This is such a dream. It looks "easy" (for a talented person) but this is still on a completely different level. I love how it looks in 2nd minute the most ^^
@suntanners het meeste borstel ik erop met kwasen van Xenos. Dit is varkenshaar (hog) maar minder hard dan de 'kwaliteits'-kwasten die ik ken. Ze hebben de goeie lengte (lang haar). Meestal maak ik ze nog wat platter door er aan de zijkanten haren af te knippen. De kwaliteit is idd niet heel goed, soms moet ik de bus met plakband vastplakken. Maar ik ken geen andere kwast die kan wat deze kan. Verder gebruik ik nog Vincent ('ox hair'), 1 marterharen sleper en een kleine runderhaar kwast.
@josvanr Dank U. Zie dat je ook Helen Van Wyk leest, ze is echt heel goes in stil leven zoals jij. Ben bezeg me OPEN Acryl, alhoewel ik zo jaloers ben op olieschilders waar d olie zo lang nat blijft, mischien verander ik naar olie op een dag. Dank voor al de mooie videos.
Always shines much light in your paintings! It seems to me that your art is in the midst of realism and impressionism, is the best thing. Lights, shadows and contours blend.
hey I notice you are handling your values and paint in general really well. My question to you is: how do you prevent your painting from becoming muddy when painting wet into wet. A lot of times even when I try to add a dark or light accent (for example, the deep cast shadow underneath the lemons) they usually come out very grey and not as dark as I would like. Same goes for color accents as well, where the color sort of blends with the paint rather than stay on top. Any advice?
@greg90pl Hmm it sounds as if you are using low-pigmented paint, ie. student quality. With this kind of paint it is difficult to paint wet into wet, as it contains too much oil and filler, so not enough capacity to cover paint that is already there. I use Old Holland paints, with that one its easy to paint over. For my palette, please cf the faq on my site (josvanriswick. com). Alternatives are Williamsburg or maybe Rembrandt and Winsor & Newton Artist Grade paint...
This is such a dream. It looks "easy" (for a talented person) but this is still on a completely different level. I love how it looks in 2nd minute the most ^^
TheANBart 1 month ago
I can't stop watching these videos; these would go good with some music! You have such inspiring artwork
nessieanderson 3 months ago
So beautiful!!! I've just discovered your site. Thanks so much!! Blessings always, Cl-Marie
ClMarie 4 months ago
You're too good.
It's not fair :-)
hushcolours 5 months ago
Calculating back from the number of snapshots: 13.6 hours. But this is not counting breaks, interruptions etc...
josvanr 6 months ago
How many hours did this take?
TheLMack 6 months ago
Brilliant.
alankingwell 6 months ago
Fab as always. Could you please show us how you set up your still lifes for painting including the light source etc. Thanks
KittyTempleton 7 months ago
@KittyTempleton hi, please see my blog (see the link in the description of this movie)...
josvanr 7 months ago
Welke borstels gebruik je AUB. Hog bristle?
suntanners 7 months ago
@suntanners het meeste borstel ik erop met kwasen van Xenos. Dit is varkenshaar (hog) maar minder hard dan de 'kwaliteits'-kwasten die ik ken. Ze hebben de goeie lengte (lang haar). Meestal maak ik ze nog wat platter door er aan de zijkanten haren af te knippen. De kwaliteit is idd niet heel goed, soms moet ik de bus met plakband vastplakken. Maar ik ken geen andere kwast die kan wat deze kan. Verder gebruik ik nog Vincent ('ox hair'), 1 marterharen sleper en een kleine runderhaar kwast.
josvanr 7 months ago
@josvanr Dank U. Zie dat je ook Helen Van Wyk leest, ze is echt heel goes in stil leven zoals jij. Ben bezeg me OPEN Acryl, alhoewel ik zo jaloers ben op olieschilders waar d olie zo lang nat blijft, mischien verander ik naar olie op een dag. Dank voor al de mooie videos.
suntanners 7 months ago
very nice
have you any face book page so tell us please
thanx for sharing the post
please tell us the colours also thanks
mudassatgold 7 months ago
genial he
15rolitasdeamor 7 months ago
Always shines much light in your paintings! It seems to me that your art is in the midst of realism and impressionism, is the best thing. Lights, shadows and contours blend.
gio59con 7 months ago
... and notice how the light reflections on the lemon fool the camera. Fantastic!
gio59con 7 months ago
hey I notice you are handling your values and paint in general really well. My question to you is: how do you prevent your painting from becoming muddy when painting wet into wet. A lot of times even when I try to add a dark or light accent (for example, the deep cast shadow underneath the lemons) they usually come out very grey and not as dark as I would like. Same goes for color accents as well, where the color sort of blends with the paint rather than stay on top. Any advice?
greg90pl 7 months ago
@greg90pl Hmm it sounds as if you are using low-pigmented paint, ie. student quality. With this kind of paint it is difficult to paint wet into wet, as it contains too much oil and filler, so not enough capacity to cover paint that is already there. I use Old Holland paints, with that one its easy to paint over. For my palette, please cf the faq on my site (josvanriswick. com). Alternatives are Williamsburg or maybe Rembrandt and Winsor & Newton Artist Grade paint...
josvanr 7 months ago 3
@josvanr I always wondered the same thing - thanks!
gorgonramsay 4 months ago
I love the bottle! I wish we could see your live subject?
KMayflower 7 months ago
@KMayflower Hi, you mean a photo of the setup? I just uploaded one on my blog, the link in the description of this movie....
josvanr 7 months ago
amazing
jeffhaer 7 months ago