Nessun Dorma I've heard.
Pavarotti was amazing.
saradamsmc 2 years ago 2
Best performance ever!
Nockturnmortem 2 years ago
voce fuori repertorio !
bodiloto 2 years ago
Penso come lei. grazie
tena2 2 years ago 7
No one can level with him
toni14744 2 years ago 4
Para mí es éste el mejor performance que Luciano dio en Nessun DOrma. Un sonido redondo, viril, encajaba el tempo dentro de donde va en la partitura. Un canto ligado, generoso y sentido. Un final genuino y glorioso, sin exageraciones, hizo el tempo perfecto.
rococallas 2 years ago 3
This has been flagged as spam show
this was probably his best performance
HappyTunaFishies 2 years ago
Que voy Dios mio que voz, precioso, precioso finalll el mejor de lejos gracias Pavarotti!!!!! pero que alto pusiste la valla!!!
kunfusinger 2 years ago 3
Sin palabras...
No words...
michel9017 2 years ago 2
PAVAROTTI IL NUMERO 1
LSlevin1 2 years ago 11
This is indeed distorted-- Pavarotti's timbre is far too dark here. It's amazing what a tiny pitch distortion does to the color of a voice-- as it's not a whole semitone flat, as you said, HMW.
Footlancer 3 years ago 2
mooorhe - there is no argument here. this is a quarter-step flat. and, as we know, pavarotti definitely did not have it transposed, especially to an impossible value (b-flat and a half). the audio is slowed down. also, the tessitura of his voice here seems much lower than it ever was, even at the end of his life, which further points to the fact that the audio is distorted.
HMW 3 years ago
This is from the opera stage? Weird.. the ending of it is like in a concert or something, as we know, the real nessun from opera will directly continued with melodies of the next scene.. there is no pause at all.
hansquad 3 years ago 2
The short passage of music after the tenor completes the aria is removed as well. I'm guessing that Pavarotti knew he wouldn't be able to sing above the orchestra, so he had it changed a bit. It also allows applause for him if they do it that way. I'm pretty sure this is from the opera stage, yes.
Mooorhe 3 years ago 3
What happens on staged opera performances (unlike studio recordings) is they don't follow Puccini's score and end the aria after the ending "Vinceró!" high notes. So that the audience will be allowed the opportunity to applaud the tenor. Not just Pavarotti.
Milordvega 1 year ago
@Mooorhe Quit guessing.That was great!
tenorvoice50 1 year ago
Words are so pitiful compared to the Maestro's performance. This was the song of the BBC 1988 World Cup broadcasts. Awesome!
fongchaynun 3 years ago
Yes, Nessun Dorma was the aria used in the 1988 World Cup broadcasts.
Nater389 3 years ago
This is an excellent rendition of Nessun Dorma for a tenore lyrico singing in a spinto role!
TheInquisitive4Ever 3 years ago
I agree completely 4Ever.
Nater389 3 years ago
you re right, So good for a lyrics tenor
dclb1942 2 years ago
Over the time that I've been listening to YouTube I've listened to many versions of this aria or many singers, and I have to say, it really IS Pavarotti's aria, no one else can quite hold up to him on this one!
novice1959 3 years ago
You said it. Perhaps with the exception of the 1979 recital with Joan at the Met, this might be the best version on Youtube. Still waiting on Mooorhe to post the encore performance of this aria from 1976. Hah, take your time Mooorhe.
Nater389 3 years ago
Moorhe, do you or any others who have posted many Pavarotti titles (GermanOperaSinger, Onegin65 to name a couple) have a Nessun Dorma before 1977?! I would like to hear Pavarotti when he could "blast" this song. Studio or live, no matter.
Nater389 3 years ago
I looked through my collections and the earliest I could find was 1976 as an encore of a recital.
He was much more lyric back then, so he didn't 'blast it' as much but sang it with all his lyrical beauty.
For studio recordings, he did a 1972 studio recording of Turandot with Sutherland which has a very nice Nessun Dorma which I can't post on YouTube due to copyright regulations.
Mooorhe 3 years ago
Can you post the 1976 encore performance please? After all, it would be the earliest version yet posted and a new version for all to listen to.
Nater389 3 years ago
I'll post it this week, after I finish up some other things and respond to another request.
Mooorhe 3 years ago
Great, thanks Mooorhe.
Nater389 3 years ago
Perhaps next week then.
Nater389 3 years ago
My apologies, by 'this week', I meant this current week. I'm sorry it's not up yet, I have got other priorities.
Mooorhe 3 years ago
Understand completely...Just giving you a hard time.
Nater389 3 years ago
I'd be willing to bet the audio is a bit off. Seems a smidge to slow and too low.
Nater389 3 years ago
I found out that it is a quarter step flat from another user. Not much though.
Mooorhe 3 years ago
Man I thought that didn't sound quite right. Do you have the software to speed it up to regular speed?
Nater389 3 years ago
Don't think he should have done this role really...in the house...in studio he did a great one with Sutherland. But beautiful rendition and very good expression here, not like his rather monotonous ones in the 3 tenors concerts in the 90s.
GermanOperaSinger 3 years ago
Shit, he sounds great here. I agree though, in the 1990's it seemed like he didn't have the same passion. Then again, it must have been the 100,000th time he sang it at that point. His high notes were more airy(if thats a word) and not as full and rich sounding as it once was. Aging is a bitch.
Nater389 3 years ago
It sounds a *tad* flat, to be honest.
ExVash 3 years ago
The audo is O.K. moorhe, there's nothing wrong with it...But it's fairly quiet since I had to turn up my speakers to like 3/4 the knob to hear it good.
wiidontreallywanna 3 years ago
Scratch that Moorhe there was a button on my computer to turn it up hahahaha.
wiidontreallywanna 3 years ago
VERY GOOD AND A NICE B
pearlmuth3 3 years ago
audio bad
zzzLUCIANOzzz 3 years ago
I think the audio quality is actually quite good, what makes you say it's bad?
Mooorhe 3 years ago
He sounds tip-top to me.
Rangerpjonwebx 3 years ago
is this playing slowly too? his voice is extremely dark and the orchestra seems lower too...
OettingerCroat 3 years ago
I don't think the audio is distorted. His voice is dark, yes... And I think that the orchestra was doing strange things that evening, seeing as both Caballe and Pavarotti's voices were quite small in 1977, they didn't have the orchestra playing full blast, as you can hear at the end here. I don't think the orchestra is playing lower though.
Mooorhe 3 years ago