Wow, so EXTREMELY well conducted by E-PS. All of the nuance and expressiveness is there, and the balance and overlap between the sections is perfect (and overbearing on the brass side just where it needs to be). So well performed by the orchestra and chorus, as well. Marvelous!
It's nice to see that I'm not alone in appreciating one of the 20th centuries great masterpieces. I often found the turbulent washes of sound in this work to be like what a person with synesthesia might "hear" upon seeing a pleated curtain blowing slowly - the edges periodically lining up in a full state of dissonance and easing away into temporary harmony. The piece no doubt takes time to fully assimilate but after several hearing it's hard not to notice a structural integrity every bit as s
One of my favorite works, Made more famous by 2001 A Space Odyssey. Thank you, would love to see score while the Kyrie is performed. Thank you D. Alexandr D'Maddalena
It's hard to begin to fathom how Ligeti managed to score this piece in a way that successfully communicated his intentions. It seems light years beyond what anyone else had attempted before.
@CinnAlla holy cow you're right! It makes sense though, it must be difficult to figure out if you are singing in key when you got about 100 other people playing and singing along.
I got to thank Ligeti in person for terrifying me in childhood with his music, especially this piece! He came to my city (Louisville) in 1986 to accept the Grawemeyer Award and I attended the concert.
Probablement l'oeuvre vocale la plus importante du XXème siècle. De plus, avec Kubrick c'était génie + génie ce qui est une combinaison assez rare! Quand on voit la partition, on se demande comment ils arrivent à mettre ça en place, avec ces quintolets qui se superposent à des sextolets ou à des septolets, c'est inouï. Ce kyrie est inexprimable, c'est dément. Et l'entrée des contrebasses et violoncelles à 1.34 donne la chair de poule...
fantastic! i had the opportunity to see salonen conduct many of the ligeti pieces with the LA philharmonic. ligeti was actually present for many of them. it was astonishing and wonderful to finally hear them performed live. salonen also presented some of ligeti's smaller chamber pieces as part of the green umbrella series at the japan america theatre. very grateful to have heard those performances as well.
Extremely difficult piece. I was unaware anyone else had attempted it since the Ligeti edition was recorded. Requires extreme virtuosity in the choir parts - usually they cannot handle. As you can hear the parts are not always "synched" but off each other by different evolving amounts. It's extremely difficult to keep your part under control while others are around you with totally different parts to sing. Well done.
• Artistes : Barbara Hannigan (soprano), Virpi Räisänen-Midth (mezzo-soprano), Maîtrise de Radio France, Sofi Jeanin (direction maîtrise), Choeur de Radio France, Michel Tranchant (chef de choeur), Orchestre Philharmonique de Radio France, Esa-Pekka Salonen (direction) • Production : Camera Lucida
Okay, did some digging, the conductors name is Esa-Pekka Salonen, he conducts The Philharmonia Orchestra (one of the leading orchestras in Great Britain, based in London).
Notice at 3:56 one of the choir members strikes a tuning fork and quickly places it to his ear to try to catch his reference pitch. The piece is tough to sing, trying to keep your unique part on pitch in the tonal mass and not get too sloppy.
beautiful hell
AntonioSaucedo22 1 week ago
UN GENIO COMO KUBRICK NO PODIA DEJAR A LIGETI EN BLANCO !!
andresgrito 2 weeks ago
Wow, so EXTREMELY well conducted by E-PS. All of the nuance and expressiveness is there, and the balance and overlap between the sections is perfect (and overbearing on the brass side just where it needs to be). So well performed by the orchestra and chorus, as well. Marvelous!
MiloDC 1 month ago
That's fucking terrifying.
Kanga272 1 month ago
wish I was there.
OAmus 2 months ago
it is wonderful to 'see' a performance of the ligeti, but i've heard more frightening renditions.
muslit 2 months ago
It's nice to see that I'm not alone in appreciating one of the 20th centuries great masterpieces. I often found the turbulent washes of sound in this work to be like what a person with synesthesia might "hear" upon seeing a pleated curtain blowing slowly - the edges periodically lining up in a full state of dissonance and easing away into temporary harmony. The piece no doubt takes time to fully assimilate but after several hearing it's hard not to notice a structural integrity every bit as s
prom9etheus 2 months ago
One of my favorite works, Made more famous by 2001 A Space Odyssey. Thank you, would love to see score while the Kyrie is performed. Thank you D. Alexandr D'Maddalena
douglasmatley 2 months ago
spongebob when he discovers fire.
Gryffindor8 2 months ago
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ozoshah 3 months ago
It's hard to begin to fathom how Ligeti managed to score this piece in a way that successfully communicated his intentions. It seems light years beyond what anyone else had attempted before.
MrGutley 3 months ago
Hmm... I just imagine, that how it will be performed in 2600 A.D. =)
Quatarsys 3 months ago
Sublime!
SuorCappuccetto 3 months ago
As vozes parecem ventos uivando em janelas fechadas... é sutil e profundo, toca em algum lugar muito escondido dentro de nós.
mynarinhamelo 4 months ago
This is amazing music. (Am I going mad or did one of the choir knock a tuning fork against his head at 3:57 ?)
CinnAlla 4 months ago 12
@CinnAlla i saw that too! amazing music indeed.
bloodybirdbrain 3 months ago
@bloodybirdbrain Good grief... now I come to look again, TWO of them do it at the same time!
CinnAlla 3 months ago
@CinnAlla holy cow you're right! It makes sense though, it must be difficult to figure out if you are singing in key when you got about 100 other people playing and singing along.
bloodybirdbrain 3 months ago
@CinnAlla You're right! That's one way to find the pitch, I guess.
ddsoco1 2 months ago
@CinnAlla Wait, you watched at least 3:57 of this? Yes your are going crazy and yes he did check his voice at 3:57
Valmontphl 1 month ago
@Valmontphl I can't get enough of it! :-D
CinnAlla 1 month ago
I got to thank Ligeti in person for terrifying me in childhood with his music, especially this piece! He came to my city (Louisville) in 1986 to accept the Grawemeyer Award and I attended the concert.
AlanCanon2222 5 months ago
thats the power of classical acapella. it gives me goose bumps and creates horror. Feels like the world is going to end right now.
MrAmandeepsodhi 5 months ago
Probablement l'oeuvre vocale la plus importante du XXème siècle. De plus, avec Kubrick c'était génie + génie ce qui est une combinaison assez rare! Quand on voit la partition, on se demande comment ils arrivent à mettre ça en place, avec ces quintolets qui se superposent à des sextolets ou à des septolets, c'est inouï. Ce kyrie est inexprimable, c'est dément. Et l'entrée des contrebasses et violoncelles à 1.34 donne la chair de poule...
Pouffecal 5 months ago
Never seen a performance of this before... it is amazing... thank you for uploading...
reizsucht 5 months ago
2.40 and my body loses all control. 3.58 see that chor tap his heed with a fork? arf.
turnipmulch 5 months ago
2.40 and my body loses all control.
turnipmulch 5 months ago
Bad-Ass performance!
stanchinsky 5 months ago
fantastic! i had the opportunity to see salonen conduct many of the ligeti pieces with the LA philharmonic. ligeti was actually present for many of them. it was astonishing and wonderful to finally hear them performed live. salonen also presented some of ligeti's smaller chamber pieces as part of the green umbrella series at the japan america theatre. very grateful to have heard those performances as well.
halfmonk 5 months ago
Absolutely fantastic...!!!
CMSPMARCUS 6 months ago
goosebumps - goosebumps - look how they turn the pages!
raulcat19 6 months ago
this is impressive
UrbanVivaldi 7 months ago
Extremely difficult piece. I was unaware anyone else had attempted it since the Ligeti edition was recorded. Requires extreme virtuosity in the choir parts - usually they cannot handle. As you can hear the parts are not always "synched" but off each other by different evolving amounts. It's extremely difficult to keep your part under control while others are around you with totally different parts to sing. Well done.
sieracki001 7 months ago
I suddenly see...dante's inferno
Amarynthine 8 months ago 3
Crédits
• Artistes : Barbara Hannigan (soprano), Virpi Räisänen-Midth (mezzo-soprano), Maîtrise de Radio France, Sofi Jeanin (direction maîtrise), Choeur de Radio France, Michel Tranchant (chef de choeur), Orchestre Philharmonique de Radio France, Esa-Pekka Salonen (direction) • Production : Camera Lucida
MonalisaDeLego 8 months ago
Okay, did some digging, the conductors name is Esa-Pekka Salonen, he conducts The Philharmonia Orchestra (one of the leading orchestras in Great Britain, based in London).
Esa-Pekka Salonen is Finnish btw
Tropia 8 months ago
Absolutely beautiful.
55gargoyle 8 months ago
What nationality are they?
This is gorgeous
Tropia 8 months ago
@Tropia I'm pretty sure this is with a Parisian orchestra, so French.
JackFSheen 8 months ago
Notice at 3:56 one of the choir members strikes a tuning fork and quickly places it to his ear to try to catch his reference pitch. The piece is tough to sing, trying to keep your unique part on pitch in the tonal mass and not get too sloppy.
SkyGazer1000 6 months ago
I could watch Esa-Pekka Salonen conduct all day long, so much animation, omg!
Tropia 6 months ago
:O woah.
Dave2bu 10 months ago
Glorious! Would be great if they would perform in Amsterdam, I would certainly buy tickets!
karkelkhan 11 months ago
La cúspide.
Muchas gracias por compartirlo.
AleAgosto1973 11 months ago
Thank you very much!)
MrRegnskur 11 months ago
Great!
ANTsynth 11 months ago