the way he talks, similar to how Petrucci talks in his tutorial video (the one with Ibanez). I wonder what's up with these two person. Is it the guitar, the jazz, or the Youtube...
@unklemozart depends what guitar you are using ...but often using the front (warm) pick up and turning down the tone will almost get you there ... I saw it on a youtube tutorial
Hi man, great lesson. Bit confused why ya can use the C7b9. If that's on the 5th then it's in line with the mixolydian scale, which has a b7 hence the dominant chords lol but how come the 7b9 worked when the 5th interval doesn't have a b9??? Please help!
@rtb2701 C7b9 is the V chord in F maj. as well as F harm. min. To create tension you can alter chords by borrowing from the minor key. The scale to play on the C7b9 is either F harm. min. starting on C (don't emphasize the f) or, what Jazz musicians call the 'altered scale', which is a mel. min. scale starting on the 7th degree, in this case Db melodic minor starting on C. enharmonically respelled the altered scale consists of a root, b9, #9 (a.k.a. b10), maj. 3, #11 ( a.k.a. b5) b13 and dom. 7.
@noahses C7b9 replaces the natural C79 (mixolydian) chord which is the normal V in F major. Sorry for the eronias phrasing regarding that in the last post.
Yes unfortunately it doesn't have tons of embellishments and chord sub harmonies but you have to crawl before you can walk, good lesson this sort of progression makes a great blues turnaround as well
I get an up stroke on the "and"of 4 of the G m7 vs your down stroke...I do so, for all the and's of half notes...if I I play 16ths...then my upstrokes fall on the second and fourth sixteenth's and I get a downstroke on the "and" (the third sixteenth) ...is that ok in jazz?
@andyvai how is it a C9? You have an Eb which makes it either minor OR sharp 9...either way its still not a C9. A C9 would or could be C E G D with D being the 9th.
@jazzman3071 The C9 chord the poster says he is playing is a Cdom 9 which is what i meant by saying C9 - sorry if I confused you the notes in it are E - Bb - D - G in this order on the last four strings which makes it a C dominant 9 IF the bass player is playing a C note. If you play an E for bass on that chord you get an Em7b5 which I mentioned on my previous comment. Also where do you see the Eb?
i could learn heaps from this manner of teaching....clear.....not repeated too much....clear dialogue....excellent....understood everything....like to see a vid
on scale work with these chords....and more advanced choices apart from
That "play Dim chord on 3rd to give a flat 9" trick is one of those things that is so obvious once you find it or have it shown to you. That's a super cool trick to have on tap.
like if 1-6-2-5 and 1 is F, why it so? and whats make others different number? scale? sorry.. such a basic question.. but I really want to know, thanks
1 is F because the guitarist chose it to be. Like he says, it's a tune in the key of F. That's what gives that tone the number 1. The other numbers are other degrees of that scale. e.g., The second degree of that scale is G, a whole step away from the root.
When musicians speak of numbers, they usually speak of scales.
redanza, do a google/ wiki search on the Nashville number system. If the F is 1, it is because that's the key. It sounds like home. Each chord harmonising the scale gets a number. Nothing much to do with numbers like m7b5. eg I,ii,ii,IV,V,vi,viim7b5,I again is a mjor scale as chords. Hope that helps.
sincopado es poner una nota debil entre 2 notas fuertes ( contrapunto), este puede ser melodico o ritmico, la gracia, es que esta nota debil cobra predominancia entre las notas fuertes
When a guitar of piano player plays just a rhythm background for a soloist to play over. You don't want guitar runs or finger picking to compete with the solo. I suspect the word comes from complementing
also for anyone who watching this , if you play over the 1 6 2 5 . You can play those lead scales over a 1 4 5 , with a 16 2 5 tuirn around. Lots of times I am just playing diffrent turn arounds over 1 4 5 as well as the turn around. It all fits well and pulls you a bit out of following each chord.
his name sounds like some italian mushroom pasta dish
astroboirap 1 week ago
the way he talks, similar to how Petrucci talks in his tutorial video (the one with Ibanez). I wonder what's up with these two person. Is it the guitar, the jazz, or the Youtube...
cpamiseso 3 weeks ago
Great explanations. Really enjoy your videos.
dpocar 1 month ago
What kind of guitar is that? It's got a great tone.
schach420 1 month ago
How can i get a good jazzy sound like that? How do i EQ my amp?
unklemozart 3 months ago
@unklemozart try leaving everything fairly even on the amp and just rolling the tone knob off on your guitar a bit
DCooper720 3 months ago
@unklemozart depends what guitar you are using ...but often using the front (warm) pick up and turning down the tone will almost get you there ... I saw it on a youtube tutorial
LoveBuzz3 2 months ago
Hi man, great lesson. Bit confused why ya can use the C7b9. If that's on the 5th then it's in line with the mixolydian scale, which has a b7 hence the dominant chords lol but how come the 7b9 worked when the 5th interval doesn't have a b9??? Please help!
rtb2701 3 months ago
@rtb2701 C7b9 is the V chord in F maj. as well as F harm. min. To create tension you can alter chords by borrowing from the minor key. The scale to play on the C7b9 is either F harm. min. starting on C (don't emphasize the f) or, what Jazz musicians call the 'altered scale', which is a mel. min. scale starting on the 7th degree, in this case Db melodic minor starting on C. enharmonically respelled the altered scale consists of a root, b9, #9 (a.k.a. b10), maj. 3, #11 ( a.k.a. b5) b13 and dom. 7.
noahses 1 month ago
@noahses C7b9 replaces the natural C79 (mixolydian) chord which is the normal V in F major. Sorry for the eronias phrasing regarding that in the last post.
noahses 1 month ago
I LOVE HIS GUITAR and the music of course haha.
acaash 10 months ago 2
Thanks Guy,
You make what is quite a complex subject user friendly. I like the use of off beat on beat, nice stuff.
fn55 10 months ago
Is the chords at the end of progressions: C7#9 and C7b9 valid?
BlisherMG 1 year ago
@BlisherMG yes those are just alterations on the dominant chord
guitarajs22 1 year ago
Nice Heritage 535 - almost the same as mine!
MyBluesDude 1 year ago
Not great voice leading. The top notes of the chord sound better when they are closer together.
tubefexs 1 year ago
Yes unfortunately it doesn't have tons of embellishments and chord sub harmonies but you have to crawl before you can walk, good lesson this sort of progression makes a great blues turnaround as well
SupairDup 1 year ago
I get an up stroke on the "and"of 4 of the G m7 vs your down stroke...I do so, for all the and's of half notes...if I I play 16ths...then my upstrokes fall on the second and fourth sixteenth's and I get a downstroke on the "and" (the third sixteenth) ...is that ok in jazz?
cyberflea07 1 year ago
Cmaj9 = IIIm7 / Cm9 = bIIImaj7 / C9 = IIIm7b5 and C7b9 = IIIdim7... III = 3rd note of the scale
So if you play a Em7b5 with a C for bass it becomes a C9 etc etc... hope that clears some things up...
andyvai 1 year ago
@andyvai how is it a C9? You have an Eb which makes it either minor OR sharp 9...either way its still not a C9. A C9 would or could be C E G D with D being the 9th.
jazzman3071 1 year ago
@jazzman3071 The C9 chord the poster says he is playing is a Cdom 9 which is what i meant by saying C9 - sorry if I confused you the notes in it are E - Bb - D - G in this order on the last four strings which makes it a C dominant 9 IF the bass player is playing a C note. If you play an E for bass on that chord you get an Em7b5 which I mentioned on my previous comment. Also where do you see the Eb?
andyvai 1 year ago
simple and easy to follow. fanx
sthcrox 1 year ago
i could learn heaps from this manner of teaching....clear.....not repeated too much....clear dialogue....excellent....understood everything....like to see a vid
on scale work with these chords....and more advanced choices apart from
chord tones.....thanks
pyonia 1 year ago
Awesome!!!
KewlKatieLax 1 year ago
Very cool progression.
Thanks!
dzjc01 1 year ago
That "play Dim chord on 3rd to give a flat 9" trick is one of those things that is so obvious once you find it or have it shown to you. That's a super cool trick to have on tap.
Very nice lesson!!
makitfunkee 1 year ago
Guy Fenocchi; Bad ass name; bad ass tunes man! Cool stuff.
Xylence 2 years ago 2
Thanks So Much Guy!
LetsLearnSomeGuitar 2 years ago
it was a sarcatic reaction to bassistj666, because he thinks jazz is simple.
lefeverthierry 2 years ago
Yes i know it's not diatonic
lefeverthierry 2 years ago
like if 1-6-2-5 and 1 is F, why it so? and whats make others different number? scale? sorry.. such a basic question.. but I really want to know, thanks
redzanza 2 years ago
1 is F because the guitarist chose it to be. Like he says, it's a tune in the key of F. That's what gives that tone the number 1. The other numbers are other degrees of that scale. e.g., The second degree of that scale is G, a whole step away from the root.
When musicians speak of numbers, they usually speak of scales.
Demoras 2 years ago
i see.. i get what you saying about 1 = F . interesting. thanks
redzanza 2 years ago
The numbers represent the degrees of a scale. If the notes are F G A Bb C D E then the numerical description of the scale would be
F=1 G=2 A=3 Bb=4 C=5 D=6 E=7
Making 1-6-2-5 = F- D- G- C (Compare above)
Construct Diatonic Chords from this pattern and you get
F ,Gm, Am, Bb, C, Dm, Emb5.
Is this what you meant?
highintel 2 years ago 3
yes, this is a perfect answer, thanks!
redzanza 2 years ago
your welcome ;)
highintel 2 years ago
ummm that Emb5 is just a Edim
pinoyhellahoy 1 year ago
then I would have to explain what Diminished is.
I think the point was still disseminated correctly.
highintel 1 year ago
@highintel well, honestly, if people were to land on a pagelike this, they should be prepared for chords like that. this is jazz after all
pinoyhellahoy 1 year ago
redanza, do a google/ wiki search on the Nashville number system. If the F is 1, it is because that's the key. It sounds like home. Each chord harmonising the scale gets a number. Nothing much to do with numbers like m7b5. eg I,ii,ii,IV,V,vi,viim7b5,I again is a mjor scale as chords. Hope that helps.
TheFunkify 2 years ago
Nice Guitar lesson.. Thanks : )
SIRONEDRAGON 2 years ago
Can you figure out the contextual appropriateness of sarcasm?
bassistj666 2 years ago
¿?
lmlfreem4n 2 years ago
sincopado es poner una nota debil entre 2 notas fuertes ( contrapunto), este puede ser melodico o ritmico, la gracia, es que esta nota debil cobra predominancia entre las notas fuertes
juanestebanaliaga 2 years ago
syncopated mean "counter point", and reggae is all about syncopated rythims
juanestebanaliaga 2 years ago
cool. What exactly is comping?
Leonard5555 2 years ago 5
When a guitar of piano player plays just a rhythm background for a soloist to play over. You don't want guitar runs or finger picking to compete with the solo. I suspect the word comes from complementing
andocrates 2 years ago 3
This comment has received too many negative votes show
no composing
6stringANDacoke 2 years ago
wrong.....ac-comp-animent......but i still think the job is understood more through the notion of complimenting.
ChitarNone 2 years ago 8
It is short for accompanying
guitardan81 2 years ago 4
someone really doesn't know what syncopation is, huh? learn more about music before you make idiotic statements finkelsmak
infinitemes 2 years ago
Of course it is syncopated... come on...
Google "Reggae Syncopated"
What's the point of making a statement like that?
somasomaagain 2 years ago
This comment has received too many negative votes show
Jazz is too simple.
bassistj666 2 years ago
lol
chumbucket843 2 years ago
Can you figure out why you can substitute a C+7(b9) chord with a Bb-7b5/Db-6 chord ?
lefeverthierry 2 years ago
Comment removed
highintel 2 years ago
That's a chord. You should check out Mel Bay's complete theorie, voicing and harmony book.
lefeverthierry 2 years ago
Thanks. split screen is good idea.
londonfans 3 years ago 2
grate. kC and the sunshein band use thes chord lix a lot to play together the beaver plastidium. HeeYYY!!
tchwiss 3 years ago
this is so awesome. I can't wait til I understand what he's talking about.
IKNOWTHETUNE 3 years ago 53
@IKNOWTHETUNE Haha agreed. I know all about how chords are structured but I dunno what the fuck comping and voicing is.
Tb0neZ5 11 months ago
This progression is SO common and sweet. Thanks a lot for posting.
Yoruboy 3 years ago
Very good, thank you for posting ...
Don ...
THESONARIAN 3 years ago
also for anyone who watching this , if you play over the 1 6 2 5 . You can play those lead scales over a 1 4 5 , with a 16 2 5 tuirn around. Lots of times I am just playing diffrent turn arounds over 1 4 5 as well as the turn around. It all fits well and pulls you a bit out of following each chord.
guitarforfree 3 years ago
Good Stuff
galarius 3 years ago 2