@agingbeauty Please tell her that her voice is extraordinary and what a WONDERFUL contribution she has made to the art of singing. I would give my left *#$% to have such a voice and to be able to use it with such grace and class. Maria must surely be proud
What an exiting masterclass !! I love Sheila Nadler's voice, so passionate and generous. Callas advices are very precise, honnest and kind, and it seem really helpful to the student. Callas is very implicated in her role, and she succeed to make Sheila Nadler give her best.
A Godness of voice and interpretation!! Callas had not a liked timbro ( it was mettalic and strenge) But her technique was perfect on her. Her interpretations was drammatic and realistic. A idol of music
"You should always be beautiful" really means that the singer by this time has the role "in voice" and shouldn't be freaked out over note values. Otherwise they have not rehearsed properly. For an actor to "prepare" means every aspect of the character is accounted for, and no less, probably more, for an opera singer. I sang in Paris with just 2 songs and I rehearsed them 8-10 times a day for 4 weeks. When I went out I was able to ad lib with the public before, and the songs sang themselves.
She is the teacher singers need. SO many teachers are disparaging, She really imparts knowledge rather than just putting students down. Teachers (and singers) should take note.
GOOD NEWS dear Callas fans!!!! Striker capitulates! The automated production of feces is over. He's a nervous wreck because the great Filaredo gang has destroyed the white knight on his black donkey. Striker, you are alone in a hopeless plight!Go home and lick your wounds!!! Hoohooohaahaahhhaaa..... what a wonderful world...!!! Striker is only a picture of misery.....LOL
GOOD NEWS dear Callas fans!!!! Striker capitulates! The automated production of feces is over. He's a nervous wreck because the great Filaredo gang has destroyed the white knight on his black donkey. Striker, you are alone in a hopeless plight!Go home and lick your wounds!!! Hoohooohaahaahhhaaa..... what a wonderful world...!!! Striker is only a picture of misery.....LOL
Callas once briefly considered performing Amneris during her active career, but as was said at the time, "What soprano on the face of this earth would DARE sing Aida to Callas' Amneris?" One truly believe it. Callas would have mopped up everyone on the stage as Amneris....for sure!
@raigekimaru You ware so right. Callas' Amneris would have have been a lawnmower and ANY soprano's ass would have been the grass. No soprano in her right mind would have sung Aida to Callas' Amneris. But what a thrill it would have been to have heard the great Divina sing this wonderful role. Callas' Amneris would have walked off with the whole show - no matter WHO else was singing.
@raigekimaru Not really - Callas reveled as a woman scorned - look at Medea. Whatever the case, had she sung Amneris, she STILL would have had the last word in the opera ===== "Pace" . She'd have had the opportunity to finish the opera with one of those fabulous Callas low chest notes! I wish she'd have at least recorded some of Amneris' music, possibly the Aida/Amneris interview scene, the Rhadames confrontation Scene, and of course the Judgement Scene.
mmhmm, Corelli + Callas = GOLD!!! and actually I was just kidding, we both know that would be totally ridiculous if they changed the opera that much =P
@raigekimaru I consider Callas to be THE vocal artist of the Twentieth Century, which doesn't mean that I don't admire others like Milanov, Caballe, Price, Tebaldi, Sutherland, and of course, Nilsson. However ---- Callas possessed something that no one else did -- magic, excitement, phrasing, conviction, musicianship, and to my ears, an outstanding vocal endowment, especially between 1953-1960. Even after that, she recorded some amazing stuff! La Divina forever!
@raigekimaru - I doubt whether Callas ever knew real happiness or satisfaction as a human being. Her work was her life and her life was her work. She's left a legacy that will forever be the bar by which others will be judged. In a way, she's done us no favor because she has no successors. There was no one like her before and none like her after. I mean...... her Norma, Medea, Lucia, Traviata, Anna Bolena, Pirata, Lady Macbeth, Sonnambula, Rosina, Armida......can opera go any further???
AMAZING! I like listening to Callas teaching her how to sing this piece! Everything she tells her is so very true, especially when encouraging her to pay attention to what the words mean.
Agingbeauty,nobody's exploring here. The student is very capable of singing this role and the comment of Callas is friendly and professional,the way you speak to a colleague. She works on interpretation,not on registers. Amneris is difficult,because of the tessitura and the powerful character, where you got your conclusions is anybody's guess! You can't conclude what the student felt or what Callas was thinking. Anyway,any Amneris-singing mezzo can learn a lot from this post,so thanks Foropera!
Dear Charlotte, learn some French. My name suggests I'm not a soprano. There are other voicetypes too. Also you can conclude I am an Amneris singing mezzo if you take time to read before you comment. Mine was a reaction on Agingbeauty's comment. In my reaction I am saying the same you are saying. You probably haven't seen Agingbeauty's reaction because he or she removed it. If you had, you would have agreed with me.
excellent post! I agree with everything, just one correction on the video description please: Medea IS a royal princess, she is no Santuzza or Manon Lescaut!
Well about Medea, I thought that her quality of goddess, grandaughter of the Sun was proeminent on her royalty,and in the idea of Callas, I would believe that would have separated a civilized Egyptian princess from a barbarian one;-). But, yes, she is the daughter of the king of Colchydia.
Yes, she was a princess, I wouldn't call her barbarian though, I wouldn't call Aida barbarian either (she was a princess too, no?).
Also I meant that musically she is more noble than Santuzza. Let's not forget that Cherubini's Medea belongs to Classisism and is closer to Norma, Armida, La Vestale etc, rather than the Verismo roles of Santuzza, Nedda, Iris, Suor Angelica, Minnie.... (I don't know where exactly to place Amneris in all this).
It is wonderful to hear Callas - the intelligence above all, but her total understanding of each word. The moments when Callas bursts into song are splendid, and perfect. She says, 'You should look beautiful always...' a great piece of advice!
This is not commenting any mail in particular but quite in general. I am shocked as to how many silly persons seem to know it all about singing. In Master Classes no prima donna can make anything to CREATE TALENT. There are many people who criticize real divos and they are forty and have not sung a single note in an opera house. Nothing is too much for them to criticize ! Callas, Nilsson, Domingo. Why don't you admit your mediocrity instead of throwing mud ?
There are so many absurd responses here. It proves the dictum that stupid people should not even be allowed to praise good ones. Kallas was in full command of her Art. Her confidence stems from virtue, and her knowledge. Her ideas about the beautiful, and display of the passions with taste are unmatched. You crickets! You always have to make some noise, and put in your 2 cents. Plebians, you rocks, you stones, you worse than senselss things. Tacete.
operacollector needs 2 take his pyschosis pills & stop bashing the most RADIANT HISTORIC ARCHANGEL to ever grace the art of Music. Even 30 years after her death.. Maria Callas lives & forever will live on.
Callas was full of flaws, wobbly high Cs, ugly screaming voice, horrendous technique that cracked most of the time, let's not mention her monotonous high notes, unlike sutherland's ringing ones. hmmm let's see what else?
she lost her e-flat in 1955, she produced bizarre sounds in many coloratura passages (example: the Ah! si in saprgi d'amaro that became hooo! si) and they call her "la divina", and a dramatic coloratura! ¿?
If you dislike her so much why bother coming here to slam her. Many of us have an entirely different opinion to yours but we won't try and ram our views down your throat.
You have no right to say anything. Tragedy should never look ugly - that is perfect. That shows taste, supreme, sublime. She was an artist, and she knew what you haven't the slightest idea about: Art. Art must always avoid the ugly, especially in tragedy. What taste! What judgement! (No response please. Know your place, you worm!)
hey, operacollector....why are you so angry with the world? Callas left an invaluable legacy to art, passion and honesty in her interpretations...why slamming her like that?
You are such an idiot if you do not like it do not listen to her!! She is wonderful!!! Not perfect but a true genius!!! If you want to insult her do it elswhere !!!Please!!!
As soon as you placed that comment, users suddenly bustled in ATTACKING BACK AT YOU! Do you realize that? I'm not saying you should like Callas. I only ask that you respect her.
There is always ONE Callas. Must be. In lucky times (sometimes) even TWO. Otherwise how is a field to go on? It dies. Excellence inspires and (with the proper student) breeds: excellence. You must search for it (or change fields): Best Wishes.
Interesting how over the course of one year a jjcbss can turn into yogamilan. Amazing! I can imagine the difficulty of finding your St. Augustine in this secular age, but remember that Callas came orbiting out of nowhere when bel canto had been declared all but dead. Good luck. Keep searching.
Can you imagine Callas telling you, "Nothing is impossible. Not for *you*..."? It's like in the Rigoletto master class when she told the baritone, "You've got the voice and you can do it." It's the kind of thing you'd remember for the rest of your life.
She was warm and positive, which I think at that time was a great and real proof of generosity; cause she was suffering hard of loosing her own life, her own voice.
The simple difference between the two singers is that Sheila was of course a great artist but Callas was a genius; that is to say that as Blake said the genius start where rules stop!
Eh? Eh? Eh? Intimidating and self-aggrandizing. Nadler seems to know more than the instructor, reminding her about breaths, phrasing, etc. If you want an example of a good master class, listen to Domingo or Milnes.
The proof of the pudding lies in the singing. We hear the impressive Nadler improve before our very ears. If such improvement is the price one must pay for self-aggrandizing intimidation; Avanti (but thanks for the Domingo-Milnes tip)
And If only Callas had recorded Amneris. How incredible that would have been !
janejones11 3 months ago
She's a wonderful teacher. Great insights.
janejones11 3 months ago
WHAT A VOICE!!!!!!
vitroz 5 months ago
Comment removed
agingbeauty 5 months ago
Comment removed
vitroz 5 months ago
@agingbeauty Please tell her that her voice is extraordinary and what a WONDERFUL contribution she has made to the art of singing. I would give my left *#$% to have such a voice and to be able to use it with such grace and class. Maria must surely be proud
vitroz 5 months ago
What an exiting masterclass !! I love Sheila Nadler's voice, so passionate and generous. Callas advices are very precise, honnest and kind, and it seem really helpful to the student. Callas is very implicated in her role, and she succeed to make Sheila Nadler give her best.
tetrazzini 1 year ago
Madame Nadler is rising to every challenge that Madame Callas presents. Amazing clip!
voceangelo 1 year ago
just hearing her voice say "nothing is impossible....don't give me that" makes me cry. i needed to see this
pointemeout 1 year ago 3
Nice Masterclass, from a real master...
SandrineSoprano 1 year ago
A Godness of voice and interpretation!! Callas had not a liked timbro ( it was mettalic and strenge) But her technique was perfect on her. Her interpretations was drammatic and realistic. A idol of music
Sorrentodellesirene 1 year ago
What an Amneris Callas would have made.
georgerannie 1 year ago
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@georgerannie I KNOW! i dream about it everyday.
ciociosan 1 year ago
thank you for posting this. i listening this video like every 2 months. its really relaxing me.
VisualGrower 1 year ago
@VisualGrower : relaxing you? :-) Good!
foropera 1 year ago
Thank You for posting... So interesting, and so much to learn!
tenorcarlos 1 year ago
"You should always be beautiful" really means that the singer by this time has the role "in voice" and shouldn't be freaked out over note values. Otherwise they have not rehearsed properly. For an actor to "prepare" means every aspect of the character is accounted for, and no less, probably more, for an opera singer. I sang in Paris with just 2 songs and I rehearsed them 8-10 times a day for 4 weeks. When I went out I was able to ad lib with the public before, and the songs sang themselves.
sillyboydeux 2 years ago
that's one lucky girl, callas as her teacher!
jrr1234567890 2 years ago 3
She is the teacher singers need. SO many teachers are disparaging, She really imparts knowledge rather than just putting students down. Teachers (and singers) should take note.
babydrane 2 years ago 2
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belmanotre 2 years ago
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vandrops 2 years ago
Callas once briefly considered performing Amneris during her active career, but as was said at the time, "What soprano on the face of this earth would DARE sing Aida to Callas' Amneris?" One truly believe it. Callas would have mopped up everyone on the stage as Amneris....for sure!
Zva26 2 years ago 4
@Zva26
it would be funny having Tebaldi playing Aida and watching Callas own her ass =P
raigekimaru 1 year ago
@raigekimaru You ware so right. Callas' Amneris would have have been a lawnmower and ANY soprano's ass would have been the grass. No soprano in her right mind would have sung Aida to Callas' Amneris. But what a thrill it would have been to have heard the great Divina sing this wonderful role. Callas' Amneris would have walked off with the whole show - no matter WHO else was singing.
Zva26 1 year ago
@Zva26
they'd pretty much have to change the plot so that Amneris got Radames instead of Aida =P
raigekimaru 1 year ago
@raigekimaru Not really - Callas reveled as a woman scorned - look at Medea. Whatever the case, had she sung Amneris, she STILL would have had the last word in the opera ===== "Pace" . She'd have had the opportunity to finish the opera with one of those fabulous Callas low chest notes! I wish she'd have at least recorded some of Amneris' music, possibly the Aida/Amneris interview scene, the Rhadames confrontation Scene, and of course the Judgement Scene.
With Corelli!!!!!! DYNAMITE!!!!!!
Zva26 1 year ago
@Zva26
mmhmm, Corelli + Callas = GOLD!!! and actually I was just kidding, we both know that would be totally ridiculous if they changed the opera that much =P
raigekimaru 1 year ago
@raigekimaru I consider Callas to be THE vocal artist of the Twentieth Century, which doesn't mean that I don't admire others like Milanov, Caballe, Price, Tebaldi, Sutherland, and of course, Nilsson. However ---- Callas possessed something that no one else did -- magic, excitement, phrasing, conviction, musicianship, and to my ears, an outstanding vocal endowment, especially between 1953-1960. Even after that, she recorded some amazing stuff! La Divina forever!
Zva26 1 year ago
@Zva26
Callas was a trully dramatic individual. if you look at her as a person, many of the roles she played were almost exactly like her in real life =P
raigekimaru 1 year ago
@raigekimaru - I doubt whether Callas ever knew real happiness or satisfaction as a human being. Her work was her life and her life was her work. She's left a legacy that will forever be the bar by which others will be judged. In a way, she's done us no favor because she has no successors. There was no one like her before and none like her after. I mean...... her Norma, Medea, Lucia, Traviata, Anna Bolena, Pirata, Lady Macbeth, Sonnambula, Rosina, Armida......can opera go any further???
Zva26 1 year ago
@Zva26
How true.
nutty42 11 months ago
Comment removed
Schollistico 2 years ago
"there is nothing impossible. don't give me that."
lol.
it would've been the experience of a lifetime to be in the same room with her, let alone have a masterclass with her.
bbmt7dh7 2 years ago 10
AMAZING! I like listening to Callas teaching her how to sing this piece! Everything she tells her is so very true, especially when encouraging her to pay attention to what the words mean.
corellithebest 2 years ago 4
Simply wonderful. And Sheila still has a great career. Thank you for this exceptional posting.
CharlotteinWeimar 2 years ago
You should look beautiful always!!
DivaDeb1234 3 years ago
WHAT a VOICE!
I hope she got to do AMneris a number of times! I think Callas was Wonderful.
Again Wonderful voice would luv to hear her sing Mon Cour!
Operaman41 3 years ago
Agingbeauty,nobody's exploring here. The student is very capable of singing this role and the comment of Callas is friendly and professional,the way you speak to a colleague. She works on interpretation,not on registers. Amneris is difficult,because of the tessitura and the powerful character, where you got your conclusions is anybody's guess! You can't conclude what the student felt or what Callas was thinking. Anyway,any Amneris-singing mezzo can learn a lot from this post,so thanks Foropera!
Pasunsoprano 3 years ago
Thank you, that's what I thought, a professional singer can get something from this beautiful shapening of the role.
foropera 3 years ago
Comment removed
CharlotteinWeimar 2 years ago 2
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Dear Charlotte, learn some French. My name suggests I'm not a soprano. There are other voicetypes too. Also you can conclude I am an Amneris singing mezzo if you take time to read before you comment. Mine was a reaction on Agingbeauty's comment. In my reaction I am saying the same you are saying. You probably haven't seen Agingbeauty's reaction because he or she removed it. If you had, you would have agreed with me.
Pasunsoprano 2 years ago
Comment removed
agingbeauty 3 years ago
agingbeauty,
What can you tell us about this frowning Sheila ? ("Nothing is impossible") She already here has such an interesting voice!
One hopes (unlike some of the others at Julliard with Callas) that she went on to a rewarding career.
filippovonreutter 3 years ago
excellent post! I agree with everything, just one correction on the video description please: Medea IS a royal princess, she is no Santuzza or Manon Lescaut!
DemisLian 3 years ago
Well about Medea, I thought that her quality of goddess, grandaughter of the Sun was proeminent on her royalty,and in the idea of Callas, I would believe that would have separated a civilized Egyptian princess from a barbarian one;-). But, yes, she is the daughter of the king of Colchydia.
foropera 3 years ago
Yes, she was a princess, I wouldn't call her barbarian though, I wouldn't call Aida barbarian either (she was a princess too, no?).
Also I meant that musically she is more noble than Santuzza. Let's not forget that Cherubini's Medea belongs to Classisism and is closer to Norma, Armida, La Vestale etc, rather than the Verismo roles of Santuzza, Nedda, Iris, Suor Angelica, Minnie.... (I don't know where exactly to place Amneris in all this).
DemisLian 3 years ago
It is wonderful to hear Callas - the intelligence above all, but her total understanding of each word. The moments when Callas bursts into song are splendid, and perfect. She says, 'You should look beautiful always...' a great piece of advice!
zimnaya 3 years ago
Tu nous manques, Maria. Le soleil s'est éteint sur la scène depuis que tu nous a quittés. Reviens !!!!!!!!!!
mariasarda 3 years ago
Inspiring!
Wish I could see the faces as they sing but hearing will have to do
christineannemarsden 3 years ago
Brava!Brava!
kerri78 4 years ago
This is not commenting any mail in particular but quite in general. I am shocked as to how many silly persons seem to know it all about singing. In Master Classes no prima donna can make anything to CREATE TALENT. There are many people who criticize real divos and they are forty and have not sung a single note in an opera house. Nothing is too much for them to criticize ! Callas, Nilsson, Domingo. Why don't you admit your mediocrity instead of throwing mud ?
Greatfan 4 years ago 5
I was there. Callas gave true master classes, not excercises in ego as some others.
GPasta 4 years ago 17
This comment has received too many negative votes show
you are absolutely right Giuditta,I couldn´t agree more.
By the way, that sheila nadler did not seem very clever.....
birgitnilsson 3 years ago
Comment removed
dngrbunny 2 years ago
Thank you Maria
annalinvill 4 years ago 6
She was considerate with the Soprano I thought. A great quality. I loved it when Callas burst into song.
gemarus 4 years ago 4
Yes, I agree , she was very considerate, kind and encouraging and very insightful and correct about what she was telling her.
DivaDeb1234 3 years ago 3
There are so many absurd responses here. It proves the dictum that stupid people should not even be allowed to praise good ones. Kallas was in full command of her Art. Her confidence stems from virtue, and her knowledge. Her ideas about the beautiful, and display of the passions with taste are unmatched. You crickets! You always have to make some noise, and put in your 2 cents. Plebians, you rocks, you stones, you worse than senselss things. Tacete.
AristonMenHudor 4 years ago
This comment has received too many negative votes show
Did you call people crickets? LOL
DivaDeb1234 3 years ago
operacollector needs 2 take his pyschosis pills & stop bashing the most RADIANT HISTORIC ARCHANGEL to ever grace the art of Music. Even 30 years after her death.. Maria Callas lives & forever will live on.
ma34xl 4 years ago 5
La più grande cantante di sempre, un'interprete incomparabile, una voce grandiosa, un'artista assoluta.
LouisXIV85 4 years ago 4
Ahh.. This is my favorite of her masterclasses. "Nothing is impossible..." Gotta love her attitude. Thank you soo much for posting!
nights4dreams 4 years ago 8
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Callas was full of flaws, wobbly high Cs, ugly screaming voice, horrendous technique that cracked most of the time, let's not mention her monotonous high notes, unlike sutherland's ringing ones. hmmm let's see what else?
she lost her e-flat in 1955, she produced bizarre sounds in many coloratura passages (example: the Ah! si in saprgi d'amaro that became hooo! si) and they call her "la divina", and a dramatic coloratura! ¿?
operacollector 4 years ago
If you dislike her so much why bother coming here to slam her. Many of us have an entirely different opinion to yours but we won't try and ram our views down your throat.
Ruxton 4 years ago
I understand: you have to express yourself... Do you feel better now?
foropera 4 years ago
You have no right to say anything. Tragedy should never look ugly - that is perfect. That shows taste, supreme, sublime. She was an artist, and she knew what you haven't the slightest idea about: Art. Art must always avoid the ugly, especially in tragedy. What taste! What judgement! (No response please. Know your place, you worm!)
AristonMenHudor 4 years ago 2
hey, operacollector....why are you so angry with the world? Callas left an invaluable legacy to art, passion and honesty in her interpretations...why slamming her like that?
pulpo1972 4 years ago
You are such an idiot if you do not like it do not listen to her!! She is wonderful!!! Not perfect but a true genius!!! If you want to insult her do it elswhere !!!Please!!!
martafloria 4 years ago
As soon as you placed that comment, users suddenly bustled in ATTACKING BACK AT YOU! Do you realize that? I'm not saying you should like Callas. I only ask that you respect her.
nights4dreams 4 years ago 2
thank you so much for posting!!!!
sabibu 4 years ago
Gosh, I wish Callas never died....What an insight....
jesusgeebus1234 4 years ago 2
she is wonderful
tallamande 4 years ago
she was not an instructor but knowing the possibilities of a voice and having the spiritual instinct of singing she gives a masterclass
atpa5021 4 years ago 2
YES, MARIA CALLAS IS THE OPERA!!!!
DanBarthy 4 years ago
*sigh* I wish there was an equivalent of Callas in my field of study... She's amazing!!!!!!!!!!!!
jjcbss 4 years ago
What is your field of study, JJcbss?
There is always ONE Callas. Must be. In lucky times (sometimes) even TWO. Otherwise how is a field to go on? It dies. Excellence inspires and (with the proper student) breeds: excellence. You must search for it (or change fields): Best Wishes.
filippovonreutter 3 years ago
Ha ha, what an amazing comment! Thank you!
My field is religious studies. There were plenty of geniuses, but at present, nobody equivalent to the genius of Callas.
Have a happy new year.
yogamilan 3 years ago
Interesting how over the course of one year a jjcbss can turn into yogamilan. Amazing! I can imagine the difficulty of finding your St. Augustine in this secular age, but remember that Callas came orbiting out of nowhere when bel canto had been declared all but dead. Good luck. Keep searching.
filippovonreutter 3 years ago
Can you imagine Callas telling you, "Nothing is impossible. Not for *you*..."? It's like in the Rigoletto master class when she told the baritone, "You've got the voice and you can do it." It's the kind of thing you'd remember for the rest of your life.
Jokanaan 4 years ago 3
She was warm and positive, which I think at that time was a great and real proof of generosity; cause she was suffering hard of loosing her own life, her own voice.
foropera 4 years ago
Comment removed
CharlotteinWeimar 2 years ago
Even breathing in the air that Maria Callas is breathing out makes you a better singer and artist, let alone a better person...
doktordrakator 4 years ago
She's so brillant. Her insights are musicality are spot-on.
gvjps123 4 years ago
The simple difference between the two singers is that Sheila was of course a great artist but Callas was a genius; that is to say that as Blake said the genius start where rules stop!
LouisXIV85 4 years ago
Eh? Eh? Eh? Intimidating and self-aggrandizing. Nadler seems to know more than the instructor, reminding her about breaths, phrasing, etc. If you want an example of a good master class, listen to Domingo or Milnes.
clearandsunny 4 years ago
OF COURSE NOOOT!!! They are differents, and as that , they have their owns points of view OK?
liebermex 4 years ago
I disagree. She is encouraging and she really cares about the student. !
DIVADEB
DivaDeb1234 4 years ago 5
clear and sunny from a year ago:
The proof of the pudding lies in the singing. We hear the impressive Nadler improve before our very ears. If such improvement is the price one must pay for self-aggrandizing intimidation; Avanti (but thanks for the Domingo-Milnes tip)
filippovonreutter 3 years ago
These are great because they show us how masterclasses should be conducted!
MrCafiero 4 years ago
i wish maria callas could have given me some pointers!! she is amazing!
Italia1987 4 years ago
Is it Callas who sing this tenor's low E-flat?
AmatureComposer 4 years ago
No, it's Eugene Kohn
xafnndapp 4 years ago
no... usually the accompanist sings missing roles...
silvr94 2 years ago
fierce
utubesucks2003 4 years ago
Maria and Sheila should have done this together on the stage!
vitroz 4 years ago 4
Thank you for posting this by the way. Just wonderful. Beautiful pics of Maria too.
Weillfanatic 4 years ago
more please, more of maria`s masterclasses on the net :)
danjay9 4 years ago
Such greatness! Callas hollering in Italian making it sound like the truest thing in the world.
Caskader 4 years ago
How impresing OH maria you were great even teaching what a wonderful job she did lovely....
MAPIAKALLAS 4 years ago
You are talking about Sheila Nadler as a Mezzo? I don't really know about her now, did she change her tessitura, as a contralto?
foropera 4 years ago
He is saying Callas should have become a mezzo.
That's quite a voice Nadler's got there. This is how I aspire to sing (well I can dream can't I :-)
Weillfanatic 4 years ago
Why didn't she become a Mezzo she would have done Amneris so well. IT's so interesting listening to her giving these masterclasses. Thanks muchly!
Joeleole 4 years ago