After listening to this song for about a year, It still has the same quality that has made me feel overwhelmed with happiness and yet brings me to tears. Truly a fantastic piece.
In 1961, Spanish composer Joaquín Rodrigo's piece Invocación y Danza, dedicated to Alirio Díaz, won the First Prize at the Coupe International de Guitare, awarded by the Office de Radiodiffusion-Télévision Française (ORTF).
@Tamizushi Hi. No tremolo at all in Leyenda. A tremolo is played p-a-m-i (thumb ring middle index) and it takes a long time to develop. In some flamenco music it's p-i-a-m-i, an extra beat that's even harder to develop. In Leyenda - aka Asturias - the fast sections are p-i-p-m-p-i (alternating the i and m, although not all players do that). When it gets faster it's p-m-i. Tremolo is a distinctive sound and when played quickly and smoothly, ala Segovia in Recuerdos, the guitar sings!
@esnees123 the transition happens at 0:40 in John William's version of Asturias. If you listen for a few seconds before and after, you should notice what I'm talking about. Measure 25 of the music, if you have it or can find it somewhere.
you know I have been listening this song for over a month and I still get the urge to listen to it a few time a day. I'm simply in love with this song.
@Tamizushi it's called a tremolo. The iconic piece for a tremolo on guitar is Tarrega's Recuerdos de la Alhambra (which has a tremolo for the entire length of the song), but there's plenty of others. You might also want to check out Asturias (also called "Leyenda"). You can find both of these played by different great guitarists on Youtube.
@Tamizushi Glad I could help you find something you like. The tremolo is kind of subtle in Asturias... The faster (and first) part of the piece starts out with just alternate picking: the thumb alternates with just the index finger, so it's not a tremolo right off the bat. But, then the music transitions into a tremolo that's at a pretty high speed. When a good guitarist plays it, the transition is pretty smooth so it's easy to miss.
@Tamizushi Hi. No tremolo at all in Leyenda. A tremolo is played p-a-m-i (thumb ring middle index) and it takes a long time to develop. In some flamenco music it's p-i-a-m-i, an extra beat that's even harder to develop. In Leyenda - aka Asturias - the fast sections are p-i-p-m-p-i (alternating the i and m, although not all players do that). When it gets faster it's p-m-i. Tremolo is a distinctive sound and when played quickly and smoothly, ala Segovia in Recuerdos, the guitar sings!
@esnees123 The tremolo occurs during the fast open and closing sections. The first part is just rapid alternate picking, but if you pay close attention to the portion that has rasgueados, the B string is rapidly plucked in open position twice for every strike of the bass notes. This is the tremolo. It's easy to miss the transition because prior to the tremolo there's an alternation between open B and B one octave higher on the e1 string (7th fret), so the sound is very similar.
I had the pleasure of seeing Denis play this live in Dallas 2002, the recorded version on the "Denis Azabagic: Guitarra" CD plus all of the other compositions are a must have in the music collection.
it brought tears to me eyes...it's as if the extreme torment and suffering by Rodrigo is exemplified greatly in this piece. I'm imagining spirits, evil demons and imps going in circles, tormenting Rodrigo. I'm so glad that the classical guitar offered the perfect sonority
@ telephonemoose ... Another gem I've found for guitar is "Nunc" by Petrassi. Some guitar pieces like Ginastera's guitar sonata really extend the limits of what can be done on any instrument. Another is Kodaly's cello sonata. I have my ears everywhere. As a pianist I freely admit there are things that simply cannot be done on my instrument. For example, despite the fact Ginastera wrote 3 excellent sonatas for piano I still consider his guitar sonata the superior work.
buen guitarrista y exelente compositor joquin rodrigo, muy buena tecnica y demasiada limpieza, lo qe es slash jimy hendriks, buketed head, malsteen qiero ver qe toqe algo asi, sin espiga ni amplificador no pueden, acen cosas geniales en la electrica pero dependen de mucho el ampliy la espiga
la guitarra clásica y la eléctrica son dos mundos completamente diferentes. pienso yo que aquellos guitarristas de rock que nombras hacen bien su música, ellos por supuesto no podrían tocar guitarra clásica (bueno si, pero con dedicación un cierto nivel) pero tambien es viceversa la cuestión. Cada uno que siga dando lo mejor de sí en su instrumento:) que lo hacen muy bien.
This piece for guitar reminds me a bit of "Ver la Flamme" by Scriabin for piano. The tremolos, dissonant chords, extreme difficulty... The only thing about the Scriabin is there isn't the slightest trace of hope or optimism. So much for my naive impressions. I can with sureness say that with Rodrigo, Tarrega, Villa Lobos and the like, guitar players have no reason to envy other instruments. This piece just floors me. I had a similar experience when I first heard Ginastera's sonata opus 47
really not bad! Nice harmonic tone! I noticed a lot of people ply a Bb at 1:07 mark... is this a later revision rodrigo made? Cause mine's got B natch
It doesn't get much better than this...incredible clarity - technique and interpretation. I'm interested in the changes in the score from @ 2:14 to 2:20.
that change comes from De Fallas "omaggio"-sounds exactly the same like that piece starts-because "invocacion y danza" is "hommage" to De Falla and his only guitar piece
I've listened to this a lot, and I've read the score (quite a while ago. I'm nowhere near good enough to actually play it at all—and it is a bear to read!) and I'm thinking he lost track of it for moment but recovered pretty well. Please set me straight if I'm wrong.
Muy buen trabajo.
javierlopeztello 2 weeks ago
a master piece,a master playing
Encabronado27 2 months ago
Impresionante!!!!!!!!!!
jasarmy07 2 months ago
Nicely Done !!!
YManCyberDude 3 months ago
Nailed it !!!
YManCyberDude 3 months ago
OOOHHH!!! QUE BUENA VERSIÓN!!
javierespinos 5 months ago
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which version is this one??????
ipoodaily 5 months ago
SORPRENDENTE ¡¡¡¡¡¡¡
EXITANTE ¡¡¡¡¡¡
SUBLIME ¡¡¡¡¡¡
excelente interpretación ¡¡¡¡
gracias por subirlo
pbnotoriusguitar 6 months ago
Obviously you have very arrogant and stupid "opinions".....thanks for ah
guitarunner 6 months ago
way too fast imo, i think certain parts need to be given alot more time
Wheresmyaccount 7 months ago
Holy Fuc*ing Sh*t.
FatManLaughing 7 months ago 2
Impecable..un gran sonido... la mejor version que escuchado....Bravo
lalitotrovadoresco 8 months ago
Espectacular interpretación, la mejor versión de invocación y danza que he escuchado, Increíble este gran músico.
andresdavida 9 months ago
A M A Z I N G ! ! ! ! ! ! ! ! ! !!!!!!!!!!
FiatObscuritas 9 months ago
A perfect musical hierarchy realized - a guitar that is servant to Azabagic and Azabagic who is servant to Rodrigo.
dr0berts 9 months ago
Denis owns this piece!
classicalguitarist1 10 months ago 2
After listening to this song for about a year, It still has the same quality that has made me feel overwhelmed with happiness and yet brings me to tears. Truly a fantastic piece.
ImAMusician1 11 months ago 2
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For me, this is one of the best performance of this composition !!!
BRAVO DENIS !!!
dongiovani1985 11 months ago
sublime
floydsteaks 1 year ago
Amazing......
DrLuu1972 1 year ago
In 1961, Spanish composer Joaquín Rodrigo's piece Invocación y Danza, dedicated to Alirio Díaz, won the First Prize at the Coupe International de Guitare, awarded by the Office de Radiodiffusion-Télévision Française (ORTF).
cumanagoto 1 year ago
this guy has so transcended the piece....he doesnt even think of the technique.....his mind is dedicated to the emotions in the melody.......
despode 1 year ago
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@Tamizushi Hi. No tremolo at all in Leyenda. A tremolo is played p-a-m-i (thumb ring middle index) and it takes a long time to develop. In some flamenco music it's p-i-a-m-i, an extra beat that's even harder to develop. In Leyenda - aka Asturias - the fast sections are p-i-p-m-p-i (alternating the i and m, although not all players do that). When it gets faster it's p-m-i. Tremolo is a distinctive sound and when played quickly and smoothly, ala Segovia in Recuerdos, the guitar sings!
watch156 1 year ago
@esnees123 the transition happens at 0:40 in John William's version of Asturias. If you listen for a few seconds before and after, you should notice what I'm talking about. Measure 25 of the music, if you have it or can find it somewhere.
TheSqueej 1 year ago
@TheSqueej thanks for my misunderstanding. i used to think that tremolo was 3 strikes on a string then a bass note
esnees123 1 year ago
you know I have been listening this song for over a month and I still get the urge to listen to it a few time a day. I'm simply in love with this song.
Tamizushi 1 year ago
is there a name for the technique where he use 3 fingers to play a note and his thumb to play others notes on 4:20?
It gives the feeling 2 persons are playing. I wanna hear more like that.
Tamizushi 1 year ago
@Tamizushi it's called a tremolo. The iconic piece for a tremolo on guitar is Tarrega's Recuerdos de la Alhambra (which has a tremolo for the entire length of the song), but there's plenty of others. You might also want to check out Asturias (also called "Leyenda"). You can find both of these played by different great guitarists on Youtube.
TheSqueej 1 year ago
@TheSqueej Awesome! Thank you!! You made my day!
Tamizushi 1 year ago
@TheSqueej I hadn't realized Asturias was using the same technique, (I already knew the song) thank you for pointing that out.
Tamizushi 1 year ago
@Tamizushi Glad I could help you find something you like. The tremolo is kind of subtle in Asturias... The faster (and first) part of the piece starts out with just alternate picking: the thumb alternates with just the index finger, so it's not a tremolo right off the bat. But, then the music transitions into a tremolo that's at a pretty high speed. When a good guitarist plays it, the transition is pretty smooth so it's easy to miss.
TheSqueej 1 year ago
@Tamizushi Hi. No tremolo at all in Leyenda. A tremolo is played p-a-m-i (thumb ring middle index) and it takes a long time to develop. In some flamenco music it's p-i-a-m-i, an extra beat that's even harder to develop. In Leyenda - aka Asturias - the fast sections are p-i-p-m-p-i (alternating the i and m, although not all players do that). When it gets faster it's p-m-i. Tremolo is a distinctive sound and when played quickly and smoothly, ala Segovia in Recuerdos, the guitar sings!
watch156 1 year ago
Comment removed
watch156 1 year ago
@TheSqueej im just wondering... asturias has tremolo ?
esnees123 1 year ago
@esnees123 The tremolo occurs during the fast open and closing sections. The first part is just rapid alternate picking, but if you pay close attention to the portion that has rasgueados, the B string is rapidly plucked in open position twice for every strike of the bass notes. This is the tremolo. It's easy to miss the transition because prior to the tremolo there's an alternation between open B and B one octave higher on the e1 string (7th fret), so the sound is very similar.
TheSqueej 1 year ago
I had the pleasure of seeing Denis play this live in Dallas 2002, the recorded version on the "Denis Azabagic: Guitarra" CD plus all of the other compositions are a must have in the music collection.
montetx 1 year ago
Amazing version! Amazing tremolo, technique, musical options, etc etc...
brbosi 1 year ago
it brought tears to me eyes...it's as if the extreme torment and suffering by Rodrigo is exemplified greatly in this piece. I'm imagining spirits, evil demons and imps going in circles, tormenting Rodrigo. I'm so glad that the classical guitar offered the perfect sonority
spruceorcedar 1 year ago
Amazing!!!!
brbosi 1 year ago
this amazing ... i challenge anyone to find a more challenging piece played better ??
realmadridvideos 1 year ago
it's like he's become one with the guitar, as if it's a part of his body.
FrancisArief 1 year ago
Magnificent
amaterrapper 1 year ago
esquisito oir estas cuerdas en consonancia
TheLa440 1 year ago
The rest stroke low Ds starting at 6:13 sound like fucking explosions. Man this guy has a monster sound.
aclouti6 1 year ago 2
Maestroooo really one of the best performing ever of Rodrigo's Invocacion y Danza ...
FilipSrbija995 1 year ago
wow great performance!
....not to mention an unreal piece of music
Haigashod 1 year ago
Comment removed
uncloned21 1 year ago
Uno de mis guitarristas preferidos...
MrCabuki 1 year ago
i need a kleenex after that...and i don't mean i've been crying
sleazebee 2 years ago
haha
thejugglenaut91 1 year ago
este we toca bien cabrón
r0drys 2 years ago
NO ONE i can find plays this song as good as this version. Fucking amazing!
meeetthh 2 years ago 36
Try to find version by Jan Oberbek (Poland) on album from 80s "Hiszpańska muzyka gitarowa".
Although this version is really really nice. And luckily, no one is coughing on the audience.
szndm 1 year ago
@meeetthh
Try Antigoni Goni
Gregor847 1 year ago 2
check the Adriano del Sal version. it's better
Dreamdek 1 year ago
@Dreamdek no
TheGuitarMan009 1 year ago
IT'S BETTER
Dreamdek 1 year ago
@Dreamdek How is it better?
TheGuitarMan009 1 year ago
@meeetthh have you heard Denis' student Chaconne Klaverenga? She plays it better in my opinion.
BenjMB22 1 year ago
@meeetthh it's not a song, dude.
Estonianwoodsman 1 year ago
@Estonianwoodsman ha ha dude pleeaaase...
meeetthh 1 year ago
For me, this is one of the best performance of this composition !!!
BRAVO DENISE !!!
dongiovani1985 11 months ago 2
@ telephonemoose ... Another gem I've found for guitar is "Nunc" by Petrassi. Some guitar pieces like Ginastera's guitar sonata really extend the limits of what can be done on any instrument. Another is Kodaly's cello sonata. I have my ears everywhere. As a pianist I freely admit there are things that simply cannot be done on my instrument. For example, despite the fact Ginastera wrote 3 excellent sonatas for piano I still consider his guitar sonata the superior work.
jdbrown371 2 years ago
beautiful...
sosiofu 2 years ago
Magnificent, sensitive interpetation of one of the best pieces written for guitar. Bravo to composer and performer.
crizenik 2 years ago
Magnífico.
SoullessOpeth 2 years ago
nice performance
teynist 2 years ago
I love this piece, joaquin rodrigo was and amazing composer
the interpretation of denis is just perfect, nothing to say at all
muertabo 2 years ago 2
Bella y moderna obra del maestro Joaquín Rodrigo dedicada al maestro Alirio Díaz. Magnífica interpretación. Felicitaciones.
rolandonavarro 2 years ago
Zaista maistorski odsvirano!!! Bravo Denise.
5*****+
JBABICguitar 2 years ago 4
lindíssimo
rsinatra 2 years ago
buen guitarrista y exelente compositor joquin rodrigo, muy buena tecnica y demasiada limpieza, lo qe es slash jimy hendriks, buketed head, malsteen qiero ver qe toqe algo asi, sin espiga ni amplificador no pueden, acen cosas geniales en la electrica pero dependen de mucho el ampliy la espiga
guachufrein17 2 years ago
la guitarra clásica y la eléctrica son dos mundos completamente diferentes. pienso yo que aquellos guitarristas de rock que nombras hacen bien su música, ellos por supuesto no podrían tocar guitarra clásica (bueno si, pero con dedicación un cierto nivel) pero tambien es viceversa la cuestión. Cada uno que siga dando lo mejor de sí en su instrumento:) que lo hacen muy bien.
FiatObscuritas 2 years ago 2
he is my one of favorit players,that is good guitarist and more!!!!!!!!!!!!!!!!!
afbqeb 3 years ago 4
This piece for guitar reminds me a bit of "Ver la Flamme" by Scriabin for piano. The tremolos, dissonant chords, extreme difficulty... The only thing about the Scriabin is there isn't the slightest trace of hope or optimism. So much for my naive impressions. I can with sureness say that with Rodrigo, Tarrega, Villa Lobos and the like, guitar players have no reason to envy other instruments. This piece just floors me. I had a similar experience when I first heard Ginastera's sonata opus 47
jdbrown371 3 years ago 12
Great observations.
This is one of my favorite pieces for any instrument!
capnpayne 2 years ago
Your comment really made me chuckle!
Scriabin, whilst i love his music, always sounds to me as though he had forgotten to take his medication.
acorntechnique 2 years ago
thanks for this post. we guitarists always feel like we're missing out on the good stuff.
telephonemoose 2 years ago
That guitar is amazing, I love my Humphrey too! :) Great job.
Abs0lutGuitar 3 years ago
Do you know who one of Humphrey's greatest
guitar maker/mentors/influences is?
CarlosMacMartin 3 years ago
No, I don't know, but I could take an educated guess at a few.
Abs0lutGuitar 3 years ago
Eugene Clark in Tacoma,Washington is probably
the greatest luthier alive today.He also was
a tremendous help to luthier David Spink (AKA
David Rubio or Jose Rubio.
CarlosMacMartin 3 years ago
which guitar is he playing?
kuntakinte90 2 years ago
really not bad! Nice harmonic tone! I noticed a lot of people ply a Bb at 1:07 mark... is this a later revision rodrigo made? Cause mine's got B natch
jazzpsalti 3 years ago
It doesn't get much better than this...incredible clarity - technique and interpretation. I'm interested in the changes in the score from @ 2:14 to 2:20.
troy459 3 years ago
that change comes from De Fallas "omaggio"-sounds exactly the same like that piece starts-because "invocacion y danza" is "hommage" to De Falla and his only guitar piece
Staw 3 years ago
I've listened to this a lot, and I've read the score (quite a while ago. I'm nowhere near good enough to actually play it at all—and it is a bear to read!) and I'm thinking he lost track of it for moment but recovered pretty well. Please set me straight if I'm wrong.
watch156 2 years ago
@watch156
I think so too, at the beginning of the second minute. Someone set us straight if we're wrong. :D
Gregor847 2 years ago
Incredible Professor!
bradleyt1 3 years ago
Thank you so much for posting!
arash402003 3 years ago