Added: 4 years ago
From: cashmerequeen
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  • A powerful game and not comic play, I think she not overplays, it has evolved in these three characters and the narrator, she is a Goddess!!!

  • 3:52 Far toot xDDD

  • Here's a better quality version: watch?v=8noeFpdfWcQ

  • Wow! Jessye is TREMENDOUS! Her voice as a child is so heart-wrenching, and her Evil King is so scarrry!!! What a blood-chilling performance, not for children! BRAVISSIMA!

  • Comment removed

  • Schade dass die Qzualität dieses Playbigs so schlecht ist, aber wie Jessey die 4 Stimmen interpetiert - den Vater, den Sohn den Erlönig und den Erzähler ist wirlich von niemanden sonnst so unglaublich schön und eindrucksvoll gesungen worden. Diese Aufnahme sollte man aus Rücksicht an der Kunst jedoch besser löschen. Die Original Aufnahme erschiehn bei Phillipps.

  • Jessye Norman is unsurpassed. Stunning performance.

  • I truly didn't think that this piece could be performed well by a female vocalist.

    I was wrong! She's brilliant!

  • incrivel ela consegue alem de expressão corporal, facial e sentimental sem contar tecnica ela é simplesmente perfeita nas trocas dos 4 timbre Pai, Filho, Narrador e Erlkönig (Rei dos Elfos)

    incrivelmente perfeita

  • wow... she's the best! i also love her performance of "dido's lament" in dido and aeneas. is she performing this song in a 4-way movie screen projector? how do they create the blue background?

  • Damn, now that's a voice.

  • Jessye Norman has been the best German songs singer in America. Her German is perfect.

  • Oh my god. I've never seen as powerful performance of Erlkönig as this one. I usually detest singers/players who look overly emotional, but this performance completely brought me to my knees. Amazing facial expressions!

  • This just perfect. Her voice, her interpretation, how she changes her whole voice to suit the characters here.

  • In der Schule haben wir dieses Stück 6 Wochen lang analysiert und verschiedenste Vertonungen gehört. Gesungen haben es nur Männer. Das ist meiner Meinung nach auch gut so. Ich muss sagen, dass aufgrund der gesungenen Tonhöhe und übersteigerten Mimik die Interpretation des Werkes eher erheiternd als mitreißend war. Der Gesang klang stellenweise sehr gepresst, als koste das Singen viel Kraft. Schubert's Erlkönig-Vertonung sollte nur von Männern gesungen werden, bei Frauen klingt es nur lächerlich.

  • @LegolasArrow1 Sie haben das Lied angeblich zu Tode analysiert. Angeblich versteht ihr die deutsche Romantik nocht nicht. Der Goetische Tekst und die Schubertse Vertonung sind Hoehepunkte der Gattung des deutschen Liedes. Dass nur Maenner diese Lied interpretieren koennen ist natuerlich totaler Unsinn. Vergleichen Sie Heinrich Schlusnuss, Fischer Dieskau, Elly Ameling und Jessey Norman davon kann man lernen. Lieder soll man gefuehlsmaessig erfahren, Kunst kann man nie durch Analyse verstehen.

  • @LegolasArrow1 muss ja ne geile schule gewesen sein

  • This is seriously perfect. She does this song incredibly well

  • omg EXCELLENT

  • wow she has an AMAZING voice and the way that she can sing so deeply whilst still changing voices for the different characters is just phenomenal. i wish i could sing like that x')

  • @charisbearyay Yes. Lots of people would love to be able to sing like that including many opera singers even famous ones.

  • охренеть!

  • She is for sure one of my favorite singers who sang this song!!! Love her!!! =D

  • She is one of the worlds greatest singers.Growing up in Augusta Ga.a relatively small town in the American south,she has gone on to grace some of the great stages of the world.Learning to sing in French,German,as well as her native English,just that I know of.She even sang La Marseillaise at the ceremony for the 200 anniversary of the French Revolution in Paris,what an honor.As well as Georges Delerue's "Hymn to Liberty" with what I would call the voice of an angel.

  • I don't know about you, but i would get sick sitting in that thing.

  • Dar Ausdruck , die Intonation der Wechsel zwischen den Karakteren ist einfach mitreißend!Beeindruckend.

    superashii hyoujou

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  • warum hat es hier keine deutschen kommentare?

  • @tramkonto weil englisch die weltsprache ist und man sich für gewöhnlich im internet auf internationaler ebene auf englisch unterhält? wird es wohl das sein? nein?

  • @HolgerLovesMusic

    mag sein, denoch ist es ein deutsches gedicht das auch auf deutsch vorgetragen wird also ist meine frage meiner meinung nach berechtigt

  • this is a miniature opera starring an amazing woman who plays 3 male roles brilliantly.

  • !!! 

  • I love Jessye Norman! I was there in Paris in 1989 when she sang the Marseilles and made me cry. She was an incredible opera singer who could move you with the beauty and power of her voice. Stop criticizing her here. She sings this marvelously. She speaks German perfectly & has sung Wagner & Strauss German roles (Sieglende, Brunhilde, Kundry, Ariadne, Salome)...no one utter one bad word against her, she's a goddess of the opera...

  • @mayo0di0niero: Don't think about those people - they have never achived anything in life, therefore they have to talk like that. Jessye Norman is beyond any doubt anyway, but her German singing is very good indeed.

  • absolutely fantastic. i am learning to sing opera and i am a black woman. you racists out there, i will be singing in german, french and italian and i will be posting myself all over youtube. and you may call me whatever the hell you like.

  • I think this is fantastic. HOWEVER -- as ever, the pianist not only is not shown, but is not even named! This is one of the most difficult vocal accompaniments, which takes an amazing piano technique to master.

  • Listen to countertenor David DQ Lee sing this, he is AMAZING!!!!!!!!

  • as a German speaking person who has no problem with understanding this text, thanks to school also know that poem still by heart, her facial acting is actually quite fitting. I enjoyed watching and listening to her very much.

  • @Sechmut though I don't speak German, I have read the translation of the poam, and you are more then right... her facial acting - though a bit spooky ;) - are very fitting.

    and really, wow... just... wow.

  • @Sechmut Are you American or Canadian? I ask because I thought that this wonderful langauge was no longee taught out side of maybe a few elite research universities. I was blessed enough to have an expert German teacher in High School here in Southern California, of all places, and she taught us to enjoy the language of Goether and Hayek and Freud.

    The German language is great and I am glad to see other people from the Anglophone who have learned and enjoyed this very rich and deep tongue.

  • @Rexanglorum I am a native speaker.

  • @Rexanglorum You would be surprised. In Montreal, i have german classes. And my teacher is coming from Germany. He is a pretty good teacher.

  • @Sechmut I study german and i understand too... But we learned this text... IN MY FRENCH CLASS!!! That's pretty strange...

  • EXCELLENT one of the best renditions I have heard. Makes me think of Grace Jones' Corporate Cannibal... :D

  • ever since i heard this in my music class i loved it, its even on my mp3 cause it tells a dramatic but sad story of a boy dying and seeing this demon who is trying to lure him into the darkness of death but the father is trying to console him even though he does not see what the boy sees, it really makes me feel all those things, fear, sadness, sympathy, even the demons sly conning ways. trying to make the boy feel like where he is going will be great with everything he has ever dreamed of

  • @nikamaal I just like it because of the music. It has some pretty cool progressions.

  • Wish they would have shown at least one shot of the pianist in this! It's such a grueling part!!

  • what a precise pronounciation, I'm impressed.

  • grandiosa!!!!!

  • She is acting three dramatic parts! As the accompaniment suggests--the song involves horror and consoling, etc. Fabulous interpretation!!! Incredible technique.

  • @Techmaninoff What are you, 12?

  • it's nothing but the gag

  • I love her voice, and her expression; the wild camera and distracting background I really would rather have done without.

  • i didn't think a woman can embody the intensity of this piece, but she proved me very wrong.

  • I tend not to enjoy performances of Erlkönig that are dry and sung with the passion of a Borg Aria (sorry for the bad reference, but I couldn't think of another way to say it.) I enjoyed the multi personality disorder! :) The facial expressions really helped to tell the story. Unfortunately, I can't say I had an appreciation for Peter Kogler's "contribution." but, thanks for the post, Cashmerequeen!!!

  • thats so cool its like she has multi personality disorder

  • she looks like she is having a stroke

  • wow incredible

  • great voice!

  • Beautiful Voice... Bravo!!!

  • gross

  • Beautiful rendition, all the characters and emotions are very well portrayed. She is such a beautiful woman and a great actress, too.

  • Sie singt ein gutes Deutsch und entwickelt am besten die romantike Tragoedie,die das Lied bedeutet.Meisterwerk.

  • ALIEN!

  • Wow her range is impressive.

  • @mtotheHo sure it's "just enormous " :)

  • damn that lady is ugly. good job though

  • Yup, anyone who thinks this is overdone does not know what it means to be an artist, with perfect diction, with perfect expression, who is perfectly interpreting a magnificent work and pulling out all the stops - no inside the box performance here. Brava brava - viva Jessye!

  • Some people here are overreacting about her overacting...

  • It is a story of a boy dying with fever and his dad is holding him while riding on horseback to get him medical attention but while riding the elf king comes and tries to persuade the boy to come with him (the same as telling someone to go towards the white light while they are dying) by telling him all these glorious things but the boy does not understand. The boys father tries to tell him everything will be ok. By the time they arrive at the courtyard the boy has died.

  • She plays the three different characters SO well- she's amazing!

  • @xoxoMandieRosexoxo

    four actually: Erzähler, Vater, Sohn and Erlkönig :)

  • @xoxoMandieRosexoxo Make that four different characters. Remember the narrator, a sort of Shakespearean chorus setting the scene and explaining what happened after the Erlking touched the child.

  • voll gut! :)

    

  • I think her "dramatic" acting style is in aid of the fact that this song was intended for a baritone voice, which lends itself to various timbres, tessituras and dynamic levels to great effect. Jessye Norman has a superb voice and range, but lacking the male falsetto and deep chest voice of a bass/baritone, she is making this song her "property" by working the drama. It was very convincing for me...

  • She's great, it's this video that's terrible.I mean, c'mon, you can see the camera crew the whole time, and what's with the background? I love her voice, though!

  • I'm not crazy about her German, but her voice is simply majestic!

  • My son had to analyze this in music theory class. Aren't you glad you asked.

  • She knows what she's at, folks.

  • she did a superb job!

  • People who think it's 'overacted' need to understand this masterwork of German literature was written in a time when you could only perform by daylight or torchlight in mirrored sconces. There were no microphones. There were only even opera glasses for the well-off. To get the story and characters out, they use operatic singing, which is by nature 'big' and loud. Also, some of that style is called 'melodrama'; that wasn't always just a thing to insult someone with for their histrionics.

  • Jesse Norman's performance of "Das Erlkonig " is one of the finest performances of "Das Erlkonig" I have ever seen or heard. It is ideal that she is an opera singer so that she could bring out the 4 roles that she must sing. Most people forget that this is one of Schubert's most dramatic lieders. It is really the equivalent of an operatic aria without the costumes and scenery. E. Harrison Gordon, Nubian Conservatory, Brooklyn,N.Y.

  • A great performance!

  • @sweetestcandy083109 I complete agree with you and @babs22h she's portraying 3 roles in one song one being a goblin, one being a father trying to save his dying son and the other a child hysterical from fever. The whole situation is pretty dramatic!

  • @cerabeara26 It wasn't hysterical fever... demons of the knight stole the childs soul and his father didn't listen to him because he wasn't superstitious

  • @baroh2413 The text doesn't outright say it was a hysterical fever, but look at the lyrics. The father is racing to town on a horse, and the son is saying all these really weird things, about seeing the goblin king, and his offers to come with him, and the father telling his son that everything is fine. The father isn't just out for a stroll, he's rushing to a doctor because his son is so sick that he's seeing a monster, when they get to town, it's too late - the kid died of the fever.

  • @LiliKoblentz I know... it's a classic theme in psychological horrorstories. Are there supernatural powers at stake or is it the human mind? In this case: is it demons of the night or is the child hallucinating because he is dying? or is it both? (Paranormal Activity, Anti-Christ, Don't Look Now, The Haunting etc)

  • Video 8noeFpdfWcQ

    shows the same clip from the portrait by André Heller, but in good quality.

  • Sound and video quality are deplorable, and serve Jessye Norman and her music badly.

  • Story:

    A little boy is sick, his father carries him on his horse. The son imagines he sees the "erlking", a spirit with a cown and a tail.

    The father replies just a shadow. When we get home, we will play games. Father, do you know what the erlking is saying? Calm, says father.

    My daughters will rock you to sleep. My father, do you not see the erlkings daiughters? I do. They are the willows.

    My father he's grabbing me now. He holds the moaning child in his arms. The child dies.

  • Very nice performance. Fascinating indeed. I like her dramatic rendition very much. As for overacting, if one does it as superb and true to the text and the music as she does it here, it is not just commendable but obligatory. The music is extremely dramatic and the story is supernatural but also tragic.

    The video, however, is rather hideous. The background is ridiculous and the constant shaking of camera is positively distracting. Pity.

  • She does the "characters" so well!! She is outstanding!!

  • She's crazy good!!

  • Let's all just enjoy the piece as it was intended. No arguments.

  • @Thedrewsiff Then you'll have to look for another video, because this song was intended to be sung in G minor, and not in F sharp minor as in this video.

  • @ LordPlucky : Ah ! That's it ! Thank you for explanation. Now it's getting clear to me. You must be a true authority !

  • Every pianist who plays this f***ing octave study would sing the last phrase as "Das Kind und meine Arme sind tot !"

    Anyway, a great perfance, what else ?

    Why is there no poor pig at the piano visible ? What are over-paid singers without muchly under-paid and not bold-printed pianists who play such stuff for them ?

    The world is NOT fair !

  • @Mezzopianofortist

    Number of pianists that can play this piece: Somewhere in the thousands

    Number of singers who can sing it like it was meant to be sung: Somewhere in the dozens

    circle takes square, you lose

  • this is too funny!

  • shes one of the best female opera singers in the world

  • WHAT IS WRONG WITH U PPL gosh its a performace i dont see yall doing this

    this woman as talent real talent look doesnt have ANY THING TO TO WITH IT

    black or white American or german GENEDER male or female...Shit ppl make

    me sick sometimes

  • What's wrong with her ? She looks possessed... And this song is supposed to be played by a man

  • Its hilarious reading peoples' comments about her performance being "overacted" and "overdramatic". The story she is retelling is FANTASTIC in nature.... it IS an odd/remarkable tale! Her acting SHOULD be heightened in my opinion... shes not singing about daisies and pretty spring days... Shes expressing the horror of a child that does not understand why or how this goblin is talking to him... How scary that would be for a child? For anyone? I think her acting is spot on...

  • @Babs22h I agree completely, maybe they don´t have a clue, what this is about. She is one of the best interpreters of this song ever.

  • @Babs22h I agree....especially when you know the story behind the music. She acts out every character very well both physically, emotionally, and most importantly, vocally! i love Jessye!!

  • @Babs22h I can't agree more!! Her acting is superb! Even if you don't understand the lyrics you can definitely tell the difference between the characters and their emotions! You can always tell who she is at that moment!! Her emotions and actions relay the feeling and emotion to the audience!

  • @Babs22h You're right, this piece is over-the-top by definition! You can't overdo it!

  • @Babs22h I so agree with you. She expresses the story and feeling perfectly. Why should one always be beautiful? It doesn't matter that she may not have a particular pretty face or something like that (with which I don't agree btw), she's an amazing performer.

  • @Babs22h it is her interpreation that is hilarious. this is lied and not opera, without a scene.E.G her expression right at the beginning "es ist der vater mit seinem kind" is already completely overdone, she's saying "it's the father with his child".means she is just telling who the protagonists are. theres no reason to put as much emphasis in that as if it were just as dramatic as the ending, where one of the protagonists dies. if i'd see her doing this in concert, i'd burst out in laughter!

  • She belongs in a clinic for overacting.

  • @failsworthpole And you have authority on this subject because why?? Her acting is a fantastic testament to her true understanding of this INCREDIBLE story. Really....its fantastic!

  • Is that the lady who pops her eyes out from Guiness World Records?

  • Total Recall

  • Total Recall

  • great !! one of the best exentric person opera singer

  • what for a wunderfull voice!!!!

    =)

  • She should concentrate on singing and not on overacting. Horrible!

  • she is fantastic!

  • I don´t like the "mise en scene" very much, but Jessye Norman´s interpretation of the different characters in this song is outstanding!

    It´s a Great Pleasure to hear her also performing other German Songs. Her "Im Abendrot" from R.Strauss -4 last songs, is to my taste and view hardly to top....

  • This is not a good version - Erlkönig is not conform with a women´s voice - in her face, her moves .... uäh, i hate this. Looks just stupid. I get sick of that.

    Horrible interpretation. When she looks into the cam at 3:05-3:20 ... Jesus, that looks so ... she should concentrate at singing, WITH FEELINGS, that are conform with the Text!

  • she looks like a damn alien with a wig

  • wooooow... she is just the best...

  • @Kyrios79 She's one of the most brilliant opera singers ever!

  • Amazing voice though scary facial expressions. The only way i can listen to it is if i dont watch. I wish i had her voice though. Very great

  • - Der Höhepunkt "Erlkönig hat mir ein Leid getan" kommt hier gar nicht rüber, nicht die geringste Gänsehaut. Anstatt die Finger zu verkrampfen sollte sich die Dame lieber auf das Singen konzentrieren.

  • Die Version von Dietrich Fischer-Dieskau ist um Welten besser! - mir wird auch eher übel wenn ich die Grimassen sehe und den drehenden Hintergrund.

  • racists GTFO

  • great voice.

    but it looks like she doesn't understand what she is singing sometimes...

    e.g. dramatic face when she sings "i love you"

  • Beautiful performance, Though she‘s American her pronunciation is perfect !

  • @ttoby12

    ^ This.

  • @ttoby12

    -.- I wish the racists on youtube would stay on the racist videos and leave the music videos alone.

  • @ttoby12 Even if, better uglyness outside, than depravity inside. I really was doubting if I should pay attention to you post. The kind of your ppl polarize too much, and I gues that's what keeps you alive.

    The video is beautiful. (but the background isn't well chosen in my humble opinion^^)

  • That was possibly the scariest thing i've ever watched...the eyes.....THEY'RE GOING TO EAT ME

  • Beautiful woman and great performance.

  • Grandios, habe die 4 Personen noch nie so gut umgesetzt gehört! Wunderbar, wie diese Frau dies hinbekommt.

  • I love this video

  • amazing vocal range is no lie

  • Ihre Mimik jagt mir Angst ein .. Trotzdem sehr schöner Gesang!

  • Demon...

  • she looks like an erlking :D

  • She is so amazing. Not only is she pedagogic perfection, but her characterizations are so clear and spot on. She already has the crazy eyes that are perfect for the erlkonig. CRAZY EYE!

  • most awesome but her expression kinda scary, i guess close ups were never really made for things that were suppose to be sung on stage

  • Am I the only person who thinks her voice totally does not match her looks? Amazing range though. Not many people can differentiate the characters of the song as effectively as she does

  • Mais génial! Point! AV

  • thought that was a man

  • @DanielSahne You are an idiot. How dare you insult such an amazing Talented beautiful women. You can Rot in hell for that comment.

  • @DanielSahne You are truly an idiot. You watching such a great performer and can't think of anything more intelligent to say than that?

  • actually its a lied, lieder is the plural hahaha ;)

  • She speaks fluent German.

  • Tolle Sängerin keine Frage, auch die Aussprache finde ich phänomenal gut. Gestern kam im WDR eine Dokumentation über sie, sehr interessant.

    Was mich jedoch stört ist die Tatsache, dass bei allen Videos mit solchen Rauminstallationen jede Spur vom Pianisten bzw. Orchester fehlt und noch nicht mal der Name des grade bei Schubert unglaublich wichtigen "Begleiters" angezeigt wird, es handelt sich hier um Kammermusik, das Zusammenspiel ist enorm wichtig, auch bei einer solchen Berühmtheit.

  • She's great as the little boy, very good as the father, but the fairy king isn't beautiful enough -- he needs to be simultaneously charming, seductive, fascinating, and brutal. That's what makes hte song so great. Kipnis and Fischer Dieskau are really good at the king, esp Kipnis, who bares his fangs at "so brauch ich Gewalt."

  • How is SHE able to do this ...

    German is not her language ...

  • she sings Wagner all the time... wtf do you mean German isn't her language?

  • In fact she has a bad pronunciation. Listen to Fischer-Dieskau, he is one of the best (my favourite baritone) singer.

  • ohhh, It's so amazing

  • der akzent xD

  • This hurts my eyes and i can't take her seriously. But she does a good job of sounding like a father.

  • She sings it well - she's good at getting the child's terror across - but the fussy staging and direction in this intensely dramatic song are unnecessary. Well sung (and accompanied) this song needs nothing beyond itself.

  • OooooOooooOooohhhh

    very dramatic, good voice!

  • @ttoby11 scum

  • gruselig und dramatisch soll es doch auch sein, bis jetzt ist sie die beste Sängerin, sie bringt es einfach perfekt. Alleine schon die einzelnen Rollen die sie identisch interpretiert. Einfach genial.

  • 3:05-3:20 makes me laugh every time I see it, it's so over dramatic xD

  • lol

  • the singer Erlkönig itself --;

  • My apologies to Ms. Norman - she is a fine singer. yet this piece...not only is it a man's piece, but to me, it is Dietrich Fischer-Dieskau's piece.