Even if you dont know of Buddy Holly watch these clips and you will get to know what a great that he was, even the strongest will feel sad watching how 3 guys died so young. RIP
that should say : The hit version was put onto the "B" side of LFSTL; as a throwaway (Seeing as it had already bombed) so, figuring it didn't really matter (B sides were almost never played at the time); Buddy did the song the way he had written it in the first place, and TBTD went on to become Buddy's only #1 hit.
the first version wasn't heaps bad but clearly the official version is waaay better, its in a key that suits his voice, its faster, the recording is clearer, it has a decent intro riff, and it doesn't have that god-awful echo thing going on. I dunno what half those recording studio fellas were thinking back in the 50's. You often get these great songs by greats artists from back then the but mixing was usually terrible, by the early 60's there was a marked improvement with recording, i notice.
@hopop313 The producers at the Decca studios in Nashville were used to recording country stars and they just didn't "get" Rock 'n' Roll, so, they asked Buddy to countrify TBTD and made him sing in an unaturally high key[for Buddy] (Haznk Williams and yodelling were the trend at the time); the result was several songs that Decca put on the shelf, releasing them only after Buddy died. The hit version the "B" side of "Looking for someone to Love"; done the way Buddy wrote it , and became a #1 hit!
Thanks for posting , he was really too high pitch ( for buddy)at nashville , if was the fashion of the '50's to have the highest picth possible , ( i just remember the movie la bamba) I'm a big buddy holly fan and I didn't had that one yet I tought that I have them all
Very nice to hear! Thats the recording session where they did "Blue days, black nights" I believe! I love hearing Buddy play his leads, it's such a clean sound and you really appreciate the quality of the musicianship involved! Not many people these days do that anymore, it's how many bells and whistles can you put on my sound... By the way, todays date is 2/3/2010, rest in peace Buddy, Richie and JP!!!
He had great vocal range even though his voice was breaking up in the first version. That strain at the high notes can still be considered part of good Rock & Roll similarly to the Beatles version of "Twist & Shout" where John tears it up.
@nkerio Basically, the Decca version was done in Nashvile where they MADE Buddy sing in an unatural high pitched voice to appeal to their country music tastes...When Buddy remade the song at the Norvajack studios in Clovis, he did it his OWN way
@Shoknifeman Right on! The (latest) February 2011 MIX Magazine has a story of page 28 on "That'll Be The Day." There are photos the classic RCA 77 and 44 mics as well as the Ampex 350 recorder used in Norman Petty's Clovis NM studio. The article says that Petty brought demos to Murray Deutch who worked for Southern Music. In turn Deutch went to Bob Thiele at Brunswick, a subsidiary of Decca. It's a quite detailed story. Bob Thiele wrote a book about his career that I've read & another source.
Buddy's recorded conversation with the Decca exec is on YT somewhere. In that conversation he mentions that the Decca session was deemed a bad take. You can clearly hear that it's in the wrong key for his voice and that he is straining badly. He must have had a good producer for the hit version, which sounds like someone knew what they were doing.
Good story that goes with this. Buddy cut several songs for Decca, but Decca chose not to release. They screwed Buddy, basically, by signing him to a 5 year contract, then taking ownership of "That'll Be the Day".... So Buddy couldn't record it on any other label, right. Then Decca threw it in a vault, unreleased. Buddy was pissed.
Unbeknownst to Decca, Buddy re-recorded "That'll Be the Day" at a little studio in New Mexico. The HIT version. But Buddy still couldn't release it because of his contract with Decca. They would have sued him to DEATH. So, Buddy pulled a FAST ONE on Decca Records. He took his hit version to Brunswick Records (a subsidiary of Decca) and Brunswick went ahead and RELEASED the song. The HIT version. Yeah, Decca records was PISSED OFF, but WHO were they gonna sue? Themselves?? LOLOLOL
@ZeskoWhirligan Thanks, I didn't know anything about Buddy and the Brunswick and Decca Labels; I started collecting Hollies records while he was alive and they were all on the Coral label (now all sadly lost due to thieving bastards) and I'm always playing Buddy's songs today with just the same enthusiasm.
Back in the 1980's a company named "Asten" released the alternative version of "That Will Be The Day" on a cassette tape titled "Buddy Holly 23 All Time Greatest Hits" .
Wow, there aren't many people who remember that tape. It was "Astan 20125" from 1984 and it was released on both cassette tape and vinyl (The tape was black).
I remember it well because my friend Corey had it when we were kids in the '80s and he played the hell out of it until it was completely worn out. Then we could never find another copy of it anywhere; which sucked, because we loved the Decca version of TBTD, and other Buddy Holly tapes didn't have it...
The local "oldies" radio station didn't have it either, so it would be another 20 years or so until I could hear it again (thanks to the internet).
Unfortunately, Astan 20125 was never released on CD, but I did find a CD which has the Decca version of TBTD ("The Great Buddy Holly" MCAD-31037), and it is cheap, so I bought it.
I already had all the rest of the songs that were on Astan 20125, spread across various other Buddy Holly CDs. Plus I found a scan of the Astan 20125 tape case showing the song list/order. I thought it would be nice to hear Astan 20125 again, i.e., hearing all 23 songs in the order that I remember hearing them as a kid, and with CD sound quality. So I ripped all the songs I needed from my various CDs to lossless WAV files, and recreated Astan 20125 as a CD (and gave Corey a copy as well).
I still have the tape and it's in good condition . One thing that's puzzled me about that tape is that some songs have kind of a "bright" sound to them like "Dolby NR" was used while other songs on the tape sound normal .
Is your tape the old black version? The tape was reissued sometime in the late 90s, because I bought a new copy of it off the counter at a convenience store in 99 or 00 (I was shocked to see it there; I was just in there to buy a soda).
The tape was clear with cheap stick on labels and bad printing for the text of the song titles. I still have it, only played a few times, but I can't find the case to it; which sucks because I'd like to get a 1200 DPI scan of it to make a CD cover with.
It's the "black" version , but the silver colored print on it is kind of worn . Also I had to open up the cassette and tape it back to together once when the tape came loose from one of the wheels inside .
Even if you dont know of Buddy Holly watch these clips and you will get to know what a great that he was, even the strongest will feel sad watching how 3 guys died so young. RIP
kerrykokotis 4 months ago
that should say : The hit version was put onto the "B" side of LFSTL; as a throwaway (Seeing as it had already bombed) so, figuring it didn't really matter (B sides were almost never played at the time); Buddy did the song the way he had written it in the first place, and TBTD went on to become Buddy's only #1 hit.
Shoknifeman 5 months ago
smooth
05khanta 6 months ago in playlist ronnie wood collection 2
the first version wasn't heaps bad but clearly the official version is waaay better, its in a key that suits his voice, its faster, the recording is clearer, it has a decent intro riff, and it doesn't have that god-awful echo thing going on. I dunno what half those recording studio fellas were thinking back in the 50's. You often get these great songs by greats artists from back then the but mixing was usually terrible, by the early 60's there was a marked improvement with recording, i notice.
hopop313 8 months ago
@hopop313 The producers at the Decca studios in Nashville were used to recording country stars and they just didn't "get" Rock 'n' Roll, so, they asked Buddy to countrify TBTD and made him sing in an unaturally high key[for Buddy] (Haznk Williams and yodelling were the trend at the time); the result was several songs that Decca put on the shelf, releasing them only after Buddy died. The hit version the "B" side of "Looking for someone to Love"; done the way Buddy wrote it , and became a #1 hit!
Shoknifeman 5 months ago
great! thanks.
madagascarjoan 8 months ago
Thanks for posting , he was really too high pitch ( for buddy)at nashville , if was the fashion of the '50's to have the highest picth possible , ( i just remember the movie la bamba) I'm a big buddy holly fan and I didn't had that one yet I tought that I have them all
EdPernod 9 months ago
you can hear that he is strugglin in that key! I much prefer the original key!! Great post tho!! Nice hear a different version of a great song!!
imajeed2 10 months ago
I think i like this version better....
Kazak999 10 months ago
Comment removed
WillBanister2 1 year ago
Comment removed
WillBanister2 1 year ago
Never heard the first version before. Thanks for posting :)
Tjorvz1 1 year ago
Very nice to hear! Thats the recording session where they did "Blue days, black nights" I believe! I love hearing Buddy play his leads, it's such a clean sound and you really appreciate the quality of the musicianship involved! Not many people these days do that anymore, it's how many bells and whistles can you put on my sound... By the way, todays date is 2/3/2010, rest in peace Buddy, Richie and JP!!!
buddyhoot 1 year ago
very cool. i never heard this before.
PackedFunk 1 year ago
rip buddy holly
PackedFunk 1 year ago
Thanks.
BettyVanSneeIV 1 year ago
Got the 1st version on an LP called That'll Be The Day..on the Ace Of Hearts label.
seventiesclassic 1 year ago
Like that version just as well --- but the second version has a better tempo. No matter what -- he was a great talent!
luap123311 1 year ago
This is a keeper.rock! ,rock on!
2alleykat 1 year ago
he has such a wonderful voice he shouldn't have died
MegaZozo12345 1 year ago
He had great vocal range even though his voice was breaking up in the first version. That strain at the high notes can still be considered part of good Rock & Roll similarly to the Beatles version of "Twist & Shout" where John tears it up.
nkerio 1 year ago
@nkerio Basically, the Decca version was done in Nashvile where they MADE Buddy sing in an unatural high pitched voice to appeal to their country music tastes...When Buddy remade the song at the Norvajack studios in Clovis, he did it his OWN way
Shoknifeman 1 year ago
@Shoknifeman Right on! The (latest) February 2011 MIX Magazine has a story of page 28 on "That'll Be The Day." There are photos the classic RCA 77 and 44 mics as well as the Ampex 350 recorder used in Norman Petty's Clovis NM studio. The article says that Petty brought demos to Murray Deutch who worked for Southern Music. In turn Deutch went to Bob Thiele at Brunswick, a subsidiary of Decca. It's a quite detailed story. Bob Thiele wrote a book about his career that I've read & another source.
Glinkaism1 1 year ago
Buddy's recorded conversation with the Decca exec is on YT somewhere. In that conversation he mentions that the Decca session was deemed a bad take. You can clearly hear that it's in the wrong key for his voice and that he is straining badly. He must have had a good producer for the hit version, which sounds like someone knew what they were doing.
karlmahlmann 1 year ago
@karlmahlmann couldnt agree more mate yes
redfenderguy 1 year ago
great story, i guess Decca got theirs when they passed on signing the Beatles!
billny59 1 year ago
@billny59 true mate yes
redfenderguy 1 year ago
Good story that goes with this. Buddy cut several songs for Decca, but Decca chose not to release. They screwed Buddy, basically, by signing him to a 5 year contract, then taking ownership of "That'll Be the Day".... So Buddy couldn't record it on any other label, right. Then Decca threw it in a vault, unreleased. Buddy was pissed.
ZeskoWhirligan 2 years ago
Unbeknownst to Decca, Buddy re-recorded "That'll Be the Day" at a little studio in New Mexico. The HIT version. But Buddy still couldn't release it because of his contract with Decca. They would have sued him to DEATH. So, Buddy pulled a FAST ONE on Decca Records. He took his hit version to Brunswick Records (a subsidiary of Decca) and Brunswick went ahead and RELEASED the song. The HIT version. Yeah, Decca records was PISSED OFF, but WHO were they gonna sue? Themselves?? LOLOLOL
ZeskoWhirligan 2 years ago 5
@ZeskoWhirligan hahaha well said mate
redfenderguy 1 year ago
@ZeskoWhirligan Thanks, I didn't know anything about Buddy and the Brunswick and Decca Labels; I started collecting Hollies records while he was alive and they were all on the Coral label (now all sadly lost due to thieving bastards) and I'm always playing Buddy's songs today with just the same enthusiasm.
47Napper 1 year ago
I wonder what would have happened if he lived to team up with stevie ray vaughn? 2 Texas legends!!
bkgartist 2 years ago
BUDDY IS DA BEST! his singing is a little too high on the 1st version though. look 4 the early version of "maybe baby"
TheBobFiles 2 years ago
"girls call the shots... amen to that"
NoTimeLikethePast 2 years ago
I must say, I love the guitar solo a lot on the original version.
Disturbed4Eva10 2 years ago
The solo is exactly like the one in his song 'Ting - a - ling'
Chudyk1986 2 years ago
Back in the 1980's a company named "Asten" released the alternative version of "That Will Be The Day" on a cassette tape titled "Buddy Holly 23 All Time Greatest Hits" .
Warthog5050 2 years ago
@Warthog5050
Wow, there aren't many people who remember that tape. It was "Astan 20125" from 1984 and it was released on both cassette tape and vinyl (The tape was black).
I remember it well because my friend Corey had it when we were kids in the '80s and he played the hell out of it until it was completely worn out. Then we could never find another copy of it anywhere; which sucked, because we loved the Decca version of TBTD, and other Buddy Holly tapes didn't have it...
(continued below)
MaximRecoil 2 years ago
The local "oldies" radio station didn't have it either, so it would be another 20 years or so until I could hear it again (thanks to the internet).
Unfortunately, Astan 20125 was never released on CD, but I did find a CD which has the Decca version of TBTD ("The Great Buddy Holly" MCAD-31037), and it is cheap, so I bought it.
(continued below)
MaximRecoil 2 years ago
I already had all the rest of the songs that were on Astan 20125, spread across various other Buddy Holly CDs. Plus I found a scan of the Astan 20125 tape case showing the song list/order. I thought it would be nice to hear Astan 20125 again, i.e., hearing all 23 songs in the order that I remember hearing them as a kid, and with CD sound quality. So I ripped all the songs I needed from my various CDs to lossless WAV files, and recreated Astan 20125 as a CD (and gave Corey a copy as well).
MaximRecoil 2 years ago
I still have the tape and it's in good condition . One thing that's puzzled me about that tape is that some songs have kind of a "bright" sound to them like "Dolby NR" was used while other songs on the tape sound normal .
Warthog5050 2 years ago
Is your tape the old black version? The tape was reissued sometime in the late 90s, because I bought a new copy of it off the counter at a convenience store in 99 or 00 (I was shocked to see it there; I was just in there to buy a soda).
The tape was clear with cheap stick on labels and bad printing for the text of the song titles. I still have it, only played a few times, but I can't find the case to it; which sucks because I'd like to get a 1200 DPI scan of it to make a CD cover with.
MaximRecoil 2 years ago
It's the "black" version , but the silver colored print on it is kind of worn . Also I had to open up the cassette and tape it back to together once when the tape came loose from one of the wheels inside .
Warthog5050 2 years ago
Great find Jimmy... keep the music alive
Steve
Magnolia Gold Records
Home of the Legendary Delaney Bramlett
zbestwun2001 2 years ago
Great post Conejo! Thanks for sharing.
Papatorrejano 2 years ago
i love this song is so good for my school work thanksxxx
123456789tall 2 years ago