Now THIS is great singing.......no shouting, no manufactured tone, or artifice, simply a sincere unfussed performance of a beautiful Neapolitan song, brought gloriously to life by the unhurried thoughtfulness of a fine musical intelligence infused with warmth, dignity and humanity. Thank you for this posting.
This is the best rendition I ever heard. De Lucia is truly unsurpassable, especially for his "pianissimo", so wistful and tender. But I have my doubts about the speed at which the old 78rpm has been remastered. Here his voice sounds almost baritonal. De Lucia 1902 version with piano accompaniment (G&T) is even better.
GERARDO ~ I am a singer who has admired de Lucia for years, his amazing diminuendo effects included, and now this recording ~ one of his most heart-breakingly beautiful! An artistic video too ~ Bravo!
Dilucia was a great singin teacher -the greatest french tenor georges Thill was one of his pupills-he is a tenor digracia like alessandro bonci and anselmi
it is possible that the difference in pitch is due to the recording techniques used in the period. But ive heard many tenors in that age transposed the music so it was suitable for theyre voices. Notice the vibrato used for singing that it was often abused. Caruso changed all that.
Well Caruso had a wonderful vibrato too, and it's no accident that he and De Lucia admired each other very much, so much so that De Lucia sang at Caruso's funeral in Naples. I think the real difference between them is not so much one of technique as of style - to listen to De Lucia is to hear the last echoes of 19th Century Bel Canto.
It is a very interesting exercise in comparison to listen to this and then go over to the sidebar and listen to Caruso do the same piece. They are very different. I won't express an opinion, except to say that we are dealing with two very different kinds of vocal and artistic temperament. Fascinating.
A remarkable recording. De Lucia reputedly chose, or perhaps was compelled, as he aged to transpose much of the music he sang to compensate for the loss of some higher notes, and there are also some recordings that seem to have been affected in pitch by playback at speeds other than those of the original recordings. This is so different from Caruso's version of 1913. Does anyone have a recording date for it, please?
Ma bisogna averne cuor...mglio...core!!!!...per capire....Da piccina,mi chiamavano alcune vole Nennella....Mo non cchiù......Non pò campà ....è molto lu che chiagne il mmio core pe te...
is this italian? can someone tell me what the song is about??
pomonasfruit 2 weeks ago in playlist Favorite videos
De Lucia, uno stupendo strumento vocale emesso con una raffinatezza fuori dal mondo.
Uno fra i più grandi esempi artistici della Napoli che fu.
DonnaSilvia 2 months ago
Un angel canto en la Tierra !!! Maravillosa voz.
jbmw25 1 year ago
Que maravilla escuchar estas melodias en la voz de un cantante superior.
alragarp 1 year ago
Now THIS is great singing.......no shouting, no manufactured tone, or artifice, simply a sincere unfussed performance of a beautiful Neapolitan song, brought gloriously to life by the unhurried thoughtfulness of a fine musical intelligence infused with warmth, dignity and humanity. Thank you for this posting.
keenaussie 1 year ago
E pensare che era un mio prozio e non ne sapevo nulla fino a pochi anni fa....porto lo stesso cognome infatti..
Nayke87 1 year ago
Buen dìa,
Seria posible escribir todo el testo ?
Gracias
Laribur
Laribur 2 years ago
Fenesta ca lucive e mò nun luce
segn' è ca nenna mia stace malata.
S'affaccia la surella e me lu dice:
"Nennella toja è morta e s'è atterrata.
Chiagneva sempe ca durmeva sola
mò dorme cu li muorte accumpagnata."
horowitz109 2 years ago
This is the best rendition I ever heard. De Lucia is truly unsurpassable, especially for his "pianissimo", so wistful and tender. But I have my doubts about the speed at which the old 78rpm has been remastered. Here his voice sounds almost baritonal. De Lucia 1902 version with piano accompaniment (G&T) is even better.
Thanks for sharing.
horowitz109 2 years ago
You are right - De Lucia was baritonal but not a bass. Michael Henstock choses this key - a semitone too low in many people's opinion (and mine)
Isidore98 2 years ago
Glorious! Bravo maestro!
paulostroff99 2 years ago 2
GERARDO ~ I am a singer who has admired de Lucia for years, his amazing diminuendo effects included, and now this recording ~ one of his most heart-breakingly beautiful! An artistic video too ~ Bravo!
~ ANDY
andyrawn 2 years ago
Lo mas triste y sentido de la canción napolitana.... pero porqué con dos letras ?
1943anibal 2 years ago
Incroyable! Je n' ai jamais entendu de perfection semblable.
diadm2 3 years ago 2
Bellísima y tristísima canción. Si, es la mas triste de todas las canciones napolitanas
jorge15359 3 years ago 2
COME É BELLA QUESTA CANZONNE
pinescar 3 years ago
grazie per questa bellissima canzone
mario
ANTICHITASCIPPA 3 years ago
formidable y el video precioso, romántico, imágenes potentes y dramáticas soy realizador de cine y me quito el sombrero
ildemart 3 years ago
E' la piu triste di tutte le canzoni napoletane.
Thanks
Cantachepassa 3 years ago
The greatest tenor ever! Listen to this, tenors of today and learn from him. La gloria d´Italia!
Dekyi1210 3 years ago
do u know delucia was the most record artist of the time,from memory around five hundred recordings and half a dozen complete operas.
also when delucis first heard caruso sing he was outraged by his style and artistry.
hobo197 4 years ago
Dilucia was a great singin teacher -the greatest french tenor georges Thill was one of his pupills-he is a tenor digracia like alessandro bonci and anselmi
alainwilliam 4 years ago
it is possible that the difference in pitch is due to the recording techniques used in the period. But ive heard many tenors in that age transposed the music so it was suitable for theyre voices. Notice the vibrato used for singing that it was often abused. Caruso changed all that.
BARREDA1976 4 years ago
Well Caruso had a wonderful vibrato too, and it's no accident that he and De Lucia admired each other very much, so much so that De Lucia sang at Caruso's funeral in Naples. I think the real difference between them is not so much one of technique as of style - to listen to De Lucia is to hear the last echoes of 19th Century Bel Canto.
rm946 4 years ago 2
It is a very interesting exercise in comparison to listen to this and then go over to the sidebar and listen to Caruso do the same piece. They are very different. I won't express an opinion, except to say that we are dealing with two very different kinds of vocal and artistic temperament. Fascinating.
stefakamelpash 4 years ago
A remarkable recording. De Lucia reputedly chose, or perhaps was compelled, as he aged to transpose much of the music he sang to compensate for the loss of some higher notes, and there are also some recordings that seem to have been affected in pitch by playback at speeds other than those of the original recordings. This is so different from Caruso's version of 1913. Does anyone have a recording date for it, please?
noappol 4 years ago
Sensational. The best. I heard DiStefano doing DiCurtis songs, but this is even better. Also, thanks to my TristeNinotchka for forwarding! Mi Amore!
sagalat 4 years ago
What a sad and beautiful song.The sound is surprisingly good for such an old recording. Che bella canzone napolitana! Grazie mille for posting it.
CraigFrancisSoto 4 years ago
I love this and the video is hauntingly beautiful!!!!!!
Thank you. --Bill
bmcneese45 4 years ago
Ma bisogna averne cuor...mglio...core!!!!...per capire....Da piccina,mi chiamavano alcune vole Nennella....Mo non cchiù......Non pò campà ....è molto lu che chiagne il mmio core pe te...
ankhsnammon
Ankhsnammon 4 years ago
Dimenticavo, bellissimo il video con la storia.
canegrace 4 years ago
la canzone napoletana classica al meglio.
canegrace 4 years ago
es verdad es una hermosa cancion napolitana
iusmike 4 years ago
E' bella a'canzona napulitana! E' o'vero o'no!?
GionataOLione 4 years ago