Added: 2 years ago
From: fquesada
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  • Pollini is in the top one percent of the greatest pianists, he's really a genius at the piano, I have heard him live at Carnegie many times, he's a pianists' pianist~!!!!

  • Sokolov is more to my taste, but Pollini does a good job of bringing out each note clearly unlike the muddy interpretations of some pianists.

  • I remember being obsessed with this piece - this mvt in particular. I tried to play it once, and that took care of that. I still love it, though!

  • From the pretense showmanship of Alexei Sultanov, to the integrity of true man.

  • @1Thompsonmusic Why this moronic coparing of pianists from different generations and with totally contrasting personalities. Great music can accomodate more than one kind of interpretation. One can discuss ,prefer ,critisize etc but why would one want to use language that puts in question the seriousness off purpose of someone who put so much hard grueling work into his art as Sultanov must have done and that someone is dead ,having died at a young age.

  • wow thank yo for uploading! this is so amazing..

  • I don't agree at all. Horowitz' 1953 version may be fraught with nerves, but the passion is there in spades. I hear a very fast tempo here, but not a lot of passion.

  • Pollini's version of this movement is much more "musical" then Horowitz's. But I am not so sure that Prokofiev was actually looking for pleasing sounds here. This is about the unspeakable war between Germany and Russia. Horowitz's jarring sound seems more appropriate if not as "nice" as this version.

  • Brilliant. ut I do think the great pianists bring out different aspects of this, as they do all great works. I would vote for Horowitz, Gould Pollini AND Argerich!

  • Wa ssibbal.... Kkkkkk

  • O_O

  • Quando ascoltai la prima volta l'incisione della Deutsche Grammophone, rimasi folgorato dalla velocità e dalla accuratezza della tecnica, dalla cantabilità in alta velocità, dalla coerenza stilistica, dalla limpidezza del lirismo, che assume uno stile esecutivo lucido e un aspetto quasi "cubista". Da quel momento, quando ascoltavo le altre incisioni, restavo completamente deluso, e le trovavo decisamente spente, rispetto all'interpretazione di Pollini !!!!!!

  • At last a magic interpretation.

  • pollini's better than horowitz, I'm proud to come from Italy like Pollini !

  • Driving a Lexus LF-A at Nurburgring to this feels great huh?

  • Sofronitsky is by far the best interpreter of this work. Then it's Richter.

  • I totally agree with the other recent comments. I've listened to enumerable recordings of this work over the years (the first was one by Richter) and I've no hesitation in saying that Pollini's remains the finest. The same can be said of his "Three Movements from Petrushka" – an astounding performance which is head and shoulders above any other I've heard.

  • BESTIAL

  • Ashkenazy's, Pletnev's, and this one.

  • Awesome playing.

    And in the video he doesn't even look like he's even moving his hands, what a guy!

  • Pollini is very good for this neurotic kind of pieces, very lively and energetic. However, to me, his slow pieces got influenced by this characteristic of playing.

  • pollini has made this sonata so intensive that none of the ppl like martha lang lang, who are fast and very exciting to watch and hear can play anything similar to this.

  • Je ne connais évidemment pas toutes les versions,  mais parmi celles ici présentes, maurizio et martha dominent assez nettement pour moi.

  • @tonycosworth Ecoute Mark Farago alors tu vas tout oublier !

  • @hailkayy ? Je ne demande pas mieux, mais jusqu'ici je n'ai pas pu trouver.

    Si tu as une piste...

  • @tonycosworth tape Mark farago prokofiev sonata 7 3, nikolaimedtner est son pseudo içi. C'est écoutable sur YT, dis moi ce que t'en penses.

  • @hailkayy Eh bien désolé pour le retard... La version Farago est tout simplement sublîme, et de plus possède une prise de son comme je les aime. Par ailleurs, je découvre la version Carnegie de Martha.

    Vu ma faible connaissance de l'oeuvre et de sa dicographie, mon classement personnel est le suivant: Kapustka étant hors concours: 1) Martha "Carnegie" malgré l'exécrable prise de son live 2) Farago 3) Pollini 4) Martha (l'autre version) et Sultanov. Les autres, je préfère ne pas en parler.

  • @tonycosworth Merci pour moi :p, content que ça t'ai plu ![Farago)

  • @hailkayy Plus que plu ! c'est une version grandiose; Maintenant, j'aimerais bien que tu me donnes ton classement personnel; et je voudrais surtout que tu écoutes la version Carnegie de Martha (qui est ici), histoire que tu comprennes mon ordre de préférence et qu'on en discute.

  • Блеск! Гниально!

  • the best interpretation EVER. thank you!

  • whats that "click"??

  • He is one of the greatest! I also love Martha's and Horowitz's version

  • How does he do it?

    So still and all...

    jesus.

  • this is the greatest

  • Comment removed

  • ahahah i like the picture, pollini did it all w/ his left hand lol

  • Must say that Pollini manages to strictly follow the 7/8 beat without the derailments or excesses of Argerich, but in any case both are definitely the bests, no doubt; probably what Prokofiev imagined. Remember this is marked "precipitato", what implies a high degree of risks. Don´t like at all Sokolov. Richter comes close, but he seems more deliberate here.

  • There really is nobody on earth who has ever played this piece the way Pollini does here. I'm obsessed with Argerich, but her recordings of this specific movement don't do justice to it the way Pollini's does. Nor Sokolov's, or Horowitz's, for that matter. WORDS CAN'T DESCRIBE THIS PLAYING. It's definitive, classic stuff. Thanks very much for posting this.

  • Yes I agree. The Petrouchka by Pollini is also unsurpassable.

  • Absolutely true!

  • @fquesada

    Alexis Weissenberg is the best...

  • Well, those two pianists are/were great, but you haven't heard Barbara Nissman play it. UNBEATABLE!!! She's on Newport Classics.

  • i am so happy to finally hear someone else say this. this recording has always impressed me. you don't need words to describe this i think.... the playing is fantastic. other recordings interest me, richters i like.  i am not so fond of horowitz's, but that isn't a big suprise to me. but pollini kicks so much ass here....

  • Is there anything Pollini can't play without pwning everyone else?

  • @JoFrSc try Gould's

  • @JoFrSc Really!!! I agree!!!

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