Added: 2 years ago
From: tdm5874
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  • A mighty bunch of musicians from England, and I was very fortunate to see them live in a very small club in Phoenix, Arizona. I had recently returned from Vietnam,1967. My sister said we should go out and catch this show...I'm not exactly sure when we saw this show...67,or 68, very fuzzy period in my history.

    But, I do know I saw this powerful group...Thanks UK for so many great musicians...BP blow that clubs doors off...in a good way! Right?

  • À la fin de 1967 Mick Abrahams était un membre fondateur de "Jethro Tull" et en 1968 le groupe s'est forgé une réputation basée sur une guitare blues (déjà très personnelle d'Abrahams) et le jeu de flûte et le personnage déjanté sur scène, sauvage, d'Ian Anderson.

    En 1968 Abrahams a quitté "Jethro Tull" pour former "Blodwyn Pig"

    Question : si Abrahams était resté dans le "Tull" aurions nous eu les perles de ce groupe Majeur dans l'histoire du Prog ?

  • Yeah love the joint smoking pig. Hey this quitat player singer didn't copy anybody. He's just pure blues/jazz all the way. They don't make them like this anymore.

  • The world we live in today,this cover wpuld never fly,would be considered inappropriate...Someone would blow a gasket over it

  • My Mom & Dad had this album the whole time I was growing up and never had the chance to listen to it.I have it now,also as someone pointed out earlier KSHE 95 in St Louis uses this album cover as there official mascot called Sweetmeat..Really digging this sound,sorry I never got to hear it before

  • yo deanslist..."stand up" cannot begin to touch "this was" nor "ahead rings out" for ass-kicking rock and roll....I liked "stand up" when it came out...but these other two have remained classic rock..."stand up" was classic aol pop...good but pop

  • BTW spacepatrolman...i don't think that's a cigarette

  • First time I've heard this song in over 40 years. I bought this album at the same time I bought Tull's second album, STAND UP and I left it behind when I moved from New York to New Orleans. Still have STAND UP though. This album is good but STAND UP was one of Tull's two best. THICK AS A BRICK was the other.

  • My way cool auntie brought this to me from England with a hot pink background on the cover instead of red, making it even more astounding as a classic of album art. Loved those swingin' horns in the rockin' mix. Too bad it was stolen. Replaced it with the N.A. release, but it even had different songs than the U.K. version.

  • I believe vinyl is making a comeback

  • @wzenfelljr beautiful isn't it?

  • I Miss My Copy Of This Album SOOO MUCH Thx Fer The Post!!!!

  • @sfdog1369 still got mine & play only vinyl again <3

  • I turn 60 next year. First heard this when I was 18 and it still packs a punch and rocks the way I remember. Timeless gutsy rock and roll. Used to have the album and may have to revisit the record store. Oh I forgot they dont have vinyl anymore. Thats what happens when you get older, you forget things lol. Not this stuff tho.

    Savoy Brown in the same boat :)

  • @waltavoc same as on Jan 1st. bought this when it came out still got it & play it. I aint 4got

  • Really hard charging. Unique but pure 50's American rock (with Mick's 60's British blues influence) to delight. Very under appreciated drumming incidentally.

  • these guys and spirit with randy california and steely dan in studio and jazz fusion are 3 of the greatest. Then pop over to jan hammer, billycobham, jean luc ponty and larry carlton and methany. old timers are the doors, savoy brown and 10 years after.

    are you cool enough for these groups istead of antythin after the garbage afterthe outlaws green graass and hightides. Check out fresh garbage by spirit. you will be amazez at the whole first album

  • strong... like Ten Years After

  • One of the many best albums ever made ; this album has it all and fuses so beautifully with rock,folk,jazz and blues and a bonus of great melodic songs to go with the outstanding virtuoso musicianship ; timeless

  • Reminds me of the later Wizzard stuff, like from Main Street.

  • I met the engineer on this album once - Andy Johns, and I asked him anout it. He was anzed I even knew about it or that I singled it out. He said it was a very straightforward setup with very basic miking on the drums and guitar amps. Hardly any overdubs except the solos of course. Back then fortisimmo guitar playing was starting to come into vogue. Saw them live once, only about 50 people showed up but we loved the show.

    Its a class Les Paul / Marshall sound, nothing fancy.

  • This album cover is as classic as the music on the record itself<<<<<<<<<<

  • @mikey1829 --- Damn straight........so classic that the radio station K-SHE here in St. Louis, a long time ago, started to use this pig as "Sweetmeat", their logo or what-have-you..........

  • @jeffthrow6892 K-SHE's long ago sister station WABX in Detroit also used the pig.

  • @mikey1829 pigs like to listen to music but they shouldnt be forced to smoke cigaretts chrissie hynde will get mad

  • @spacepatrolman hear ya brother:)

  • Great stuff!! Has anyone else noticed that the U.S. version of this album(pictured), has two or three different songs than the U.K. release which is the one that's been re-issued on CD?? I find the U.S. version, which I have on vinyl, to be the stronger, better version.

  • me too bought it the week it came out, still play it. Steve,

  • These guys were way ahead of their time mixing blues,rock and jazz into something special and I'm proud to still own this album today!!......Lumpy

  • Imagine, groups like Blodwyn Pig simply walked into the studio and did it live with very little overdubbing or none for that matter. I wonder if today's so-called geniuses would take that risk.

  • @sammuniz2001 AMEN to THAT !!!

  • Wow, I haven't heard this for years.  Great stuff, thanks

  • Great!!!

    Buenisimo!!

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