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  • slight rasp? I'm not sure what to do about that, but it builds the songs' characters. Sarah, on higher notes, arch your head down to give the proper section of your vocal chords room to be used and vibrate correctly. :) Hope this was constructive!

  • Good,but nit's harder to blend voices of opposing genders. That's generally why quartets are monosexual (if that's a word). When the vocal chords are structured the same overtone is easier. But very nicely done, very very FEW pitch problems, but be careful for 'belting it'.

  • @BohammaLammna You are correct, blending mixed voices is harder but not impossible. Both Linda and Sarah can sing female bass which allows for resonant lower notes and good production through male baritone and tenor ranges, we spend a lot of time working on blending in our rehearsals. We had only been singing together a year at that point, and we were all very nervous that being our first competition and it showed in some sync issues, we scored 60.7 which puts us in the B grade.

  • @AndrewGBradley I enjoy listening to this, when I'm listening for an 'It's You' to go for. When I did my quartet, two of our guys were tone deaf and our bass wasn't really a bass. And we were monosexual, much better than we did! Keep up the great work. Andrew, as friendly advice, your voice stuck out a little (volume) on the second piece "Sweet and Lovely". Make sure, Linda, that you use a little more breath support on the lower notes and don't arch your head down. David, you seem to have a

  • THIS IS SOME BEAUTIFUL BLENDING!

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