gracias por esta joya. aunque se escuche apenas el piano del maestro que abrio la cabeza a un siglo de sucesores. ojala alguien la restaure algun dia y ponga esas teclas en primer plano, gracias una vez mas. hermoso regalo y sorpresa.
Debussy's post-romantic aesthetic shouldn't be understood to mean that absolutely no rubato should be used where appropriate. I think that the steady tempo in this song refers directly to its title, literally: "It rains in my heart". Rain, of course, comes down steadily, without rubato. On the other hand, Debussy is generally very specific in the instructions one finds in his scores and, not infrequently, he does invite a good deal of flexibility in the performance of his works.
Yes, what is described in your notes above is proved true in this recording and others. Debussy's music should not be played in an over-sentimental way. See how he keeps the beat going until the very end. Marvelous. a good lesson for the young.
I agree totally with you about Debussy's music not being played over romantically. It is almost anti-romantic. And the same goes even more for Satie. Debussy always complained that his music was performed too loudly as well.
It's worth noting that Mary Garden also created the role of Mélisande in 1902 -- at Debussy's insistance. What a perfect voice she had for this music!
Is there anything else of Debussy playing? I'd love to hear more...
rachelfryer 6 months ago
gracias por esta joya. aunque se escuche apenas el piano del maestro que abrio la cabeza a un siglo de sucesores. ojala alguien la restaure algun dia y ponga esas teclas en primer plano, gracias una vez mas. hermoso regalo y sorpresa.
ricardo moyano
ricardo00004170 10 months ago
P. Verlaine's poem modified.
TheKsk1997 1 year ago
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@TheKsk1997
Ses soubresauts..., hoquets..., n'arrêtent pas Verlaine.
Ses plus exquis sonnets ? Mais... les plus mal tournés !
Soit vers, soit vin, soit vent, sa coupe est toujours pleine
Pour tous..., t....oups... y compris... ceux qui l'ont dans le nez
Eljke Baesz
HxhXnin9e 1 year ago
Un oiseau chante… Un merle… On ne l’entend qu’à peine…
Un premier merle au ciel prend des reflets de laine,
Tresse les bords du jour comme d’échos discrets…
Peu de lumière encor pour appuyer ses traits.
Nul messager que lui, pour cette entrée en scène…
Mais ces reflets, ce ciel… Un peu « façon Verlaine »…
floorembden 1 year ago
(II) La note fraîche, frêle, en perles d’eau s’égrène
Comme un ruisseau très clair longe un trottoir de grès.
Mais au moins lui, l’oiseau, peut vous parler de près…
Moi l’aube, moi l’aurore avive mes regrets
De ne pouvoir chanter qu’une clarté lointaine.
(anonyme)
floorembden 1 year ago
I wish Debussy had said something at the end.
Fuliginosus 1 year ago
It is a beautiful " voice " for Debussy's melodies ...
Virginielie 2 years ago
Debussy's post-romantic aesthetic shouldn't be understood to mean that absolutely no rubato should be used where appropriate. I think that the steady tempo in this song refers directly to its title, literally: "It rains in my heart". Rain, of course, comes down steadily, without rubato. On the other hand, Debussy is generally very specific in the instructions one finds in his scores and, not infrequently, he does invite a good deal of flexibility in the performance of his works.
Varese52 2 years ago
I'm confused, how can the soprano's voice be recorded with the piano roll?
demosj 2 years ago
This one is not a piano roll - it's an actual acoustic recording from 1904.
GeorgeEnescu 2 years ago
How wonderful it is being able to hear Debussy playing his own music! Thank you for posting this!
operagirl89 2 years ago 7
incredible
iiii1234567 2 years ago
Yes, what is described in your notes above is proved true in this recording and others. Debussy's music should not be played in an over-sentimental way. See how he keeps the beat going until the very end. Marvelous. a good lesson for the young.
cynic150 3 years ago
Cynic150
I agree totally with you about Debussy's music not being played over romantically. It is almost anti-romantic. And the same goes even more for Satie. Debussy always complained that his music was performed too loudly as well.
yearlings 2 years ago
Thank you, Thank you, Thank you!
I adore Debussy and it is just great to hear him playing.
MyMymble 3 years ago
amazing!
sofiaclassic91 3 years ago
just great!
sunlitporch 3 years ago
i love the songs of debussy!!!!
zafireh 3 years ago
It's worth noting that Mary Garden also created the role of Mélisande in 1902 -- at Debussy's insistance. What a perfect voice she had for this music!
Freotheric 3 years ago 2
She claimed he also declared to her he was in love with her. She said she wasn't physically attracted to him, and she was also fond of hiw wife Lili.
Soon after, he left Lili for Emma Bardac, the mother of his daughter ChouChou.
In the 1920's Mary Garden was the director of the Metropolitan Opera in New York.
She said the wax cylinders were horrible, they kept spraying hot wax everywhere.
MagiMysteryTour 3 years ago
Surely this isn't a piano roll but a wax cylinder??
ratisbon 3 years ago
Yes, this is one of the recordings I mentioned accompanying Mary Garden in 1904. The recordings are flat discs, not wax rolls, for the G&T company.
d60944 3 years ago
Ooohhh, I *love* this mélodie! Thanks for posting it!
dahnbi 3 years ago