Wow!!! What a voice! His high notes sound so clear, nearly like a tenor. I like it! Better than so many "barking" Baritones nowadays! That's a Belcanto-singer!!!
His style is a bit bloodless, the timbre [colour] ever-so-slightly monotonous, but the quality [texture] is pure silk, his legato flawless. He sings the real cadenza as written, a rare occurrence. A fine disk. But he needs a little more testosterone.
Heinrich Schlusnus is the lyric baritone who, above all others (though Janssen and Husch also come to mind), is the German bel canto equivalent of Giuseppe de Luca. His smooth delivery in this aria also recalls that of Merrill, except that the latter--as well as Warren--had a huskier sound. Thanks, Doug, for this wonderful example of his voice and artistry.
@meltzerboy I'd put Warren, Mac, Milnes in one group and Merrill with a very big voice, great line and with a voice of such natural beauty that I can only compare it to Stracciari in another -Merrill didn't havequite the blazing top of the others but generally I found him a boring singer except on those rare occasions when someone pushed him Let's not forget another Amer miracle Tibbett of course the ultimate miracle among baritones Titta Ruffo maybe Doug could offer some of his recordings?
More famiiar with his lieder-never heard this-always a liability to hear a lyric Ital aria in Germ, even when done with such ease, eloquence and taste
Thanks for the opportunity to hear this
While I appreciate the values he brings I do prefer the true Verdi baritone sound with its mixture of lyricism, darkness and ability to soar on the line-and I don't just mean a huge top
Can't help but think of the late C MacNeil in his prime as a perfect example of the voice type -unbeatable live!
@Labienus I know what you mean in terms of the vibrancy and color of the true Italian Verdi baritone. Sorry to hear of the passing of the truly great Cornell MacNeil. I heard him live and his voice and phrasing were exceptionally beautiful. Later on, he developed a wobble, but in his prime, only Robert Merrill was comparable.
@meltzerboy Yes, MacNeil just died a few weeks ago at 88-received a moderately good amount of attention-given that he stopped 25 yrs. ago, and in that time classical music has nearly vanished as a general cultural marker. It was a huge voice with a volcanic top = of Warren's, and yet could spin out a line, and include written ornamentation. Wobble,among other problems did develop later,and may have sung too long. But too much emphasis on that-even later any given night could be extraordinary
Beautiful singing, even if it is in German and not Italian. He has a beautiful ring to the top of the voice, blended elegantly with the lower portion as well. A great singer all around. Thanks for posting, dear Doug.
Mr.Schlusnus for me is an example of golden middle: he has everything needed to be a success and nothing extra, very,too much,etc....He is devoted to good music and to his own style. Deserves respect and admiration.
Magnificent! Glorious legato singing, beautiful vocal quality and splendid diction. What more could you ask? I had forgotten his excellence - thank you so much for reminding me. Vivian
Conte di Luna may be the villain in the story, but he is also a man very much in love. Schlusnus is one of the few who got the balance right in his rendition of the aria. Moreover, his legato singing is superb. Many thanks, Doug, for posting and sharing.
The high tessitura of Verdi's baritone parts did not seem to bother Schlusnus. One writer (perhaps, Steane again) commented that Schlusnus was one of several well known baritones (John Chales Thomas was another) who negotiated higher songs and arias with so much ease that they might have been tenors, in potential, choosing to "play it safe" and add length of career rather than vocal height to their singing.
Wow!!! What a voice! His high notes sound so clear, nearly like a tenor. I like it! Better than so many "barking" Baritones nowadays! That's a Belcanto-singer!!!
Amfortas1985 1 month ago
His style is a bit bloodless, the timbre [colour] ever-so-slightly monotonous, but the quality [texture] is pure silk, his legato flawless. He sings the real cadenza as written, a rare occurrence. A fine disk. But he needs a little more testosterone.
AulicExclusiva 6 months ago
Excellent...thank you for posting!!
MrCafiero 6 months ago
DOUG ~ This is no doubt one of the most absolutely beautiful baritone voices from the entire legacy of sound recordings, Bravo to you too! ANDY
andyrawn 6 months ago
Absoluthely great!
immortellino 6 months ago
I'm amazed that a singer of this exceedingly high caliber has escaped my attention until now. Thanks Doug!
minacciosa 6 months ago
Heinrich Schlusnus is the lyric baritone who, above all others (though Janssen and Husch also come to mind), is the German bel canto equivalent of Giuseppe de Luca. His smooth delivery in this aria also recalls that of Merrill, except that the latter--as well as Warren--had a huskier sound. Thanks, Doug, for this wonderful example of his voice and artistry.
meltzerboy 6 months ago
@meltzerboy
Oh, most welcome... my pleasure, Nate... thank YOU!
CurzonRoad 6 months ago
@meltzerboy I'd put Warren, Mac, Milnes in one group and Merrill with a very big voice, great line and with a voice of such natural beauty that I can only compare it to Stracciari in another -Merrill didn't havequite the blazing top of the others but generally I found him a boring singer except on those rare occasions when someone pushed him Let's not forget another Amer miracle Tibbett of course the ultimate miracle among baritones Titta Ruffo maybe Doug could offer some of his recordings?
Labienus 6 months ago
More famiiar with his lieder-never heard this-always a liability to hear a lyric Ital aria in Germ, even when done with such ease, eloquence and taste
Thanks for the opportunity to hear this
While I appreciate the values he brings I do prefer the true Verdi baritone sound with its mixture of lyricism, darkness and ability to soar on the line-and I don't just mean a huge top
Can't help but think of the late C MacNeil in his prime as a perfect example of the voice type -unbeatable live!
Labienus 6 months ago
@Labienus I know what you mean in terms of the vibrancy and color of the true Italian Verdi baritone. Sorry to hear of the passing of the truly great Cornell MacNeil. I heard him live and his voice and phrasing were exceptionally beautiful. Later on, he developed a wobble, but in his prime, only Robert Merrill was comparable.
meltzerboy 6 months ago
@meltzerboy Yes, MacNeil just died a few weeks ago at 88-received a moderately good amount of attention-given that he stopped 25 yrs. ago, and in that time classical music has nearly vanished as a general cultural marker. It was a huge voice with a volcanic top = of Warren's, and yet could spin out a line, and include written ornamentation. Wobble,among other problems did develop later,and may have sung too long. But too much emphasis on that-even later any given night could be extraordinary
Labienus 6 months ago
Beautiful singing, even if it is in German and not Italian. He has a beautiful ring to the top of the voice, blended elegantly with the lower portion as well. A great singer all around. Thanks for posting, dear Doug.
cantorandopera 6 months ago
Good morninbg Doug ... and as always thank you. Your trove of interesting musical items seems to be unending.
rupepill 6 months ago
Excellent! Good voice, well producted, stylitically spot-on. Nice to hear the little grupetti smoothly produced. Yes, very well done!
EdmundStAustell 6 months ago
Thank you, Doug. Extraordinary voice. Great work on the video. Maya
mayatatyana1 6 months ago
Glorious voice, great legato and extremely easy high notes. An outstanding singer.
Herur22 6 months ago
Mr.Schlusnus for me is an example of golden middle: he has everything needed to be a success and nothing extra, very,too much,etc....He is devoted to good music and to his own style. Deserves respect and admiration.
SuperLuckydream 6 months ago
It´s quite strange to hear this aria sung in German! Anyway, voice sounds huge! Beauty of tone!
listeningtoit 6 months ago
Thank you for this wonderful introduction to Schlusnus's amazing artistry!
HM0880 6 months ago
A magnificent performance.Exactly as I love it sung.TY Doug for this exceptional posting.
paulostroff99 6 months ago
muy bonito, un placer.
saludos
jose
acordeonhobby 6 months ago
Magnificent! Glorious legato singing, beautiful vocal quality and splendid diction. What more could you ask? I had forgotten his excellence - thank you so much for reminding me. Vivian
stuartliff 6 months ago
@stuartliff
As always... thank YOU, Vivian!
CurzonRoad 6 months ago
@stuartliff Likewise. Schlusnus's vocal magic compels one to believe that German must be the original language and the Italian is the translation.
eclecticdufus 4 weeks ago
Conte di Luna may be the villain in the story, but he is also a man very much in love. Schlusnus is one of the few who got the balance right in his rendition of the aria. Moreover, his legato singing is superb. Many thanks, Doug, for posting and sharing.
dantitustimshu 6 months ago 2
@dantitustimshu
Years and years ago, this recording was my first encounter with Il balen... and it's still wonderful. Thank you, Tim!
CurzonRoad 6 months ago
The high tessitura of Verdi's baritone parts did not seem to bother Schlusnus. One writer (perhaps, Steane again) commented that Schlusnus was one of several well known baritones (John Chales Thomas was another) who negotiated higher songs and arias with so much ease that they might have been tenors, in potential, choosing to "play it safe" and add length of career rather than vocal height to their singing.
rupepill 6 months ago
@rupepill
Good evening, Rob, and thank you!
CurzonRoad 6 months ago
Thanks Doug !!!
:-)
francesca7564 6 months ago
@francesca7564
Thank YOU, Francesca!
CurzonRoad 6 months ago