Added: 4 years ago
From: Koriyama
Views: 24,841
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  • Visually and musically excellent, however, the sound has a very metallic ringing sound - I think the mic and/or the bit-rate is very poor.

  • how long have you been playing for?

  • excelente muy bueno

  • Very nice!

  • espece de con

  • if you stare at the images with your eyes out of focus you get a 3d image of a musical fantasy. very ice playing

  • Ohh! Was für eine Musiiiiik! Hihi! Nein, aber das is echt schön...

  • I dont like the sound :S

  • Bravissimo !

  • There you go!

  • what voicing of recorder did you use? it looks like an alto, but i'm not sure.

  • It's an alto.

  • bravo!

  • awesome

  • Absolutely delightfull five stars

  • omg its so goood the sound its like ringing bells O_o

  • Fantastikk! I did this on tape recorder with songs of Johann S. Bach. Thank you for sharing your wonderful video and selection!

  • Magnifique ! Quelle douce sonorité !

  • how long did it take to make this? It's good!

  • Great!

  • is it your mother who forces you two to wear the same clothes? XD

  • I had already played this sonata with a frined, gut I think it wasn't so great !

  • I play the recorder as did my older sister but how many and what are the names of the different recorders please fantastic playing listenedtoit 8times tonight while doing college work

  • do you think this is nice then go to search and type shot336 recorder than clik the top one it is awsome

  • I can listen to this over and over again. :)

  • I can't believe you play every part.

    I also keep practising the piano.

    and you are great!

  • What a great performer!

  • VERY NICE!!

  • I'm not sure any other work does the alto recorder such a delightful tribute. Anyway, you play it well, though, it sounds a bit shrill and cracked at times--I'm quite certain it's the recording equipment and not your playing.

  • wow

    the second movement is way way too fast

    Telemann even wrote in most of his pieces that allegro was slower. great technique but too fast

    unfamouspianist

  • wonderful

  • it looks like a recorder but looks longer and its wooden insted of plastic...

  • Well, some recorders nowadays are made of wood instead of plastic. And they even come in different sizes. ;)

  • well, at first they were made of wood, not the opposite.

  • Well, I know, but it was of course meant ironically, as it was a reply to someone who obviously thought a recorder should be made of plastic.

  • oh right sorry... didn't catch the sarcasm

  • your a great player and you must work hard

  • can you give me some recomendacions on how to study notes

  • B R A V O

  • it's good ensemble!

  • wonderful to listen this sonata, the perforemer is very nice. congratulations.

  • My wife and I play these sonatas in canon (one piece of music - the second part is just one bar behind) on transverse flute and recorder - the timbre difference between the two makes it a bit more interesting....

  • HI. There is actually a Concerto for Recorder and flute in e minor by Telemann

  • sommerprosse87 - Sie haben Recht. Die Blockflöte kling immer reiner als Querflöte - hat nicht so viele 'overtones', besonders wenn sie auf Pflaume oder Ahorn ist....

  • Great... I love this sonata... telemann is the best :]

  • Sorry for my english , i,m from chile. Carefull with the ends of the notes, they tend to fall down and tunnig changes. Also the articulation is unclear in some passagi, you should try a faster tong touch.

  • hey, those two guys look a lot alike! are they twins?

  • Lovely. A place for everything and everything in its place.

  • die Flöte hat irgendwie nicht so einen reinen Klang.... ???!!! Oder kommt mir das nur so vor??? Klingt a bisserl heiser!Die hohen Töne wirken deshalb unsauber!

  • @Sommersprosse87 Ich hab dasselbe Problem mit meiner Blockflöte ab dem C3 auch. Liegt vielleicht am Kondenswasser, wo vor allem die Flöten aus ABS Kunsstoff dran leiden, während Holz je ein Teil davon absorbieren kann.

  • very nice, congratulations!

  • I love this piece.. Great job!!

    And which kind of tounging(single or double) have you used at the faster movement? And are you using always your fingervibtratos at any pieces instead of the normal vibrato with the air?

  • For this piece, I used d'l d'l for the very fast passages and d r d r for the non-leaping quaver passages. I use t d t d for major differentiation (when I remember...) Finally, I never use air (throat or diaphram) vibrato. (I did once in a Fantasia for fun. It didn't go down well...) Thanks for your comment.

  • I'd like to add that I haven't found many places where 'air' vibrato works that well in baroque music. If it can be used, something else may also be used. I need to think about that in my Fantasia.

  • great work

    i always love telemann.

  • Thanks for your comment. I'm glad to see that you like these videos.

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