3. The guitar neck should rest against your THUMB, not against your palm! In the chourus your thumb looks like a skyscraper or something. No, but seriously, it makes it alot easier to play if you keep your thumb at the back of the guitar neck.
4. In the main riff, try altenate picking. It should remove the "sloppyness". The half struck notes that is. (Don't know how to explain it, hope you understand)
@imbaeric My guitar's neck is V-neck, which forces you to play thumb over neck. You are assuming I have a modern C-neck, which allows thumb behind neck. I enjoy the 50's-60's style of thumb over neck. Whichever thumb position you choose is preferential, one isn't innately better than the other.
Alternate picking is not meant for this style of riff. Strict down plucks create a more machinist, sterile tone because of the repetitive attack of the pick. The Metric guitarist is known
@imbaeric for his strict use of down-plucked notes on many riffs because of the uncomfortable nature it ads to the notes' attack. He recorded this riff using only down strokes.
I play sloppy but with intentional technique and specific purpose.
@imbaeric Some of my covers utilize backing tracks, others don't. The guitar part of this song is very unnerving and sharp, highly contrasting the rest of the instruments played. I prefer it alone without a backing track. The "tense" feel of my hands is intentional; I play the riff striking the pick at the opposite 45 degree angle towards the strings near the bridge to create a more erratic tone, just like the Metric guitarist does. The sudden, jittery fretting movements are for effect
@imbaeric The last thing you want to do is play the riff legato, with smooth transitions between notes. This riff is much more hectic and deserves some accentuated fretting movements.
@durff33 I play a MIM Strat, it goes out of tune after playing one chord because the nut was cut imperfectly, and the action's been ghetto leveled for no whammy use so either the G or every other string has to be out of tune to play chords down the neck somewhat in tune lol. I have a lot of issues with tuning and my guitar, thanks for pointing that out, though your "shame" comment is a little condescending.
buenisimo
sickmuse1 2 months ago
3. The guitar neck should rest against your THUMB, not against your palm! In the chourus your thumb looks like a skyscraper or something. No, but seriously, it makes it alot easier to play if you keep your thumb at the back of the guitar neck.
4. In the main riff, try altenate picking. It should remove the "sloppyness". The half struck notes that is. (Don't know how to explain it, hope you understand)
imbaeric 1 year ago 2
@imbaeric My guitar's neck is V-neck, which forces you to play thumb over neck. You are assuming I have a modern C-neck, which allows thumb behind neck. I enjoy the 50's-60's style of thumb over neck. Whichever thumb position you choose is preferential, one isn't innately better than the other.
Alternate picking is not meant for this style of riff. Strict down plucks create a more machinist, sterile tone because of the repetitive attack of the pick. The Metric guitarist is known
KarlMarkis 1 year ago
@imbaeric for his strict use of down-plucked notes on many riffs because of the uncomfortable nature it ads to the notes' attack. He recorded this riff using only down strokes.
I play sloppy but with intentional technique and specific purpose.
KarlMarkis 1 year ago
These are MY opinions on this cover.
1. I don't know how your other covers are made, but a good cover should have some sort of backing track.
2. How long have you been playing? Your technique look so tense, especially your left hand. Try and make smaller movements!
imbaeric 1 year ago
@imbaeric Some of my covers utilize backing tracks, others don't. The guitar part of this song is very unnerving and sharp, highly contrasting the rest of the instruments played. I prefer it alone without a backing track. The "tense" feel of my hands is intentional; I play the riff striking the pick at the opposite 45 degree angle towards the strings near the bridge to create a more erratic tone, just like the Metric guitarist does. The sudden, jittery fretting movements are for effect
KarlMarkis 1 year ago
@imbaeric The last thing you want to do is play the riff legato, with smooth transitions between notes. This riff is much more hectic and deserves some accentuated fretting movements.
KarlMarkis 1 year ago
your guitar is a bit out of tune man, shame
durff33 1 year ago
@durff33 I play a MIM Strat, it goes out of tune after playing one chord because the nut was cut imperfectly, and the action's been ghetto leveled for no whammy use so either the G or every other string has to be out of tune to play chords down the neck somewhat in tune lol. I have a lot of issues with tuning and my guitar, thanks for pointing that out, though your "shame" comment is a little condescending.
KarlMarkis 1 year ago
well done and well explained ... great video recording !
BlackWolfgang70 1 year ago
better cover than that douchebag fredline's! Cool effects and playing dude, I like the distortion ur getting. er... overdrive w/e
giantfruitapple 1 year ago
alwyays enjoy ur guitar covers karl, keep it man you can be in a band soon
MonkeyFartsForever 1 year ago
dun dun dun-dun DUN~~~~~~
I love that intro riff!
GuitarKarl1 1 year ago
fuck yea metric! woot sick muse ftw!
Lioncat2 1 year ago
Faved :P i like ur style dude, keep up the cool covers
gmsillfilms 1 year ago
Yes, thank you very good good bye :)(
Magicalhurray 1 year ago
you're wearing all red! your visual harmony makes you play better n' stuff. How did you get your tone neways it sounds like metric style sound
Magicalhurray 1 year ago
wow ur timing is pretty good, i like how it actually sounds like the recording! nice job broski, catch you on the flipside home boi
KarlTeachesGuitar 1 year ago
How did you make those effects in the middle, with the old school movie graphics??? its lokks the sick! Badass job dude (sorry for English!)
kbmarkis3 1 year ago
Lol love your fx. cool playing too, sounds like recording!
kbmarkis 1 year ago